150,000 take part in FCC's broadband census, do their part for the greater good originally appeared on Engadget on Fri, 19 Mar 2010 08:29:00 EST. Please see our terms for use of feeds.

For nearly 10,000 years--since the dawn of civilization and the Holocene era--our world seemed unimaginably large. Vast frontiers of land and ocean offered infinite resources. Humans could pollute freely, and they could avoid any local repercussions simply by moving elsewhere. People built entire empires and economic systems on their ability to exploit what seemed to be inexhaustible riches, never realizing that the privilege would come to an end.

But thanks to advances in public health, the industrial revolution and later the green revolution, population has surged from about one billion in 1800 to nearly seven billion today. In the past 50 years alone, our numbers have more than doubled. Fueled by affluence, our use of resources has also reached staggering levels; in 50 years the global consumption of food and freshwater has more than tripled, and fossil-fuel use has risen fourfold. We now co-opt between one third and one half of all the photosynthesis on the planet.

Continue reading HP Slate priced at €400 for June launch, Atom CPU confirmed?

HP Slate priced at €400 for June launch, Atom CPU confirmed? originally appeared on Engadget on Fri, 19 Mar 2010 06:27:00 EST. Please see our terms for use of feeds.

Casio's solar-powered Pathfinder watch plays the green card twice originally appeared on Engadget on Fri, 19 Mar 2010 03:44:00 EST. Please see our terms for use of feeds.

New fantasy hack and slasher looks promising

Dungeon crawler games have fallen way out of fashion in the last 10-15 years, so the genuine excitement shown by the developers of new title Hunted: The Demon's Forge at the recent press launch was understandable. Clearly the standard marketing and focus group considerations would have been taking into consideration when green lighting the game but you definitely got the feeling that Hunted is a labour of love for the team. Not surprising, perhaps, when you consider that the project lead is Bard's Tale veteran Brian Fargo.

Hunted is a third-person, co-op based, action RPG with a standard fantasy setting that felt very familiar. The decent enough visuals won't win any awards either but this doesn't look like a game where you'll be gawping at the scenery. The demo showed a lot of hack and slash action and even more of the female protagonist – yes, this isn't a good example to use in any "games have grown up, honest!" style argument - but it does look like it could be fun to play, especially in co-op. The dynamic between the male melee character and the female archer was an obvious co-op design decision and the demo showed what could be a common sight – the archer picking off enemies from range while the melee character hacks away up close. This all sounds very MMO-like but while customisation is available you will not be able to create your own character from scratch. I spoke to game director Maxx Kaufman about design, influences and how co-op will work.

What is the background to the game?

Being huge fans of fantasy and Dungeon & Dragons, we were inspired to create a game that would allow us to get lost in a dungeon, fight AND explore a really cool fantasy world. As a kid I always dreamed of fighting monsters with a sword and a bow as well as exploring for magic and treasure. Now in Hunted I can do that. It is an exhilarating experience to see this world come to life.

Why is now the time to relaunch the dungeon crawler genre?

In the past these games have always been very successful but I think that they've gotten lost with the MMO craze. We really felt that it was time to bring the dungeon crawl back – but in a way that made sense to today's gamer.

Hunted is a cover action game at its core but it also allows the player the opportunity to explore the game's vast environments. At certain times in the game the player will be fighting waves of enemies while at other times they'll be searching through dark, eerie dungeons.

Do you think the linear dungeon crawl experience will appeal to gamers used to the wide open worlds of Fallout and World of Warcraft?

The world in which Hunted takes place is really rich and exciting. We like to think of it as getting on a roller coaster whether you are alone or with a friend – it's just a really engaging experience either way. Players will be on an adventure that takes them through numerous locales – they'll go deep into underground dungeons, make their way through really awe-inspiring outdoor environments and wind their way through these old towns. Our goal is to create a compelling experience that gives players the sensation of being in a Lord of the Rings-esque movie.

How important is the co-op to the game?

Co-op is vital to our game. It was planned from the very beginning that this would be a co-op game and our design and story is based around that. In the past co-op games have had a tendency to tether players together. We have implemented the opposite philosophy that we call co-op at a distance. We encourage the players to separate and support one another from a distance.

All of our spells and skills are based around the idea of players being apart but able to help each other. For example you can heal a downed player by throwing a re-gen vial at a distance. This avoids the tedious task of running to your partner and slapping them back to life. Ice arrows will allow Elara, our ranged character, to shoot and freeze enemies from a distance. Caddoc will then simply smash them into pieces. Caddoc has a levitation skill that will allow him to create a radius of levitation around his sword that will cause enemies in the area to float harmlessly around him. Elara is then able to shoot them from a distance.

Co-op at a distance is threaded through every aspect of Hunted's design, from enemies to spells, and in the level design. It even carries over to the single-player mode. A player can play the game with an AI partner and still get a similar experience.

How important is the story to the game?

For us, the story sets the mood and it gives us an important frame work from which to create the game.

For players, as with most games, the story unfolds as they make their way through the game. Those who want to delve deeper in the story can find clues and information to the game's 500 year plus lore. Alternatively, if you are the type of player who is only interested in action, you can play through the game and still have a rich experience.

How does online play work - do you get XP etc in someone else's game?

Players that play online will gain crystals, which are the currency used to gain spells and skills. For example, if you play online and you are further ahead in the game than I am, I can play with you, and the crystals I gain can be transferred back to my single player campaign.

What customization options are available?

There are various weapons and items the player can pick up that will boost certain abilities, but the real customization comes in with our skills and spells system. The players trade in crystals they find throughout the world for various skills. Because the characters have unique abilities there is a lot of variation in the types of customization that can be achieved.

E'lara will gain spells and skills that are related to her bow while Caddoc's skills are based around his melee combat. Some of these skills are common to both characters, but there are many skills that are unique to each character based on their strengths, such as Levitation for Caddoc and Ice Arrow for E'lara. Ultimately playing Hunted will be a very different experience based on the customizations you choose.

Do you think co-op is more important than competitive play in online gaming generally?

It's not a case of one being more important than the other. In the case of Hunted, it was about what made the most sense and what people would want, and that's to experience this alongside a friend or someone else, not fighting head-to-head.

Can you explain how the levelling up and RPG elements work?

The leveling occurs when you meet up with an ethereal spirit named Seraphine. She tasks the player with collecting crystals and in return she will grant you spells and skills. By finding better weapons that are throughout the world, players can also upgrade their weapons. If you are the type of player that enjoys exploration we have tons of secrets. The more challenging secrets will yield better items and loot.

What sort of audience do you think Hunted will attract?

Because fantasy games have such a large fan base I think Hunted has broad appeal. We are melding two popular game genres – fantasy and action - into one game which makes its appeal even wider.

While the MMO fans will enjoy the ability to just pick up and play, they will also be taken on a cinematic adventure in the genre they love.

The metal soundtrack and scantily clad ladies suggest a traditional gamer but do you think a wider audience may be interested?

We're going for a soundtrack similar to the movie "300". And who doesn't like scantily clad ladies? Both of these elements will appeal to a large audience and fit within the context on the game.

Is Hunted a reaction to more complex RPGs that have sprung up over the last 10 years?

Hunted is a reimagining of the forgotten dungeon crawl category using today's technology and gameplay styles, for today's gamer.

Hunted: Demon's Forge is released on PC, 360 and PS3 later this year

• Games

The world's second Internet of Things Conference is scheduled to take place at the end of November in Tokyo. The deadline for papers was just extended to June 1 - which gave us an idea. Conference planners have put together a list of suggested topics for papers. We took that list and then rounded up our ongoing reporting and analysis for each of the eight topics as a way to help you understand how vast and far reaching IoT will end up being.

Sponsor

Our recent list of 6 Ways to Better Living: Inside an Internet of Things Home, looked at the IoT from a domestic standpoint. From handling toxic waste, to watershed management, to building design, to transportation, to the smart energy grid, a whole new green way of thinking is going to be made possible by IoT.

Different industries have have already been able to increase the efficiency of freight shipping by using sensors to tell them the location and condition of their product in real-time. This includes FedEx's SenseAware, which is designed to constantly keep track of the vital signs of all its packages. In future posts we'll be covering IoT-driven growth in the fields of virtual factories, digital cities, agriculture and forest management.

Did you hear about the guy who wired his house up to a Twitter account so that it alerted him whenever an appliance was used? Following that experiment, Matt Morey figured out a way to use iobridge to turn that one-way Twitter alert system into a two-way system that makes it possible to turn appliances on and off via Twitter. These ideas, which may seem novel at first, signal the direction towards the development of whole new industries.

Companies as large as IBM have invested heavily in IoT. It has a website called Smarter Planet, which is dedicated to "smarter solutions," of which they say they've already developed 12,00 hundred. We've also written about ThingD, which is creating a registry of things, as well as REZZ.IT, which is building a business based on the idea that "things have a network and their own audience."

Pachube is the IotT business that has earned the most coverage and analysis from us. Pachube is a service that stores and shares real-time sensor data from objects, devices, buildings and environments. MQTT, which stands for Message Queuing Telemetry Transport, is also noteworthy. It is "a platform-agnostic system which can connect almost any networked object to the wider world." More recently, Google launched an API for PowerMeter, which allows device manufacturers to create PowerMeter-compatible devices. Also worth mention is our article on Arrayent that aims to be the "Cisco of small things" - which is basically middleware for companies wanting to connect their products to the Internet. In particular it's targeting smartphones.

IoT is still so new that we have only just begun to see the results of research. But with RFID, for example (which is one of the more mature IoT technologies), we've reported on how there have been enough challenges to limit predicted growth. There also a range of user experiences related to IofT location-based services.

From preventing lost luggage, to the latest IoT gadgets, telling the story of what a person's everyday daily life is an integral part of IoT. Most notable is the presentation by Carnegie Mellon professor and ex-imagineer Jesse Schell, who describes how sensors in everything may one day mean the sensor in your toothbrush gives you online gaming points if you brush for the full three minutes. He also envisions sensors that track if you are watching TV commercials and again rewards you with online gaming points. Core to Schell's ideas is the belief that these incentives may seem a bit creepy, but they have potential to help us create a less corrupted, more accountable and ethical world.

In our What The Internet of Things Means For You series we covered privacy issues related to the use of RFID and barcode readers. The latest reports show how advertisement, RFID and geolocation have combined to raise serious privacy concerns. Additionally, location-based data can be a threat to personal privacy in the context of how the U.S. congress has started to draft location-based privacy protection laws.

Are you going to the Tokyo for Internet of Things Conference? What do you hope to learn there? Let us know in the comments, or by emailing tips@readwriteweb.com, what we should be discussing in the months leading up to the event.

See Sonic 4's Splash Hill Zone, Eggman originally appeared on Joystiq on Thu, 18 Mar 2010 23:00:00 EST. Please see our terms for use of feeds.

See Sonic 4's Splash Hill Zone, Eggman originally appeared on Joystiq on Thu, 18 Mar 2010 23:00:00 EST. Please see our terms for use of feeds.

If you thought that wearing fur was outdated - what with all those green movements and animal rights activists who put this cruel sense of fashion in its right place with the likes of Cruella de Vil - fashionista's say, think again.

Last month the fashion world went literally “wild” in New York, Paris and Milan during the unveiling of their fall collection. They had models strutting the catwalk in so much fur, it was scary enough to make animal rights activists and environmentalists jump out of their skins.

In this era of global warming and dwindling animal species, one would think that we humans would come to our senses and rethink our actions. Not so, it seems, as there is a whole other world out there - the fashion industry of the west - whose endorsement and use of fur and exotic animal products simply encourages the mass slaughter of many endangered species.

A dealer's bounty at the Quartzite annual show for art and crafts. Image by Flickr user cobalt123. Used under a Creative Commons License

To name a few, the Chiru or Tibetan antelope, whose underbelly fur is used to make “Shatoosh” the world's most expensive shawls, also known as “shawls of death”. It takes 3 dead antelopes, to make one shawl, so fine it can fit through a finger ring, and each one can cost between $5000 to $20,000 in the international market. Even babies, and mother's who have just delivered, are not spared.

According to WWF, the population of this species has declined by over 50 percent in the last 20 years and the Tibetan Plateau Project says that it was the fashion-driven demand for Shatoosh in the U.S that resulted in as many as 20,000 antelopes being slaughtered. It is alarming to know that the animal could become extinct in the next three years at this rate.

In a blog run by Uma and Hurree called Animal Rights India, they argue how farming of Chiru's - like Eider ducks in Iceland for eider (as an alternative), will not make a difference to the dwindling numbers.

But hello: Eider ducks are now a protected species, and farmers in iceland use a technique of collecting the down without harming the bird. And no, it is not possible to obtain the shahtoosh wool without killing the chiru.

They go on to say:

It's impossible to justify killing three beautiful wild animals every time you want to push a length of shawl through a ring, blah blah. And to farm them just to kill them for shawls?

Raja Basu, another blogger said:

The Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES) – which controls the trade in endangered species products – has completely banned international trade in Tibetan antelope products (including Shahtoosh). It is illegal to import Shahtoosh into many countries, including the USA (ironically, Shahtoosh products are so popular in the US fashion industry). Unfortunately, despite such laws being in place, the Shahtoosh trade is going on in full swing. This is because it is not enough to have laws. There must also be a strong public protest across the board against every person who is by any means related to the Shahtoosh trade. There should be a widespread public sensitization campaign to educate the common people.

Bloggers in the west, however, were giving this some thought and debated:

Rachel Menashy wrote on her blog:

1. People eat rabbits at restaurants. These rabbits have been killed to provide ‘dinner' for people like us (I would like to point out that I have never eaten rabbit and by ‘us' I mean people who eat in restaurants). Why is it right that rabbits can feature on a menu in a restaurant but wrong to wear a fur coat? These rabbits inevitably are skinned in preparation to be cooked - what else should we do with the fur?

2. Is it more acceptable if the coat is Vintage? Why?

3. Is rabbit fur better/worse than Mink? Some argue that rabbit fur is not as bad because rabbits are not in danger of becoming extinct, unlike mink which is. Then again, people keep rabbits as pets so is it more cruel to wear rabbit than mink?

4. If a fur coat is hanging on a rail at a store and one customer refuses to buy it, somebody else will…

5. Should role models such as Kate Moss be seen wearing fur? Kate's style is copied by millions of girls (and women) - is she giving a bad impression?

To which Denise replied:

1. I would personally be more likely to wear rather than eat rabbit. The eating of it seems less acceptable somehow.
2.Vintage coats have been around for a while and should be recycled - which I'm definitely into.
3. Mink are feral creatures and even though their fur is more desirable, mink are not aiming for extinction, so why not wear it?
4. Agreed.
5. I don't mind fur being worn by anyone, and Kate Moss is just showing that this is acceptable. Too many people are on the “fur is bad” bandwagon. I bet most of these people eat meat and wear leather, so what's the difference?

But there is a difference as Barry Williams responded to a thread: Wearing Fur is not immoral on www.helium.com

If we go around killing cattle for leather, alligators for shoes, deer for chamois and see nothing morally wrong in that , why it is immoral to wear fur. What I see as immoral is the killing of animals simply for the fur alone. It really is such a waste, isn't it? Apart from the leather we obtain from cattle not much of the animal is wasted. Beef cattle supply our meat.

There are a multitude of arguments out there, but in the meantime the Humane Society for the United States, says that Canada will slaughter 388, 200 harp, grey and hooded seals this year, an increase of 50,000 from 2009. This, because of the overall demand for fur. The site of the Fur Council of Canada shows styles and celebrities modelling various furs in what it describes as a fashion trend of 2010.

And unfortunately in the U.S, and much of the west, where Global Fashion trends are set, laws don't seem to be enough to curb their greed. According to the International Fur Trade Federation Blog:

..the shift in the attitude towards fur can be attributed to “changes within the fur trade, such as the introduction of the new Origin Assured initiative, which guarantees that fur bearing the label comes from a country with animal welfare regulations”. This shows that the fur trade efforts and initiatives to challenge the outdated ideas of our industry have been noticed. We are a transparent and well-regulated industry that supports high animal welfare standards and we welcome the confidence and support shown by the fashion designers as well as the European Commission, who recently recognised the importance of the Origin Assured label.

Fashion designers who have been courted by Furriers say they are “confident using fur after examining the chain of production and finding it humane. But could this confidence be based on a lack of investigation or knowledge? According to an endangered species handbook :

The New York luxury department store, Bergdorf Goodman, advertised shahtoosh in 1995 as a “royal and rare” fabric, making incorrect statements about the wool having been obtained from the Mountain Ibex goat of Tibet which “sheds its down undercoat by scratching itself against low trees and bushes” from where it is gathered by local shepherds (Schaller 1998)

And if the clubbing of baby seals and mass slaughtering of Chiras, mothers and babies, is “humane” then its sad to think of what “humane” means anymore, and what we are willing to condone in the name of “Fashion”.

• UBC mathematicians receive national honours
• UBC prof awarded 3M National Teaching Fellowship
• Fisheries professor receives honorary degree
• First prize for International Criminal Law Studies awarded to UBC prof
• UBC zoologist part of research group to recommend ivory trade monitoring and enforcement
• UBC to host Summer Institute in Sustainable Urban Design
• Engineering co-op announces contributions and awards
• Chilean students thank Dept. of Mining Engineering and UBC community
• Green College Visiting Professor gives talks on fairy tales and folklore
• Botanical Gardens featured in parenting blog
• Campus volunteers invited to reception

Once they're inside the female reproductive organs, sperm pull out all the stops to outrace their rivals to the egg--especially if the opponent comes from another male. The process that determines which sperm wins, called "postcopulatory sexual selection," has been difficult to tease out, until now. [More]

Read more of this story at Slashdot.

Read more of this story at Slashdot.

Read more of this story at Slashdot.

WARNING: I am NOT a developer

with menu icons

So one of the first applications I like to install on a fresh build of ubuntu is called gSTM or “Gnome SSH Tunnel Manager”. This allows me to setup and enable multiple ssh tunnels to/from different places with the click of a button. It provides a nice notification area icon which I can click and see at a glance all the tunnels I have preconfigured. In this same dialog box it shows the connection status of each tunnel indicated by a red(off) green(on) or yellow(?) icon to the left on the tunnel name.

Since Ubuntu 9.10, these status indicator icons are broken by default and need to be turned on by enabling “show menu icons” in the interfaces tab in the appearance preferences. Now with Ubuntu 10.04, this option has been removed from the preferences completely breaking the icons with little to no recourse(yes we can use gconf, I shouldn’t have to!).

Upon discussing (read: complaining) this problem with some of the Gnome community, I have been told that the use of these menu icons in this manner is incorrect and show be done by other means.

I plan to figure out the correct way to show these icons and resume functionality to this application and try to document my journey on here.

• Step #1 Try to contact original developer: – fail. The contact the developer link on sourceforge gave me a bounceback email.

• Step #2 File a bug report – done

• Step #3 Download the source code. – I originally downloaded the tarball from sourceforge. The problem with this is, there’s no debian directory and other magic bits to allow for easy packaging for debian/ubuntu which I would like to do in the end. I then downloaded the source in ubuntu using “sudo apt-get source gstm” which downloads all the source files to /usr/src/gstm1.2 including the packaging bits. And then I remembered about this whole Opportunistic developers thing and more specifically Ground Control by Martin Owens. I already had this installed so I just searched for “gstm” and downloaded the project and what I THINK is the correct branch to work from (gstm 1.2).

I’ve briefly looked at the icons it uses (green.xpm red.xpm yellow.xpm) and grepped for mentions of them in the code. So far i’ve come up with main.c and fniface.c.

Tonight I might try my hand at using one of the other applications mentioned in Jono’s Opportunistic Developer post called Quickly to see if I can import this project and see how it interacts with this developer environment.

As we’ve seen in the past, a music video can launch a band into the indie stratosphere when shared in the online space — YouTube even got hip to the trend with its Musician’s Wanted program. This state of affairs got us wondering: How do some of today’s up-and-coming indie acts use online music videos in their quest for stardom?

To answer said query, Mashable reached out to an array of SXSW’s finest — bands both on the the brink and over. Some gave us serious answers about how music videos fit into their artistic scheme, others — not so much (ahem, Das Racist).

Check out their answers below. We hope to add more as the musicians we contacted find their way to computers. Note: Some of these vids are slightly NSFW.

What’s your favorite music video?: [Kip Berman, lead singer] I like the “Everything With You” video because it feels really natural and good. [Keyboard player and Buzzfeed editor] Peggy and her BFF Carlen are hanging out and doing fun stuff together. It fits nicely with the song, which is about hanging out with your BFF and doing fun stuff together. It doesn’t seem phony, yet it’s not careless or entirely haphazard, either.

How important are online music videos when it comes to publicizing a band? How have they functioned for you?: It’s easy to say videos don’t matter as much as the song itself or the live performance, and I’ll say that, too. A lot of bands I really like have sort of not-so-awesome music videos or videos that seem at odds with their actual aesthetic. Still, when a band has a really embarrassing video, it’s hard to shake that image from the song itself — so we try not to have overtly terrible videos.

But I don’t like when a really cool video becomes more important than the song — though some over-the-top stuff is great when paired with the right kind of band. I really love the new Yeasayer video for “O.N.E.,” MGMT’s “Time to Pretend” and Lady Gaga gets more and more fantastically epic with each release.

I guess from a “press” point of view it’s good to have the most sensational video possible (Buckcherry, “Crazy B*tch” — but again, that makes sense [for] Buckcherry). But we’ve never wanted to just gain views for views’ sake — we’d rather (a lot) less people see it, but actually appreciate it as a visual complement to the song, not in a pure spectacle way. We’re not all that “spectacular.”

We recently shot a video with a lot of “furries” (or more politely, “fur suiters”) in it… it’s pretty funny, I think. Maybe not as exciting as female prisons or post-apocalyptic lord of the green screen fantasies, but for us — it’s a start.

What’s your favorite music video?: [Robert Perlick-Molinari, lead singer] Definitely the “Broken Heart” video. That was our first collaboration with Dax and Barry from the Sniper Twins. It’s so simple — we’re dancing and Barry’s in the corner being weird. That doesn’t sound a lot different than most of the dance parties we throw, actually. But the entire video is one shot. And our dancing is actually choreographed. Felt like we were a boy band a little bit. Thankfully Barry was there with his ketchup and mustard bottles so no one would confuse us with The Backstreet Boys.

How important are online music videos when it comes to publicizing a band? How have they functioned for you?: Our music videos have been great for us. We have more views on YouTube of our songs than anywhere else our music is posted. They came from a really fun and creative place, so we’re really proud about the videos, and feel they are a good representation of how we wanted to start out a group.

What’s your favorite music video?: [Chris Hernandez, drummer] Our newest video is just amazing and our friend Ben Hoste put so much work into it (he had to animate it by hand!); it’s called “Death to Vivek Kemp.”

How important are online music videos when it comes to publicizing a band? How have they functioned for you?: With YouTube and Vimeo and all these other online video outlets, it’s definitely been amazing to have such access to not only our fans, but to people who’ve never even heard of us before! So it’s been a really amazing experience for us to know and be involved with so many creative and supportive people who have helped us out with videos in the past. It’s really become a great collaborative effort to help each other stand out and make a name for ourselves!

What’s your favorite music video?:

[Victor]: Can’t pick a favorite, but our most recent one is Jordan Fish’s “Rainbow in the Dark” video. [Video above.]

[Himanshu]: Bob Weisz’s “Shorty Said” video.

How important are online music videos when it comes to publicizing a band? How have they functioned for you?:

[Victor]: The act of making online music videos provides handfuls of people with something to do with their leisure time (afforded to them by a system of global economic domination by the wealthy few) that feels slightly more productive than other more passive forms of entertainment like watching TV, going to the movies, purchasing a roller coaster ride, etc. Somewhat ironically, the end product is a form of passive entertainment.

[Dap]: Music videos allow men and women to feel sexy and fancy-free. Transcend.

[Himanshu]: Tweens love YouTube.

What’s your favorite music video?: [Jon Philpot, frontman] We’ve made a few music videos and we like them, but it’s nice when a fan makes something… especially if it’s strange. Here’s a favorite. [Video above.]

How important are online music videos when it comes to publicizing a band? How have they functioned for you?: They’re important us. We make them on the road to entertain ourselves and our listeners. I guess we could just make songs… but videos are fun!

Tiger Woods PGA Tour 11 trailer shows off online team play originally appeared on Joystiq on Thu, 18 Mar 2010 14:00:00 EST. Please see our terms for use of feeds.

Tiger Woods PGA Tour 11 trailer shows off online team play originally appeared on Joystiq on Thu, 18 Mar 2010 14:00:00 EST. Please see our terms for use of feeds.

Read more of this story at Slashdot.

Read more of this story at Slashdot.

Read more of this story at Slashdot.

It was St. Patricks Day last night, and I have a funny feeling that some green beer and Guiness lead to Brian LeRoux and Rob Ellis creating Crockford Facts. It isn’t Friday yet…. well it is in Australia right?

Silliness.