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Techmeme -
11 hours and 57 minutes ago
Amazon:
Introducing “Kindle for Mac” — the Free Application for Reading
Kindle Books on the Mac, Now Available in over 100 Countries — Read on Your
Kindle, Read Some on Your iPhone, and Now, Read Some on Your Mac - Read Wherever and Whenever You
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|
Forbes.com: News -
5 minutes ago
Economist Joseph Stiglitz offers his advice for cleaning up the Federal Reserve.
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Techdirt -
10 minutes ago
I've spent the last few hours going through the motions for summary judgment from both Google and
Viacom in the YouTube case. If you'd like to kill a few hours yourself:
There are few surprises made in the basic arguments by both parties. Viacom claims that
YouTube knew about infringing content and should have taken it down (and that Google knew about
this and then continued with that policy). Google claims that it's clearly protected by the DMCA's
safe harbors. There are some interesting things raised in the filings however:
- Viacom claims that YouTube employees uploaded infringing content themselves, and discussed
this over email -- though, the filings carefully provide only fragments of the emails, which
could easily have been taken out of context. And, even on top of that nowhere does Viacom explain
how YouTube employees could distinguish which content was actually infringing and which was put
up for promotional purposes or what was fair use. This is a major weakness in Viacom's motion.
- Viacom's secondary arguments get weaker as you go down the list. It argues that because
YouTube uses advertising to make money, that shows the company directly profits from
infringement. That argument makes no sense -- because it would effectively wipe out any safe
harbors for any commercial operation, which clearly was not the intent of Congress. Based on
this argument, any ISP that hosts content from a paying customer loses its safe harbors. That's
ridiculous on its face.
- Viacom argues that Google could have blocked uploads with fingerprinting technology it had
licensed, but fails to note the massive weaknesses in those fingerprinting technologies (which we
still see thanks to Google's bad automated takedowns). It tries to bolster this argument by
saying that Google refused to use the fingerprinting on Viacom content unless Viacom
agreed to license its content to YouTube. Perhaps there's more to it than this, but I think
that's also taking Google statements out of context. The way the fingerprinting works is that
Google would need copies of the content to be able to recognize them -- and the only way to do
that is if Viacom licensed works to them.
- Then the arguments get really weak. Viacom says that Google isn't just a secondary infringer,
but a direct infringer, due to the terms of service that say you're granting a license to
YouTube, and because to work, YouTube converts uploaded video to Flash. This is a weird legal
argument that has been rejected before.
- The crux of Viacom's argument rests on trying to break the DMCA safe harbors because Google
and YouTube execs knew that there was a lot of infringing content on the site. But Viacom's
argument breaks down entirely when you realize it doesn't explain how Google could ever make the
actual determination of which videos are infringing. Viacom tries to get around this with some
legal tap dancing, basically saying that it doesn't matter and Google just should have known what
was infringing and what was not. But that makes no sense. Viacom is basically saying Google
should have had a magic wand to figure out what's infringing and make it disappear. That's
impossible. No law could possibly require Google to do the impossible. The fact that some of the
videos Viacom sued over were uploaded by Viacom itself proves this point clearly.
- Viacom argues that because YouTube "licensed" its videos to Apple and Verizon Wireless
phones, it shows that it's more than just a passive service provider. Again, this seems like a
weak overall argument, as what YouTube was doing was licensing access to the videos in a more
convenient format, not claiming control over the videos themselves.
- Viacom's lawyers also have a bit of fun at the fact that some old emails relevant to the case
were deleted, even though it's not that ridiculous that not everyone keeps all their emails. The
motion also mocks Google and YouTube execs for developing "serial amnesia" when presented with
"evidence." But, again, Viacom was asking people to remember specific sentence fragments
(potentially taken out of context) from years-old emails.
- The "big surprise" in the Google motion is that Viacom apparently tried to buy YouTube
itself. While interesting as a historical nugget, I'm not really sure that really helps the case
one way or the other. It doesn't change how Viacom may have viewed YouTube as a platform. The
attempted purchase may just have been a way to try to co-opt it into a limited platform, like
what happened with Napster.
- Google argues that it has gone above and beyond the DMCA's requirements in providing tools to
help copyright holders. Viacom's counter argument, of course, is that those changes are more
recent.
- For every claim made by Viacom that Google/YouTube execs made damning statements, it looks
like Viacom's statements were even worse. For example: During these negotiations [to license
content] Viacom deliberately allowed its content to remain on YouTube, in part because it thought
that "having the content there was valuable in terms of helping the rating of our shows."
Google effectively makes the case that Viacom knew the benefits of having its clips on YouTube,
tried to negotiate with YouTube for a deal, and when Google came into the picture, basically
Viacom just saw it as an easy money grab and massively upped its demands before suing. Google
argues that the mass takedown and subsequent lawsuit was really just a negotiating ploy by Viacom
to get an upper hand in the negotiations to squeeze more money out of Google.
- Amusingly, Viacom notes repeatedly in its own filings that YouTube didn't want to take down
its videos because traffic to YouTube would suffer -- but Google counters by pointing out that it
did take down all of Viacom's 100,000 takedown requests within hours and
traffic to the site did not suffer and, despite Viacom's expectations to the
contrary, traffic to Viacom's own sites did not soar. In other words, despite Viacom's
over-inflated sense of how important Viacom's videos were to YouTube, the actual evidence
suggests that Viacom was very, very wrong.
- Viacom tries to brush off the fact that it uploaded many videos itself, by saying (in a
footnote) that most of those videos were clearly designated as being from Viacom. Google counters
by pointing out that (a) this is not true and (b) Viacom repeatedly disguised who uploaded those
videos on purpose -- even quoting Paramount's SVP of marketing saying that the clips "should
definitely not be associated with the studio -- should appear as if a fan created and posted it."
Among the users who uploaded Viacom clips on behalf of Viacom itself? MMysticalGirl8,
Demansr, tesderiw, GossipGirl40, Snackboard and Keithhn On top of that, they registered with
non Viacom email addresses, and even went to the local Kinkos to avoid uploading from Viacom
directly. How Google was supposed to distinguish those clips from those uploaded by random users
is not explained anywhere by Viacom, which is a hugely damning point against Viacom's case.
- Further damning to Viacom's case -- the fact that Viacom regularly had to backdown on its
takedown notices after it was realized that the takedowns were incorrect. This is a point that
we've made before and is driven home repeatedly in Google's filing. If Viacom itself can't get it
right -- when it holds the copyrights and some of the videos were uploaded by itself -- how the
hell is Google supposed to know which videos are legit and which are not?
- Even more amusing is the part that details how Viacom had incredibly complex and detailed
rules with BayTSP (who monitored YouTube and sent the takedowns) over what should be taken down
and what should be left up. Apparently, those rules changed every few days and the folks
at BayTSP compared them to Crime and Punishment. Again, if Viacom required such a
complex list of rules for its own partner, how could it expect Google to know what to do without
knowing any of that information?
- Google also points out that many of the clips in question have serious questions over whether
or not they could be considered fair use -- and those are questions for a court to determine. It
is both unfair and outside the scope of the law to expect a third party like Google to be able to
make that kind of decision on the fly.
In the end, it will surprise no one that I find Google's arguments significantly more
compelling than Viacom's. The one point on which Viacom is strongest is the emails from the very
early days of YouTube, where the founders and some employees admit that they know there's a fair
amount of infringement on the site, and they debate what to do about it, before taking a fairly
liberal approach -- though, never an approach that removes their safe harbors (Viacom disagrees on
that point). In fact, the weaknesses of Viacom's argument are driven home in that nowhere was it
able to produce a single bit of evidence of YouTube founders/execs being aware of a
specific infringing video. All of the quotes are about general infringement. The lack of a
smoking gun email to the contrary really weakens Viacom's case -- and is a glaring absence in the
motion.
What this comes down to in the end is a basic interpretation of what the DMCA really says and means
with its safe harbor provisions. Viacom's interpretation would effectively gut the entire purpose
of the safe harbor provisions, disqualifying pretty much any commercial entity that allows user
created content from gaining safe harbor protections. Such a reading makes no sense as it would
make the DMCA safe harbors effectively meaningless.
Google's motion, on the other hand, is quite compelling and highlights how even if execs are aware
of general infringement across the site, it was impossible for them to distinguish what was
authorized and what was not, as well as what was fair use and what was not. To require a third
party like Google to make such determinations would effectively gut the ability of pretty much any
user-generated content site to exist -- which, again, would clearly go against Congress'
intentions.
Still, with these sorts of lawsuits, you really never know how things will play out -- and judges
often get blinded by "infringement bad, must punish!" type arguments. Hopefully, in this case,
reason prevails.
Permalink | Comments | Email This Story


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Cinematical -
12 minutes ago
 Bruce Willis has
found his next feature film buddy. Deadline Hollywood
reports that Jamie Foxx
will star with Willis in the upcoming videogame adaptation Kane & Lynch. Well,
actually, they happened to spot the news on Kyle Ward's
Twitter, a leaked little goodie that has since been deleted. However, as Deadline writes:
"There's no room for rewrites in the Twitter world, so the news is officially out there."
So, assuming Mr. Screenwriter isn't just imagining things and deleting things to increase intrigue,
Foxx will play the schizophrenic psychopath/ticking time bomb to Willis' Kane, a mercenary who is
broken out of prison and given "72 hours to recover a doomsday device," with his kidnapped wife and
daughter used as incentive. Yes, it was once a stolen fortune, but why deal with that tired pile of
gold when you can help move the doomsday clock forward another notch? ...especially when your main
source of help is a psychopath!
Simon Crane is directing Ward's script, and I imagine production should start soon; last
October, production was slated to begin this month. Willis is said to have thought the script
was killer, so let's hope this will be a juicy little psychotic role for Foxx, and not another
shmehfest like Cop Out.
Filed under: Action, Casting,
Games and Game
Movies
Permalink | Email this | Comments

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Forbes.com: News -
17 minutes ago
The cancer treatment company is a steady grower and priced attractively in a rising market. Grab
it.
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Joystiq -
17 minutes ago
 You
see that beautiful, HUD-less vista above? It's from Another World, the European name for
the beloved Amiga game from Eric Chahi (later ported to PC, Mega Drive / Genesis, SNES, GBA, among
other places). Released stateside as Out of This World, the game's 15th anniversary
edition (featuring a remastered version of the game, as well as a "making of" video and some other
neat bonuses) has just landed on GOG.com for $9.99.
As is the case with other titles on GOG, you're
all set to run it in Windows XP or Windows Vista (both 32 and 64-bit), but still no support for you
early Windows 7 adopters (not to mention any of you running OS X). If you've yet to play
Another World, well, what's wrong with you? Seriously, it's a great game (not to
mention highly influential). Speaking of platform support, why hasn't this made its way to XBLA or
PSN yet?
Another
World 15th anniversary edition now on GOG.com originally appeared on Joystiq on Thu, 18 Mar 2010 15:40:00 EST. Please see our terms for use of feeds.
Read | Permalink | Email
this | Comments

|
Silicon Valley Watcher--reporting on the business and culture of disruption -
21 minutes ago
Reuters reports:
President Dmitry Medvedev on Thursday announced that Russia would build a high-tech hub near
Moscow to spur modernization of the economy and reduce its dependence on oil and gas.
The center, designed to develop five priority sectors -- energy, IT, telecommunications,
bio-medical and atomic technologies -- will be built near Skolkovo, a new private-sector business
school in the Moscow region.
(It would be tempting to call it "Silicon Steppes" if it were in Asiatic Russia...)
I had a very small part to play in this story. In late 2007 I met with a large Russian delegation
that had come over to Silicon Valley to learn some of its lessons. Their goal was to use Russian
oil money to establish several Silicon Valley-like regions.
They asked me lots of good questions. They made it clear that they did not want to replicate
Silicon Valley, they wanted just the best bits.
I told them I would tell them the secret of Silicon Valley's success. They went silent, and
leaned in closer to hear what I had to say. "Failure."
(This was before the EPIC Fail craze of recent times...)
Silicon Valley tolerates, and funds, massive amounts of failure. Only about one out of twenty
startups succeed.
Probably no other culture allows people to fail as many times as Silicon Valley. Inside every
successful Silicon Valley entrepreneur is a failed entrepreneur.
No other culture in the world, (except for maybe Las Vegas), tolerates and celebrates as much
failure as Silicon Valley. This is the "best bit" of Silicon Valley, and its also the part that
can't be exported.
They nodded. And they made some notes.
I asked them about how they would structure their VC funds, and about the Russian entrepreneurs
that they hoped to attract.
One of them, the head of a quasi public/private VC fund, said that they had a problem finding and
funding startups. It was an exasperating problem. The Russian entrepreneurs won't tell them about
their business ideas.
They don't trust them. "I'm running a VC fund, I'm not going to run off with their business
idea!"
- - -
By the way, did you know that Tim Draper, one of our most successful VCs, penned a song called
"RiskMaster" to welcome the Russian delegation?
I have no idea what the tune is, obviously something stirring, I can imagine something between
Red Army choir and Welsh choir:
Hey! You want to start a business?
Russia seems to show some promise
While weighing all your choices
"Go to Moscow!" you hear voices
Google founder came from Russia
Parametric? - Not from Prussia!
Genesis and PayPal too
SVOD and what is new?
With luck you'll become a
Master!
From Soviet biology
Comes really cool technology
Software immunology
From Nukes we get ecology
Ukraine's Orange Revolution
Good for all-freedom solution
And then political pollution
Now it's all in execution
Chorus:
With luck you'll become a
RiskMaster!
All you need is a faster chip
A million rubles
A couple of engineers
RiskMaster!
- - -
Please see: Turning Oil Into
Innovation: Russian Delegation Seeks Silicon Valley's Lessons - SVW

|
Download Squad -
27 minutes ago
Filed under: Fun, Windows
 Like
having a stash of beautiful wallpaper images on your computer? Dream Desktop has several thousand to choose from, and their free
Desktop Agent program makes it easy to download
and enjoy your favorites.
Install the Agent and head to its configuration screen. There you can choose which images you want
to display -- either random selections from those you mark as favorites in the search view (above,
left) or anything Dream Desktop has tagged within the categories you choose -- or both!
You can also specify the interval between wallpaper changes, customize the maximum size of your
local image cache (the default is 100MB), and enable or disable updates and notifications. Desktop
Agent can also be set to launch when Windows starts up, and you can select which category you want
to appear first when opening the main program window.
There are plenty of stunning images available, though I do have two small gripes. Resolution could
be higher (scaling leads to some predictable graininess on my 1920x1080 display) and there's no
support for dual-monitor configs. Still, I'd much rather see this on a customer's desktop than
Webshots...
Dream Desktop downloads, cycles your favorites from 5,000 beautiful wallpaper images
originally appeared on Download Squad on Thu, 18 Mar
2010 15:30:00 EST. Please see our terms for use
of feeds.
Read | Permalink | Email this | Comments
Wallpaper
-
Desktop Customization -
Computer wallpaper -
Download Squad -
Microsoft Windows

|
Forbes.com: News -
27 minutes ago
Third quarter results send athletic apparel company's shares to all-time high.
|
Autoblog -
29 minutes ago
Filed under: Convertible,
Coupe, Performance, Mazda, Misc. Auto Shows, Design/Style
Mazda MX-5
Matte and Black Special Edition - Click above for high-res image gallery
We make no effort to hide the fact that we love the Mazda Miata just the way it is. In fact, it's always been
just about perfect in our eyes, as evidenced by
our most recent road test of the sporty little Japanese runabout. But if bright schoolbus yellow just
isn't your bag, baby, may we suggest something a little more subtle?
Mazda has just rolled out the MX-5 Matte and
Black Special Edition at the 21st annual Salon du Cabriolet, Coupé & SUV in Paris.
Ostensibly to celebrate the Miata's 20th birthday in France, we kinda think Mazda just wanted to
prove that its sportscar looks pretty darn good in the automotive equivalent of the little black
dress. And boy, does it ever.
There's nothing special underhood, so the 2.0-liter four still puts out an adequate 167 horsepower.
We can't say that we see them in the photos ourselves (fortunately), but design label LK by Laure
Kczekotowska Paris has reportedly decked the MX-5 out in rhinestones, gems, and crystals. Ah well,
nothing can be perfect. See for yourself in the image gallery below.
Gallery: Mazda MX-5 Matte
and Black Special Edition
    
[Source: Mazda via
Le Blog Auto]
Mazda MX-5 Matte and Black Special Edition is darkened hotness originally appeared on
Autoblog on Thu, 18 Mar 2010 15:28:00 EST. Please see our
terms for use of feeds.
Read | Permalink | Email
this | Comments

|
MetaFilter -
33 minutes ago
Google Alleges That
Viacom 'Secretly Uploaded Its Content to YouTube, Even While Publicly Complaining About Its
Presence There' Zahavah Levine, chief counsel for YouTube in its litigation with Viacom,
explains: For years, Viacom continuously and secretly uploaded its content to YouTube, even while
publicly complaining about its presence there. [...] Viacom's efforts to disguise its promotional
use of YouTube worked so well that even its own employees could not keep track of everything it was
posting or leaving up on the site. As a result, on countless occasions Viacom demanded the removal
of clips that it had uploaded to YouTube, only to return later to sheepishly ask for their
reinstatement. In fact, some of the very clips that Viacom is suing us over were actually uploaded
by Viacom itself. [ via
DF]

|
Read/WriteWeb -
38 minutes ago
MindTouch has developed a top 20 list of the most
powerful voices in open-source, compiled using Twitter and other sources. It's a good example of
how a research project can be transparent and in the process, help garner thought leadership for
both the individual and the company.
MindTouch Vice President of Sales Mark Fidelman wrote a blog post yesterday, discussing the
project and how they came to their findings.
Sponsor
Our interest is in much the process as the results. This is the kind of approach that has a
number of uses. It answers questions for the organization. It creates a center of intelligence
for the open source community. And it serves as a useful resource for sales and marketing. It
also helps show that real research can be done using a few simple tools.
Most of the people on the list will be of no surprise to veterans of the open-source world.
Notables include Tim O'Reilly, Chris Messina and Jonathan Schwartz.
The results show the degree of amplification than the average active user. This is where you have
to consider the "nuance" factor by defining what it means to be classified in such a manner.
Fidelman explained the process in this way:
"We first set out to determine reach by examining the number of followers and buzz an
individual has on sites like Twitter and Google. We then needed to determine how much impact an
individual had with their followers and subscribers. We asked questions like: How often were they
retweeted? How much buzz is created around their blog posts, tweets, and other messages? How often
is the individual referenced in the blogosphere? Were they cited by influential people?"
To create the list, Fidelman used Twitalyzer, KloutTwittercounter,
ReTweetRank and Twitter.
They also used Google, Google Blog Search, and Google Trends.
That's a take on the process but what about the larger meaning for MindTouch. Fidelman had this
to say in response to our questions:
Question:How does this project fit into your approach for building a
company?
Answer:"We actually view it as building an industry. The Open source industry
has a lot of innovative, influential leaders but until now decision makers haven't had a guide to
know where to tune in.
Question:How is the process of doing the research useful?
Answer:It helps mindtouch and the industry learn where to find the open source
broadcasters. If the industry needs to get the word out, these individuals should be targeted
first.
Question: Can you provide 3 tips for people in the enterprise looking to develop
information that positions the company as a thought leader?
Answer: It's about building a community around your personal brand. Matt Asay
excels at this. He provides useful, relevant content that's actionable. If I were to characterize
it Into three dimensions:
1. Actively participate in the open source dialogue on Twitter, Google Buzz and niche open
source networks.
2. Build a community around your personal brand by reaching out and networking with other
bloggers, industry analysts and consumers of open source software and hardware.
3 Develop and create useful content on a personal blog or third party blog. The more actionable
and useful the better. This is a big area to cover and I'm probably not doing it justice in two
sentences. He adds...Perhaps a guest post on this topic will help? :-)
Out of the information, Fidelman looked at the larger group and created a
Twitter list. MindTouch, also
did a little inclusive marketing by adding a badge that people can put on their site if they are
on the list.
Thought leadership provides a host of important dimensions. Enterprise companies that approach
the market with intelligence are usually the smartest of the group. Luckily, the tools have never
been easier to use in helping filter out the information that matters most.
Discuss


|
BBC News | World | UK Edition -
39 minutes ago
A US man who hijacked a US flight and diverted it to Cuba in 1968 pleads guilty to kidnapping and
aircraft piracy.
|
memeorandum -
42 minutes ago
Michelle Malkin:
The
House vote on the Slaughter Solution: Update: Constitution-butchers prevail,
222-203; Roll call vote added; Calling out Dems Altmire, Lynch — Photoshop
credit: Big Fur Hat at iowntheworld.com and Applecross Media — You'll recall
that House Republicans unveiled a resolution two days ago …
|
Cinematical -
42 minutes ago
 Okay, I've seen some
weird marketing tactics -- especially this week at SXSW -- but this one takes the cake. Or gives
away the pie, actually. The producers of Andrew Bujalski's film
Beeswax have cooked up a
very funny contest to market the movie's DVD, which will be released by Cinema Guild on April
6.
Here's the deal: The DVD package you buy includes a small snippet of 16mm film with a frame or two
from Beeswax. Very nice. One of the snippets is from a sex scene in which Austin filmmaker
( Goliath) and occasional actor David
Zellner is dressing and has his back to the camera. In other words ... Zellner butt. If you get
this priceless piece of indie cinema memorabilia, someone from the Beeswax cast or crew
will meet you for free pie. They're betting that the winner will live in or near a city easily
accessible to one of them, and the perverse part of me wants all of you in places like Topeka,
Kansas and Billings, Montana to buy lots of copies of Beeswax.
I'm not sure this contest will directly encourage people to buy copies of the Beeswax DVD
unless they are crazy obsessed with David Zellner, but it seems effective to me. After all, here I
am writing about it, and now you know about it. I reviewed Beeswax when it
played SXSW 2009, and I think you should see it because it's a good movie. The possibilities of
free nude pix and dessert are just, er, a cherry on the top of the cake. I mean, pie.
Filed under: Independent, Home Entertainment, Movie Marketing
Permalink | Email this | Comments

|
Forbes.com: News -
42 minutes ago
Low interest rates punish the thrifty but push gobs of money into the banking system.
|
Forbes.com: News -
46 minutes ago
Court papers indicate Shahid Khan will pay more in tax shelter case, but will fight 40% penalty.
|
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