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Continue reading 400 Screens, 400 Blows - Polanski's Ghost

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It is mothers day in the middle east and although I live in Germany I still would like to honor this day and the 2 mothers in my life. It is sad I am expressing my feelings on mothers day, I think this blog post should have been out a looooooooong time ago.

To mom number one:

Sorry for not being the best son out there, and sorry for not showing my gratitude enough. You really had a hard time raising me and my brothers. Sadly I was not always the good big brother, else it would have reflected on my 2 brothers behavior. I miss you a lot and I am sorry I can not visit Egypt as often as I would like to. After dad passed away you had a hard time keeping us together but u managed and I am very proud of you. Your determination to provide us with a very good life and putting us before everything else is an inspiration. I love you and miss you…

To mom number two:

I think I should start by saying “Hi Nini”. I love you and I hope you know that… Again I might not show it but I really do… You always were there for me and got me out of every crappy situation I got into. You and Bob taught me so many things, that there is nothing I do that I can not derive from something you helped me out with. I know my appearance and lifestyle does not make you happy but I am working on it to make you proud of me. I owe you so much and I cant express how much you mean to me…

You 2 are the best mothers any1 could wish for…

P.S: My mom taught me “if and else” conditions, when I was 13 or 14 based on her pascal experience and my aunt bought me my first programing book “Visuall C++ in 21 days” which took me a year back then (I was 15). So if you like my work then it kinda derives from their help and support. So a nice commt to them would be appreciated and a nice mothers days gift.

Recently Edelman Digital launched a brand new web site, which features rich insights from across the organization as well as interviews with different people inside and outside the firm. Definitely check it out. One of the cool things we're running are interviews. 

Blagica Bottigliero: Let’s start with the basics. Your last name. Is it pronounced like the Russian currency? I’ve heard multiple versions, so help us set the record straight.

Steve Rubel: Actually it isn’t – it’s pronounced Roo-Bell, rhyming with “blue bell.”

BB: As a lifestreamer, you spend quite a bit of time online digesting content. How much time per day do you spend doing this? How do you break up your day to consumer such a large amount of data?

SR:I would say that on average I spend two-three hours a day “studying.” How and where I fit this in really depends on my schedule in a given week. If it’s a particularly heavy week and I am traveling or in lots of meetings, it’s whenever I can steal a few minutes during the day. If it’s a “normal” day then it’s often over breakfast, lunch or at night when I get home. But I make it a commitment to keep current since our teams and clients look to me to help them do the same.

My workflow here, however, has changed a lot over the last few years. Until fairly recently I was a heavy user of Google Reader. Now, however, I find myself relying more on Facebook, Twitter and reading email newsletters from my favorite blogs. Also, I am increasingly using my mobile device to consume much of it as well.

BB: In the last few weeks, you’ve put a stronger emphasis on utilizing Facebook as your epicenter for news and communication. With Facebook’s history of sharing its TOS, along with concerns around privacy, do you think more users will shift their attention to Facebook? The addition of Facebook’s new settings come in handy, but do you feel that users don’t feel like adding privacy settings to every single action?

SR: Facebook is at a pivotal moment in its history. All of the data points are trending up – time spent (a staggering seven hours/month in the US), total users (400M worldwide), mobile use (100M users), traffic patterns (one of the top drivers of views to news/broadcast sites), etc. This makes it impossible to ignore.

What’s more, I believe we have passed a key tipping point where a network effect takes over. Randall Stross summarizes this nicely in his New York Times column, comparing it to similar situations like Microsoft Windows. So I don’t see the train slowing down here in any way.

Still, there’s no doubt many have privacy concerns. Facebook needs to make this easier to manage so that an individual can really more easily separate personal and professional circles – if he/she chooses. The settings they have now help. But they have a long way to go.

The other trend to note is how businesses are starting to use Facebook as a hub. There are more than 1.4M Facebook Pages. Some 700,000 are small businesses. This also creates a network effect the way that Google did with Adwords. Also, I have noticed that more brands and movies are prioritizing their Facebook page in ads over their own web site. This is controversial, but in many ways it makes sense.

BB: You just created a fan page on Facebook. How will you decipher information that appears in this stream versus your blog?

SR:I have been on Facebook since 2007 when they opened it up to all users. At first, I was skeptical of their prospects for success. I saw a scenario similar to what AOL did back in the 1990s – e.g. a walled garden. So while I have been on Facebook for years and I was engaged there, I didn’t see a real opportunity, at least for me, to use it to connect professionally with our customers.

However, the statistics I mentioned earlier and my own use recently have evolved my thinking. I began to see that, professionally, there is a real opportunity there for any business to deeply engage their customers in a way that perhaps is not as easy to do elsewhere – and to build thought leadership. One key reason is that clearly people I care most about like our clients are spending time there. It’s easier to go where the people are than to get them to come to you. What’s more, it’s a broader audience than the people who subscribe to my blog or follow me onTwitter.

So as of right now I am largely creating exclusive content there. I am finding Twitter is better for link sharing but that Facebook is more ideal for short bits of insights that spark a larger conversation. My blog will probably evolve into just a place for essays. But I am syndicating the posts into Facebook as well. It’s all evolving right now.

In short, I believe that Facebook will become my primary content platform in the next few months. But I will continue to do it all. As should businesses that have stakeholders scattered on other networks like Twitter.

BB: Your opinions on Google Buzz are pretty strong. What do you think they could have done differently at launch? Do you think it was wise they launched the tool in Gmail?

SR: Google Buzz suffers from complexity because they only tested it within Google, which has a very tech-savvy engineering driven culture. Facebook and Twitter are simple. You get it right away. Buzz feels like something Google is forcing on millions of users to catch up in an area it’s not strong in – social. It would have been better if they launched in in beta or Labs.

Still, I see Buzz remaining an important niche player for the time being. But I would never count Google out. They can get it right.

BB: It seems that there are new tools popping up every second. Whether it’s checking in at a local bistro with Foursquare or taking a picture of a sunset and sending it to a larger network via Yfrog, there is a hefty amount of information to keep track of. Will there come a time where a mini social ‘revolt’ will occur?

SR: I feel there’s way too much focus in marketing on the venues and the technologies – even in the recessionary climate. Businesses must focus first on their stakeholders and the trends and then figure out how to leverage the technologies. Many still go about it in reverse.

In terms of the consumer, I believe we’re already seeing a winnowing down. Facebook is tops for the broadest group. Twitter is loved by a smaller, yet arguably more influential crowd. And YouTube meanwhile sits in the middle. The others, even FourSquare, are more niche.

In the end there’s only so much time in a day and everyone will need to make choices on where to invest. I see Facebook being the big winner and Twitter sitting in neutral for now. The others may eventually just become features of the big sites rather than stand alone entities.

BB: In the 90s, consumers may have sent a complaint via written letter or email to one of their favorite brands. Today, it may be a Facebook status message, YouTube video or tweet. What do you think this says about consumers’ expectations when it comes to corporate two-way dialogue?

SR: I don’t see it being an expectation around dialogue as much as it is power. People now know they have it and that some businesses will bend over backwards to meet the legitimate gripes in real-time. This creates a virtuous or some would argue a vicious cycle that just exacerbates the situation further.

This means that every business needs to understand what they will address and when – with the expectation that it will scale.

BB: With web sites incorporating tools like Facebook connect, video and real-time tweets, do you see social media being more ingrained in a digital strategy, instead of being an after-thought?

SR: Yes, I believe that we’ve passed an inflection. Everyone is looking at the data and the hype in the media and they realize that this is where our time and attention are flowing so they need to front-load social networking into their budgets. This is not just limited to consumer marketing but b2b as well.

BB: You are a big gadget fan and need to be connected a good portion of your day. How do you plug in? What is your go-to gadget that you can’t leave home without?

SR: Without a doubt my mobile phones. I switch back and forth between the Blackberry (a client) and the iPhone depending on what I plan to do in a given day. There are days or even weeks when all I use is a mobile device. I often travel without a computer – sometimes for 10 days at a time and internationally as well. It’s amazing what you can do with these devices. And both fit the bill nicely.

BB: You are a man on the move, visiting many up and coming tech start-ups. ExacTarget recently purchased CoTweet. Do you see more consolidation happening?

SR: Absolutely, I believe that integration between various systems will be key – especially for those providers who serve enterprise customers. It’s no different than how we saw similar consolidation in the desktop/enterprise software markets and for web-based platforms in the early 2000s.

BB: I know you are a big Yankees fan. If you could be a Bat Boy for a day, would you do it?

SR: Wow, I definitely would. I would love to travel with the team and and ask Derek Jeter all kinds of questions about his work ethic and efforts to be a better ballplayer every day. That’s what I hope to do too in my field. Jeter is a rare yardstick of professionalism and quality in a sports word that increasingly lacks such role models. And I find lots of metaphors in sports to inspire me in business.

BB: What is your newest tech obsession?

SR: I would have to say any tools that I an use for free that give me data. My favorites are Google Insights and Ad Planner, Facebook Insights and YouTube Audience Insights.

Image credit: Laughing Squid 

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Here is the latest in our year-long look at one cool comic (whether it be a self-contained work, an ongoing comic or a run on a long-running title that featured multiple creative teams on it over the years) a day (in no particular order whatsoever)! Here's the archive of the moments posted so far!

Today we take a look at Dirk Schwieger's Moresukine...

Enjoy!

Dirk Schwieger's graphic novel from NBM Publishing, Moresukine, gets its name from the way Japanese people pronounce the type of notebook Schwieger sketches in - a Moleskine notebook. As a result, the graphic novel is printed in a mock-up of a Moleskine notebook.

This is a fun and interesting collection of stories by Schwieger of what happened when he allowed people on the internet to make him do tasks when he moved to Japan.

Schwieger kept a blog where he challenged his readers to come up with things to do while he was in Japan, and he would do them - no matter what they were (granted, of course, that they had something to do with living in Japan, and not, like, "Watch every season of M*A*S*H* on DVD!").

Schwieger would then write up the assignments as online comics, and now his online comics are collected into this graphic novel. Often, the assignments would basically end up being "tell us about THIS part of Japan, Dirk!"

Schwieger has a nice, clean style of art that makes the stories easy to follow, and the stories themselves are delivered by Schwieger nicely.

Here is a sample assignment (from the book's site here)

The rest of the book is basically just like that - while some of the assignments include staying in one of those pod hotels, visiting one of the infamous "love hotels" and eating the potentially poisonous fugu (this one is featured on the cover).

The book has an extra section where Dirk challenges OTHER comic book artists to talk to a Japanese person in whatever city in which the cartoonists live and report back about the conversation. The results are often amusing - and feature comics by James Kochalka, Ryan North and others (Ryan's is particularly amusing).

So yeah, Moresukine is a fun, well-written, well-drawn book. Go check it out!

(NOTE: This is basically what I wrote when the book first came out - BC).

This year's Emerald City Con was... an extraordinary experience.

Truthfully, I'm still trying to get my head wrapped around some of it. Doing our Artist's Alley table as a fundraiser for the Cartooning Class was very much a last-minute, spur-of-the-moment decision, we weren't organized about it at all... and I was very moved, and a little awed, at how well the kids came through. Not just the current students but many of our grads, as well.

The experience could be summed up in this exchange between our friend Lorinda and myself. At one point, I shook my head and muttered, "This is so amazing... I mean, teaching, it's like putting a note in a bottle and throwing it in the ocean, you never really know how it's going to work out."

Rin replied, "Well, you sure had a lot of bottles come back this weekend."

We took a lot of pictures and I think I'll just run those for you and talk a little bit about each one.

*

This is what it looked like before we opened.

And another.

This is the last time we would experience quiet until Sunday evening. LATE Sunday evening. My ears are still ringing a little.

Outside, the crowd was milling around panting to get in.

Clearly, convention security was going to be overtaxed so the stormtroopers thought they'd assist with crowd control.

And then we were off....

This may give you a little bit of an idea of the swarms that descended once the doors were open. Saturday, in particular, was Hell Day.

Fortunately, we had a great crew. I honestly don't know how Julie and I ever used to do this by ourselves. It takes a teenage metabolism to keep up with the Saturday hordes at a convention.

In the rear we have Rachel, Aja, and that's Katrina under the mop, with our friend Rin in the front. Rachel decided to be Rogue again this year, as you can see. Katrina wanted to dress up too but couldn't decide on an outfit (she'd brought a couple.) This is the one she started with, a character of her own named Connor, but Connor only lasted till noon or so.

Once again this year, we won the lottery by having awesome neighbors. One one side we had Jeffrey Ellis and the crew from Cloudscape Comics, a small-press artists-collective outfit based in Vancouver, British Columbia.

On the other side we had Two Percent Solution.

They do a raunchy humor self-published book and a podcast as well.

I'm so embarrassed I can't remember their names -- I know I introduced myself at some point, but I couldn't really hear them very well. The echo chamber in the hall, once the crowds were in, made it nearly impossible to converse on Saturday. But they were great, swore up and down they loved being next to us and claimed we brought them a lot of extra traffic. They were especially hilarious about pretending to almost-swear in front of the kids but they never actually did.

Since we were doing a for-real fundraiser, and thus actually accepting money, our setup changed a little this year.

The idea was that we had students on the left, alumni on the right. As people would approach, the kids would offer them a giveaway book, and if they stopped, then they'd volunteer to sign it.

Ben, Marie, and Eileen, working hard.

Then Katie or myself would explain about the budget shortfall and collecting for donations, and add that anything over $10 got you a custom sketch from an alum. More often than not, they'd at least stop and admire the sample sketches we had up, and put a couple of bucks in the box.

Here's a customer getting The Spiel. Marie, especially, was really good at explaining to people what we were doing.

Many did in fact commission sketches.

Once we were set up it went fairly smoothly despite being a bit cramped, up against the wall as we were.

That's me and my boss, Katie. For the last seven years I've exhorted my various supervisors at school to come to the convention and really see how hard the kids work, but this was the first time anyone took me up on it. It really was a lot of fun having Katie there as she knew nothing about comics, conventions, or geek culture in general. But she adapted quickly. Watching her take in the experience was a lot of fun, and by the end of her day there she was a complete convert. At one point Katie was even speculating on the possibility of doing this kind of thing more often and wondering what other shows there were that we could attend as a class. The Stumptown Festival in Portland, especially, was a possibility we talked about quite a bit. (Katie was also interested in hearing about WonderCon and APE, but I told her, "Baby steps. I'm only just now getting to a place where I think I know how to get us to THIS show.")

The alumni were kept very busy sketching all day both days.

Fortunately they love to draw but my GOD they worked hard. I wish I'd gotten more shots of their work, it was of an extraordinarily high level, especially the high school kids. I was so proud of all of them and the way they've all kept learning and growing as artists, years after leaving my charge.

I did get a few. Here's one of Aja's.

And this is one of Katrina's custom commissions. She asked the lady what she wanted and the woman said, "Well, I like octopuses." (Yes, I know it's octopi but that's what she said.)

For a second I thought Katrina was going to be stuck but then she blew out this caricature of the woman herself with an octopus on her head. Yeah, the kids are THAT good.

Some people were kind of crass about it. This mother, especially, was really annoying. First she wanted to know what she'd be getting for her ten dollars.

It takes a special kind of chutzpah to haggle with a sixteen-year-old volunteer over your CHARITABLE ACT.

Katrina rather helplessly pointed to the samples, but it developed that this woman wanted to see the actual sketch before she would pay for it.

And this woman wanted something special, too-- a caricature of her two boys... an action pose of the two of them in their martial arts class. Geez lady, demanding much?

Here's Katrina working on the commission -- I cropped her out, but cheapskate Mom is hovering just out of frame, watching like a hawk to make sure she gets her money's worth.

Katrina was amazingly diplomatic about it. I thought Rin was going to go ballistic on the woman and I had to squelch a few sharp remarks myself. She deserved some kind of smack.

The two boys with the final product. I think they were a little embarrassed over how their mother treated Katrina.

Fortunately, the finished product satisfied everyone and we got the ten bucks.

But most of our visitors were much nicer. You remember Rachel's shot of the X-Men at the beach?

Guess who got that one.

Yeah, that's Matt Fraction, proud new owner of Rachel's X-Men Beach Party. This may be my favorite photo from the show. Only in comics do moments like this happen: my former student Rachel, the world's most ardent fan of the X-Men, posing with Matt Fraction, current writer of the X-Men comic, who's just told her that her cartoon is brilliant, that he would love to do a scene of the team at the beach and that she's caught all their personalities perfectly.

Matt was great with all the kids. He signed autographs, talked with them about comics, and generally was awesome. Here he is signing an autograph for Emma.

It was only a couple of minutes out of his day but I know how hard it can be to get away from your table when you're working a show, and it really meant a lot to the students to have a pro take such an interest. Even my students, whose comics fandom usually begins and ends with manga, know who Iron Man and the X-Men are. They were thrilled that he stopped by.

Michael Alan Nelson also visited our table briefly.

The kids loved him too, though they had only the vaguest idea of who he was -- I explained he worked for Boom! Comics and I think many of them had the idea he worked on the Muppets or something, since that was always where the line was over there. I enjoyed getting to meet him at last -- I interviewed him here a while back, but it was via e-mail and we'd never met in person. I am a big fan of his Fall Of Cthulhu series, and I got Swordsmith Assassin at the show as well, since Chip Mosher sent us the first issue for review and I liked it quite a lot, I'd been meaning to pick it up for a while now... though I forgot to ask Mr. Nelson to sign it. Too busy chitchatting.

I was mostly at our table all weekend, but Julie got out some. There was no way she was missing Leonard Nimoy.

She was actually in panels for most of Saturday, she also went to see Wil Wheaton and Stan Lee. Of them all, I think Julie was the most impressed with Nimoy's, she said he was "inspiring."

As for me, well, I was enjoying my time at the table because it was turning into old home week. We had many visitors from past classes -- Amethyst, Jessica, Shane, Andrew, and Jay, among others. Some I hardly recognized because they're, you know, adults now. (The last time I saw Jay he was a scrawny little soft-spoken kid. Today he's in his twenties, six feet tall and ponytailed, very outgoing with an infectious laugh. And of course his voice is an octave lower.)

Some even volunteered to put in some time sketching for us, which melted me. Lindon popped up out of nowhere and immediately wanted to put in some table time. Of course I agreed.

A lot of the kids dressed up this year, too. Saturday Lindon was in street clothes, but Sunday she was Pikachu.

I took this one just because it made me laugh.

That's right, Pikachu supports Cartooning in schools!

This is Lindon and Devon. I shot this because when Lindon has her head down -- even today, she always draws with her nose to the paper like that, it can't be comfortable but she always has to get way down there -- anyway, it tickles me because it looks like Pikachu is sitting at the table.

Lots of parents volunteered time too.

That's Marie, Ben, and Eileen, under the watchful eye of Gus' mother Marilyn. She looks a little annoyed, not because of the three kids but because her own son has abandoned his post again.

I get three kinds of students -- the ones who want to write, the ones who want to draw, and the ones who just want to geek out and be surrounded by comics. Gus is one of the geeks. He will produce drawings if you lean on him, but for him the point of being at a con is to get cool stuff. All I ask of the kids is to put in a ninety-minute shift at our table on the day they attend, but Gus could hardly bring himself to even do that much, he'd brought money and it was burning a hole in his pocket. First it was Leonard Nimoy's autograph -- even if you brought your own item for him to sign it was still a wince-worthy forty dollars -- and then he negotiated an advance on his allowance to go buy some comics.

Marilyn has always been one of my favorite parents and her reaction to this was completely charming. She ordered Gus to stay at the table and do his job. Then she went off to go get her son's comics herself. Naturally, not being an expert, she consulted me.

"Randy's Readers," I told her. "He's your guy. He sells comics that aren't collectible, just in average shape... his market is people that don't really Collect with a capital C, but only want to read comics. If I ever get a chance to take a break I was thinking of stopping over there myself, to be honest."

Marilyn agreed that was the place to go and the girls were exhorting me to take some kind of a break, and Marie wanted to come too, so off we went.

Marilyn explained that Gus wanted war comics. "So violent," she said, ruefully.

Gus did the tank for the group poster. He's all about the war comics.

I laughed. "Well, I grew up on blood and thunder myself, it's not all that damaging really. The key is that there has to be a story, I try to make sure they aren't just doing a videogame shoot-'em-up. There's a fine old tradition of war comics that did great stories, Sgt. Rock, G.I. Combat, Unknown Soldier.... we'll find him some of the good stuff."

Marilyn perked up. "Yes, I know Gus liked that Unknown Soldier book you loaned him. I was going to try and find some of those."

I brought this to class to show the boys that even hardcore shoot-em-ups still had to have a STORY. For Gus it was love at first sight.

Mission defined, we now moved with a clear purpose. Once we were at Randy's booth Randy himself stepped in and was very helpful, explaining to Marilyn that there was the Unknown Soldier series from Star-Spangled War Storiesand then there were the ones in his own book.

"What's the difference?" Marilyn wanted to know.

"Later ones are probably cheaper," I told her, smiling. "But I don't think Gus will care that much, he'd enjoy any of them."

As for me, in showing the various war series to Marilyn I stumbled across this one and decided I couldn't pass it up for six bucks.

Sorry, Gus, I got this one.

Our Army At War #269, a reprint of stories featuring work by Joe Kubert, George Evans, John Severin, Russ Heath, and even Mort Drucker (!) I could spend hours just looking at the pictures in this one.

I also fell for a couple of Superboy Giant reprint collections from my childhood that I'd been trying to replace for a while. Mostly these days I'm a trade paperback guy, but nostalgia can still get me.

Marie said curiously, "I know who Superman is, but I never heard of Superboy."

"It's like Smallville, only he actually wears the costume," I heard myself say, and suddenly felt a hundred years old as i realized there's probably two generations of schoolkids now who know Smallville as 'their' Superman the way I think of Bates-Maggin-Swan Bronze-Age Superman as 'mine.'

When we got back I told Gus he had the coolest mother ever. "At your age I'd have killed for a mom who said, 'you finish your work, I'll go make sure you get your comics.' That's unheard of."

Gus blushed, grinned sheepishly, and gave his mother a hug. Marilyn beamed and said, "I have my moments."

There wasn't time for me to do a whole lot of shopping -- there never is -- but Rin found a dealer who had a big box full of graphic novels and trades for $5 and I fell for a couple of those, too.

Empire is one of those late 1970s Byron Preiss productions where he was deliberately trying to move comics into a bookstore market -- about twenty-five years too soon, it turned out, but he produced some handsome books when he was trying. This one was an original piece by Samuel Delany and Howard Chaykin, hoping to scoop up some of that newly-minted SF audience that Star Wars created back then. I'd never actually read it and I've always been curious about it. Holliday I've never heard of, but I'm always up for a Western comic, and for a $5 trade paperback it's hard to go wrong.

Most of our shopping, though, we tried to do in Artist's Alley itself as much as possible. We like to support the creators. Julie picked up the new Muppet book from Boom! where Amy Mebberson was -- you should pardon the expression -- doing a BOOMing business.

Possibly the most popular artist at the show this year.

She was kept busy all weekend. A lovely lady, she was great with all the kids that came up to her and sketched Kermits and Animals and Miss Piggys till her hands were raw, most likely. I don't think a single kid went away empty-handed.

And I made it a point to pick up a bunch of stuff from Camilla d'Errico on Sunday morning. I was able to catch her a few minutes before the show opened, when it was actually possible to have a conversation.

Camilla's a favorite with my kids.

Camilla has been a great friend to my students for many years now... they don't remember her name but they all know the Awesome Manga Lady From Vancouver. I bought about $25 worth of stuff from her because A) I can use it in class and B) she deserves to be rich and I do what I can. She had a line all weekend but I did get to chat with her for a few minutes on Sunday morning. Largely on what became the typical Sunday conversation topic in Artist's Alley, "Great to see you, sorry I didn't come by earlier, we were stuck at the table.... My God! Wasn't yesterday hell? How many people did YOU get?" Everyone loved the increase in business but hated fighting through the crowds on Saturday.

Sunday afternoon I did get around a little bit. I got a couple of books signed from Kurt Busiek and Len Wein, and I had a flattering couple of minutes with Les McClaine, original artist on The Middleman. He saw my badge and said, "Hey, Greg Hatcher! I love your column!"

Seriously. I was shocked speechless. I spluttered and fumfuh'd and blushed like a schoolgirl, finally managing to choke out that I was a huge fan of his, that my students and I all adored The Middleman. This pleased him, and we agreed that it was a shame it didn't last but it was great to have something that cool exist at all.

And I got to say hi to Pete and Rebecca Woods, from Periscope Studios. We hadn't seen Rebecca in about six years, she hadn't come to ECCC in a while, so it was great to catch up. Rebecca immediately wanted to know how Brianna was doing, since when Bri was my student years ago she practically camped out at the Periscope Studios table, and Rebecca happily adopted her. I told her that Bri wanted desperately to come this year but she had finals up at Bellingham, she was in college up at Western. Then we had a mutual groan about how old we are getting.

Because Bri couldn't make it to the convention this year, we wanted to at least let her know she was missed.

When I got the idea to recruit additional Cartooning alumni to do charity sketches for our fundraiser, my first two thoughts were Brianna and Nadine. They're both in college now, and they've kept up with their comics work as well. They were pretty amazing in the seventh grade, and they've only gotten better.

Here's what Bri was doing when she was in my class...

...and here's a more current piece.

Sadly, Brianna had finals or she'd have been there with bells on, she assured us.

Nadine had finals too but she did make it down, which delighted me. She was probably the single most gifted student I've ever had. Her serial "Mermaid's Touch" still gets gasps of awe when the kids go through the old books.

In fact, when Katrina joined my class when she was in middle school, she was so inspired by Nadine's work that she took the same pen name, "KittyBell."

Any rodeo fans out there? Having been exposed to the culture a little during my trips to Vegas while the Professional Bull Riding circuit was in town. So I was curious to learn a bit more about it from Meredith Danluck who has made a documentary about it having its world premiere at this year's South by Southwest Film Festival,

Cinematical: The mythos of the cowboy is something suggested during the opening monologue. But what is the idea of the modern cowboy that all these guys are chasing that is either in sync or contradicts the Old West paradigm that we fall in love with as little boys?

MEREDITH: I think these guys arent necessarily "chasing" the idea of the cowboy, but rather are cowboys. Growing up outside of the ranching community, the mythology of the cowboy was propped up mainly by whatever Hollywood dictated; courtesy, pride, strength etc. These guys grew up with those values. I think, like with any archetype, there are evolutions of the characteristics that maybe on the surface seem contradictory. Winning a million dollars might not make sense with our idea of a cowboy, but once you strip away all the superficial layers, the core is the same.

Filed under: SXSW, Interviews

Continue reading SXSW Interview: 'The Ride' Director Meredith Danluck

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A new torrent has been uploaded to U2Torrents.com.

Torrent: 5763
Title: 2001-07-21 Torino, Stadio delle Alpi"Violence Is Never Right" 2silverdisc
Size: 0.99 GB
Category: Elevation
Uploaded by: bonozitoun

Description
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2001-07-21 Torino, Stadio delle Alpi

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General Informations :
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Name : Violence Is Never Right
Tour : Elevation Tour
Leg : Leg 2 - Europe
Date : 07.21.2001
Country : Italy
Town : Torino
Place : Stadio Delle Alpi
Type : Audio
Support : Silver CD
Manufacturer : Ultimate Sound
Num. cat. : US 49/50
Barcode : 21072001
Taper : Chris Voynet
Material : Danish Pro Audio 4061 > Sony TCD-D8
Performance : Live
Source : Audience
Integral : Complete
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Lineage cda > EAC > WAV > DbPoweramp > fLAC LEVEL8 > Md5summer > U2T


INCLUDED ON Torrrent Cover art , fa
great audience sound , Taper Chris Voynet
do not reencode to mp3

Please:
Thank you not to reseed,
I'll uploder on other tracker (dime ,...)
and other sites, thanks in advance
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Setlist :
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Disc 1 (07/2001)
1. Introduction / Elevation
2. Beautiful Day
3. Until The End Of The World
4. New Year's Day
5. Kite
6. Gone
7. New York
8. I Will Follow
9. Sunday Bloody Sunday / Get Up Stand Up
10. In My Life / Stuck In A Moment
11. In A Little While
12. Desire / Gloria
13. Stay (faraway, So Close !)

Disc 2
1. Bad / 40
2. Where The Streets Have No Name
3. Mysterious Ways / Sexual Healing
4. The Fly
5. Bullet The Blue Sky
6. With Or Without You / Love Will Tear Us Apart
7. One
8. Wake Up Dead Man / Walk On / Hallelujah
9. Pride (in The Name Of Love)
10. Out Of Control


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Discs Contents
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CD 1 & 2 : Torino - July 21th, 2001


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Review :
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AchtungBootlegs.com / 02.28.2007
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don't sell, trade and share only.
Enjoy
Bonozitoun
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The Piano by Jane Campion (1993)

If I hadn't seen The Piano when I did, I may never have made a feature film. I've been making little films since I was eight – I begged my father to buy me a Super 8 camera after he took me to see Doctor Dolittle with Rex Harrison – but for a long while I thought I wanted to make documentaries. I found cinema incredibly inspiring, but I wasn't hearing any voices that felt like my voice in that world. It was a bit like being a singer and hearing wonderful music, but feeling there was nothing in your range. When I first saw The Piano I suddenly felt, my goodness, this is something I could do. It was almost a lack of confidence, before. But seeing the film, the power of its imagery and the delicacy of the way that emotion was handled in it, it felt in tune with who I was as a person and who I was as a filmmaker. It made me see film as a possibility for myself.

I first saw it in a cinema on the King's Road with the man who was to be my husband. We'd only recently met. At that point I knew I very much wanted to have children, and here was a film exploring the relationship between a mother and a daughter. I was excited, but my boyfriend didn't really get it at all. He found it slow and uninspiring. Still, I remember in that moment feeling an incredible connection with the film.

It's really influenced me in a lot of specific ways, beyond giving me the feeling I could go out and do this. It has sunk in at a very deep level. There were shots in Bleak House that were directly inspired by The Piano. The way the humvees move across the desert in Generation Kill, these very still, tranquil shots – they're very like the shots of the piano on the beach. Even more recently, in Nanny McPhee, there are silhouette shots that are very like those of Holly Hunter being carried in across the waves. Anna Paquin who played the little girl is now in True Blood with Alex Skarsgård, who I cast in Generation Kill. She's so, so brilliant in the film and is now working with Alex. I love that.

It's been really interesting to me revisiting the film now that I've had children. It plays very differently, I've found other layers in it, about that closeness and the language between a mother and a daughter. They're a bit young now, but I look forward to the day when I can sit down and watch it with my daughters. I think they'd get a huge amount from it.

Susanna White's next film, Nanny Mcphee and the Big Bang, is released on 26 March

• Jane Campion

The French four-piece talk to Hermione Hoby about ants, surrealism and creeping success

In a bar in the Opéra district of Paris, brothers and guitarists Laurent Brancowitz and Christian Mazzalai – also known as one half of French band Phoenix – are reflecting on a cover version of the band's single, "Lisztomania".

"It would... bring a tear to the eye of an SS officer," says Brancowitz, shaking his head with wonderment. Later, speaking from New York, singer Thomas Mars agrees: "We all had tears in our eyes when we watched it." Google "PS22 Chorus Lisztomania" and you'll find a video of an American kids choir whose members look and sound like they've never loved a song so much in their lives.

It makes perfect sense that a bunch of elementary schoolchildren should have made such a brilliant cover. As Brancowitz himself explains, the band's fourth studio album was written without ties to a record label or manager because "we wanted to do something like kids again. That's always what we're looking for."

The album's reception last year suggests they found it. As you might guess from the title (in their words, "an equally glorious and stupid" one), Wolfgang Amadeus Phoenix is a record blessed with a breezy playfulness, though its songs are meticulously crafted. Ten years on from their debut, the album has earned Phoenix two rather different badges of distinction: a Grammy for best alternative album, and the perhaps even greater accolade of being the most blogged-about band of 2009 (according to website the Hype Machine).

The band also has a fearsome reputation as a live act, something you can judge for yourself on the Observer's live album giveaway (see panel, left), an exclusive recording of the band performing in Sydney a few weeks ago.

They could be forgiven a spot of bumptiousness, then. Instead, they seem genuinely surprised that their London Roundhouse dates later this month sold out so fast. Brancowitz jokes that "there's been a lot of resistance from your little island; we feel like Napoleon trying to invade". Mars agrees: "It's a mystery in the UK. I feel like it's a love and hate relationship. Most of the things we were listening to come from the UK. But maybe before we weren't in sync with the era we were living in..."

Brancowitz has another theory as to why this album has been such a success: "It was the album we made with the most humility. The good things we do are the product of luck and not from our personal songwriting genius." So modest! "No, but it's true," he protests gently. "It takes a lot of courage to admit it. It's a long, chemical process. We just sit and a few thousand tries later..."

That slow-burn approach to songwriting (they took two years to make the album so "a few thousand tries" perhaps isn't too outrageous an estimate) is mirrored in the steadiness of their rise. Gradual success has been, as Mazzalai puts it, "a pure pleasure at every step".

When I ask whether their inclusion of musical "naffness" (Alphabetical, their second album, betrayed a penchant for 70s soft rock, for example) has been a conscious thing, Brancowitz replies with a typically rococo turn of phrase. He concedes it's semi-conscious, but is, he says, always based on "an instinctive ravishment".

Such un-English wording possibly accounts for the charm of their (English) lyrics. As Mars explains: "We like doing lyrics that are cryptic and abstract, we leave out all the in-betweens, everything that makes sense. That's impossible to do in French, because every word betrays what's going on. In English you can put all these pieces together and create this weird, poetic thing." He pauses. "It's very like French surrealism in a way."

As that mental leap from truncated English to French surrealism indicates, the band remain utterly Gallic, despite their formative diet of My Bloody Valentine, the Smiths and any other British band that, as Mars puts it, have "something about them that makes me lose my balance".

The two brothers, plus Mars and bassist Deck D'Arcy (all four are in their early 30s), grew up in the conservative Parisian suburb of Versailles, a place where, Brancowitz says, "it's really easy to be a rebel without a cause – you don't have to have a very crazy haircut. It's very Catholic, so there are a lot of families of old nobility..."

"They're scary," adds Mazzalai.

Scary though it may have been, there's no question that being four kindred spirits in what they paint as a cultural wasteland has gone a long way in binding them together. "Alone we are poor, but together..." Mazzalai trails off.

Brancowitz, a man of many metaphors, continues: "You know ants? They have very minimal tasks but in the end they build these very complex structures. That's the same for us. Really, I don't remember taking creative decisions, they just happen."

They also insist they're "really bad musicians in terms of technique". "I don't even know how to do a scale," claims Brancowitz, prompting Mazzalai to add: "We don't know how to play with other musicians. I tried with friends to do sessions a few times and it's always a disaster."

Touchingly, Mars echoes many of these sentiments when we speak later. While the other three live in Paris, he's now based in New York with his film director girlfriend Sofia Coppola, who is expecting their second child in May. His relocation hasn't put any distance, musically, between him and his bandmates though.

"On our own we are not really great," he tells me. "It's not that I don't believe in my friends but the four of us have this thing, this balance of us all together."

Accounting for that balance, Brancowitz says: "Thomas has a very abstract vision of everything, and Deck is more of a mathematician – when there's a decision about harmonic complexities, he's there. He knows every equation."

There's a certain indulgent affection to the way they talk about their bassist, I suggest. "Ah, but we're all weirdos," smiles Brancowitz. Mazzalai takes up the theme: "We're all fascinated by mathematics, we love it. But you know," he adds with a shrug, "even beats are mathematical – it's mathematics that makes people dance."

This is as perfectly Phoenix-like a sentiment as there can be. Cerebral precision and mindless abandon are an irresistible combination – and those jiving elementary school kids aren't the only ones to know it.

• Phoenix
• Pop and rock

Attention baseball fans, the date that is no doubt etched in your brain — the start of the 2010 Major League Baseball Season — is fast approaching. To get you ready for April 4 (when the Boston Red Sox will take on the reigning World Series champion New York Yankees at Fenway Park) we’re pitching you five handpicked iPhone apps that will hit a home run with baseball fans.

If you are partial to America’s national sport — and let’s face it, it’s almost unpatriotic not to be — then these apps are an absolute must for your iPhone or iPod touch. However, in case we’ve struck out and missed any of your faves, then do let us know in the comments below.

Although criticized for its $15 price tag, MLB’s official iPhone app is a great all-rounder for fans, and an even better option for fans that have a paid-up for MLB.TV because, with portable access to your MLB.TV account, you can watch live streaming games on the go. As with last season’s offering, anyone can use the app to listen live to games, as well as get a virtual idea of what’s happening at the park with MLB’s blow-by-blow Gameday updates.

The app also offers scores and stats, as well as some in-game highlights and a video library that’s searchable by both player and team. If you really can’t stretch to that $15, then a free “lite” version (MLB.com At Bat Lite) offers real-time MLB scores, schedules, news and standings — but no audio or video — that will keep you informed through to the end of 2010 World Series.

Cost: $14.99

If you’re the type of fan that can rattle off ground ball to fly ball ratios and stolen base percentages like Rain Man reciting phone numbers, then quite simply you will love this app. Claiming to offer the most detailed player statistics available on an iPhone app, FanGraphs will let you look back and analyze every major player in baseball history, as well as look forward with live win probability graphs based on game data for the 2010 season.

Favorite players can be tracked with full, live box scores that link through to past stats, every play can be analyzed to see how it impacts the game, and there’s even up-to-date advanced fielding metrics via FanGraph’s “Ultimate Zone Ratings.”

Cost: $2.99

It could be argued that the stadium is as much a character in baseball as the opposing teams or the crowd. A celebration of the nation’s ballparks is offered in one neat little app — Ballpark Envi — spanning baseball’s geography as well as its history from Shibe Park to the new Yankee Stadium. Browsable by team, or by American and National League, every current Major League baseball stadium is detailed with stadium pics and slide shows, seating charts (super useful for booking tickets) as well as the ability to see the park’s location on a map.

Whether you want to glimpse Dodger Stadium’s wavy roofs on the outfield pavilions or the orange foul poles of the Mets’ new Citi Field this app will give you an insider glimpse of America’s amazing ballparks with all their quirks and characteristics.

Cost: $0.99

If you consider a baseball scorebook will set you back $5 at the absolute minimum (and more if you buy it at the park) then the $10 price tag for this app does not seem quite so steep. There are a dearth of 99 cent alternatives available in the App Store, but for looks and an intuitive interface (the app works on an “interview” premise asking you for all the data it needs to build a complete picture of the game) the iScore Baseball Scorekeeper is the champ.

As well as appealing to those hardcore fans that like to sit and score every game, this is also a good option for those new to baseball scorekeeping – you don’t have to learn all the abbreviations and symbols and iScore offers a full set of tutorial videos to get you using the app like a pro.

Cost: $9.99

If you want to keep your favorite Major League Baseball team in your pocket then FanMisery.com offers an Index App for each and every MLB team. Working on the basis that being a fan is in fact misery (the agony of defeat and all that jazz) the apps make sure you are kept as absolutely up-to-date as possible with a comprehensive set of stats, opinions and news drawn from national and local papers, broadcast media and blogs.

One nice touch is that if a blog or news source you follow isn’t currently included in the indexing, the developer (Discover Motion) will add it in for you on request — just the kind of helpful option that warms the cockles of an iPhone owner’s heart.

Cost: $2.99 each

- 10 Essential iPhone Apps for Runners
- 10 Best iPhone Apps for Dog Lovers
- Top 10 iPhone Apps as Judged by Mashable Readers
- 10 Fun iPhone Apps for Beer Lovers
- Mashable’s New iPhone App: Download Today!

Image courtesy of iStockphoto, spxChrome

Tags: Baseball, iphone, iphone apps, Lists, sports

Hi,

I was trying to make PhpStorm shortcuts behave like ReSharper's. I've been using ReSharper for severeal years now and I like PhpStorm. Now I'd like to use the same shortcuts, of course. So, I'd like to use "Ctrl+R, R" for renaming a variable and so on. I did not find a keymap "ReSharper" but only the keymap "Visual Studio".

The problem is that the keymap "Visual Studio" is different from the real Visual Studio with ReSharper.

Some examples:

* "Visual Studio" has "Refactor Rename" as Shift+F6, while real ReSharper uses "Ctrl+R, R".

* "Surround with..." command can be invoked with "Ctlr+Alt+T" in the KeyMap "Visual Studio" while in ReSharper the shortcut is "Ctrl+E, U".

I'd really love to have ReSharpers keymap.

Thanks,

Felix

Continue reading The Engadget Show Live with Nicholas Negroponte, PlayStation Move, and Joystiq's Chris Grant

The Engadget Show Live with Nicholas Negroponte, PlayStation Move, and Joystiq's Chris Grant originally appeared on Engadget on Sat, 20 Mar 2010 15:00:00 EST. Please see our terms for use of feeds.

People love easter eggs. There are a number of humorous yet undocumented features hiding beneath the surface of some of the most popular open source software applications. We ran down five of our favorites.

For years, we've heard complaints about using the term "piracy" to describe the online copyright infringement—but most have come from Big Content's critics. Some of those concerned about online copyright infringement now realize that they may have created a monster by using the term "piracy."

Read the comments on this post

People love easter eggs. There are a number of humorous yet undocumented features hiding beneath the surface of some of the most popular open source software applications. We ran down five of our favorites.

For years, we've heard complaints about using the term "piracy" to describe the online copyright infringement—but most have come from Big Content's critics. Some of those concerned about online copyright infringement now realize that they may have created a monster by using the term "piracy."

Read the comments on this post

Justin Bieber remains an immutable force of Twitter trend power, taking the top slot again for the third week in a row. Tweeters also showed their love (and/or disdain) for a number of other pop singers, and celebrated a few holidays this past week.

Thanks to our friends at What The Trend, we have yet another interesting stats-eye-view of the Twitterverse. Because this is a topical list, hashtag memes and games have been omitted from the chart below.

Beyond Justin Bieber, Follow Friday, and Music Monday — the reigning trend champs — St. Patrick’s Day made an appearance as people tweeted their revelry, and Lady Gaga crept up on the list with the premiere of her new video on Vevo and a tour in New Zealand.

The Jonas Brothers hung tight near the middle, while circle enthusiasts everywhere tweeted vigorously about Pi Day on March 14th, spurred on no doubt by the charming Google doodle that commemorated the occasion.

If you own a TV or computer, you probably know that March Madness is upon us, and bracket-related tweets have been flying around the web all week, landing the term at number seven.

Rounding out the chart are two more singers who made some news this week. Demi Lovato, the 17 year old actress/singer, stirred some buzz with her admission that she’s dating a Jonas Brother, and Chris Brown, the career-stunted R&B singer, reached out to his fans on the web for some help on making a comeback.

Strangely, tweets about the ongoing South By Southwest (SXSW) conference — one of the most talked about topics in tech and a favorite of the Twitter community — did not reach critical mass to make this week’s list. This is likely due to the lack of big announcements or product launches from the conference this year.

You can check past Twitter trends in our Top Twitter Topics section as well as read more about this past week’s trends on What The Trend.

Tags: justin bieber, Top Twitter Topics, trends, twitter, twitter trends, What The Trend

Filed under: Fandom, Tech Stuff

Permalink | Email this | Comments

It's another Jacques Tardi-drawn comic! All hail Tardi! (And hey! I get to break out the Not-Safe-For-Work warning! Just so you know!)

Yesterday, I looked at an adaptation by Jacques Tardi of a book written in the 1970s. Today, we look at a comic that actually came out in the 1970s and is now back in print! It all works out!

You Are There was written by Jean-Claude Forest, who is best-known for this (well, the comic on which it was based), and drawn by Monsieur Tardi. Kim Thompson translated this sucker, and Fantagraphics published this bad bear. You will be charged no more than $26.99 for this, which isn't bad considering it's 163 big-ass pages chock full of grand Tardi art.

This is a very strange comic that doesn't completely work. Forest, channeling his inner Mark Twain, wrote in an early book edition about You Are There: "No one should see in Ici même a pamphlet, a satire on our society or the men who represent its political regime. Nor did I have any specific intention of mocking man's attachment to property. If this attachment leads to grotesque situations in this book, it does so no more than politics, law, groceries or fornication; it serves through its ramblings a story, a plot whose basis lies elsewhere and was intended, so far as I was concerned, to speak of something entirely different." If that's so, it's too bad, because You Are There works best as an absurdist critique of society and politics. It's a rambling, occasionally surreal look at a man who is crazy only because a crazy society says he is; who then is really insane? Perhaps Forest meant it as a love story, and there is a romance at its heart, but the romance is just as odd as the rest of the book, so it's unclear what, exactly, Forest was saying with this comic.

The situation is certainly interesting: Arthur There, the protagonist (and hence the title of the book) lives in a place called Mornemont, which, as we learn early on, was once a vast tract of land of which he is the sole heir. Over the decades and centuries, however, Mornemont has been subdivided into smaller plots of land, each owned by a different family. Arthur is embroiled in a lawsuit to get all the land back, but in the meantime, his one victory has given him ownership of all the walls and the gates through them. He lives in a narrow shack built on one of the walls and makes a living by charging a toll every time someone wants a gate open, gates to which he has the only keys. Throughout the book, he rarely comes down off the walls - the residents, he believes, would kill him for trespassing. His lawsuit to reclaim the rest of the land, however, continues throughout the book. In Paris, the president fears that he's going to lose the election, so he begins making plans to hole up somewhere and plan his triumphant return. Naturally, he picks Mornemont, but the reason he does is clever and changes Arthur's life quite significantly.

Ultimately, this is a story of a man fighting against the forces of conformity, as Arthur desperately tries to remain his own man. Everyone wants him to change, and even if some of the things that happen in the book are in his own mind, he clings to a dream when a lesser (or, perhaps, saner) man would have given up on them. He falls for Julie, who's the daughter of one of the couples living on "his" land, and their relationship is bumpy, to say the least. Julie is a bit crazy, too, in a different way than Arthur. She has what we might categorize as Tourette's, with no internal filters to stop her from saying whatever's on her mind or doing whatever's on her mind. Arthur's behavior is the polar opposite of Julie's, as he keeps everything inside him. This provides the very odd climax of the book, at which their personalities have switched places, to a degree. Julie believes in nothing, while Arthur believes in everything, so when they're on a row boat, about to escape from their pasts, suddenly things are different for both of them. The final image of the book, a surreal summation of events in the book, becomes a comment on what men will do to change their lives. It's not a particularly happy ending, but it is a logical ending.

The one thing you must deal with as you commence reading the book is that, even with a fairly standard narrative, Forest writes oddly. Apparitions appear for no reason. The scene shifts quickly in the middle of a page with no narrative tags to show it. Julie and Arthur often appear to be saying simply what's on their minds and not actually talking to each other. Julie's frankness about nudity and sex is unusually disconcerting (not because she likes sex and being naked, but because of the way she's so aggressive about it, especially in public). There's a strange, detached tone to the book, so even when serious things are occurring, Forest presents it absurdly, making it difficult to penetrate the author's intent (if, indeed, he had any). It's a complex work that keeps the reader at arm's length, which makes it hard to love.

Tardi, however, is stunning. The strange world of Mornemont and its walls are fully realized, with astonishing detail that makes Arthur's desires even more concrete. The warren of homes and barriers along which Arthur runs provide a surreal backdrop for Arthur's fantasies, which Tardi simply places in the panels with no preamble, integrating the hallucinations so well into the "real" that they occasionally catch us off guard. It's a beautiful evocation of how Arthur sees the world. The stolid governmental world crashes against the private lives of the politicians, a theater of fluid sexuality and vice. At the end of the book, Tardi turns the tenants of Mornemont into costumed caricatures, medieval archetypes, and fools, who attack Arthur's home because they're tired of his lawsuit. Tardi pulls out all the stops, with the army moving in and the homeowners turning riotous and the two worlds crashing together. The absurdity of Forest's script is brought to amazing life, from Arthur's odd gatekeeper outfit to Julie's unabashed sexuality - at one point she sucks her thumb, and it's a creepily erotic sight. It's a tremendous work of art, heightening the weirdness of the narrative very well.

I would recommend You Are There because it's a thoughtful look at the pressure of conformity and what drives a man mad. But it is a difficult comic, because Forest isn't interested in making too much sense, even though it's fairly easy to figure out "what happens." Tardi is fantastic and makes the book even wackier, which isn't a bad thing. I have to warn you about it, but it's definitely worth a look.

Sprint to release Android 2.1 update for Hero and Moment 'over the coming weeks' originally appeared on Engadget Mobile on Sat, 20 Mar 2010 13:27:00 EST. Please see our terms for use of feeds.