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posted by Neil Aching, tired and really happy: leaving Manila after two days, having signed books
for hundreds of people (and, the way of this place, having not signed books for thousands of
people). I was there for the third Philippine Graphic/Fiction award. I started the award back in
2005, with Jaime Daez from Fully Booked (they do all the hard work and heavy lifting. I just put up
the prize money). I'm just thrilled to see the quality of SF/horror/fantastic fiction coming out of
the Philippines.
Two boxes of gifts are being sent home. In my luggage, just one box of chocnut, a package of dried
mangoes, a book and a bottle of local rum (because posting alcohol is sometimes problematic).
Now in an airport lounge. I fly to Amsterdam, where I change planes and go to Warsaw. Tomorrow
(Saturday) I accompany Amanda to Wroclaw, where she's playing a festival. Then she comes with me to
Warsaw, where I'm doing interviews and a signing.
It's at Empik Junior Marszalkowska Str, where I do a Q&A at 5 pm and a signing at 6 on Monday
the 22nd.
And from Poland I go to Moscow, where I talk and sign on the 24th and 25th. (Details over at
Where's Neil - http://www.neilgaiman.com/where/.)
Come and say hello, and spread the word on Russian blogs and LJs - I've never been to Russia before
and have no idea what to expect, or if anyone will turn up or not...
It's tough being a record label or a movie studio these days. People are stealing your content, all
because they want to be Jack Sparrow. No, seriously: that's actually what the industry thinks.
More »
It's tough being a record label or a movie studio these days. People are stealing your content, all
because they want to be Jack Sparrow. No, seriously: that's actually what the industry thinks.
More »
The site Tongal, a platform that helps brands crowdsource
content under the framework of contests, launched a promotion this week with the upcoming Rouge
Pictures film MacGruber.
To promote the film, which originated as a Saturday
Night Live sketch series and is due out domestically on May 21, fans are being
encouraged to submit ideas for a
video based on a line from MacGruber; in the second round, people will be able to
submit videos based on one of five selected concepts. (There’s a bit of sweet irony in that
MacGruber itself has worked with brands, as seen during last
year’s Super Bowl.)
With $10,000 in prize money to hand out, Tongal has come up with a multitiered system for winners
to earn at least a little cash — not only will each of the five finalists win some cash,
but those who submit winning concepts receive a 5 percent residual payment on future winnings,
and the most-viewed video will receive a cash bonus as well.
Launched in 2008, Tongal made a big push at SXSW this year for both the MacGruber contest and a
separate, conference-specific contest that asks attendees to submit B-roll video for the
Ultimate SXSW video, including buying the front inside covers for the interactive and film
conference programs as ad space. So far, 36 concepts have been submitted to the
MacGruber contest, and co-founder Mark Burrell believes that number will climb to about
100 when this round ends next Wednesday.
UGC contests at times can feel exploitative — a way for a music label or a brand to solicit
a lot of free ideas without offering them much reward in return. But in this case, where the
money one might win is clearly specified, and the contest itself is framed as a fun way to engage
with the world of the brand, Tongal might be onto something.
Related GigaOm Pro Content (subscription required):
If you thought that wearing fur was outdated - what with all those green movements and animal
rights activists who put this cruel sense of fashion in its right place with the likes of
Cruella de Vil - fashionista's say,
think again.
Last month the fashion world went literally “wild” in
New York, Paris and Milan during the unveiling of their fall collection. They had models
strutting the catwalk in so much fur, it was scary enough to make animal rights activists and
environmentalists jump out of their skins.
In this era of global warming and dwindling animal species, one would think that we humans would
come to our senses and rethink our actions. Not so, it seems, as there is a whole other world out
there - the fashion industry of the west - whose endorsement and use of fur and exotic animal
products simply encourages the mass slaughter of many endangered species.
A dealer's bounty at the Quartzite annual show for art and crafts. Image by Flickr user
cobalt123. Used under a Creative Commons License
To name a few, the Chiru or Tibetan
antelope, whose underbelly fur is used to make “Shatoosh” the world's most expensive shawls, also known
as “shawls of death”. It takes 3 dead antelopes, to make one shawl, so fine it can
fit through a finger ring, and each one can cost between $5000 to $20,000 in the
international market. Even babies, and mother's who have just delivered, are not spared.
According to WWF,
the population of this species has declined by over 50 percent in the last 20 years and the
Tibetan Plateau Project says
that it was the fashion-driven demand for Shatoosh in the U.S that resulted in as many as 20,000
antelopes being slaughtered. It is alarming to know that the animal could become extinct in the
next three years at this rate.
In a blog run by Uma and
Hurree called Animal Rights India, they argue how farming of Chiru's - like Eider ducks
in Iceland for eider (as an alternative), will not make a difference to the dwindling numbers.
But hello: Eider ducks are now a protected species, and farmers in iceland use a technique of
collecting the down without harming the bird. And no, it is not possible to obtain the shahtoosh
wool without killing the chiru.
They go on to say:
It's impossible to justify killing three beautiful wild animals every time you want to push a
length of shawl through a ring, blah blah. And to farm them just to kill them for shawls?
The Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES)
– which controls the trade in endangered species products –
has completely banned international trade in Tibetan antelope products (including Shahtoosh). It
is illegal to import Shahtoosh into many countries, including the USA (ironically, Shahtoosh
products are so popular in the US fashion industry). Unfortunately, despite such laws being in
place, the Shahtoosh trade is going on in full swing. This is because it is not enough to have
laws. There must also be a strong public protest across the board against every person who is by
any means related to the Shahtoosh trade. There should be a widespread public sensitization
campaign to educate the common people.
Bloggers in the west, however, were giving this some thought and debated:
1. People eat rabbits at restaurants. These rabbits have been killed to provide ‘dinner'
for people like us (I would like to point out that I have never eaten rabbit and by ‘us' I
mean people who eat in restaurants). Why is it right that rabbits can feature on a menu in a
restaurant but wrong to wear a fur coat? These rabbits inevitably are skinned in preparation to
be cooked - what else should we do with the fur?
2. Is it more acceptable if the coat is Vintage? Why?
3. Is rabbit fur better/worse than Mink? Some argue that rabbit fur is not as bad because rabbits
are not in danger of becoming extinct, unlike mink which is. Then again, people keep rabbits as
pets so is it more cruel to wear rabbit than mink?
4. If a fur coat is hanging on a rail at a store and one customer refuses to buy it, somebody
else will…
5. Should role models such as Kate Moss be seen wearing fur? Kate's style is copied by millions
of girls (and women) - is she giving a bad impression?
To which Denise replied:
1. I would personally be more likely to wear rather than eat rabbit. The eating of it seems less
acceptable somehow.
2.Vintage coats have been around for a while and should be recycled - which I'm definitely
into.
3. Mink are feral creatures and even though their fur is more desirable, mink are not aiming for
extinction, so why not wear it?
4. Agreed.
5. I don't mind fur being worn by anyone, and Kate Moss is just showing that this is acceptable.
Too many people are on the “fur is bad” bandwagon. I bet most of these people eat
meat and wear leather, so what's the difference?
But there is a difference as Barry Williams responded to a thread: Wearing Fur is not
immoral on www.helium.com
If we go around killing cattle for leather, alligators for shoes, deer for chamois and see
nothing morally wrong in that , why it is immoral to wear fur. What I see as immoral is the
killing of animals simply for the fur alone. It really is such a waste, isn't it? Apart from the
leather we obtain from cattle not much of the animal is wasted. Beef cattle supply our meat.
There are a multitude of arguments out there, but in the meantime the
Humane Society for the United States, says that Canada will slaughter 388, 200 harp, grey and
hooded seals this year, an increase of 50,000 from 2009. This, because of the overall demand for
fur. The site of the Fur Council of Canada shows styles and celebrities modelling various furs in
what it describes as a fashion trend of 2010.
And unfortunately in the U.S, and much of the west, where Global Fashion trends are set, laws
don't seem to be enough to curb their greed. According to the International Fur Trade Federation Blog:
..the shift in the attitude towards fur can be attributed to “changes within the fur trade,
such as the introduction of the new Origin Assured initiative, which guarantees that fur bearing
the label comes from a country with animal welfare regulations”. This shows that the fur
trade efforts and initiatives to challenge the outdated ideas of our industry have been noticed.
We are a transparent and well-regulated industry that supports high animal welfare standards and
we welcome the confidence and support shown by the fashion designers as well as the European
Commission, who recently recognised the importance of the Origin Assured label.
Fashion designers who have been courted by Furriers say they are “confident using fur after
examining the chain of production and finding it humane. But could this confidence be based on a
lack of investigation or knowledge? According to an endangered species
handbook :
The New York luxury department store, Bergdorf Goodman, advertised shahtoosh in 1995 as a
“royal and rare” fabric, making incorrect statements about the wool having been
obtained from the Mountain Ibex goat of Tibet which “sheds its down undercoat by scratching
itself against low trees and bushes” from where it is gathered by local shepherds (Schaller
1998)
And if the clubbing of baby seals and mass
slaughtering of Chiras,
mothers and babies, is “humane” then its sad to think of what
“humane” means anymore, and what we are willing to condone in the name of
“Fashion”.
New York - Major record label Universal Music Group plans to test a new pricing scheme for
CDs this year that will see discs priced between $6 and $10 at retailers, Billboard reported,
citing sources.
Sales of digital downloads have not been enough to make up for the decline of CD sales since its
peak in 2000. Universal Music Group plans to soften the fall of CD sales by dropping prices across the board,
to a maximum of $10.
The company plans to test lower prices beginning next month and continuing throughout 2010.
Nearly all of UMG's CDs will priced between $6 and $10. UMG is hoping that increased volume will
make up for the price drop, and the company plans to create more higher-priced "deluxe" versions
for more hardcore fans.
"We think [the new pricing program] will really bring new life into the physical format,"
Universal Music Group Distribution president and CEO Jim Urie told Billboard.
Retailers have been clamoring for lower retails prices, with many believing that $10 is the magic
number to spur sales. (I'll admit, I rarely buy a physical CD for more than $10 these days). A
recent test from Trans World Entertainment showed that a $9.99 price point doubled CD sales in
over 100 of its stores.
Forrester analyst Mark Mulligan thinks labels may have to consider pushing prices as low as
$5 to further slow the decline of CD sales. "The CD is a dying music product format, but it
has some life left in it because downloads haven't generated the format replacement they were
expected to," he wrote. "With all previous music formats the successor format was firmly in the
ascendancy by the time its predecessor was in terminal decline."
However, digital downloads won't ever generate format replacement. Music on CDs is
already in digital format—if you own the CD already, there's no benefit in "replacing" it
with a digital download. Furthermore, it will be hard to justify spending $10 on a compressed
digital download over $6 for an actual physical disc that can be ripped into iTunes or any other
media software in a matter of minutes, and can be done using lossless encoding (if so desired).
Effectively what UMG is doing—and what other labels will do if they also decide that
lowering prices will prop up dying CD sales—is giving consumers the expectation that albums
should cost even less than $9.99. Because once consumers become accustomed to getting a whole
album in physical form for $6, you'll have a much harder time convincing them to buy downloaded
albums for more money later. Lowering prices on CDs will increase sales in the short
term—good for labels because CD sales still account for about 65 percent of their
revenue—but it will only slow its demise, and slow the uptake of
digital as a primary format.
With so many female-driven films and strong roles at this year's fest, and in the spirit of the
opening night film, we'll be profiling some of the most kick-ass females representing at SXSW this
week. Next up: Kick-Ass star Chloe Moretz.
At only 13 years old, Chloë Grace Moretz is
already shaping up to become the next great geek icon. Sure, you've seen her do the occasional
kid's television show, but in between the girl has managed to pick up roles in Wicked Little
Things, The Amityville Horror, Room 6 and The Eye. Now, in 2010, she's poised to take
the geek world by storm with roles in the comic adaptation Kick Ass, as
well as Let Me In, Matt
Reeves' remake of Let the Right One In. Needless to say, this ain't your ordinary 13-year
old, and while some have called her the anti-Dakota Fanning, I wouldn't label her as anything other
than one actress you should really keep your eye on.
While at SXSW, Cinematical managed to grab only a couple minutes with the much
sought-after actress, but only because we just happened to be sitting right next to her between
events. We'll bring you more from Chloë prior to the release of Kick-Ass, and look
for a much longer interview with her later in 2010 as we approach the release of Let Me In
this October.
Cinematical: Let's face facts: in this film, you kill more people than I think I've ever
seen a person your age kill on the big screen before. Not only are you a weapons master, but you
throw in flips and jumps, and you're running up walls. How much of this stuff did you really do
yourself?
Chloë Grace Moretz: Almost all of it was me, except for the gigantic flips and
running up the wall wasn't me. But all of it was me except for that, and it was insanely hard
because in the middle of thinking about choreography -- you know, left, right, left, right --
you're aware that one little mistake and you're on the ground.
Mazda MX-5
Matte and Black Special Edition - Click above for high-res image gallery
We make no effort to hide the fact that we love the Mazda Miata just the way it is. In fact, it's always been
just about perfect in our eyes, as evidenced by
our most recent road test of the sporty little Japanese runabout. But if bright schoolbus yellow just
isn't your bag, baby, may we suggest something a little more subtle?
Mazda has just rolled out the MX-5 Matte and
Black Special Edition at the 21st annual Salon du Cabriolet, Coupé & SUV in Paris.
Ostensibly to celebrate the Miata's 20th birthday in France, we kinda think Mazda just wanted to
prove that its sportscar looks pretty darn good in the automotive equivalent of the little black
dress. And boy, does it ever.
There's nothing special underhood, so the 2.0-liter four still puts out an adequate 167 horsepower.
We can't say that we see them in the photos ourselves (fortunately), but design label LK by Laure
Kczekotowska Paris has reportedly decked the MX-5 out in rhinestones, gems, and crystals. Ah well,
nothing can be perfect. See for yourself in the image gallery below.
Le label indépendant leader en Hardtek et sons underground possède bien
évidemment son shop sur le net. Avec un stock basé en France (région PACA)
coordonné par le label situé en Tchéquie, vos vinyls et autres
équipements arriveront dans un délai plutôt [...]
Harman Kardon and JBL will be introducing fresh meat for this spring, with the MS-8 being the
first car audio tuner that was specially designed for owners themselves, since it brings together
a digital audio processor with adjustment controls and headphone monitors which will help tune a
car's existing speaker system. Included is a step-by-step process that theoretically improves
bass, dynamics, frequency response and other factors in a mere 10 minutes - now how about that!
Expect the MS-8 to ship this April for $799. Apart from that, there will also be a range of iPod
and iPhone speaker docks, 5.1-channel surround sound kits and home theater systems. If you're a
huge fan of either label, then you might just want to wait until April before making that upgrade
jump.
Harman Kardon and its sub-label JBL this morning refreshed their audio lineups for the
spring, centering attention on a unique car audio kit. The MS-8 is the first car audio tuner
designed explicitly for owners themselves: it combines a digital audio processor with adjustment
controls and headphone monitors to tune a car's existing speaker system. A step-by-step process
theoretically improves bass, dynamics, frequency response and other factors within 10 minutes....
J Exp Biol, Vol. 212, No. 17. (1 September 2009), pp. 2721-2729.
The compound eye of the bee is an array of photoreceptors, each at an angle to the next, and
therefore it catches an image of the outside world just as does the human eye, except that the
image is not inverted. Eye structure, however, tells us little about what the bee actually
abstracts from the panorama. Moreover, it is not sufficient to observe that bees recognise
patterns, because they may be responding to only small parts of them. The only way we can tell what
the bee actually detects is to train bees to come to simple patterns or distinguish between two
patterns and then present the trained bees with test patterns to see what they have learned. After
much training and numerous tests, it was possible to identify the parameters in the patterns that
the bees detected and remembered, to study the responses of the trained bees to unfamiliar patterns
and to infer the steps in the visual processing mechanism. We now have a simple mechanistic
explanation for many observations that for almost a century have been explained by analogy with
cognitive behaviour of higher animals. A re-assessment of the capabilities of the bee is required.
Below the photoreceptors, the next components of the model mechanism are small feature detectors
that are one, two or three ommatidia wide that respond to light intensity, direction of passing
edges or orientation of edges displayed by parameters in the pattern. At the next stage, responses
of the feature detectors for area and edges are summed in various ways in each local region of the
eye to form several types of local internal feature totals, here called cues. The cues are the
units of visual memory in the bee. At the next stage, summation implies that there is one of each
type in each local eye region and that local details of the pattern are lost. Each type of cue has
its own identity, a scalar quantity and a position. The coincidence of the cues in each local
region of the eye is remembered as a retinotopic label for a landmark. Bees learn landmark labels
at large angles to each other and use them to identify a place and find the reward. The receptors,
feature detectors, cues and coincidences of labels for landmarks at different angles, correspond to
a few letters, words and sentences and a summary description for a place. Shapes, objects and
cognitive appraisal of the image have no place in bee vision. Several factors prevented the advance
in understanding until recently. Firstly, until the mid-century, so little was known that no
mechanisms were proposed. At that time it was thought that the mechanism of the visual processing
could be inferred intuitively from a successful training alone or from quantitative observations of
the percentage of correct choices after manipulation of the patterns displayed. The components were
unknown and there were too many unidentified channels of causation in parallel (too many cues
learned at the same time) for this method to succeed. Secondly, for 100 years, the criterion of
success of the bees was their landing at or near the reward hole in the centre of the pattern. At
the moment of choice, therefore, the angle subtended by the pattern at the eye of the bees was very
large, 100-130 deg., with the result that a large part of the eye learned a number of cues and
several labels on the target. As a result, in critical tests the bees would not respond but just
went away, so that the components of the system could not be identified. Much effort was therefore
wasted. These problems were resolved when the size of the target was reduced to about the size of
one or two fields of the cues and landmark labels, 40-45 deg., and the trained bees were tested to
see whether they could or could not recognise the test targets. 10.1242/jeb.030916 Adrian Horridge
Harman Kardon and its sub-label JBL this morning refreshed their audio lineups for the
spring, centering attention on a unique car audio kit. The MS-8 is the first car audio tuner
designed explicitly for owners themselves: it combines a digital audio processor with adjustment
controls and headphone monitors to tune a car's existing speaker system. A step-by-step process
theoretically improves bass, dynamics, frequency response and other factors within 10
minutes....
EXCLU TÊTU. Comment parler aujourd'hui entre gays de son statut VIH? C'est l'axe
de la nouvelle saison de «Boris et Nadir» avec les acteurs du label porno
Citébeur.
Robert Eden, vigneron bio en Languedoc Roussillon, pousse un ras le bol, joyeux et positif,
contre le label bio.Et pourtan, en bio il s’y connait : Aucun adjuvant, aucun pesticide,
des percherons pour le labour, des tracteurs (là où les chevaux ne peuvent passer) avec
des systèmes récupérant les éventuelles fuites d’huiles pour
qu’elles ne souillent pas les sols... Jusqu’au bâtiment qui est entièrement
végétal : une cave construite en blocs isochanvre (brique de chanvre et en chaux), qui
consomme du co2 (voir les
vidéos). Fort de son expérience en  culture biodynamique du
vin, il peste contre la concurrence déloyale de l’agriculture conventionnelle.
Selon lui, un label devrait être appliqué à ceux qui utilisent des
pesticides et non l’inverse. Explications…
Le bio, une philosophie : le bio n’est pas une démarche qui
s’arrête au produit. C’est avant tout une philosophie, le fait de
considérer que l’homme dépend de ce qu’il consomme et de la manière
dont il produit. Le respect de l’environnement, des sols, des animaux, des plantes, et de
l’énergie vitale est essentiel. C’est ce que Robert Eden pratique dans son
exploitation du Languedoc, Château Maris.
Attention au label bio! Robert Eden souligne en outre
 l’effet pervers du label bio, mettant en exergue 3 points. 1. Le label bio ne prend pas en compte l’ensemble de la démarche.
En effet, il s’arrête au produit final lui-même et non à
l’environnement plus général. Que dire ainsi des raisins bio, en barquette
plastique, que l’on trouve dans les supermarchés français et qui arrivent par
avion du Chili ? 2. Le label bio peut induire le consommateur en erreur.
Ce dernier peut être perturbé ; il peut avoir l’impression de payer plus cher, il
peut avoir des doutes sur la qualité du produit, pour un label, dont il ne maîtrise pas
les contours. La qualité gustative est-elle la même ? Et par ailleurs, nombreux sont
les vignerons qui produisent dans le respect de la vie et qui ne font pas les démarches
d’homologation, longues et compliquées. 3. Le bio est l’arbre qui cache la forêt.
Et c’est là le cÅ“ur du discours de Robert Eden. « Le label bio est
une étape, qui amène producteurs et consommateurs vers une recherche de produits sains.
Mais ce n’est qu’une étape. Le bio ne devrait pas être un label, mais une
norme. La logique voudrait que les producteurs qui utilisent des adjuvants chimiques
l’indiquent sur leurs vins. Ce n’est pas le label « bio » qu’il faut
mettre en avant, mais le label « non naturel », afin d’informer le consommateur.
Mes collègues et moi-même qui travaillons dans le respect du vivant ne devrions pas
avoir à nous justifier. Le vin est avant tout un plaisir, il doit le rester, et nous ne
devons pas amener le consommateur à avoir une approche trop technocratique de sa
consommation. Indiquons-lui ce qui est mauvais pour sa santé, cela suffira. Pour le reste,
son goût, ses envie, son plaisir, sauront faire la différence ».
Un label pour les « pollueurs »
Et si l’on inversait la tendance ? Et s’il y avait un label appliqué à ceux
qui utilisent des pesticides ?
Car on ne dit pas toujours ce qu’il y a derrière des produits non bio. Pourtant il
faut dénoncer tout le mal que certains agriculteurs font à nos terres au lieu de mettre
en avant le bien que la culture bio peut faire. Pour cela, il faudrait que le label bio soit la
norme et que les « pollueurs » soient labellisés. Les consommateurs seraient ainsi
informés des produits non respectueux de l’environnement.
A propos de Robert Eden et de Château Maris Château Maris est un
domaine entièrement bio. Robert Eden est allé au bout de sa démarche,
et a créé un vin 100% en ligne avec ses convictions. Mais c’est un vin qui sait
séduire : son Old Vine Syrah 2006 a obtenu la note de 18/20 chez Jancis Robinson en
août dernier, faisant de ce vin le vin bio du Sud de la France le mieux
noté. Château Maris est labellisé avec 3 organismes de certification :
Ecocert, Biodyvin et Demeter, (organisme de certification pour la biodynamie)
Deezer, le premier site d'écoute de musique en ligne a annoncé, par communiqué
de presse, la signature de nombreux accords avec des agrégateurs et labels internationaux.
Ainsi, le catalogue Deezer s'enrichit de plus d'un million de titres supplémentaires
grâce à ces nouveaux agrégateurs : 1 mil (...)
We’ve
been following Magnatune since it launched
in 2003 as a record label that embraced the net, including giving fans the legal right to do
what comes naturally given the net — share an remix music noncommercially — by
offering all label music under the Creative Commons Attribution-NonCommercial-ShareAlike license.
At the time a fairly radical position. Fast forward nearly 7 years to Magnatune founder John
Buckman’s update on the
label’s business:
So really, it’s not so much that we’re changing business models, but rather that we
introduced “unlimited memberships” two years ago, and they’ve been so
successful we’re deciding to focus on that.
Some things that are not changing:
We’re still not evil: we have always paid 50% of membership fees to our musicians, been
DRM free, and used Creative Commons licensing. All that stays the same.
We will continue selling commercial use licenses of our music, though in a few months we will
be moving that business to a new music-licensing web site we’re building
(iLicenseMusic.com).
I’m personally really excited with the change, because 4 years ago I noticed that our
download sales were declining, and it wasn’t until 2 years ago that I finally figured out
what people wanted. Magnatune has been going since 2003, and the future looks rosy.
We applaud Magnatune’s long-term commitment to CC licenses and their willingness to
constantly innovate based on fan and customer feedback rather than the unfortunate standard
practice — treat fans poorly and hope they continue as customers anyway. Recall Mike
Masnick’s Connect With Fans (CwF) +
Reason To Buy (RtB) = The Business Model ($$$$) formula for a general treatment.
Just as Davenport Lyons lawyers are being sent for disciplinary action over the
firm's practice of sending large numbers of "pay up or we sue" pre-settlement letters, ACS:Law, the
shady firm that effectively spun out of Davenport Lyons to do
the same thing is ramping up its efforts. This isn't a huge surprise. Late last year, the firm said
it was preparing to send
out 30,000 letters, despite numerous studies showing that these letters regularly target innocent people, but scare many
people into just paying to avoid a lawsuit.
The practice is being condemned widely. UK politicians have called it a scam. Even (believe it or not) the record labels are criticizing the practice, saying
that it's not productive (most of the firms that use ACS:Law/Davenport Lyons/DigiProtect tend to be
porn studios and small software providers). The latest is that O2, the UK ISP is condemning these letters as
being pure bullying for money.
What's amusing is how ACS:Law tries to defend itself: "Neither we nor our clients threaten or
bully anyone. We send out letters of claim to account holders of internet connections where those
internet connections have been identified as being utilised for illegal file-sharing of our
clients' copyrighted works.... Our letter makes an enquiry in that regard and invites the recipient
of our letter to respond to this evidence. In addition they are invited to enter into a compromise
to avoid litigation," This is disingenuous in almost every possible way. Sending a legal
letter saying that you've been caught breaking the law, and likely will be taken to court (even
though ACS:Law almost never seems to actually follow through on that threat), is absolutely a
threat. And notice how he calls it "an enquiry," which is again misleading. It's an accusation, and
a typical shakedown offer. It's not a "compromise," and it's not an afterthought as presented in
the quote above. It's the key point of the letter, and the entirety of the business model put forth by the
companies involved, who describe it as a way to "profit" from people sharing their content.
In responding to the fact that even the record labels (via BPI) have condemned these letters, the
guy from ACS:Law responds with more ridiculousness: "I think the BPI is letting its members
down. I think they are scared of alienating their customers. My clients don't have the same fear.
They take the view that the people they target aren't their customers because they are stealing
from them." Of course, if they were "stealing" from his clients, then it's a criminal, not a
civil, matter, and as he must know, the proper response is to go to the police. Not demand they pay
up via some sort of shakedown letter.
Finally, the guy from ACS:Law basically admits that he's the one getting rich off of this, noting
that he gets more money from this than the copyright holders: "After my expenses the
copyright owner is the largest single beneficiary." Nice little trick there with the "after my
expenses." This is a classic shakedown with a weak attempt at giving it legitimacy by using
copyright law as a cover.
This post is part of Mashable’s Spark of Genius series, which highlights a
unique feature of startups. If you would like to have your startup considered for inclusion,
please see the details here. The series is made
possible by
Microsoft BizSpark.
Quick Pitch: Next Big Sound is a tool that gauges the popularity of bands and
artists via fan activity on a variety of social networking sites.
Genius Idea: As the music industry and the online world become more and more
enmeshed, tracking band popularity via album sales — and even digital downloads (Hello,
piracy!) — seems rather arcane. Just because a band isn’t moving a ton of CDs at any
given time doesn’t make it less buzzworthy — especially as services like Pandora and Spotify continue to take off.
That’s where Next Big Sound comes in. The website is basically a tool for fans, artists,
music industry professionals and journalists to track the popularity of an artist across 16
sites: Facebook, YouTube, MySpace, Twitter, iLike, Wikipedia, Soundcloud, Reverb
Nation, Pure Volume, OurStage, Vimeo, Bebo, Amie Street, Jam Legend and Virb. Fan interaction
counts as plays, fans, views, likes, downloads and comments — depending on the site.
As of right now, the site functions like a wiki; you can add bands that have not yet been
included (I added Everyone Was in the French Resistance… Now!). Currently, there are
699,328 artist profiles.
We tested out the service with YouTube darlings OK
Go, banking on the fact that the social media space has been buzzing about them as of late.
As you can see, there’s a pretty visible spike in online activity around
March 1, when OK Go’s new video premiered.
You can also compare bands to see who’s getting the most buzz. This could be a great tool
for determining the breakout band during a festival like SXSW — or for bitter, insecure
musicians to employ when their rivals hit the big-time. We tried it here with OK Go and smaller
(yet perhaps more rad) band Surfer Blood.
Surfer Blood’s social media cache isn’t quite as big as OK Go’s, but
there’s a visible spike in recent activity, which makes sense considering the band is
playing SXSW today.
Next Big Sound makes it pretty easy for you to get in on the action — as least as a fan,
I’m not in a band, so I haven’t tried out the “verify your band’s
account” feature — you can star your favorite bands and have updates on their stats
sent your inbox at whatever time you choose (either daily or weekly).
Right now, the site is collecting data on media mentions of SXSW bands to determine which are
getting the most attention — it even has as online playlist of hot bands. This data is sure to be a godsend to music
journalists, concert venues and labels following the fest, which is considered one of the top
arenas for breakout bands to make their mark.
We’re down with Next Big Sound — as both a tool and toy for musicians and music
enthusiasts. It’s cool to see a company change how it thinks about the music industry,
which seems to be more in flux every day.
Sponsored by Microsoft BizSpark
BizSpark is a startup program that gives you three-year access to the
latest Microsoft development tools, as well as connecting you to a nationwide network of
investors and incubators. There are no upfront costs, so if your business is privately owned,
less than three years old, and generates less than U.S.$1 million in annual revenue, you can
sign up today.
Offstumped’s post attempts to chart a course for the future of what he calls
the “broad political space opposed to Left Liberalism.” As laudable and
difficult the endeavour is, the ideas he espouses in the piece leave many gaps in clarity,
ignores crucial areas, and casually dismisses many vital points that need to be accounted for.
A few words about some specific items on the recently-concluded online debate before getting into
a detailed response of the post. I don’t really have any view on that debate except for
what Offstumped says here:
Untamed Internet Activism remains a sore point [.] There is no clear intellectual leadership
visible on the horizon for taming this Activism and for taking it beyond the Internet
I’m not sure I agree with the usage of “untamed Internet activism.” He probably
means well, but to “tame” generally means “to control, to rein in.” Used
in the context of the Internet, this lends itself to the conclusion that we need to come up with
ways to control what he calls “Internet activism.” If this taming is what is called
for, it’s self-defeating, and it directly contradicts his general principle of upholding
the right to free speech. This is not to argue for having the freedom to abuse/insult somebody
without provocation but it does smack of censorship. However, in the absence of more
information/complete context, I’m not aware what the said activism implies.
I’m all for having clear leadership but everything has its own place. The idea of creating
a common platform is good but “taming” something by trying to bring in some sort of
standardization doesn’t bode well. It could eventually degenerate into toeing some
line—however good or bad the line maybe.
The Future can’t be Separated from the Past
The section titled Its about the future stupid says:
First time voters in 2019 will be a generation born in 2001 around or after 9/11 who are right
now studying in 4th grade
The past maybe an inspiration and a guide, the West maybe a case study,
but end of the day this exercise has to be about the future. Standing where we are today, if we
are not thinking ahead on the challenges, opportunities and the sense of
history with which todays 4th grader and the many who probably are not even in school will
be making political choices 9 years from now, then we will be irrelevant even before 2002 makes
it to History text books [...] We must draw a line to
#2 make this about the challenges and opportunities of the future and not
about righting history’s wrongs
I broadly agree about the challenges etc that the future presents. However, the “past as an
inspiration” and “sense of history” present some problems. If you want to look
to the past for inspiration, you need to know it thoroughly. Also, a sense of history
means that we know our history really well. What percentage of this broad political space know
it, and more importantly, can understand its impact on the future? Apart from a vocal fringe,
nobody really is interested to avenge (or “right”) historical wrongs. A sense of
history therefore, also means understanding the past accurately so we can discard the wrongs and
vow to never repeat it. Yet, what’s the kind of history that these 4th graders are being
taught?
Also, framing this in terms of votes/voters is shortsighted. The idea is to create an
intellectual climate where everybody is unafraid to openly debate everything without attaching
labels and trying to figure out “which side somebody is on.” And this has to shorn of
concerns such as getting votes. The Nehruvian Congress party—and later, the
Left—created precisely this sort of “intellectual” climate with
eyes always on the ballot box. I’m unsure if this is the approach Offstumped
recommends.
Essentially, this approach—mindshare, 2014 generation,
etc—falls in the realm of strategy, not ideology (a term
I’m both queasy and careful to use) for want of a better word. This note about
generational/age/franchise aspect makes eminent sense if Offstumped was talking about an
electoral strategy. Unfortunately, he seems to mix this up with other things I’ve noted
above.
Denouncing Hindutva without understanding it
After this, interestingly, Offstumped characterizes “political” Hindutva
thus.
#1 at its core was the product of deep insecurity and victimhood
This is quite easy to say offhand but I’d rather Offstumped had given irrefutable
evidence in support. Can he deny that the Indian state actively discriminated (and continues to
do so) against Hindus for the better part of post-Independence India? Can he deny the fact that
Hindu institutions and value systems were systematically derided by the state? Can he deny the
fact that the Indian state spawned an education system that showed Hindu history in unflattering
light? The said insecurity and victimhood are real. The words are not
“insecurity” and “victimhood” but threat and discrimination. But
for this kind of state-sponsored discrimination against Hindus, what was the need for a movement
like “political” Hindutva, where Hindus felt they needed a political voice?
#2 has been tainted by Adharma committed in its name.
I’d be more careful before using words like “Adharma” without understanding its
complete meaning. Adharma is not merely the English equivalent of
“injustice” or “crime.” If you look at the history of violence
perpetrated by Hindus, it has always been in retaliation to an attack/provocation. Plus,
Hindus have taken to the streets because the Indian state has proved beyond doubt that it is
incapable of both preventing original offenders from hurting Hindu sentiments, temples, etc as
well as proved ineffective in punishing the original offenders. Characterizing this as
Adharma shows an ignorance of the meaning of Adharma. This is not to defend
violence committed in the name of Hindutva/Hinduism but there is such a thing as spontaneous,
natural retaliation. A group of citizens picketing and stoning an MLA’s house for his
misdeeds after it has tried all peaceful and legal methods is not Adharma.
#4 was intellectually hollow in its failure to evolve an Intellectual Political Tradition geared
for the challenges of this Century drawing on the rich tradition of Kautilya’s Arthashastra
and others who followed him
In a post that approvingly talks about drawing from Kautilya’s rich tradition, it is
surprising that there’s not a single mention of what that tradition is. Supporting
Kautilya is a double-edged sword for I can show a host of material in the Arthashastra
that’d qualify Kautilya for the selfsame label of the “political” Hindutva
brand that Offstumped asks us to abandon.
In essence, the “political” Hindutva of the 1990s didn’t arise from a vacuum.
Hindutva as I suppose he’s aware, has a long history. Ignoring this history and coining a
new term “political Hindutva” is not a good approach. However, because he has called
upon us to abandon it, the burden of proof lies on Offstumped to show
us—by tracing this history—why it makes sense to abandon
Hindutva. Instances of demolishing buildings, disrupting lovers on Valentine’s Day,
burning posters, etc don’t count. I shall respond to him where I stand on this once I get
his response.
And then in a most interesting (and startling) paragraph, Offstumped lays down this
prescription:
Just as Rajadharma as articulated over the Centuries was the Constitution for the
State, the Indian Constitution is the Rajadharma in this day and age.The only
“Warrior Spirit” to protect Dharma is that which the has Constitutional sanction. The
only Right to bear Arms is that which is sanctioned by the Constitution. Even the Kshatriya of
yesteryears had no blanket immunity to use their arms but for the protection of Dharma which in
today’s context is the Indian Constitution.
For the record, Rajadharma was not the Constitution for the State. The Indian kingdoms
of the time Offstumped speaks about had no Constitution in the sense we understand it
today. The definition of a Raja is Ranjanaat iti Rajah (He is the king who
entertains/keeps his subjects happy). The closest equivalent to the word
“Constitution” is Smriti. Till date, we have 40 Smritis, the
earliest dating some thousands of years ago. We can vaguely liken the Indian Constitution to the
41st Smriti but only after it passes some tests as we shall see.
Rajadharma is an entire subject in its own right and very simply, it involved the king
to always uphold Dharma and ensure that his subjects were always happy and that his
coffers were always full. In the times of the Ramayana, it was to uphold this Rajadharma
that Rama had to forsake Sita. The King had sanction to employ any and every means to achieve
these twin objectives and relied on the smritis and his council of ministers to guide
him. The smritis in turn dealt with every conceivable aspect of Dharma in
minute detail including giving us such things as the kind of bodily ailments caused by excessive
gambling. Space doesn’t permit me to elaborate further but equating Rajadharma
with the Constitution of the State is wholly incorrect.
Equally, the Indian Constitution is not the Rajadharma of today. It is one
thing to say that the Constitution is a noble document and one of the pillars of our democracy
and other nice things. However, superimposing Rajadharma upon it is misleading to say
the least. One of the first tests of whether the Indian Constitution is indeed the
Rajadharma of today is to find out whether the Constitution itself upholds Dharma.
A marked feature of a Smriti (I’m using the term very loosely here) is its
fluidity, its adaptability to changing times because Dharma varies from age to age.
There have been pitched battles to amend whole portions of the Indian Constitution to accommodate
the changing needs, and aspirations but such portions have remained in a time warp. However,
amendments that injure both the Constitution and Dharma are passed nonchalantly. The
other test is how a Smriti treats other/minority groups/religions. The Indian
Constitution places minority institutions almost beyond the scrutiny of law. A fourth test is how
it treats the cultural icons, symbols, and literature of the nation. The Indian Constitution
makes it illegal to kill the peacock and the tiger and also punishes an insult to the national
flag. Yet, it doesn’t accord the same status to our epics, which are now reduced to
literary lab pieces for anybody to maul at will. The Ramayana and the
Mahabharata are not merely Hindu epics—they are Indian
epics. They define the Indian way of life and continue to influence people of all major religions
in the country. Neither can you argue that a secular/democratic nation has nothing to do with
religion because as we see, there’s nothing secular about Indian democracy. Additionally,
the word “secular” itself was an ugly aberration that Indira Gandhi introduced and
hasn’t been erased till date. This is the nature of Adharma. I can cite several
other instances but the point remains that the Indian Constitution doesn’t entirely adhere
to Dharma. If Offstumped argues that this is the Rajadharma, we all
need to follow, I have nothing further to say.
Besides, there’s another aspect to this. A king who fails to perform his
Rajadharma properly faces the prospect of his own subjects rebelling against
him—in other words, of taking the law into their own hands. Pretty much
what’s happening today. Successive Indian governments have failed to carry out their
Rajadharma properly, and worse, in many cases, actively encouraged
Adharma—votebanks, subverting the Constitution, the Emergency, etc.
If they had discharged their Rajadharma properly, we wouldn’t have had the “violence
unleashed by the political Hindutva” people.
Offstumped leaves me with no choice except to say that equating Dharma and
Rajadharma with the Indian Constitution stems from a deep ignorance of the concept of
Dharma. As a friendly note, anybody who wishes to talk about Dharma and make
sense needs to invest serious time and effort to understand its basics. Merely being
well-intentioned and supportive of Dharma isn’t enough.
Le vendredi 2 avril 2010, Skryptom invite le label Figure.
A l'occasion de cette Skryptom party, nous avions envie de rendre hommage à l'un des plus
percutants producteurs, djs et label managers du moment en techno : Len Faki. Nous voulions
également [...]
A WorldNetDaily article distorted a passage from a book by Rev. Jim Wallis to falsely claim that
he "previously labeled the U.S. 'the great captor and destroyer of human life.' " In fact,
Wallis, a member of President Obama's faith council, referred to "the powers of the world" that
"demand unconditional allegiance and obedience" when he wrote that, for the Christian community,
"the modern state is the great power, the great seducer, the great captor and destroyer of human
life."
WND distortion: Wallis "labeled the U.S. 'the great captor and destroyer of human life'
"
WND: "Obama's new controversial pastor" has "labeled the U.S. 'the great captor and
destroyer of human life.' " A March 15
article on WorldNetDaily by Aaron Klein was headlined, "Not again! Meet Obama's new
controversial pastor: Champion of communism, socialism called U.S. 'destroyer of human life.' "
The article reported, "Rev. Jim Wallis, a member of President Obama's 'faith council' who is
described as a spiritual adviser to the president, is a socialist activist who has championed
communist causes and previously labeled the U.S. 'the great captor and destroyer of human life.'
" Klein appeared on the March 16 edition of Radio America's The G. Gordon Liddy Show,
where he asserted of Wallis, "Jeremiah Wright is back in a new form." Klein further stated, " I
started looking into him earlier this week and I found out that Wallis is a socialist activist
who openly champions communist causes, and he's labeled the United States, quote, 'the great
captor and great destroyer of human life.' "
Wallis did not label the U.S. "the great captor and destroyer of human life"
Wallis actually wrote that "the modern state" -- not the U.S. -- "is the great power, the
great seducer, the great captor and destroyer of human life." Contrary to
WorldNetDaily's distortion of his book, Wallis did not label the United States "the great captor
and destroyer of human life." From Pages 72-73 of Wallis' 1976 book
Agenda for Biblical People:
When the powers of the world demand unconditional allegiance and obedience that assumes human
beings should assign them ultimate value, then the worship of God and the assigning of ultimate
value of God's kingdom becomes a radical act, a political threat. In fact, worship is where the
vitality of the life of the Christian community is most clearly manifest and where the claims and
purposes of the idolatrous powers are most clearly threatened. This is contrary to the political
"use" and therefore abuse of worship which is so common to ideological religion. Rather, it is
the simple, joyous, purely offered worship and praise of God who alone is the source,
author, and giver of life that is the single greatest threat to the powers which worship and
serve death. Biblically understood, the worship of God is to be the definition of our lives.
Worship is not to be conceived as mere ritual and ceremony apart from ethics, politics, and other
parts of life. Instead, worship and praise become the style of life for the gathered
community living in faithful obedience to the Word of God in the midst of the blasphemy of the
fallen powers [emphasis in original].
The Christian community must always be asking which of the powers are now most aggressively
seeking to bring human life under their control. Discernment is the spiritual gift employed to
understand where and how a particular power is on the offensive in the effort to impose
conformity and slavery upon the lives of men and women. For us, the modern state is the great
power, the great seducer, the great captor and destroyer of human life, the great master of
humanity and history in its totalitarian claims and designs. The state as a power or principality
has subsumed and subordinated even other powers of nation, tradition, racial and ethnic cultures,
common and constitutional law, local community institutions and groupings, the media,
information, education, religion, the professions, movements and causes, the economic system --
other principalities which would rival and compete with the state and, perhaps, inadvertently
limit its power in benefit of human life.
Right-wing witch hunt turns to Wallis
WND paints Wallis as a "controversial" figure who is connected to
"radicals." As Media Matters for Americanoted, the right-wing witch hunt against
Obama's advisers has turned to Wallis, a member of the president's faith council who has worked
with numerous conservative and mainstream religious leaders. The WorldNetDaily article uses a
series of falsehoods and distortions to portray Wallis as "Obama's new controversial pastor" and
a "champion of communism" whose magazine "has published a slew of radicals."
But we’d like to help in a more direct way, too. Mashable’s job boards are a place for socially-savvy
companies to find people like you. This week and every week, Mashable features its coveted job
board listings for a variety of positions in the web, social media space, and beyond. Have a look
at what’s good and new on our job boards:
Mashable Job Board ListingsSenior SEO Strategist at Infuse Creative in Santa Monica, CA
The Senior SEO Strategist and Provider develops and provides effective Search Engine Optimization
strategies for client websites, with the goal of generating increased targeted Web traffic and
higher lead generation.
Intermediate-Senior Social Media Specialist at Infuse Creative in Santa Monica, CA.
An Intermediate Social Media Marketing Specialist works with our search marketing and
optimization senior leads and teams as well as client agencies, support people, and in some cases
the clients themselves.
Website Project Manager at TIG Global in Chevy Chase, MD.
As a result of continued growth and expansion, we are currently seeking a Website Project Manager
– a highly organized individual that can manage multiple interactive efforts
in a fast-paced ever-changing environment.
Share Our Strength is currently seeking an Online Community Director to lead all aspects of the
organization’s web-based activism and constituent engagement.
Author Community Manager at Eleven Learning in Cambridge, MA.
Now we’re searching for someone with both textbook industry experience and a familiarity
with social media who can help us design and run our next product: a social network for textbook
authors and adopters.
Senior Ruby on Rails Developer at Gravit in Park City, UT.
We are looking for an experienced software engineer with a strong background in Ruby, Rails, and
Javascript to help design and develop a web application that supports heavy traffic.
Social Media Online Marketing Manager at Media Storm in New York, NY.
As a Social Media Online Marketing Manager, you will lead the development of strategies and
objectives for building and executing year-round brand engagement via social media.
Social Marketing Strategy Manager at IMRE, LLC in MD.
IMRE, an agency of marketing experts in the Healthcare, Home & Building and Financial
Services industries is seeking a dynamic and fearless Social Marketing Strategy Manager to join
our growing team.
Responsibilities include research, assistance with graphics and promotional initiatives, lead
generation, creating new business presentations and proposals, and more.
Director/VP of Sales and Business Development at Comedy.com in Santa Monica, CA.
Comedy.com, the “guide to what’s funny right now,” is looking to hire a
Director (or VP depending on experience level) of Sales and Business Development in its Santa
Monica office.
Mashable has a variety of web 2.0, application development, business development, and social
networking job opportunities available. Check them out at Mashable’s Job Board.
Got a job posting to share with our readers? Post a job to Mashable today ($99 for a 30 day
listing) and get it highlighted every week on Mashable.com (in addition to exposure all day every
day in the Mashable marketplace).
I'm thinking of buying another copy of Newsbin mainly cause I keep it installed on many machines
Laptop desktop & a few others that & I think you guys deserve the money
My question is Is it possible to have multiple keys under 1 Control panel login just curious
Also it would be cool If you could tell how many uses you had in use/left for a key 1 out of 3 in
use 2 out of 3 etc might prevent people from getting locked out
You could even label each use in control panel College Desktop or laptop or whatever
Après "Release Me", "On And On", c'est "Sometimes I Forget" qui a retenu l'attention de son
label M6 Music, pour notre marché français. La jeune chanteuse suédoise
poursuit donc comme il se doit l'exploitation de son premier album : ...
Depuis le début des années 2000, les Parisiens Gildas Loaec et Masaya Kuroki
marquent de leur griffe l’electro rock avec leur label dénicheur de talents (Two
Door Cinema Club, Delphic, La Roux...) et la mode avec leurs lignes de vêtements classique
chic. Les deux racontent ici leur folle aventure.
A l’occasion de la sortie de l’album de Charles Schillings “Like a Radio”
(prévu le 22 Mars) contenant dans sa version double un album dédié aux
remixes dont un de Diese, voici le 51ème numéro du Fubiz Broadcast toujours disponible en streaming et
téléchargement dans la suite.
Le nouvel album (chanté) de Sylvain Chauveau, intitulé "Singular Forms (Sometimes
Repeated)", est attendu le 22/03/2010 sur le label Type. On peut d'ores et déjà
écouter l'album en intégralité sur le site du label.
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