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6th September 2008: Kong Audio has updated Chinee Guzheng to v1.53. Changes: All-new pitch envelope
control - this is especially suitable for expressing Guzheng's inherent characteristics.
bizreef.org produces audio-effects, audio-sound production, video ads and clips, video effects and
editing, video production, viral video, voice talent and related services.
Les premiers pas de ce groupe français particulier se situent en 1986. Disponible à
l'origine qu'en cassette audio, cet "album" est leur second effort discographique, le bien
nommé Past And Future.... par foreth
AVI-Mux GUI is an application that allows to combine several video, audio or subtitle files into
one file, with out without size restriction, allowing to configure properties of the output file to
a deeper level than usual for such applications. Supported input file types: * AVI, MKV * WAV,
MPA/MP3, AC3, DTS, AAC, OGG/Vorbis * SRT, SSA. Supported output formats: * AVI, MKV * raw (MPx,
AC3, DTS...) * ATDS-AAC, OGG/Vorbis.
A primera vista puede parecer un reproductor de Blu-ray normal y corriente, pero en el interior
de este dispositivo encontraremos más de una sorpresa ya que, aparte del soporte de
Blu-ray, también es compatible con DVD-Audio y SACD, además de con DVD y CD.
Así, solo le falta HD-DVD para poder funcionar con casi todos los formatos ópticos
que han llegado a los consumidores. En el caso de Blu-ray, el Oppo BDP-S83
soporta el perfil 2.0 o BD-Live, gracias a la conexión Ethernet incorporada.
Permite realizar upsampling de los DVD para poder visualizarlos a la mejor calidad
posible a través de su salida HDMI. Incluye, además, salidas de vídeo por
componentes y salidas analógicas para sonido 7.1.
De momento no se ha anunciado oficialmente, pero parece que se pondrá a la venta a
principios del año próximo.
Tomorrow night at 10PM, Food Network
kicks off Alton Brown's latest TV show,
Feasting on Waves, where the Mensa-smart kitchen geek and his crew hop into two
50-foot catamarans and sail around 15 different Caribbean islands in search of quality cuisine,
shooting and editing the hi-def episodes right there on the boats. It turns out, despite his
disdain for specialized kitchen gadgets, Brown is a certifiable gizmophile. He has owned maybe 20
Macs, most recently a MacBook Air and an iMac that has "never crashed." He also has a Panasonic
ToughBook running XP, and an Eee PC which he totally loves. He carries an iPhone and at least one
Garmin GPS units wherever he goes.
I got him on the phone to ask what, exactly, he used to document his Feasting on Waves
experiences, and how he managed to keep it all juiced up, net-connected and dry while meandering
through the islands. Here's our fun exclusive interview, with photos of Brown (and his gear) in
action:
How do you produce a TV show from a
sailboat?
One of the things about the Feasting shows in general is that they have a very small
crew, and we are moving with very little space. We are extremely packed and technology dense. We
had two 50-foot catamarans—it sounds fun but it wasn’t that fun.
So you shoot and edit as you go?
This year we decided to go completely tapeless: Panasonic P2 cards on 200s. We’re
downloading them into our portable Avid edit system. We take as much audio equipment as we take
video equipment. The funny thing is, professional audio hasn’t gotten a whole lot smaller.
Although hi-def cameras have gotten smaller, lenses have gotten better and battery time has
gotten better, audio is still the tricky part of the process for field reporting.
I see you were also using a little Panasonic?
I was lucky enough to be one of the first people in the US to get Panasonic’s HDC-HS100
AVCHD camcorder. It’s got a nice little Leica lens on it. We take everything through a
DaVinci color correction system. Once we do that, you really can’t tell the difference
between my little camera and the big cameras—it’s all 1080i. We have some scenes that
were 100% shot with just my camera.
How did you connect to the internet?
It’s kinda funny, the entire time that I was in the islands, I had perfect e-mail with my
iPhone. The entire time. I think there was once, during a midnight crossing, the Anegada Passage,
where I lost internet for about half an hour. The rest of the time, I was getting e-mail through
either EDGE or something else [probably GPRS].
I did not even take a computer with me on that trip. I decided I just didn’t want to see a
computer for a while. And at the time, I figured you know, computers, boats, water, scuba diving.
I thought about taking the ToughBook along, and then I thought about taking the Asus because
that’s a great little box. Then I thought, the hell with it. I took a few pads of paper,
some pens and my iPhone.
You also carry GPS everywhere, right?
As a motorcyclist, as a hiker and as a pilot, I’m pretty sold on Garmin. In the first
Feasting on Asphalt, I had a touchscreen weatherproof version of the StreetPilot for my
motorcycle that even worked with gloves on. I just really love how their interfaces work. You
don’t even need manuals for most of their stuff, the stuff is so intuitive.
In New York, I use Google Maps with my iPhone, because I know where I am—I don’t need
GPS. If I was going some place where I needed GPS, I’d use my Garmin Colorado [shown in top
pic], which I really really like. It’s a really great marine box. It’s splashproof,
but it comes loaded with all the marine functions, so it’s really easy to do marine chart
info if you get the right cards for it. You can sail the world with one.
So it was your navi on land and sea?
Everywhere. We basically documented the entire Feasting on Waves journey in the
Colorado. Every place we went, we popped a waypoint. It’s got so many easy functions for
calculating distance it made navigating around the island easier. Even islands that didn’t
have roads at all, we could get good topographic information.
Do you adhere to the old sailor’s adage that you should never have just one form of
navigation?
Abso-stinking-lutely. When I fly, I may have full GPS on the plane, but I got a full set of
charts too, and I keep the charts out while I’m flying to make sure I know where I am. In
this day and age, if I have a major power outage, I just whip out my handheld, the 496, a
spectacular handheld aviation GPS. But there could be a catastrophic satellite failure, different
things could happen that could make GPS unusable—I guess.
I think your unit would fail before the satellite did.
Something could happen to satellites, you never know. So I always want to know where I am on
paper, too.
And on the island, what was your backup?
There were a lot of times where I didn’t have a backup. On islands, I sometimes
didn’t have anything else, because there aren't reliable paper maps for those places. The
only time I wasn’t using Garmin to navigate was when we were underwater—I don’t
think they have an underwater unit yet. We did a fair amount of scuba diving, and you’re
still on your own under water. You still gotta use a compass.
I think you just invented something.
Underwater GPS would be spectacular. I don’t know how deep you can go with that technology
without having serious problems. Even 50 to 70 feet would be useful. I wonder why they
haven’t done that yet. I’ll ask Garmin when I can get that. For rec diving, having
that kind of application would be fantastic.
Note: I asked Garmin why there wasn't a scuba GPS, and I got a quick reply: "The reason for
no scuba GPS is simple... the signal is deflected by water."
So how do you keep everything charged up?
That’s a problem. Especially on the boats, it was really difficult. We got down there and
realized that the power systems on the boats which were all 220V—the power wasn’t
clean enough for our editing computers. On St. Martin, we had to go buy a Honda
generator to run on the back of the boat to give us good steady clean 120V.
The Colorado runs on AAs, so I took a batch of rechargeable AAs. I ran the recharger for that in
the cabin where I also charged my iPhone and my little camera batteries. I had to have three
chargers. My other camera only runs on regular batteries, not rechargeables.
What kind of camera is it?
It’s an old metal Canon EF—about 30 years old. I also carry a 35mm Leica
point-and-shoot with a fixed 40mm lens. I was shooting slide film in the Canon and print film in
the Leica.
So you’re not shooting digital?
Not on this. I wanted Ektochrome—nothing looks like Ektochrome. I’m old school that
way. I have a pretty decent Canon digital, and a Leica digital as well, but I didn’t want
to have to deal with the chargers, and I wanted super robust technology, so I went film. I like
film. You can’t beat it. I spent most of my career as a cinematographer before I went to
culinary school, so I just got a thing about film emulsions. It’s still the way I think. I
just don’t appreciate digital photography as much as I should.
I know, I know—we managed to get through an entire discussion about a food show without
talking about the freakin' food. Good thing there are already clips of the show (alas,
non-embeddable) up at Food Network's website, so take a look. The awesome photographs of Alton were
shot—digitally—by Marion Laney, ForgottenGulf.com.
Ya sé lo que estáis pensando: ¡pero qué haces escribiendo sobre
Firefox, queremos saber más de Chrome! Yo también, sobre todo quiero oír que
esté para Mac/Linux; mientras tanto tendremos que conformarnos con los navegadores
mundanos (fin de la ironía). Hoy le toca el turno a Firefox 3.1,
que nos presenta su segunda alpha con unas novedades muy interesantes,
lástima que esté marcada por la NO inclusión de una característica. No,
tampoco estoy hablando de la capacidad multiproceso, estoy hablando de TraceMonkey, el motor de
javascript que se supone que va a ser la hostia bastante bueno, superando incluso a V8, el
increíble motor javascript de Google Chrome.
Bromas aparte, esta alpha es un paso adelante en la guerra de los navegadores, ya que incluye
elementos de estándares en borrador. Por ejemplo, ya se ha implementado el soporte para el
elemento HTML de vídeo, con el que se puede controlar directamente un
vídeo como si fuera una imagen, y se reproduce nativamente. Este avance de nuevos
estándares (muchos en CSS) también supone un nuevo salto en el test Acid 3, pasando de los 70 y pico actuales a los 85 sobre
100. Es decir, que según ese test Firefox saca un notable alto, muy cerquita ya del
sobresaliente.
En el siguiente vídeo no nativo puedes ver cómo se ve el vídeo nativo en el
navegador, por si te interesa tiene que estar codificado en Theora/Vorbis, el
estándar abierto de vídeo/audio más extendido, y deberá estar contenido en
OGG:
A pesar de seguir con el motor tradicional de Javascript, hay una sustancial mejora:
soporte inicial para Web Workers Thread. Sin entrar en demasiados tecnicismos,
esto permite que se ejecuten hilos de javascript muy complejos (por ejemplo, de una página
que use mucho javascript, como Gmail) en segundo plano, sin que afecte demasiado al navegador y
sobre todo sin que se quede colgado como sucede ahora. Habrá que probarlo intensivamente,
pero todo lo que sean avances en ese campo son bienvenidos.
Otra novedad es la posibilidad de arrastar pestañas entre ventanas, sin que
la pestaña que estemos arrastrando se recargue, como sucede ahora mismo. En la versión
para Vista también se añade soporte para Aero para XUL, lo que
implicará que los temas y extensiones que nos esperan serán espectaculares en esta
plataforma, esperemos mejor que la captura de arriba. Por último también se añaden
nuevas preferencias para la administración de perfiles de color.
Como se ve, aunque estamos ante una actualización “menor”, se va avanzando en
temas muy interesantes, sobre todo cuando se incluya de una vez por todas el nuevo Tracemonkey.
Supuestamente, es la gran mejora para Firefox 3.1, así que antes de que acabe este año
podremos contemplarlo. Como siempre, hay versiones para todas las plataformas, aunque esta
versión es en principio solamente para testear, en Genbeta siempre recomendamos probarlo y
ayudar a los desarrolladores a encontrar fallos.
Nintendulator est un émulateur NES pour Windows. Ce programme supporte les jeux NES sur
cartouches et disquettes (format FDS), il prend également en charge les jeux arcades du
système VS, ainsi que les compilations audio au format .NSF.
- Légères modifications de la synchronisation PPU et APU pour se conformer à
certains comportements observés sur le matériel réel.