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Gizmodo -
1 days and 6 hours ago
pimg src="http://cache.gawker.com/assets/images/gizmodo/2008/12/25442_D3X_front.jpg" width="640"
height="544" style="display:block;float:none;" /The a
href="http://gizmodo.com/5099189/nikon-d3x-24mp-dslr-rumors-solidify-around-dec-1"rumors/a pointed
pretty firmly to it, and then some leaked a
href="http://gizmodo.com/5099857/nikon-d3x-specs-leaked-a-mighty-flagship-cometh"specs/a detailed
what it'd be like, but now Nikon's new pro-level D3X DSLR has arrived officially. Touting it as a
24-megapixel "Digital Masterpiece," with exceptionally low noise sensor, 5fps full-frame shooting
speed and with file sizes of 138MB, Nikon's saying the camera's available now for an estimated
selling price of $8,000 for the body only. Full press release below.script type="text/javascript"
charset="utf-8" galleryPost('d3x', 3, ''); /script/p blockquote pMELVILLE, N.Y. (Nov. 30, 2008)
– Nikon Inc. today announced the D3X, an FX-format digital SLR featuring extreme
24.5-megapixel resolution and superb low-noise capabilities, which provides professional
photographers with commercial-quality image performance in a familiar and extraordinarily versatile
D-SLR form factor. In conjunction with the groundbreaking Nikon FX-format D3, the D3X tops off a
collection of flagship level, rugged, professional caliber digital single lens reflex cameras
engineered to excel in all types of professional photographic disciplines from photojournalism and
sideline sports, to commercial in-studio applications./p pThe foundation of the enhanced
performance of the D3X is its FX-format, 24.5-megapixel (6048 x 4032) CMOS sensor providing
commercial, high fashion, fine art and landscape photographers with the extreme resolution, dynamic
range, color depth, detail and sharpness that clients demand. Whether creating catalogs, magazine
covers, billboards or gallery prints, the large 5.49-micron pixel size and high signal to noise
ratio produces vibrant images with breathtaking image fidelity while reducing lost highlights and
shadows, and ensuring smoother tone reproduction with minimized noise. With full resolution
shooting speeds of up to five frames-per-second (fps), and 14-bit files, that when processed are
approximately 138 MB, the D3X offers today's photographic artists an extreme level of performance
and versatility ready for demanding assignments in the studio or on location./p p“In 2007,
the 12.1-megapixel FX-format D3 delivered groundbreaking digital SLR image quality, coupled with
incomparable high ISO, low noise performance and high-speed handling. In doing so, the D3 broke
photographic barriers, enabling photographers to work in ways never before possible,” said
Edward Fasano, general manager for Marketing, SLR Systems Products at Nikon Inc. “Now, the
new 24.5-megapixel FX-format D3X D-SLR provides the extreme resolution and high dynamic range
capabilities needed to meet the extraordinary needs of photographic disciplines such as high
fashion, commercial advertising and fine art. The D3X delivers this remarkable capability while
fitting seamlessly within the Nikon system, taking full advantage of Nikon’s world-renowned
collection of NIKKOR lenses and Speedlights.”/p pImage Quality Takes Center Stagebr To
re-emphasize the importance of image quality above all else, the D3X delivers an incredible level
of digital SLR performance to provide photographers with extremely high resolution, exceptional
dynamic range, phenomenal total gradation and outstanding color reproduction. Image files can be
recorded as TIFF, JPEG or NEF (RAW) formats in either 12- or 14-bit compressed or uncompressed
formats, and recorded to UDMA compatible CompactFlashâ„¢ cards for optimum speed.
Photographers can save image files directly to the dual card slots as overflow, backup, or as
separate file formats to different cards. Building on the D3X's flexibility, users have the
creative option to shoot in the 5:4 crop mode with 20.4-megapixel resolution, the ideal format for
creating 8 x 10-inch portraits. While using DX-format lenses, faster continuous shooting of up to
seven frames per second can be achieved at a resolution of 10.5 megapixels./p pThe exceptionally
low noise of the D3X is essential to any professional commercial application, and it provides
photographers with an ISO range of 100 to 1600, expandable to 50 (Lo-1) and 6400 (Hi-2). The ultra
smooth tones and lack of grain at ISO 1600 as well as at low sensitivity settings result in smooth,
natural skin tones and exacting detail that, before the D3X, required larger and far costlier
studio-bound camera systems./p pAdvanced Technologies, Meticulously Executedbr In a commercial
setting or on location, imaging professionals need high performance in both speed and processing.
The Nikon D3X can shoot at up to five fps at full resolution or up to seven fps in DX crop mode,
allowing photographers to catch the split-second difference in a model’s expression or
capture all of the action in a sequence. Just like the D3, the D3X achieves a start-up time of a
mere 0.12 seconds and a shutter release time lag of 0.04 seconds./p pThe D3X’s speed, as well
as high levels of performance, leverages Nikon core technologies including a newly enhanced
EXPEEDâ„¢ Image Processing System, specially designed for the D3X to provide
superior image quality, faster processing speeds and lower power consumption. This advanced system
is able to achieve extremely precise color reproduction for a broad spectrum of hues, in addition
to vivid saturation and smooth gradation. What’s more, Nikon’s advanced noise
processing function is engineered to minimize noise at all sensitivities and operate seamlessly
without interfering with other image color parameters./p pThe D3X also features Nikon’s
exclusive Scene Recognition System, which continuously analyzes information from the 1,005-pixel
RGB light sensor, to further refine auto exposure, auto white balance and autofocus calculations.
This results in flattering portraits and awe-inspiring landscapes that portray accurate color and
fine details. Nikon's exclusive 3D Color Matrix Metering II helps ensure accurate exposures, even
in the most challenging lighting conditions. Instantly evaluating each scene before capture, input
data from the system's sensor is automatically referenced against an internal database of more than
30,000 images derived from actual photographs to calculate correct exposure values. Active
D-Lighting, used in combination with 3D Matrix Metering II, helps to determines proper exposure,
and creates realistic contrast while compensating for lost shadows and highlights. Prior to
shooting, users can choose from Extra High, High, Normal, Low or Off settings, as well as an Auto
mode./p pAdditionally, the D3X features Nikon’s exclusive Multi-CAM 3500FX focus module, with
51 AF points, 15 cross type sensors and 36 horizontal sensors that easily track and lock onto
moving subjects, delivering the same fast and accurate AF performance that helped make the D3
immediately successful. Users can select any of the AF points, making it easy to consistently
attain accurate focus right on a subject’s eyes, frame after frame. Additionally, three
AF-area modes – Single point, Dynamic-area AF and Auto-area AF
– are available to maximize the use of the 51 focus points by selecting the most
suitable one to match subject conditions. AF is also available in one of two Live View modes
optimized for the studio, including a phase detection handheld mode and a tripod mode. This feature
allows the user to zoom in up to 27x on the LCD screen to ensure critical focus. While in Live
View, the graphic indication of a virtual horizon is also available, making it easier than ever to
confirm camera orientation./p pTo further ensure each photographer's ability to balance their
personal style, Nikon’s Picture Control System enables users to adjust their images to
pre-set parameters such as Standard, Neutral, Vivid and Monochrome that apply tweaks to image
sharpening, tone compensation, brightness, overall tone and saturation. Photographers have creative
control over these image parameters with the use of up to nine available customizable presets./p
pSynchronizing Both Form and Functionbr Engineered for real-world functionality, the D3X retains a
rugged shell with moisture, dust and shock resistance that has become a hallmark of flagship Nikon
D-SLRs, while preserving the usability and ergonomics that allow the camera to remain an extension
of the photographer’s vision. Attention to detail goes so far as to include a self-diagnostic
shutter system that is tested to exceed 300,000 cycles for maximum durability and longevity. The
camera’s body also maintains the resilient magnesium alloy construction and form factor of
the D3, promoting consistent Nikon system synergy./p pA bright and accurate viewfinder offers 100
percent coverage with 0.7x magnification. The body also houses Nikon’s acclaimed 3.0-inch
super density LCD screen, now relied upon by so many photographers. The high-resolution 920,000-dot
screen is viewable at wide angles up to 170 degrees, and will allow photographers to quickly zoom
in to confirm critical focus. Users can also output the video signal to an external display via
HDMI to allow client viewing. Thanks to incredibly efficient internal circuitry, the D3X can
capture up to 4400* shots per single charge of the camera’s Lithium ion battery./p pSystem
Strength Withstands the Test of Timebr The D3X is fully compatible with Nikon’s Creative
Lighting System (CLS) to give photographers a mobile lighting solution that is easy to manage. To
further enhance mobility, the D3X is compatible with Nikon’s GP-1 GPS receiver to gather
information such as latitude, longitude, altitude and date of shooting. Photographers can easily
shoot tethered via USB, or use the WT-4a wireless transmitter to send images wirelessly when speed
and mobility are essential. D3X users will also enjoy the system strength of more than 50 genuine
NIKKOR lenses that provide outstanding sharpness and high resolution across a broad range of focal
lengths./p pPrice and Availabilitybr The Nikon D3X will be available at Nikon Authorized
Professional Dealers starting December 2008, and will be available for an estimated selling price
of $7999.95.**/p p* Based on CIPA Standardsbr ** Estimated selling price listed is only an
estimate. Actual prices are set by dealers and are subject to change at any time./p /blockquote p[a
href="http://www.nikonusa.com/Find-Your-Nikon/Product/Digital-SLR/25442/D3X.html"Nikon/a]/p br
style="clear: both;"/ a
href="http://www.pheedo.com/click.phdo?s=90a7f8c637103dbe5aa27794bf3dba4ep=1"img alt=""
style="border: 0;" border="0"
src="http://www.pheedo.com/img.phdo?s=90a7f8c637103dbe5aa27794bf3dba4ep=1"//a img
src="http://www.pheedo.com/feeds/tracker.php?i=90a7f8c637103dbe5aa27794bf3dba4e" style="display:
none;" border="0" height="1" width="1" alt=""/div class="feedflare" a
href="http://feeds.gawker.com/~f/gizmodo/full?a=VU3iAJrJ"img
src="http://feedproxy.google.com/~f/gizmodo/full?d=120" border="0"/img/a a
href="http://feeds.gawker.com/~f/gizmodo/full?a=SCK7uts6"img
src="http://feedproxy.google.com/~f/gizmodo/full?d=41" border="0"/img/a a
href="http://feeds.gawker.com/~f/gizmodo/full?a=jRcIkIR2"img
src="http://feedproxy.google.com/~f/gizmodo/full?i=jRcIkIR2" border="0"/img/a a
href="http://feeds.gawker.com/~f/gizmodo/full?a=2UVEO8vs"img
src="http://feedproxy.google.com/~f/gizmodo/full?i=2UVEO8vs" border="0"/img/a /divimg
src="http://feedproxy.google.com/~r/gizmodo/full/~4/qcHsBYSPfCs" height="1" width="1"/

|
Gizmodo -
1 days and 6 hours ago
pimg src="http://cache.gawker.com/assets/images/gizmodo/2008/12/25442_D3X_front.jpg" width="640"
height="544" style="display:block;float:none;" /The a
href="http://gizmodo.com/5099189/nikon-d3x-24mp-dslr-rumors-solidify-around-dec-1"rumors/a pointed
pretty firmly to it, and then some leaked a
href="http://gizmodo.com/5099857/nikon-d3x-specs-leaked-a-mighty-flagship-cometh"specs/a detailed
what it'd be like, but now Nikon's new pro-level D3X DSLR has arrived officially. Touting it as a
24-megapixel "Digital Masterpiece," with exceptionally low noise sensor, 5fps full-frame shooting
speed and with file sizes of 138MB, Nikon's saying the camera's available now for an estimated
selling price of $8,000 for the body only. Full press release below.script type="text/javascript"
charset="utf-8" galleryPost('d3x', 3, ''); /script/p blockquote pMELVILLE, N.Y. (Nov. 30, 2008)
– Nikon Inc. today announced the D3X, an FX-format digital SLR featuring extreme
24.5-megapixel resolution and superb low-noise capabilities, which provides professional
photographers with commercial-quality image performance in a familiar and extraordinarily versatile
D-SLR form factor. In conjunction with the groundbreaking Nikon FX-format D3, the D3X tops off a
collection of flagship level, rugged, professional caliber digital single lens reflex cameras
engineered to excel in all types of professional photographic disciplines from photojournalism and
sideline sports, to commercial in-studio applications./p pThe foundation of the enhanced
performance of the D3X is its FX-format, 24.5-megapixel (6048 x 4032) CMOS sensor providing
commercial, high fashion, fine art and landscape photographers with the extreme resolution, dynamic
range, color depth, detail and sharpness that clients demand. Whether creating catalogs, magazine
covers, billboards or gallery prints, the large 5.49-micron pixel size and high signal to noise
ratio produces vibrant images with breathtaking image fidelity while reducing lost highlights and
shadows, and ensuring smoother tone reproduction with minimized noise. With full resolution
shooting speeds of up to five frames-per-second (fps), and 14-bit files, that when processed are
approximately 138 MB, the D3X offers today's photographic artists an extreme level of performance
and versatility ready for demanding assignments in the studio or on location./p p“In 2007,
the 12.1-megapixel FX-format D3 delivered groundbreaking digital SLR image quality, coupled with
incomparable high ISO, low noise performance and high-speed handling. In doing so, the D3 broke
photographic barriers, enabling photographers to work in ways never before possible,” said
Edward Fasano, general manager for Marketing, SLR Systems Products at Nikon Inc. “Now, the
new 24.5-megapixel FX-format D3X D-SLR provides the extreme resolution and high dynamic range
capabilities needed to meet the extraordinary needs of photographic disciplines such as high
fashion, commercial advertising and fine art. The D3X delivers this remarkable capability while
fitting seamlessly within the Nikon system, taking full advantage of Nikon’s world-renowned
collection of NIKKOR lenses and Speedlights.”/p pImage Quality Takes Center Stagebr To
re-emphasize the importance of image quality above all else, the D3X delivers an incredible level
of digital SLR performance to provide photographers with extremely high resolution, exceptional
dynamic range, phenomenal total gradation and outstanding color reproduction. Image files can be
recorded as TIFF, JPEG or NEF (RAW) formats in either 12- or 14-bit compressed or uncompressed
formats, and recorded to UDMA compatible CompactFlashâ„¢ cards for optimum speed.
Photographers can save image files directly to the dual card slots as overflow, backup, or as
separate file formats to different cards. Building on the D3X's flexibility, users have the
creative option to shoot in the 5:4 crop mode with 20.4-megapixel resolution, the ideal format for
creating 8 x 10-inch portraits. While using DX-format lenses, faster continuous shooting of up to
seven frames per second can be achieved at a resolution of 10.5 megapixels./p pThe exceptionally
low noise of the D3X is essential to any professional commercial application, and it provides
photographers with an ISO range of 100 to 1600, expandable to 50 (Lo-1) and 6400 (Hi-2). The ultra
smooth tones and lack of grain at ISO 1600 as well as at low sensitivity settings result in smooth,
natural skin tones and exacting detail that, before the D3X, required larger and far costlier
studio-bound camera systems./p pAdvanced Technologies, Meticulously Executedbr In a commercial
setting or on location, imaging professionals need high performance in both speed and processing.
The Nikon D3X can shoot at up to five fps at full resolution or up to seven fps in DX crop mode,
allowing photographers to catch the split-second difference in a model’s expression or
capture all of the action in a sequence. Just like the D3, the D3X achieves a start-up time of a
mere 0.12 seconds and a shutter release time lag of 0.04 seconds./p pThe D3X’s speed, as well
as high levels of performance, leverages Nikon core technologies including a newly enhanced
EXPEEDâ„¢ Image Processing System, specially designed for the D3X to provide
superior image quality, faster processing speeds and lower power consumption. This advanced system
is able to achieve extremely precise color reproduction for a broad spectrum of hues, in addition
to vivid saturation and smooth gradation. What’s more, Nikon’s advanced noise
processing function is engineered to minimize noise at all sensitivities and operate seamlessly
without interfering with other image color parameters./p pThe D3X also features Nikon’s
exclusive Scene Recognition System, which continuously analyzes information from the 1,005-pixel
RGB light sensor, to further refine auto exposure, auto white balance and autofocus calculations.
This results in flattering portraits and awe-inspiring landscapes that portray accurate color and
fine details. Nikon's exclusive 3D Color Matrix Metering II helps ensure accurate exposures, even
in the most challenging lighting conditions. Instantly evaluating each scene before capture, input
data from the system's sensor is automatically referenced against an internal database of more than
30,000 images derived from actual photographs to calculate correct exposure values. Active
D-Lighting, used in combination with 3D Matrix Metering II, helps to determines proper exposure,
and creates realistic contrast while compensating for lost shadows and highlights. Prior to
shooting, users can choose from Extra High, High, Normal, Low or Off settings, as well as an Auto
mode./p pAdditionally, the D3X features Nikon’s exclusive Multi-CAM 3500FX focus module, with
51 AF points, 15 cross type sensors and 36 horizontal sensors that easily track and lock onto
moving subjects, delivering the same fast and accurate AF performance that helped make the D3
immediately successful. Users can select any of the AF points, making it easy to consistently
attain accurate focus right on a subject’s eyes, frame after frame. Additionally, three
AF-area modes – Single point, Dynamic-area AF and Auto-area AF
– are available to maximize the use of the 51 focus points by selecting the most
suitable one to match subject conditions. AF is also available in one of two Live View modes
optimized for the studio, including a phase detection handheld mode and a tripod mode. This feature
allows the user to zoom in up to 27x on the LCD screen to ensure critical focus. While in Live
View, the graphic indication of a virtual horizon is also available, making it easier than ever to
confirm camera orientation./p pTo further ensure each photographer's ability to balance their
personal style, Nikon’s Picture Control System enables users to adjust their images to
pre-set parameters such as Standard, Neutral, Vivid and Monochrome that apply tweaks to image
sharpening, tone compensation, brightness, overall tone and saturation. Photographers have creative
control over these image parameters with the use of up to nine available customizable presets./p
pSynchronizing Both Form and Functionbr Engineered for real-world functionality, the D3X retains a
rugged shell with moisture, dust and shock resistance that has become a hallmark of flagship Nikon
D-SLRs, while preserving the usability and ergonomics that allow the camera to remain an extension
of the photographer’s vision. Attention to detail goes so far as to include a self-diagnostic
shutter system that is tested to exceed 300,000 cycles for maximum durability and longevity. The
camera’s body also maintains the resilient magnesium alloy construction and form factor of
the D3, promoting consistent Nikon system synergy./p pA bright and accurate viewfinder offers 100
percent coverage with 0.7x magnification. The body also houses Nikon’s acclaimed 3.0-inch
super density LCD screen, now relied upon by so many photographers. The high-resolution 920,000-dot
screen is viewable at wide angles up to 170 degrees, and will allow photographers to quickly zoom
in to confirm critical focus. Users can also output the video signal to an external display via
HDMI to allow client viewing. Thanks to incredibly efficient internal circuitry, the D3X can
capture up to 4400* shots per single charge of the camera’s Lithium ion battery./p pSystem
Strength Withstands the Test of Timebr The D3X is fully compatible with Nikon’s Creative
Lighting System (CLS) to give photographers a mobile lighting solution that is easy to manage. To
further enhance mobility, the D3X is compatible with Nikon’s GP-1 GPS receiver to gather
information such as latitude, longitude, altitude and date of shooting. Photographers can easily
shoot tethered via USB, or use the WT-4a wireless transmitter to send images wirelessly when speed
and mobility are essential. D3X users will also enjoy the system strength of more than 50 genuine
NIKKOR lenses that provide outstanding sharpness and high resolution across a broad range of focal
lengths./p pPrice and Availabilitybr The Nikon D3X will be available at Nikon Authorized
Professional Dealers starting December 2008, and will be available for an estimated selling price
of $7999.95.**/p p* Based on CIPA Standardsbr ** Estimated selling price listed is only an
estimate. Actual prices are set by dealers and are subject to change at any time./p /blockquote p[a
href="http://www.nikonusa.com/Find-Your-Nikon/Product/Digital-SLR/25442/D3X.html"Nikon/a]/p br
style="clear: both;"/ a
href="http://www.pheedo.com/click.phdo?s=90a7f8c637103dbe5aa27794bf3dba4ep=1"img alt=""
style="border: 0;" border="0"
src="http://www.pheedo.com/img.phdo?s=90a7f8c637103dbe5aa27794bf3dba4ep=1"//a img
src="http://www.pheedo.com/feeds/tracker.php?i=90a7f8c637103dbe5aa27794bf3dba4e" style="display:
none;" border="0" height="1" width="1" alt=""/div class="feedflare" a
href="http://feeds.gawker.com/~f/gizmodo/full?a=8V2Nuoqw"img
src="http://feedproxy.google.com/~f/gizmodo/full?d=120" border="0"/img/a a
href="http://feeds.gawker.com/~f/gizmodo/full?a=x1C6toSG"img
src="http://feedproxy.google.com/~f/gizmodo/full?d=41" border="0"/img/a a
href="http://feeds.gawker.com/~f/gizmodo/full?a=MDmRQct9"img
src="http://feedproxy.google.com/~f/gizmodo/full?i=MDmRQct9" border="0"/img/a a
href="http://feeds.gawker.com/~f/gizmodo/full?a=WPxtdWiw"img
src="http://feedproxy.google.com/~f/gizmodo/full?i=WPxtdWiw" border="0"/img/a /divimg
src="http://feedproxy.google.com/~r/gizmodo/full/~4/ejiIf_zqb5w" height="1" width="1"/

|
Global Voices Online -
1 days and 9 hours ago
A few Fiji bloggers have sharply criticized the country’s military government for allowing
the armed forces to overspend its allocated funds in the past fiscal year by more than 50
percent.
The hubbub came after self-appointed Prime Minister Commodore Voreqe (Frank) Bainimarama
introduced a new $1.75 billion budget Friday, November 21 that included an increase for military
spending for 2007 to more than $68.7 million, up from the $43 million the armed forces has been
allocated. Bainimarama, who came to power in a military-lead December 2006 coup, did not directly
address military finances, instead concentrated on business incentives he hopes will jump start
the country’s stagnating economy, like offering 13 years of tax free status for companies
opening businesses on eight different islands and cutting corporate taxes from 32 to 28 percent
over the next two years.
Soon after the budget became public, however, local
media began reporting that during the previous five years, the Republic of Fiji Military
Forces overspent its earmarks by $118 million. A military spokesman explained the country’s armed
forces overshot its 2007 finances because they learned “members of the ousted government
had requested for military intervention” from an outside power.
“The budget allocation Frank has presented has proven to us all where his real concerns
lie, argues
Rajnalu, writing at Raw Fiji News:
The Good book says, “Where your treasure is,there your heart will be also”.
If you therefore follow the money, you will see that his heart is closely tied to his own
security and not yours, Fiji.
He has piled the treasures up at Nabua so Nabua can keep him safe.
How sad!!
.......................................................
As long as there is true wisdom, honesty and the sense of stability displayed by leaders, the
people will naturally rise to the occasion and change their own situations, for the better.
Until you do that, Frank, you will not live to see such a wonder of a sight when people rally
behind a true leader and change the course of their lives and their nation.
All that Frank sees now is a revolt in the horizon.
................................................
Until Fiji breaks it’s silence over the this political, economic and social fracas,
everything that is coming out of Nabua and out of the interim government, Fiji deserves!
There is a place and time for ’silence’, but now is not the time.
Soli
Vakasama wonders where the money is going to come from:
It comes as no surprise the Military are the biggest benefactors of the budget because the
illegal regime cannot remain in power without their support. [Former Finance Minister Mahendra
Chaudhry] Chand and [Current architect of Building a Better Fiji plan John] Samy are caught in a
vicious cycle because they need to keep the military happy or it will turn against them. The main
question is how are they going to pay for this budget? More and more people are going to be lose
their jobs by the 1st quarter next year and it will become more bleaker during the 2nd quarter
then progressively worse going into the 3rd and 4th quarter.
…
Whilst we want this illegal regime to collapse and a lawful government restored, we need to be
conscious of the international influences involved at the same time who will exploit our
situation and who these illegal bastards will veiw as saviours.
From a commenter called
EnufDictatorship:
So the Efen Military gets the increase for capital projects while they think of reducing the
civil service by 10%?...what kind of capital projects? filling their armoury with more guns and
ammunitions to destruct the UNARMED citizens of Fiji?
Will they reduce the military by 10% as well? By the looks of it NOT!
Poor children of Fiji and their education, which will just coast on the average bcos the funds
are diverted to adults who can and will use their guns to kill them!
And u’re so right SV...where are the monies coming from?
Finally, gdevreal, writing at
Fiji Board Exiles points out that the budget allocations are illegal because they weren't
approved by tax payers.
Military blood money blew budget by $50 million of taxpayer money without approval by any
legitimate decisionmaking body.
So it is not just the increase in military budget, but also the amount by which they illegally
exceed that budget. This is the BLOOD MONEY the regime uses to rape the People of their
democracy. So isn't it wonderful that the police and army facilities are neat and clean. It
covers up the FILTH of their mentality as they run paradise, industry, and the hopes and dreams
of the People into the ground.

|
Wired Top Stories -
1 days and 11 hours ago
img src='http://www.wired.com/images/slideshow/2008/12/gallery_photodetector/image001_t.jpg'/img:
Photo: Dave Bullock/Wired.compLOS ANGELES #151; Scientific accidents have brought some of the most
groundbreaking discoveries #151; vulcanized rubber, X-rays, penicillin #151; and now scientists at
UCLA have accidentally discovered a material that could make digital cameras as we know them
obsolete./p pGraduate student Hsiang-Yu Chen was working on a new formula for solar cells when
something went wrong. Instead of creating electricity when hit with light, the conductivity of the
material she was working with changed./p p"The original purpose [was] to make a solar cell more
efficient," says Chen. "However, during the research we found the solar cell phenomenon [had]
disappeared." Instead, the test material showed high gain photoconductivity, indicating potential
use as a photo sensor./p pThanks to this lucky mistake, a new breed of camera sensors that are
cheaper, higher-resolution and have lower distortion could be on the horizon. Click through the
gallery to learn how this new breakthrough works and tour the labs where the magic happens./p
pstrongLeft:/strong A piece of glass houses five strips of this new material, held between tweezers
in a glove box./p img
src='http://www.wired.com/images/slideshow/2008/12/gallery_photodetector/image003_t.jpg'/img:
Photo: Dave Bullock/Wired.compHere, materials science Ph.D. student Hsiang-Yu Chen takes a polymer
sample from a tray inside a glove box. Researchers in this lab test hundreds of samples before a
material with desirable properties is found./p pWhen Chen made the discovery, she was working on
plastic-like substances with quantum dots #151; nanoparticles (roughly the size of a virus) with
properties similar to a semiconductor. /p pThe nano-size quantum dots could give photo sensors much
higher resolution than current models. And because this new photo-sensing material is a polymer
film, it's flexible and could someday be inexpensive to produce./p img
src='http://www.wired.com/images/slideshow/2008/12/gallery_photodetector/image005_t.jpg'/img:
Photo: Dave Bullock/Wired.compAt left is a pair of stills that concentrate polymer solutions.
Later, the solutions will be tested for their response to light. /p pCurrently, the sensor in your
camera that detects light and allows you to capture an image is made out of silicon. This makes it
relatively expensive as well as flat and inflexible. /p pHaving a flat sensor doesn’t seem
like a big deal until you consider how your lens works. Lenses are curved, which shapes the image
they see. When you project the spherical image onto a flat surface you get distortion around the
edges. A flexible sensor would prevent this distortion./p img
src='http://www.wired.com/images/slideshow/2008/12/gallery_photodetector/image007_t.jpg'/img:
Photo: Dave Bullock/Wired.compThe polymer- and metal-coated slide from the first photo of the
gallery is now placed into an electrode clip (the white, rectangular portion of the setup). The
electrodes on the clip will enable sensors to take readings from the material when it's exposed to
light./pimg
src='http://www.wired.com/images/slideshow/2008/12/gallery_photodetector/image009_t.jpg'/img:
Photo: Dave Bullock/Wired.compThe sample in the electrode clip is inserted into the test chassis.
The wires on the right send any electrical activity from the material to a computer for
analysis./pimg
src='http://www.wired.com/images/slideshow/2008/12/gallery_photodetector/image011_t.jpg'/img:
Photo: Dave Bullock/Wired.compA very bright, wide-spectrum light source is connected to the glove
box. It's attached to the portal using a standoff header that keeps the light a fixed distance from
the sample. The light appears blue because the light in the room has a yellow cast, it's actually
much closer to the color of daylight./pimg
src='http://www.wired.com/images/slideshow/2008/12/gallery_photodetector/image013_t.jpg'/img:
Photo: Dave Bullock/Wired.compHsiang-Yu Chen checks the results of the test using a computer and
laboratory graphing software. The graphs show the response levels to the light that the material
exhibited. /p pIn her initial experiment she was expecting to see electricity produced when the
light hit the material, but instead the light stopped the flow of electricity. This means that her
material acted as a photo detector instead of a solar cell. /p pThe lab still remains committed to
developing a better solar panel, but now that their findings have been published it may only be a
matter of time before camera companies take notice of the technology./p img
src='http://www.wired.com/images/slideshow/2008/12/gallery_photodetector/image015_t.jpg'/img:
Photo: Dave Bullock/Wired.compAn atomic force microscope is used to image the polymer sample to
view its physical makeup. The AFM traces the surface of the polymer with a nanoscopic needle, the
same way the needle on your record player tracks over vinyl. /p p This needle is attached to a
cantilever that reflects a laser beam, which then determines the three-dimensional topography of
the surface. Inset is the resulting micrograph of the surface from the AFM. This view allows
researchers to make sure the quantum dots are properly aligning in polymer./p img
src='http://www.wired.com/images/slideshow/2008/12/gallery_photodetector/image021_t.jpg'/img:
Photo: Dave Bullock/Wired.compThis tunneling electron microscope (TEM) is used to view the physical
makeup of the polymer. The level of detail visible from the TEM micrographs is a few hundred
nanometers. Inset is the micrograph created by the TEM of the photosensitive polymer. /pbr
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