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Planet Ubuntu -
2 hours and 26 minutes ago
So, for most of the last week, I’ve been at EuroPython
2009. The conference was amazing, even if I am still completely shattered.
A lot of people who know me have asked why I went to EuroPython. I know at least one person made the comment “But you’re a PHP
Hacker (hiss)”. Yes. I’m a PHP hacker by trade, but I’ve been trying to teach
myself Python over the last few months, and I’ve really been enjoying it. I’ve not
done much of great interest, but I’ve found that Django is a pretty awesome tool, and lets
me build stuff like my Video Site with minimal
effort.
Anyway, back to the conference. I got involved pretty simply because I’m a local, and know
most of the organisers from my Local LUG. I’m
glad I did get involved in it though. I enjoyed it (though, until I got home from it, I
hadn’t had time to realise I’d enjoyed it!).
Day 1
I arrived at the conservatoire at about 7:30 am. I was half asleep, and didn’t really know
what was going on. I found the registration desk, got my badge, and buggered off to the crew room
to get changed into my lovely blue shirt, and then I started off helping set some stuff up
(projectors and such)
Knowing that I’d previously lost my Bank Card, and that I’d need cash, I scarpered
pretty quickly to the bank, to go get some money for the week. I headed back to the conference
for about 10, and then wandered aimlessly around looking at the different stalls. I hadn’t
volunteered to do anything till 11:30.
At about 11:15, I headed to the Adrian Boult hall to get ready and Mic up the first speaker I had
to work with. This was Simon Willison, talking about CrowdSourcing with Django. A pretty cool
talk, which was kind of interesting to me after listening to Matthew Somerville’s talk at my local LUG the
month before.
Next up was the talk that had
been advertised in all the toilets around the venue. I’ve no idea why it was advertised
in the toilets, and I didn’t really watch that much of the talk. The speaker had wanted a
screen with IRC in for the talk, and this was where the first major fail came in. Chris
Swift’s laptop didn’t like the projector, so I had to dash up and replace it with
mine. Unfortunately, for some reason, my laptop didn’t want to work with the projector
under Ubuntu, but happily worked with it under vista, so I loaded that up, loaded up putty, and
SSH’d into my irssi session. Anyone who saw this will probably agree that I need to be in
less IRC channels!
Lunchtime next. I quickly ran off to McDonalds to grab some food (not wanting to have to stand in
the long queue!) and headed back to set my laptop up with the projector for the big Twitter screen, which people
seemed to enjoy (espescially Fiona!).
After lunch was the first Keynote from Cory Doctorow, who
I’ve already mentioned before, is
one of my favourite authors. Cory managed to give us a dark perspective on where life in the
digital age could be going, and a rallying cry for us to fight against that (though surely,this
is reminiscent of M1k3y?? I wonder if the DHS will be after Cory now!). I also managed to snag a
copy of “Little Brother”, which Cory asked that we email a copy of the ebook to
people after we’d read it. I’ll one up that, and tell you that you should go read it (espescially if you saw his talk!)
If you want to be emailed a copy, please leave a comment and I’ll add you to the list
I’ll be sending it to!
It was about this point that I started wanting to get onto IRC and chat to people. Unfortunately,
my laptop is a right dodgy thing, and doesn’t like using wireless of any kind. Luckily, I
had my E71 to hand, and so managed to get online with that (and it shocked me how easy it was to
set up in Ubuntu). I ended up using this as my primary means to access the net throughout the
conference. I just wish I’d had my E71 Desktop
Charger with me, as I’d then have been able to charge my phone via USB at the same
time! Unfortunately, it meant that I had to spend my time at the hotel flicking and changing
between the charger for my phone and my laptop to try and keep them both going (why a hotel room
only has one plug socket, I don’t know!)
Next up was “Mashing up the Guardian” and “Flickr for Formulas”. .. the
second talk I don’t actually remember any of. But the first one was pretty interesting. I
thought during it “Oh, I could link that up to twitter and generate a personal news feed
based upon what they were twittering about. Unfortunately, the last few slides was showing
someone who’d done exactly that. I guess my ideas aren’t that original!
Off to the Australian bar for the social, where I got rather tipsy, and chatted to some very cool
people (thanks for the link to the Biltong seller Brad!)
Day 2
Bruce Eckel started the day off with the keynote. I was half asleep during this, having been out
for most of the day, but I do remember that there were some pretty amusing pictures, and some
good commentary. I also enjoyed the talk about unconferences, which led me to thoughts about
possibly doing something similar for FizzPOP.
The day dwindled away with me running round until Bea’s talk “We need to fail, and we
need to fail fast” – a very good insight into Agile Methodology (some of which we
should probably adopt at work!). First barefoot presentation I’ve seen. Bea’s a very
good speaker though, you can tell she has a lot of passion about what she’s talking about.
Next was a caged deathmatch. I didn’t really know much about Unit Testing in Python, being
a bit of a n00b and all, but the talk was interesting nontheless. Even if I did end up running up
and down the stairs like a trained monkey (ah well, I needed the exercise anyway!)
Next Keynote: Bletchley Park. I found this talk had some interesting content, but it’s
delivery was a bit dry.
Then it was time for the GPG Keysigning. I’d left my ID in the hotel. What an idiot!
Lightning talks were next, followed by another keynote, followed by a spectacular fail trying to
get Guido up on the big screen (10 second delays, him not hearing anything, and then the laptop
battery running out). Alex took it in his stride though,
the bow with a flourish was certainly amusing!
Off to the conference dinner. Good food, good conversation, good talk.
Day 3
I’m surprised I made it in. I was tired. Too much running around.
Tobias started off the day with a short talk on OSS, BSS, and Python, and then I went to the
“Clean Code Challenge” talk, which was interesting, though I’m not too sure
about the actual coding bit of it. There were a few things in the talk that I wish has been
delivered to my bosses, but I’m not too sure the example “Clean Code” that was
meant to be pythonised was the best code to work with.
Another Keynote, lots more lightning talks, and then a prize draw. I didn’t win anything,
but I enjoyed myself.
After that, there was a “secret” organisers meal at the Hyatt Hotel. Good food and
good conversation again.
And that was it, I headed home, and slept for 16 hours!
Thanks to everyone who made EuroPython a success. All the organisers, all the speakers, and all
the delegates.
Though hopefully more people will help out next time. I don’t think Ciaran got to sit down
for more than 5 seconds during the day!


|
Guardian Unlimited -
16 hours and 8 minutes ago
Today, Gay Pride. Last week, Glastonbury. Wherever the masses gather, it seems, Sarah Brown is
also to be found, smiling for cameras whilst twittering merrily away.
The omnipresence of the prime minister's wife has been startling in recent weeks. Whether at
first lady Michelle Obama's side, or posing with socialite heiress Paris Hilton, or updating her
300,000 Twitter followers on her home-grown strawberries, Mrs Brown is everywhere.
"Clearly, they think it is a worthwhile attempt at softening Gordon's image. And they have to do
it, because Cameron is so good at this soft stuff," said Danny Rogers, editor of PR Week.
So, has Downing Street unleashed its most effective weapon to save Project Gordon? As her
embattled husband's popularity wanes, hers soars. Never before has a No 10 spouse been so,
apparently, accessible.
But opinions over her motives are divided. The prime minister's advisers will tell you there is
no agenda, beyond promoting her charities. At Glastonbury, with model Naomi Campbell, she was
raising awareness of the White Ribbon Alliance, the international charity on maternal mortality.
Twitter – her idea – is just one more effective tool.
Friends concur, dismissing suggestions of a "cynical marketing ploy". Kathy Lette, the Australian
novelist and a friend for many years, said: "The only reason she didn't tweet before is because
it wasn't invented.
"She's a natural communicator. She thinks it's hysterical that I am so technologically retarded
and can't tweet. I prefer carrier pigeon.
"So this is not some desperate attempt to make Gordon more appealing. It's just her natural
instinct to communicate good positive messages about her charitable passions like maternal
morality. The woman should be rushing off for a halo fitting."
Though still short of Barack Obama's reported 1.3 million followers, her Twitter friends include
Queen Rania of Jordan, presenters Davina McCall, Emma Freud and Stephen Fry, DJ Chris Moyles,
actor Kevin Spacey, and comedian Eddie Izzard.
But no one can forget she is a consummate PR, widely regarded as one of the best before she
ditched her career and maiden name to marry the future prime minister.
The veteran PR Max Clifford sees her recent "visibility" as a "deliberate ploy by a very loyal
wife". He said: "It is a personal one-woman marketing campaign to get to know the thoughts and
feelings of as many people as possible, as quickly as possible, because her husband isn't getting
very good advice as to what the public think or feel."
A natural networker, the friendships she has struck with Mrs Obama and Carla Bruni, wife of the
French president, could stand her husband in good stead for a job on the international stage.
Some believe she is laying the groundwork for a dignified exit from No 10.
Yet, others are bemused by her approach. One in her circle believes her tweets make her come
across as an "airhead – which she most certainly is not".
Aside from the charity and issue messages, they reveal very little of the real Mrs Brown. Never
unguarded – she has been described as having an in-built censor
– little can be gleaned beyond that she likes getting out in the sunshine and
trips to the beach in Fife.
She's "excited" about her strawberries, spends time baking and making cookies going to London
Zoo, and when she's not telephone chatting with girlfriends she enjoys watching "BGT"
– Britain's Got Talent – and the Eurovision song contest.
Anything remotely political is avoided. Indeed she displayed an almost Neroesque attitude to the
maelstrom that consumed her husband during his frenetic cabinet reshuffle.
Thus, as the work and pensions secretary James Purnell resigned and the chancellor Alistair
Darling contemplated whether he might have need of a removals firm, she was tweeting about going
to the cinema – albeit for a worthy screening on the plight of the world's
fish stocks – and how much she loved Twitter.
But she has also used it as an effective air-brushing tool. "Finished day with amazing British
vets at Arromanches – kept thanking us for coming when we should thank them,"
she tweeted, ignoring the muffled boos that greeted the prime minister in Normandy on the 65th
D-Day anniversary last month.
Likewise her tweet "Quite a moment with the Gurkhas and their families in Downing Street garden
out in the beautiful sunshine" belied no hint of the bludgeoning Brown had sustained at the hands
of deadly Gurkha campaigner Joanna Lumley.
"She is formidable," said Ross Furlong, digital PR specialist who is still in awe of her
performance when she stepped out to introduce her husband at the Labour party conference. "I
couldn't work out how he could avoid getting a kicking, then she stepped in."
But, he warned, people want a genuine portrait of a person. "If she is just purely doing her PR
spin, then people might start to question it online. In a sense, you can miss a trick by not
being personal enough."
Danny Rogers agreed. "These are powerful tools," he said. But she was in danger of trying to be
all things to all people, "one minute with Paris Hilton, the next home cooking with the kids.
"My advice to her would be, be yourself, be open and join the conversation. And don't try to be
something you're not, because it is an unforgiving medium. People will see through it and there
will be a backlash."
Tweet nothings
Sarah Brown may be a regular Tweeter, but she divulges very little about life with husband Gordon
inside No 10, as this selection from her Twitter site demonstrates.
· "Have emerged from a weekend of gardening, baking cakes and cookies"
· "Am loving Twitter conversation on Eurovision – almost better than
the TV coverage"
· "Peppers and tomatoes are shooting up"
· "Too much girlfriend chatting on phone last night – and BGT
(Britain's Got Talent) – and I missed out on Tweeting"
guardian.co.uk © Guardian News & Media
Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds

|
NOTCOT.ORG -
18 hours and 31 minutes ago
Mark Pritchard´s Bridge House gently touches the soil, almost levitating over the wild
australian forest.
|
NOTCOT.ORG -
19 hours and 1 minutes ago
Students of University Twente are also going to streak across the Australian outback for this
year's World Solar Challenge. With their new tilting solar car the 21revolution. Direct competition
for the students from Delft, see post 22897
|
Eurogamer - PC -
1 days and 2 hours ago
Not an Australian railway simulator.
When it comes to promising new indie games, a dash of originality is usually what gets people's
attention - some memorable feature or twist that helps the game break away from the herd - but in
the case of Trine, from Finnish developer Frozenbyte, it's actually the warm feeling of
familiarity. Certainly, anyone who's been gaming since the early nineties will find it delivers a
tasty blend of beloved old flavours, served up in a tangy sauce of modern physics.
Read more...

|
iTWire - Latest Headlines -
1 days and 4 hours ago
Hewlett-Packard has changed its cash back redemption process following a rash of complaints to the
Australian Competition and Consumer Commission (ACCC).
|
iTWire - Latest Headlines -
1 days and 7 hours ago
CSIRO has sold its Funnelback search engine technology company to Australian content management
company Squiz. Financial details of the acquisition were not disclosed.
|
Library Stuff -
1 days and 12 hours ago
The
Australian – “A LOVED-UP Kiwi prisoner has been hauled through the courts for
using a jail radio to make a “romantic” phone call to the prison librarian. The judge
presiding over the case convicted Patrick Cook, 30, but decided the $NZ2.50 ($2) compensation
being sought was “unnecessary”.
|
PM Hut -
1 days and 17 hours ago
Why It Is Important that Software Projects Fail By Anthony Berglas This paper boldly challenges the
long established misconception that the catastrophic failure of expensive software projects is
detrimental to society. Historical analysis of bureaucracies such as the Australian Tax Office
shows that massive software automation has not increased their real efficiency since the 1950s. Any
increase [...]
|
-
1 days and 18 hours ago
p2pnet news view
Freedom | P2P:- Ex-RIAA private
‘investigator,’ MediaSentry, bought by SafeNet for cash and stock worth $20 million in
2005, this year fired by the Big 4 extortion unit and then sold to rival MediaDefender at
flea-market rates of $136,000 in cash and a promise of another
$800,000, turned up in Australia where it was responsible having a student thrown out of his school dormitory.
Now it’s operating in Canada.
Does anyone know if it’s licensed here?
A ‘foreign corporation’
ASIC (Australian Securities and Investments Commission) is apparently ignoring the fact a foreign
corporation, MediaSentry, instructed via email an Australian educational institution to terminate
an Australian contract between the user of a service and the service provider, wrote Australian
economist and p2pnet contributor Tom Koltai in
May, going on:
“Not only does MediaSentry not have a registration in Australian as a foreign corporation,
it has not, to the best of my knowledge, been given exemption by ASIC to operate in any capacity
within Australia, especially in the capacity of a legal investigator.”
Named as MediaSentry ‘enforcement coordinator’ was one A. Kempe.
Now, “I wanted to give you a heads-up that MediaSentry (yes the very same discredited
a**holes!) are still up to their old tricks here in Canada — Ontario at
least!” - says a p2pnet reader, including a copy of an email s/he received yesterday.
Under the name of Rogers Cable, and with Apple iTunes included, it goes »»»
Rogers Cable (Rogers) has received a notice stating that activities associated with your IP
address are infringing copyright in material(s) owned or exclusively licensed by others.
The full notice is appended to this e-mail below.
Wednesday, July 01, 2009
Rogers Cable Inc.
RE:Â Unauthorized Distribution of the Copyrighted Published Work Entitled The Tales
of Beedle The Bard (Document)
Dear Rogers High-Speed Internet:
On behalf of the rights holder for the content listed below, we are writing this letter to state
that we have a good faith belief that the unauthorized sharing (distribution) and downloading of
this content has occurred by an individual making use of the IP address below at the date and
time referenced at the end of this notice.
The Tales of Beedle The Bard (Document)
We also state, under penalty of perjury, that the information in this notice is accurate and that
we are authorized to act on behalf of the rights owner. Since you own this IP
address, we request that you inform the individual who engaged in this conduct of the following:
Unauthorized file sharing is illegal. However, we truly appreciate your interest in
The Tales of Beedle The Bard (Document). We are making every attempt to provide this
wonderful content to you in a host of legitimate ways, one of which is through the following
website:
http://www.apple.com/itunes
If you believe you have received this notice in error, please contact us at
CLCopyright@mediasentry.com, and kindly include this identification number xxxxxxxxx, also noted
above, in the subject line.
Thank you for your cooperation in this matter.
Respectfully,
A Kempe
MediaSentry Operations
——————————
INFRINGEMENT DETAIL
——————–
Infringing Work: The Tales of Beedle The Bard (Document)
First Found: 1 Jul 2009 00:49:28 EDT (GMT -0400)
Last Found: 1 Jul 2009 00:49:28 EDT (GMT -0400)
IP Address: xxxxxxxx
IP Port: xxxxxx
Protocol: BitTorrent
Torrent InfoHash: 4CBDECB81685C5FCD96B5C3B8B8B76970EEFD120
Containing file(s):
young-adult fiction.torrent (409,735,327 bytes)
—-PTCP_67a2bb9903259307d9
Content-Type: text/plain; charset=utf-8
Content-Transfer-Encoding: Quoted-Printable
=EF=BB=BFWednesday, July 01, 2009
“I wouldn’t touch the kind of trash they are accusing me of downloading with a
ten-foot pole, so this would be funny — except for the false accusation part and having
Rogers threaten to cut off my internet,” says the p2pnet reader, adding:
“Maybe a few of your readers would like to send MediaSentry a few choice
words. God knows I just might …”
Stay tuned.
Jon Newton - p2pnet
Follow p2pnet
on Twitter.
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First they ignore you, then they laugh at you, then they fight you, then you win ~ Mahatma
Gandhi
July, 2009
Use free p2pnet newsfeeds for your site.
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|
OneBigTorrent.org -
1 days and 20 hours ago
Category: Misc
Description:
There are three distinct styles of German director Werner Herzog's films. There are his great,
deep, and memorable fictive films - such as ‘Aguirre: The Wrath Of God’, ‘The
Enigma Of Kaspar Hauser’, and ‘Fitzcarraldo’, there are his smaller evocative
documentary-like films - such as ‘Fata Morgana’, ‘Little Dieter Needs To
Fly’, and ‘Grizzly Man’, and then there are his unclassifiable films - such as
‘Even Dwarfs Started Small’, ‘Heart Of Glass’, and 1984's ‘Where The
Green Ants Dream’ (Wo Die Grünen Ameisen Traümen). Whereas ‘Even Dwarfs
Started Small’ is an enigmatic study on Fascism that is beyond evaluation on a normal scale,
and ‘Heart Of Glass’ was filmed with its actors hypnotized, ‘Where The Green Ants
Dream’ is an odd concoction that mixes all three of Herzog's styles, along with the excellent
cinematography of Jorg Schmidt-Reitwein, in its 95 minute running time. Like many of his films it
involves Native Peoples - this time it's not Africans (‘Cobra Verde’) nor American
Indians (‘Aguirre: The Wrath Of God’ and ‘Fitzcarraldo’) but Australian
Aborigines. The film was based upon the then burgeoning Aboriginal Rights Movement and their
initial lawsuit against a mining company that wanted to drill in lands the natives considered holy.
After filming ‘Fitzcarraldo’, which drained Herzog emotionally, financially, and
creatively, he stumbled upon the story while promoting the earlier film in Australia. To avoid a
lawsuit by the real mining company, Nabalco, he changed the company's name, the product they were
drilling for, and added his own made up mythos of the green ants, for he felt it more suitable and
poetic than the more standard issue and nebulous claims of the real Aborigines. What sets this film
apart from most is that it does not look nor feel like a major motion picture by a famed director.
Instead, it feels like a first film by a young independent filmmaker, and I mean that in the best
sense. Despite some wonderful scenery, Herzog is not fixated on natural splendour - such as rather
brief shots of miles and miles of holes dug into the ground for opals and the resultant dirt and
sand piled up and left to sit, something most filmmakers would ogle over, and spends far more time
on the simple, unfolding tale. Yet, it does not focus on the human players as much as the issue of
Native Rights vs. those accorded by old treaties. The lead character is a tall, blond, bespectacled
geologist called Lance Hackett (Bruce Spence), who works for the A.S. Mining Company- which is in
the uranium mining business. The film opens with him in his office trailer on the outskirts of a
small town, Coober Pedy, in the Australian Outback desert. An old lady, Miss Strehlow (Colleen
Clifford), who has lost a pooch in their tunnels is asking him for help in locating the dog, named
Ben Franklin. He tries to pacify the old lady when he is informed of an Aborigine protest on the
land by his older lead worker, a bigot named Cole (Ray Barrett). Hackett rushes out to see what is
the matter and encounters two of the Aboriginal Elders, Miliritbi (Wandjuk Marika) and Dayipu (Roy
Marika). Even though the site is not accorded reservation status by the Australian government, the
two claim that their tribe views the site as a holy site, for it is where the green ants dream up
all life, and if the company destroys it the world will end. They and their tribe are engaging in a
sit down strike. Here is where Herzog deftly walks a tightrope. While not giving in to the PC and
New Age wackiness of such beliefs, he does show the company trying to bend over backward to appease
the Aborigines. They do not accept any such offers, and eventually the two parties- the tribe and
the company, must go to court. There are some funny scenes- such as when company officials fly the
two Elders to Melbourne, to negotiate, and they get stuck in an elevator while riding up a
skyscraper. Eventually they are freed, but Hackett suggests it is all a dream, and they are really
still stuck in the elevator. Sure enough, on their way down the elevator conks out again, and the
claim by Hackett seems to be fulfilled. There are a few moments where the film gets too preachy,
such as when Hackett visits Arnold, a supposed local white expert on Aboriginal culture (Nicolas
Lathouris)- who also is a bigot of the worst order, but against his own culture, and the man merely
preens and screams at Hackett as some harbinger of evil white culture, but most of the film is a
bit less preachy. The Aborigines are shown to have their own silly customs, such as when- during
the courtroom scene, the courtroom must be cleared of spectators due to Aboriginal belief that
something bad will occur. Yet, the whites are no less silly, and midway through the film there's a
funny scene where Hackett is meeting with a white entomologist. Fletcher . (Ralph Cotterill), who
explains the facts behind the magnetically attuned green ants- which are not really ants, although
they look that way. Instead, they are a variety of termites and more closely related to roaches
than ants. The glee that the insect expert seems to rub off on Hackett is both perverse and funny
to watch. Yet, like most of the film, there is no musical accompaniment. This is probably the
Herzog film least dependent upon his key musical ear, and most dependent upon the story alone.
Thus, very little is made of Native music from the didgeridoo, which is heard only a few brief
times. The film is also notable because it was one of the few times that- till that point, Herzog's
regular musical partner, Florian Fricke of Popul Vuh, did not work with him. Eventually, the
company appeases the Aborigines by loaning them a green airplane, but after the Aborigines lose in
court, a drunken Aborigine, who was in the Australian military takes the plane off to fly and loses
it up in the mountains. A search is launched, and the film ends as it started- with some enigmatic
shots of tornadoes filmed in Oklahoma, a tale by Hackett, to the old lady- who is still waiting
outside one of the tunnels with an opened can of dog food that has dried and become food for flies,
and Hackett telling her of a dream he had where he is watched by Catholic School students and nuns
as he pisses in his pants and causes a river to flow. The last scene of the film shows Hackett back
at the white Aborigine expert, who now accepts him as a 'good' member of the white race, and
Hackett seems to go off into the desert to live in the expert's old home made of a larger steel
water barrel. Because of the rather trite nature of the confrontation, admixed with its odd
presentation, Where The Green Ants Dream is a film that is difficult to classify. There are funny
scenes of Aborigines in business suits when in court, and holding religious ceremonies in
supermarkets where a holy tree once stood- a tree needed for the men in the tribe to dream up their
children before they are conceived, and humorously sad scenes, such as when Cole explodes to
Hackett that Aborigine children have drained his Caterpillar of oil so they can sniff it to get
high. The film is not a character study, not a true fiction, but a quasi-documentary-like film.
That it does not go overboard on the New Age nonsense nor the Noble Savage reverse racism is good,
but a bit more development of Hackett- whose life outside work seems to consist of listening to
cassette replays of Argentina's first World Cup Soccer victory and getting turned down for dates by
local women, would have been good, as would a bit more background on the town and some minor
characters- such as a few company executives, like Baldwin Ferguson (Norman Kaye), and other
Aborigines- such as the man they call a Mute because he is the last person on earth who can speak
his native tribal tongue, would have made the film better. These minor flaws can be blamed on the
too spare screenplay by Herzog and Bob Ellis, who also has a cameo role as the local supermarket
manager. The acting in the film is also not the best in the Herzog canon. Like many films that try
to use authentic ethnic actors, there is a small pool to choose from, so the film suffers for this.
I am reminded of the poorly acted Eskimo film of a few years back, ‘Atanarjuat’. That
said, even the white actors are not top notch, as Spence spends much of the film with his mouth
agape and looking like Lurch from the old ‘The Addams Family’ sitcom. The DVD, put out
by Infinity Arthouse, is well transferred- although it has a bit more of a made for television
movie in its look, and shown in a 16:9 full frame aspect ratio. The extras are rather spare- a
Herzog bio, German and English trailers, a trailer for a Rainer Werner Fassbinder film, and a
commentary by Herzog, along with an interviewer, but done in German, with English subtitles. As
usual, Herzog's comments are among the best out in the DVD market, as he both explains what was on
his mind with a particular scene or actor, as well as often digressing in a truly creative fashion,
on the mythos behind said scenes and characters. The best example is when he describes the genesis
of this film, from an earlier trip promoting ‘Fitzcarraldo’, and how the making of this
film led into his eventual making of ‘Cobra Verde’, by meeting the author Bruce Chatwin
while in the country. ‘Where The Green Ants Dream’ is not Herzog at his greatest, but
it is an interesting and good little film that rises above the contemporary condescending approach
to Natives, and compels anyone who starts watching it to finish watching it. Just compare it to the
ongoing American obsessions with Noble Savage Native Americans and Mystical Negroes, and the
difference is clear. In the commentary, Herzog even laments that this film is too preachy at times,
in scenes with both the Elders and the small minded Arnold, and how his own personal disagreement
with the Green parties around the world are due to their lack of empathy for humans, while praising
nature at all costs. It is especially noteworthy to compare this film to the work of Native
American director Chris Eyre, who made ‘Smoke Signals’ and ‘Skins’, for one
can see numerous areas where the younger director could learn much from a Master like Herzog, who,
even when not in top form, can create compelling art that lasts, even if in ways as odd as his
subject matter. EXTRAS INCLUDE: -Director's Commentary as 2nd audio track (SUBTITLES
ARE FOR THE COMMENTARY TRACK, FILM IS IN ENGLISH) -Herzog bio (3xjpgs) -trailer PLEASE SEED
AND ENJOY!!!
Seeders: 1
Leeches: 0

|
Eurogamer - News -
2 days and 1 hours ago
Tech shows peering, zooming, turning.
An Australian student has been showing off several accomplished head-tracking demonstrations
using videogames.
Using Valve's Source engine, Toben Sko can peer around corners by tilting his head, zoom by
moving closer to the screen, rotate the camera by turning his head and produce a gun-sight by
posturing as if aiming down the barrel of a gun.
The video can be found on YouTube, noticed first by PushingPlay before being picked up by
Joystiq.
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