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Wired Top Stories -
5 hours and 34 minutes ago
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Bob Rice has had many careers. He was an attorney with the U.S. Department of Justice, a
partner at law firm Milbank Tweed Hadley & McCloy, C.E.O. of a tech startup, and now runs
merchant bank Tangent Capital, which he founded in 2005.
In his spare time, Rice managed to write Three Moves Ahead: What Chess Can Teach You About
Business, one of the more interesting business reads to come down the pike this year, in
which he uses the tried-and-true strategies of chess for insight into running a business.
Today, he's squeezing in some blogging. One day. One place: Portfolio.com.
Ah, those Sand Hill Road visionaries, the venture capital guys who finance the future and dictate
the trends. It must be fun out there, getting the first glimpses of tomorrow. But suddenly
there's a wonderful irony at work: That very future is destroying their industry.
Newspapers are rife with stories about the decline of big V.C. investments, pointing to the trend
as a sign of a more conservative investment environment. But I don't think that's really the
issue.
Instead, something much more profound is going on: The basic V.C. model is broken. And new
technology is driving a much more efficient system for capital allocation to startups.
In fact, technology is largely at fault both for what's wrong with the V.C. world and for what's
replacing it. The problem with the industry is this--it's just too cheap to start new companies
these days.
Virtual offices allow talent to gather from around the country to work on a new idea without
having to quit full-time jobs too early. Servers, computers, and bandwidth are essentially free,
and a robust telecommunications platform can be rented for a few tens of dollars a month.
Software development can be outsourced without taking on big fixed costs. There are countless
programs to manage customer relations, mine contacts, handle the books, and plan and monitor
projects. And of course, the internet has reduced the costs of finding customers and testing new
concepts to nearly nothing.
Okay, so what? Well, the classic V.C.'s simply have too much money under management, and too
expensive a talent pool, to waste time looking at investing anything less than $10 million in a
project. Meantime, no entrepreneur wants to give up equity by taking in more money than he
absolutely needs. So, when it only costs a few million to get a serious new company off the
ground, how can the V.C.'s really play? They have to find places to make gigantic gambles,
usually overpaying because the other big V.C.'s are also trying to invest in the few really
big-dollar opportunities out there. It has become a system doomed to failure.
The flip side of the story is the rise of angel investor groups. These investment consortiums
have always been ideally positioned to provide $500,000 to $5 million equity injections; but
until recently, that wasn't enough to get a serious effort off the ground. More fundamentally,
however, they have historically not been terribly investor-friendly, largely because the
individual members have other occupations.
The individual members didn't work in the same place or even at the same times, so angels were
terribly inefficient at evaluating transactions, sharing information, and negotiating and
documenting deals.
Those days are over, thanks to software developed by David Rose, founder of the New York Angels
(yes, I belong). Angelsoft is a wonderful collaboration platform that manages deal flow, helps
match talent and expertise to projects, provides easy-to-use data rooms for potential investors,
and generally drives the investment process. It combines project management and social networking
in a way that, for the first time, makes the angel process efficient for both the company seeking
capital and the potential investors.
The big news now is that, in a period of just a couple of years, over 400 angel groups around the
globe have standardized on the platform. That means, of course, that they will also be able to
share deals between themselves, vastly expanding the capital and expertise available for any
given project.
And entrepreneurs can now create one submission to get access, literally, to a world of
sophisticated, organized investors. It sounds like a revolution to me. Check it out at the
group's website.
And so, once again, technology is driving a paradigm shift. But this time, it's France in 1789:
The progenitors of change are becoming the victims.


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Wired Top Stories -
19 hours and 14 minutes ago
1965: An astronaut in space holds a conversation with an aquanaut underwater,
marking another milestone in human communication.
Astronaut Gordon Cooper, orbiting the Earth with Pete Conrad in Gemini 5, hooked up by radiotelephone with
an old pal, astronaut-turned-aquanaut Scott Carpenter, who was living and working 205 feet
beneath the surface of the Pacific Ocean near La Jolla, California, aboard Sealab II.
The two men had known each other since 1959, when they were among the seven pilots chosen by NASA
to be America's first Project Mercury
astronauts. Carpenter, a former Navy pilot, had already been in space, the solo astronaut on
a mistake-plagued, three-orbit
flight aboard Aurora 7 that resulted in his being effectively grounded.
He was on leave from the space agency when he joined the Navy's Sealab II project as
training officer. Carpenter eventually resigned from NASA in 1967. He retired from the Navy in
1969.
Cooper and Conrad, meanwhile, were nearing the end of an eight-day orbital mission to test human
endurance in space. Eight days was recognized as the time needed to travel to the moon and back.
(Five days was the longest Soviet space flight before then, and the American record was four
days. By years' end, American astronauts would complete a 14-day mission in space.)
The radio hookup was partly a gimmick, to take advantage of Carpenter's astronaut status to
publicize the Sealab II project. But it was also a method of testing the effectiveness of an
underwater electronics lab installed aboard the submersible.
Gemini 5 was not the only long-distance call made from Sealab II. The Navy aquanauts also spoke
with President Johnson at the White House and with Jacques Cousteau's Conshelf 3 team, French
colleagues conducting a similar underwater-habitat test off Cap Ferrat in the Mediterranean Sea.
Following their chat with Carpenter, Cooper and Conrad readied Gemini 5 for its return to Earth
and splashed down in the very same Pacific Ocean later that day.
Thirty years later, in 1995, Carpenter recreated his seabed-to-space call, chatting with
astronauts aboard the space shuttle Endeavor while staying at Jules' Undersea Lodge off Key Largo, Florida.
Source: Various


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Wired Top Stories -
22 hours and 14 minutes ago
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Photo: Kat Wade/Wired.com
BLACK ROCK CITY, Nevada -- Wild rides, fireworks and letting it all hang out. That's the updated
American dream at Burning Man 2008.
The annual desert gathering always celebrates that most-American ideal: freedom. Freedom to ride
a giant red, white and blue tricycle across the playa; freedom to blow your mind however you
want; freedom to traipse around wearing nothing but body paint.
That kind of ingrained whimsy, rather than politics, seems to be the point of this year's
American Dream art
theme at Burning Man. "What has America achieved that you admire?" is the event's official
statement. "What has it done or failed to do that fills you with dismay? What is laudable? What
is ludicrous?"
Groovy, man. Let's get it on.
Left: Red, white and blue abounds at the festival this year.
Red, white and blue abounds at the festival this year.
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Photo: Kat Wade/Wired.com
A stagecoach rolls up the esplanade on Tuesday evening.
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Photo: Kat Wade/Wired.com
Duane Flatmo from Eureka, California, steers his fire-breathing dragon around the esplanade
Tuesday.
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Photo: Kat Wade/Wired.com
After hunkering down during Monday's sandstorm, burners break out their colorful costumes Tuesday
-- including some that are just painted on. Robin Bowles, right, and her friend Cowboy Curtis
chill on the playa on a "fuzzy bunny." The Man can be seen far off in the distance on the left.
 :
Photo: Kat Wade/Wired.com
A group of burners break out a desert "boat" to parade across the playa.
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Photo: Kat Wade/Wired.com
Black Rock City is humming Thursday.
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Photo: Kat Wade/Wired.com
Lamp Lighters walk down the esplanade Tuesday.
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Photo: Kat Wade/Wired.com>
A panel van decked out with a lit-up Golden Gate Bridge makes its way across the sand Tuesday.
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Photo: Kat Wade/Wired.com
Tutu-wearing burner Diana Zanelli of Texas delights in the swirl of lights from inside artist
Crispell Wagner's "modern version of the dream machine," an interactive piece of light art.
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Photo: Kat Wade/Wired.com
Home is where the art is at Burning Man.
 :
Photo: Kat Wade/Wired.com
The Man glows with neon as Helen Corley from San Ramon, California, twirls her flow lights below
the festival's namesake icon in Black Rock City.
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Photo: Kat Wade/Wired.com
A giant duck lights up the night Tuesday as it rolls across the dusty desert floor.


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