All about music - Matoumba

U-Kiss - Round and Round (Music Bank 2010-03-18)

Kara - Lupin (Music Bank 2010-03-19)

Sega celebrates 32X with soundtrack CD

Rick Astley releases deluxe editions of his first two albums; prepares 2010 tour

LaDiDa iPhone App Let’s Anyone With Voice Make Music

Iphone Release - Burp Xylophone (music)

Irish Collection Society Wants Hotels To Pay Performance Fees For Music Played In Guest Rooms

So I got that ISP warning for downloading

Rage3D Discussion Area - 75,85,87,93,99

- 15 hours and 32 minutes ago

first time ever. Happened after I forgot and left a seed on for days. I dont get the point though, Ive bought every season of house md on dvd, retail, from best buy. Anyways, I usually just download direct, no bittorrent, but this time i decided to go that way after seeing the seeds, never again.

Quote: Dear removed:

We recently received the attached notice from NBC Universal claiming that your Internet account may have been used for copyright infringement. Specifically, NBC Universal claims that your account was used to reproduce and/or distribute copyrighted content without authorization to other users of an Internet-based file-sharing network. We are forwarding this notice at the request of NBC Universal -- please see the enclosed document.

Content providers such as NBC Universal routinely monitor file-sharing networks to determine if their copyrighted movies and music are being distributed illegally over the Internet. NBC Universal identified your AT&T account by its numeric IP address, a string of numbers identifiable by any site from which you upload or download files. When an Internet user connects to file-sharing networks, the IP address assigned to the computer connected to the Internet becomes publicly available to other members of the network. Consistent with our Customer Privacy Policy, AT&T has not released your name or any other personal information to NBC Universal, but is forwarding this notice to you so that this issue may be resolved without any further action.

You should be aware that copyright infringement is a violation of U.S. law, and potentially punishable by fines and other criminal penalties. It also is a violation of the AT&T Acceptable Use Policy, which governs your use of AT&T Internet services. If infringing activity persists, NBC Universal may choose to seek a court order requiring AT&T to provide it with your name and address so it can pursue legal action against you.

By forwarding this complaint, AT&T is not making any accusation of wrongdoing. Rather, we are bringing NBC Universal's notice to your attention so that you can take prompt and appropriate steps to prevent any further activity of this nature from occurring over your Internet account. Steps you may consider taking include:

1. Ceasing any sharing of copyrighted content that might be occurring via file sharing software, services or networks;
2. Securing your home Wi-Fi network to ensure others are not accessing the Internet through your connection to download or distribute illegal content;
3. Talking with family members or guests who may have used your Internet connection in ways you are not aware of;
4. Using virus and spyware protection software to protect against security threats and ensure your Internet connection is not being used in ways that you have not authorized;
5. Learning how federal copyright law applies to online activities by visiting the U.S. Copyright Office's website at http://www.copyright.gov/.

Violations of the Acceptable Use Policy can result in termination of your AT&T service. We encourage you to review the AT&T Acceptable Use Policy online at http://www.corp.att.com/aup/ and the AT&T Customer Privacy Policy at http://www.att.com/privacy.

AT&T is committed to protecting your personal information and ensuring the best possible online experience for all customers. Please review the attached letter for information regarding the alleged copyright infringement. If you have any questions regarding your AT&T Internet account or AT&T policies, please call us at 1-866-618-7991 begin_of_the_skype_highlighting**************1-866-618-7991******end_of_the_skype_highlighting or email us at complaintresponse@abuse-att.net.

Notice of Copyright Infringement

Re: Infringement of NBC Universal Properties
Notice ID: removed
removed

Dear Sir/Madam:

I am contacting you on behalf of NBC Universal, Inc. and its affiliated companies ("NBC Universal") regarding certain activity on your Internet account. NBC Universal owns intellectual property rights, including exclusive rights protected under copyright law, in many motion pictures, television programs and other audiovisual works ("NBC Universal Properties"). Based on our data, we believe that your Internet account was recently used to reproduce and/or distribute unauthorized copies of one or more NBC Universal Properties in violation of NBC Universal's rights. We have set forth below the details concerning this infringement, including the title(s) in question, the IP address of the account at the time of the infringement, and the date and time of the infringement.

Your Internet service provider (ISP) has agreed to forward this notice to you in order to provide you an opportunity to remedy this situation. Your ISP has not provided your personal information to us, but NBC Universal reserves the right to obtain that information through legal process in appropriate circumstances.

Unauthorized copying or distribution of copyrighted works may give rise to significant liability for copyright infringement, including statutory damages of up to $150,000 per infringed work for willful infringement. Such action may also constitute a violation of your Internet provider's Terms of Use and may result in suspension or termination of your Internet service account. Accordingly, we request that you immediately: (1) cease from any further unlawful copying or distribution of NBC Universal Properties; and (2) delete any unauthorized copies of NBC Universal from your computer.

We encourage you to learn the facts about Internet piracy, including the economic harm that piracy causes to creative industries in the United States and the danger of exposure to viruses, worms, hacking and identity theft as a result of using peer-to-peer file sharing networks. Information regarding Internet piracy may be found on the web site http://www.mpaa.org/piracy.asp, which is maintained by the Motion Picture Association of America for the purpose of educating consumers.

A true and correct list of the titles of the NBC Universal Properties which NBC Universal believes in good faith have been illegally offered for downloading using your Internet account is noted below.

We would be pleased to respond to any questions or concerns you may have concerning this notice. You may direct any such questions or concerns to us through the following Internet site: http://webreply.baytsp.com/webreply/...0dcb845e6bf764. Please include the Notice ID in the subject line of any correspondence.

The undersigned has a good faith belief that use of the NBC Universal Property or Properties in the manner described herein is not authorized by NBC Universal, its agent(s) or the law. The information contained in this notification is accurate. Under penalty of perjury, the undersigned is authorized to act on behalf of NBC Universal with respect to this matter.

This letter is not intended to be a complete statement of the facts or law as they may pertain to this matter, or of NBC Universal's positions, rights or remedies, legal or equitable, all of which are specifically reserved.

Very truly yours,

Mark Ishikawa
CEO, BayTSP inc.
c/o NBC Universal Anti-Piracy Technical Operations
100 Universal City Plaza
Universal City, CA 91608

tel. (818) 777-4876
fax (818) 866-2026
antipiracy@nbcuni.com

*pgp public key is available on the key server at http://pgp.mit.edu

** For any correspondence regarding this case, please send your emails to antipiracy@nbcuni.com and refer to Notice ID: remove. If you need immediate assistance or if you have general questions please call the number listed above.

Title: House MD (TV)
Infringement Source: BitTorrent
Initial Infringement Timestamp: removed
Recent Infringement Timestamp: removed
Infringing Filename: House.S06E13.HDTV.XviD-XII.avi
Infringing File size: 366464038
Infringers IP Address: -removed-
Infringers DNS Name: -removed-
Infringing URL: removed
Bay ID: removed
Port ID: removed

- ---Start ACNS XML
<?xml version="1.0" encoding="iso-8859-1"?>

<Infringement xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:noNamespaceSchemaLocation="http://mpto.unistudios.com/xml/Infringement_schema.xsd">
<Case>
<ID>20891161</ID>
<Status>Open</Status>
</Case>
<Complainant>
<Entity>NBC Universal</Entity>
<Contact>Mark M. Ishikawa, c/o NBC Universal Anti-Piracy Technical Operations</Contact>
<Address>100 Universal City Plaza, Universal City, California 91608 United States of America</Address>
<Phone>removed</Phone>
<Email>antipiracy@nbcuni.com</Email>
</Complainant>
<Service_Provider>
<Entity>AT&T</Entity>
<Address></Address>
<Email>acns@att.com;</Email>
</Service_Provider>
<Source>
<TimeStamp>removed</TimeStamp>
<IP_Address>removed</IP_Address>
<Port>removed</Port>
<DNS_Name>removed</DNS_Name>
<Type>BitTorrent</Type>
<UserName></UserName>
<Number_Files>1</Number_Files>
<Deja_Vu>No</Deja_Vu>
</Source>
<Content>
<Item>
<Title>House MD (TV)</Title>
<FileName>House.S06E13.HDTV.XviD-XII.avi</FileName>
<FileSize>366464038</FileSize>
<URL>removed</URL>
</Item>
</Content>
</Infringement>
- ---End ACNS XML
-----BEGIN PGP SIGNATURE-----
Version: 8.0

removed
-----END PGP SIGNATURE-----

Add a comment

4,1,3,2,viruses

FEMALE MUSIC-MAKERS NETWORKING PARTY

Toronto Classifieds at eClassifieds4U: Free Classified Ads in Toronto

- 16 hours and 7 minutes ago

Want to perform?

2010 TEMfest is Toronto's Female Music Showcases to promote Toronto independent female recording artists. Also includes Variety Showcases. See the event here http://www.temfest.org . All events held at the Smiling Buddha Bar 961 College Street West (Dovercourt and College)

FEMALE MUSIC-MAKERS NETWORKING PARTY
Monday March 29 / 8:00pm with performers and guest speakers. Email us for your free VIP pass to get in. Its a meet and greet, exchange of ideas and services, and meet potential new clients or representation. Its the gathering for 100 women. Free for women with the VIP pass. Guys will make a donation.
Invited are:
Female independent artists/singers, Female producers, Female promoters, Female photographers, Female publicists, Female writers, Female studio owners, Female vocal instructors, Female radio announcers and more. http://www.temfest.org

OTHER EVENTS BELOW

Sunday March 21 / 5pm-8pm Singers and Musicians Networking Party.

Sunday March 21 / 9:00pm All Female Showcase
featuring
Sound of Pop/Fontana North recording artist Candice Chantrell http://www.candicechantrell.com
Alexandra Kane http://www.myspace.com/alexandrakanemusic
Bianca Dreml http://www.myspace.com/biancadreml
Claire Hayek http://www.clairehayek.com
Karina Es http://www.myspace.com/karinaes
Michelle Mondesir http://www.myspace.com/michellemondesir

Sunday March 28 / 8:00pm All Female Showcase featuring
Lauren Lamando http://www.myspace.com/laurenlamando
Darcei Giles http://www.myspace.com/darceionline
Missy Knott http://www.myspace.com/missyknott
Just Gita http://www.myspace.com/justgita
Jessica Paquette http://www.myspace.com/jessicapaquette
Jennifer Cortez http://www.myspace.com/jennifercortez1280
Joanna Mohammed http://www.myspace.com/joannamohammed
Nala Burdyna http://www.nalaburdyna.com
Lucy & Bela http://www.myspace.com/duolucybela

Sunday April 4 / 8:00pm-Singers Showcase/Dancers Showcase VARIETY

Monday April 5 / 8:00pm-Variety Showcase featuring
Jessica Paquette http://www.myspace.com/jessicapaquette
Jazzmine Raine http://www.myspace.com/jazzminerainemusic
Luca http://www.youtube.com/user/LucaSarcanin
Joel Chico http://myspace.com/joelchicomusic

Sunday April 11 / 8:00pm Variety Showcase

Monday April 12 / 8:00pm Urban Female Showcase

Add a comment

4,radios,radio,street,youtubes

The 80's metal music are alive again...kinda of

Record player built into a record jacket

Your Music Download Source/Amazon etc

Music biz insiders say Sony-Jackson deal makes sense (Reuters)

An Enviable Post Office in Ghana

SXSW 2010 Web Awards are Thingamagoopy

Banned: Take It Easy Hospital

Guardian Unlimited

- 19 hours and 47 minutes ago

The Iranian indie band talk about life as outlaws in their homeland, as documented in their new film No One Knows About Persian Cats

At first glance, Take It Easy Hospital look like any other aspiring indie duo. Dressed in impeccable Shoreditch chic â€“ plaid shirt and skinny jeans for him, cute vintage dress, black tights and brogues for her â€“ their teenage epiphanies came on copied cassettes of Nirvana and Pink Floyd, while these days they're more into Sigur Rós and Foals.

Their ambition for next year, once they find a drummer, is to get on to the bill at Glastonbury or Reading. The difference is that Take It Easy Hospital originally formed in Iran, where rock music is banned. When the local music industry is non-existent, gigs and recording studios are regularly raided by police and even MySpace is monitored, simply finding someone who shares your love of guitars and plaintive vocals is fraught with difficulties.

Ash Koshanejad and Negar Shaghaghi, the twin songwriters of Take It Easy Hospital, are the stars of a new Iranian film by garlanded Kurdish director Bahman Ghobadi, called No One Knows About Persian Cats (so named because pet cats, like rock musicians, are outlawed in Iran). The film is a fictionalised account of the duo's attempts to recruit a rhythm section in order to play a local underground gig and ultimately escape to the rock-friendly west. As the two indie innocents are taken under the wing of music-loving wide-boy Nader (Hamed Behdad), the film becomes a Linklater-esque romp through Tehran's clandestine rock underground. All the bands and musicians featured are real, but whether hairy blues rockers, jazz singers, class-war rappers or indie kids, they exhibit a love for making music that overrides the fear of being arrested the moment they switch on their amps. "If you were discovered playing rock music, you'd get arrested, you'd have to pay a fine," reveals Ash, matter-of-factly. "Sometimes you'd go to prison."

The film gleans affectionate humour from the various bands' ingenuity when it comes to hiding their rehearsal spaces from the authorities in diligently-soundproofed underground caverns, shacks constructed on the roofs of tower blocks or, in one case, in a working cattle barn (much to the cows' displeasure).

By coincidence, there is a British film out this month which also documents the struggle of a couple of indie dreamers to form a band â€“ except 1234 is based in London, so the only obstacles are their own musical inadequacy and weedy sexual tension between bandmates. Persian Cats makes 1234 look rather pathetic.

In Iran musicians are forced to behave like fugitives, even though the charges invoked against them are vague (Ahmadinejad imposed a ban on "western and decadent music" soon after becoming president in 2005). "It's a not a written law," complains Negar. "There isn't this red line. You never know when you're crossing it. [The authorities] don't even really know what they're opposing. They don't see that music brings energy and good nature to society."

In 2007, Ash's former band Font staged an open-air gig in a private garden in a suburb of Tehran. Armed police arrived en masse to shut it down, arresting everyone in the audience, and slinging the band in prison for 21 days. "They didn't have any law that said what they should do with us, so they called us satanists. They said we were against the moral law and disgracing the face of society." Ash chuckles wryly at the memory. "It was an odd experience, sleeping next to a serial killer for three weeks. But it made me believe even more in what I was doing."

Font and Take It Easy Hospital are rarities: most Iranian wannabe rockers never even get further then their bedrooms, due to the subtle pressure exerted within families. "Under this regime, you don't have any opportunity to make a living from being a musician, so families prevent their children from learning music in the first place," Ash explains. "Families are a small example of big government. They don't trust the young generation."

When Ash and Negar were kids, the only opportunity they had to hear western rock music was when somebody from their community travelled abroad and brought back CDs. "They'd be copied on to a tape over and over again," says Negar. "We used to write the track names in class when the teacher wasn't looking and take it home with such excitement to listen to it." Even so, whatever they got depended on the tastes of the traveller; often hoping for something similar to Nirvana, they'd end up having to make do with ABBA.

The advent of the internet changed everything for Iranian teenagers, who were suddenly able to participate in global youth culture, employing their technological nous to stay one step ahead of government censors. The fact that the bands in No One Knows About Persian Cats wear Strokes T-shirts and pass around copies of the NME shouldn't seem that strange. But what is the attraction to Ash and Negar of the kind of fey indie music that even within its countries of origin is often considered a bit insular?

"Well, we are indie!" declares Ash. "We had to do it ourselves in bedrooms because if you step out into the streets, you cannot even tell anyone you've just written a song. We would make our own imaginariums in our rooms."

If they'd grown up in England, Take It Easy Hospital's wan, organ-driven indie-pop, topped with earnest observations about the "human jungle", might stand accused of being a little bit twee. But once you learn how hard Ash and Negar have had to fight just to get their songs heard, they take on a whole new complexion. And despite their ugly experiences in Iran, they are determined not to make rebel rock. "Me, I don't care about politics," says Negar. "The value of art is a lot more than politics. Politics is something that passes, but art stays for years."

Ash picks up the thread: "Politics is a tool to solve a situation at one moment. We believe that art is pure and always depending on human nature, so we've always kept ourselves far from politics. Our music is not dangerous, but the current regime in Iran feels that it has to keep people away from honest expression because if they face up to the reality they will soon find out what they are missing."

Ash and Negar agreed to star in Persian Cats not to make a political point, but to try to show the older generation, including their parents, that music is a force for good. But while Ash has received some positive feedback from older Iranians â€“ "I've heard that they walk away after seeing this film to remember what they had before the revolution" â€“ Negar is despondent that most of them haven't been able to overcome their prejudices. "I guess that when people decide to close their eyes to something, you can't force them to see the truth."

In the light of last year's post-election protests, the police crackdown on young people involved in music and the arts has intensified. When Take It Easy Hospital's old drummer went back to Iran several weeks after the election, he was arrested and beaten. Last January, the film's co-writer, Iranian-American journalist Roxana Saberi, was arrested in Tehran and handed an eight-year jail sentence on trumped up charges of being a US spy (she was eventually freed following a global outcry).

Reluctantly, Ash and Negar decided it was unsafe to return to Iran and have successfully applied for asylum in the UK, where they've been living since coming over to play at Manchester's In The City festival in 2008. In the film, the duo never make it to London, so in this case, truth is happier than fiction. However, Negar is at pains to point out that they never viewed England as the promised land, despite our rather more relaxed laws regarding the public airing of Farfisa-driven jangle pop.

"Some people say we've run away," says Negar. "But there is no running away. Moving from one country to another doesn't necessarily solve all the problems that are on your mind." Proof that indie introspection truly is an international language.

No One Knows About Persian Cats is out Fri; it previews at Brixton Ritzy, SW2, Tue

World cinema

Sam Richards guardian.co.uk © Guardian News & Media Limited 2010 | Use of this content is subject to our Terms & Conditions | More Feeds

Add a comment

love,truth,generations,westerns,medias

The world's best small music venues

Guardian Unlimited

- 19 hours and 53 minutes ago

Musicians, DJs and authors to reveal their favourite hangouts

Have your say on the Travel blog

HiFi, New York

HiFi is the best rock'n'roll bar in NYC.The room is covered with empty album sleeves and the juke box is hands-down the best in the city â€“ I believe there are about 3,000 albums on it, so you can't complain about them not having your song. There is a fantastically affordable happy hour and a great local crowd. Like the rest of the East Village, it can get a bit much on weekend nights, but most of the time it's my favourite bar in town.
· 169 Avenue A, +1 212 420 8392.
Craig Finn, lead singer of the Hold Steady

Pegu Club, New York

The entrance to the Pegu is an unassuming doorway on the south side of West Houston Street. It's only when you are up the stairs that the glory of this place hits you. It is like going back to the great clubs of the 20s, when the staff were pretty and jazz and cocktails ruled. On a recent visit, two amazing Django Reinhardt-style guitarists were swinging through 30s classics. Cocktails are taken seriously here â€“ the art of proper, classy drinking is almost a motto. At the weekend it can get pretty busy as it is becoming the "in" place.
· 77 West Houston Street, +1 212 473 7348.
James Pearson, artistic director, Ronnie Scott's, London

Po' Monkey's, Mississippi

It was a balmy night in September when I visited Po' Monkey's juke joint. It's a ramshackle hut powered by a single cable in the tiny town of Merigold, deep in the Mississippi delta. A poster on the door warned: "Bring your liquor inside but not your beer." The walls were cluttered with posters and age-old postcards, while toy monkeys swung from the rafters. It was low lit â€“ smoky but inviting, with beer and whiskey flowing freely. Terry "Harmonica" Bean took to the tiny stage, elbow to elbow with the crowd, and delivered a mind-blowing, foot-stamping performance that will stay with me forever. Delicately soulful cries came from his ageing gruff voice, while stupendous bluegrass melodies oozed effortlessly from his antique steel guitar. This was raw blues at its authentic and spine-shivering best.
· +1 662 514 7488, 15km from Cleveland.
Dan Hipgrave, co-founder of Original Music Company (originalmusictravel.com), which launched this month and specialises in music-themed holidays

The Spirit Store, Ireland

The Spirit Store in Dundalk, County Louth, is on the edge of town beside a small harbour. There's a small, friendly bar downstairs which opens around 4pm, but it is the live music upstairs that is the main draw. You would be hard-pressed to find anywhere as welcoming to an artist and more genuinely music-driven in its programming of events. That's why I keep going back there to play, and why many other artists who have outgrown the 120- or so capacity venue keep returning. So many venues and promoters are about the money but Derek Turner, who books the music, is driven by something much more.
· +353 42 9352697.
Duke Special, musician. His DVD box set, The Stage, A Book & the Silver Screen is out now

The Hideout, London

Not exactly a venue, not exactly a bar, entrance to Trishas/The Hideout/that door on Greek St (as it is variously known), is obtained by boldly knocking on what appears to be the entrance to a flat above a shop, striding through a starkly lit corridor and down a flight of stairs, before mumbling an explanation to the owner as to why you don't appear to be in possession of a membership card â€“ having accidentally put it through the washing machine normally does the trick. Inside, you'll find a cupboard-sized, candle-lit cavern which can be hired out for private music showcases. But stumble in unannounced after hours on a weekend and you might also find a doo wop or jazz band sandwiched into the corner between the usual crowd of transvestites, metropolitan hipsters and veteran Italian locals.
57 Greek Street, Soho, London.
Krissi Murison, editor, NME

The Shed North Yorkshire

I first played at this blink-and-you'll-miss-it shed in the tiny village of Brawby back in 1998. It only held 64 people and we scraped our legs on the front row's knees. It has since moved to Hovingham village hall, though it retains its name. The man behind The Shed, Simon Thackray, has presented events from the Fish and Chip Van Tour with a trombonist, to mixed media knitting installations â€“ saxophonist Lol Coxhill playing free jazz in a skip to coach trips for folks in knitted Elvis wigs touring sites of Elvisian interest in Ryedale. My own band, Hank Wangford and the Lost Cowboys, started a tradition of Christmas gigs at The Shed, where we play morose songs and have a riotously miserable time. The Shed was the inspiration for my village hall tour around Britain, which I am currently writing up as a book. And, after 235 villages, The Shed is still the loony best.
· 01653 668494.
Hank Wangford, writer and musician. His CD, Whistling in the Dark, is out now

A38, Budapest

For me, the greatest gig of 2009 was at A38, a huge old ship that used to lug coal up and down the Danube. The lower deck is now a state-of-the-art live music venue, but bits of engine room equipment are still there. Even though the boat is held down in dry dock by 100 tonnes of concrete, the bottles still jingle on the shelves of the bar when the parties get wild. The booking policy is great â€“ they've had cutting-edge electronic artists such as Ikonika, Dorian Concept and Foreign Beggars play recently. And nothing compares with the signature dish of the restaurant on the upper deck: rooster stew, complete with the crest and testicles of the bird.
· +36 1 464 39 40.
Mary Anne Hobbs, Radio 1 DJ. Her show is broadcast on Thursdays 2-4am

Wild At Heart, Berlin

Wild At Heart is a whisky-soaked, no-nonsense rock'n'roll joint in Berlin's old anarchist district, Kreuzberg: a seven-nights-a-week venue painted blood red, crammed with Elvis memorabilia, Hawaiian gods and a lifetime's supply of hard liquor. For 15 years it has presented bands from all over the world â€“ mostly punk, rockabilly, psychobilly, 60s garage and surf. I spent a memorable evening there talking to TV Smith from the Adverts and another with Wreckless Eric, both of whom started out with punk label Stiff Records in 1977, and I've played there with my band, the Flaming Stars. The music's loud, but the welcome is friendly, and the club also runs the Tiki Heart cafe and clothes shop next door, where you can eat, drink and kit yourself out in a spectacular variety of rock'n'roll clobber.
· Wienerstrasse 20, +49 30 610 747 01.
Max Décharné, singer in the Flaming Stars and author of A Rocket in My Pocket: The Hipster's Guide to Rockabilly, to be published by Serpent's Tail in June

Mesa de Frades, Lisbon

Mesa de Frades in Alfama, the oldest district of Lisbon, is the sort of place you dream of hearing fado, the traditional soulful Portuguese music. A tiny converted chapel with tiled walls, it is full of locals and quality performers booked by owner Pedro Castro, a great guitar player. You can come for the music, which starts late â€“ around 11pm â€“ or book a table and come for an excellent dinner beforehand. A couple of years ago I sat here watching Carminho, the amazing young fado singer who is now the talk of Lisbon. When the music starts, the doors are shut to enclose the tiny performing space. It's what fado in Lisbon should be, but so rarely is.
· Rua dos Remedios 139A, +351 91 702 9436, mesadefrades.com. Booking is essential.
Simon Broughton, editor of Songlines magazine (songlines.co.uk/musictravel)

Il Folk Club, Turin

In the heart of Turin, off Piazza Statuto, you'll find the best of all worlds: from Wednesday to Saturday Il Folk Club plays host to Italian and international jazz, folk and world musicians. How this Italian institution â€“ legendary in Turin for over 20 years â€“ has remained generally unknown to travellers and music junkies outside Italy is a mystery. Alongside its regular programme, Il Folk Club is also the launching point for Radio Londra, a monthly mini-festival which fuses British musicians such as Jim Mullen, Kit Downes, Brandon Allen and Quentin Collins Quartet, with local stars such as Mario Pozza, Enzo Zirilli and Dado Moroni. The bar is simple â€“ one central room with space for about 150 people, exposed brick walls, and a stage â€“ so the focus is always on the incredible music.
Via Ettore Perrone 3, Turin.
Sam Sollai, buyer and events coordinator, Ray's Jazz at Foyles

Gerbard, Barcelona

This little neighbourhood bar used to have a green door with panes that rattled when you opened it, but it has now been replaced with something more solid, partly to keep the sound in. It's run by Mar and Nacho, both dyed-in-the-wool culés (Barcelona supporters), and nights there are long and loud. You can hear Sam Lardner, an American resident who plays his own fusion of flamenco and bossa nova, or wonderful classical and flamenco guitarists like Daniel Figueras and Pedro Javier Hermosilla, or the Covers Project, with frontman Philip Stanton. The eating and drinking are delicious too â€“ Galician-style octopus, traditional meatballs, pimientos de padron (small green peppers), and wine for not much more than a euro a glass. A great night out in the Alta Zona.
· C/ Ivorra 24, Sarria, Barcelona, +93 203 4988.
Rupert Thomson, author living in Barcelona. His latest book, This Party's Got to Stop, will be published on 8 April

La Casona del Molino, Salta, Argentina

Salta, in north-west Argentina, is well-known for its folk music heritage. This has given rise to the creation of pena, which roughly translates as a place where musicians and music lovers come together. Seven nights a week you can experience this at La Casona. The venue's five colonial rooms are filled to the brim with musicians, professional and amateur, folk, jazz and others, locals who come down from the Andes bearing pan pipes and drums, and some foreign visitors, all coming together to jam the local tunes. As a musician, I found great comfort in the fact that this kind of place exists in the world. And of course, many people come simply for the music.
· La Casona del Molino, Caseros.
Lizzie Ball, violinist and singer. She will be performing â€“ and launching her album â€“ with Machaca at La Linea Festival in the Purcell Room on London's South Bank on 27 April

Salón Rosado de la Tropical, Havana

The first time I asked a taxi driver to take me to Havana's Salón Rosado de la Tropical back in 1989 he said it was a place for Cubans, not foreign tourists â€“ and certainly not lone women â€“ and I'd better watch out as it could be rough. He'd obviously never been inside this mecca of Cuban dance music, where all the top bands play regularly, testing their latest material in front of the sexiest dancers on the island. In Cuba, most music venues are geared to tourists and too expensive for ordinary Cubans, who are often not allowed in anyway. Not so the Salón Rosado. This is the closest you can get to hanging out with a Cuban clientele. Dedicated to the memory of Beny Moré, Cuba's touchstone band leader of the 1950s, it started out life a Spanish cultural centre at the beginning of the 20th century. These days there's a balcony reserved for tourists overlooking the dance floor where, if you're lucky, you may rub shoulders with the musicians as they gather for the gig. Although today reggaeton and hip-hop dominate street tastes, Salon Rosado continues to offer a window on to the latest music scene and is a dancer's dream.
· Avenida 41 esq. 46, Nicanor del Campo, Marianao, +53 7 203 5322.
Jan Fairley has been travelling to Cuba since 1978 and is writing a book on women and music in Cuba

Liquid Room, Tokyo

Leading Japanese venue Liquid Room has been going for about 15 years and hosts weekly bands and DJs from Japan and around the world. The website may say it closes at 12, but the last time I played there, as The Orb, they didn't let us out till 6am. There's a beautiful cafe upstairs and the friendly enthusiasm of Tokyo clubbers has to be experienced to be believed. The last time I played there I took a bag of Space Dust (the sweet!) which made me very popular.
· Higashi, Shibuya-ku, Tokyo, +81 3 5464 0800, liquidroom.net.
Alex Paterson, co-founder of The Orb and HFB, his new project. HFB's first three EPs are available from 12 April on Malicious Damage Records

New Africa Shrine, Lagos, Nigeria

Lagos is not your classic tourist destination; it's a prohibitively expensive city of 14 million people and a crime record to frighten even the toughest traveller. But Nigeria's notorious capital does have one musical landmark worth going the extra mile for: the New Africa Shrine. It's named after the legendary club run by the late musical activist Fela Kuti, which was razed by soldiers. Fela's daughter Yeni and her musician brother Femi have built up a nightclub that can hold thousands and has live music throughout the week. It's not for the faint-hearted, but the Shrine is probably the safest place in Lagos: it has its own police force. You'll get a warm welcome, and hear some of the best live music in the region.
· Pepple Street, Ikeja.
Rose Skelton, music and travel journalist specialising in West Africa

guardian.co.uk © Guardian News & Media Limited 2010 | Use of this content is subject to our Terms & Conditions | More Feeds

Add a comment

1,3,7,2,sweets

The Onion Puts Out An Equally Accurate Report On Recording Industry Revenue Issues

This Week's Best iPhone Apps [IPhone Apps]

4-Minute Roundup: Google TV Disrupts; Facebook Passes Google

Legend of the Sikker

2010 toronto music awards online

The Fridge: Ubuntu 10.04 LTS Beta 1 released

Planet Ubuntu

- 20 hours and 48 minutes ago

The Ubuntu team is pleased to announce the first beta release of Ubuntu 10.04 LTS (Long-Term Support) Desktop, Server, and Netbook editions and of Ubuntu 10.04 Server for Ubuntu Enterprise Cloud (UEC) and Amazon’s EC2. Codenamed "Lucid Lynx", 10.04 LTS continues Ubuntu’s proud tradition of integrating the latest and greatest open source technologies into a high-quality, easy-to-use Linux distribution.

Ubuntu 10.04 LTS Desktop and Netbook Editions continue the trend of ever-faster boot speeds, with improved startup times and a streamlined, smoother boot experience.

Ubuntu 10.04 LTS Server Edition provides even better integration of the Ubuntu Enterprise Cloud, with its install-time cloud setup.

Ubuntu 10.04 LTS Server for UEC and EC2 brings the power and stability of the Ubuntu Server Edition to cloud computing, whether you’re using Amazon EC2 or your own Ubuntu Enterprise Cloud.

The Ubuntu 10.04 family of variants, Kubuntu, Xubuntu, Edubuntu, Ubuntu Studio, and Mythbuntu, also reach beta status today.

Desktop features
————————

Social from the start: We now feature built-in integration with Twitter, identi.ca, Facebook, and other social networks with the MeMenu in the panel.

New Design: Cleaner and faster boot, new notification area, new themes, new icons, and new wallpaper bring a dramatically updated look and feel to Ubuntu.

Ubuntu One: Choose any folder in your home directory to sync, choose from millions of songs for purchase in the Ubuntu One Music store.

Please see http://www.ubuntu.com/testing/lucid/beta1 for details.

Server features
———————-

Cloud computing: The Ubuntu Enterprise Cloud installer has been vastly improved in order to support alternative installation topologies. UEC components are now automatically discovered and registered, even with complex topologies. Finally, UEC is now powered by Eucalyptus 1.6.2 codebase.

UEC and EC2: Ubuntu 10.04 LTS continues the tradition of official Ubuntu Server image releases for UEC and for Amazon’s EC2, giving you everything you need for rapid deployment of Ubuntu instances in a cloud computing environment. UEC images, and information on running Ubuntu 10.04 on EC2, are available at:

http://uec-images.ubuntu.com/releases/10.04/beta1

Stability and security: Ubuntu 10.04 LTS brings many improvements over Ubuntu 8.04 LTS to keep your servers safe and secure for the next five years, including AppArmor profiles for many key services, kernel hardening, and an easy-to-configure firewall.

Ubuntu Netbook features
———————————-
Ubuntu Netbook Edition is optimised to run on Intel atom based netbooks. It includes a new consumer-friendly interface that allows users to quickly and easily get on-line and use their favourite applications. This interface is optimised for a retail sales environment.

It includes the same faster boot times and improved boot experience as Ubuntu desktop.

Kubuntu features
————————

Kubuntu 10.04 LTS will be the first LTS to feature KDE 4 Platform and Applications. KDE 4 has come a long way since its early releases and is now suitable for the high demands of LTS users. Being an LTS we have focused on bug fixing and stability for this release, but we did find time to add features such as touchpad configuration, Firefox KDE integration, Kubuntu notification improvements, and cross-desktop systray menu standardisation. Kubuntu features the Plasma Desktop while Kubuntu Netbook Remix comes out of preview status with the Plasma Netbook workspace.

See https://wiki.kubuntu.org/LucidLynx/Beta1/Kubuntu for more details.

Edubuntu features
————————-

Edubuntu in Lucid features a more complete live environment containing more software from universe and all existing language packs as well as our usual educational software in their current version. For Lucid the text installer has been removed and so is LTSP for the time being. We expect to have LTSP back on the DVD for the next beta. The DVD is then much smaller than it used to be but will still provide a complete education environment based on Ubuntu Lucid.

Also included on the Edubuntu DVD is a small repository containing the required packages to transform the regular Edubuntu desktop into a LTSP server or install the Netbook edition interface.

Mythbuntu features
—————————

Mythbuntu 10.04 introduces MythTV 0.23. This new version is significantly faster and should feel more responsive and stable than older versions. It also integrates better into the OS with better support for things like ConsoleKit and Upstart.

Please see http://www.mythtv.org/wiki/Release_Notes_-_0.23 for more details about changes introduced in 0.23.

See http://mythbuntu.org/10.04/beta for information about the Mythbuntu beta release.

Other
——-

* On the Desktop: GNOME 2.30, KDE SC 4.4, XFCE 4.6.1, OpenOffice.org 3.2.0, X.Org server 1.7.5

* On the Server: Apache 2.2, PostgreSQL 8.4, PHP 5.3.1, LTSP 5.2

* "Under the hood": GCC 4.4.3, eglibc 2.11, Linux 2.6.32.9, Python 2.6.5

The full release notes can be found at
http://www.ubuntu.com/testing/karmic/beta1

About Ubuntu
——————

Ubuntu is a full-featured Linux distribution for desktops, laptops, and servers, with a fast and easy installation and regular releases. A tightly-integrated selection of excellent applications is included, and an incredible variety of add-on software is just a few clicks away.

Professional technical support is available from Canonical Limited and hundreds of other companies around the world. For more information about support, visit http://www.ubuntu.com/support

To Get Ubuntu 10.04 LTS Beta 1
———————————————

To upgrade to Ubuntu 10.04 LTS Beta 1 from Ubuntu 9.10 or Ubuntu 8.04 LTS, follow these instructions:

https://help.ubuntu.com/community/LucidUpgrades

Or, download Ubuntu 10.04 LTS Beta 1 here (choose the mirror closest to you):

Africa:

* http://ubuntu.saix.net/ubuntu-releases/10.04 (South Africa)

Asia:

* http://mirror.rootguide.org/ubuntu-releases/10.04 (China)
* http://ubuntutym2.u-toyama.ac.jp/ubuntu/10.04 (Japan)
* http://mirror.khlug.org/ubuntu-releases/10.04 (Korea, Republic of)
* http://ubuntu.qualitynet.net/releases/10.04 (Kuwait)
* http://ftp.mtu.ru/pub/ubuntu/releases/10.04 (Russian Federation)
* http://tw.releases.ubuntu.com/10.04 (Taiwan)
* http://ftp.linux.org.tr/ubuntu-releases/10.04 (Turkey)

Europe:

* http://ubuntu.linuxbe.com/10.04 (Belgium)
* http://ubuntu.ipacct.com/releases/10.04 (Bulgaria)
* http://hr.releases.ubuntu.com/10.04 (Croatia)
* http://releases.ubuntu.mirror.dkm.cz/releases/10.04 (Czech Republic)
* http://mirrors.dotsrc.org/ubuntu-cd/10.04 (Denmark)
* http://ftp.estpak.ee/pub/ubuntu-releases/10.04 (Estonia)
* http://ubuntu.trumpetti.atm.tut.fi/releases/10.04 (Finland)
* http://ftp.oleane.net/ubuntu-cd/10.04 (France)
* http://ubuntu.mirror.tudos.de/ubuntu-releases/10.04 (Germany)
* http://speglar.simnet.is/ubuntu-releases/10.04 (Iceland)
* http://ftp.heanet.ie/pub/ubuntu-releases/10.04 (Ireland)
* http://releases.ubuntu.fastbull.org/ubuntu-releases/10.04 (Italy)
* http://nl.releases.ubuntu.com/releases/10.04 (Netherlands)
* http://no.releases.ubuntu.com/10.04 (Norway)
* http://cesium.di.uminho.pt/pub/ubuntu/10.04 (Portugal)
* http://rs.releases.ubuntu.com/10.04 (Serbia)
* http://ubuntu.cica.es/releases/10.04 (Spain)
* http://se.releases.ubuntu.com/10.04 (Sweden)

North America:

* http://mirror.csclub.uwaterloo.ca/ubuntu-releases/10.04 (Canada)
* http://mirror.pnl.gov/releases/10.04 (United States)
* http://mirror.yellowfiber.net/ubuntu/10.04 (United States)
* http://mirrors.ccs.neu.edu/releases.ubuntu.com/10.04 (United States)
* http://mirrors.gigenet.com/ubuntu/10.04 (United States)

South America:

* http://ubuntu-cd.innova-red.net/10.04 (Argentina)
* http://mirror.pop-sc.rnp.br/mirror/ubuntu/10.04 (Brazil)
* http://ubuntu.c3sl.ufpr.br/releases/10.04 (Brazil)

Rest of the world:

http://releases.ubuntu.com/10.04 (Great Britain)

Please download using Bittorrent if possible.

The final version of Ubuntu 10.04 LTS is expected to be released in April 2010.

Feedback and Participation
—————————————

If you would like to help shape Ubuntu, take a look at the list of ways you can participate at

http://www.ubuntu.com/community/participate/

Your comments, bug reports, patches and suggestions will help turn this Beta into the best release of Ubuntu ever. Please note that, where possible, we prefer that bugs be reported using the tools provided, rather than by visiting Launchpad directly. Instructions can be found at

https://help.ubuntu.com/community/ReportingBugs

If you have a question, or if you think you may have found a bug but are not sure, first try asking on the #ubuntu IRC channel on FreeNode, on the Ubuntu Users mailing list, or on the Ubuntu forums:

http://lists.ubuntu.com/mailman/listinfo/ubuntu-users
http://www.ubuntuforums.org/

More Information
————————

You can find out more about Ubuntu and about this preview release on our website, IRC channel and wiki. If you are new to Ubuntu, please visit:

http://www.ubuntu.com/

To sign up for future Ubuntu announcements, please subscribe to Ubuntu’s very low volume announcement list at:

http://lists.ubuntu.com/mailman/listinfo/ubuntu-announce

[Discuss Ubuntu 10.04 LTS Beta 1 on the Forum]

Originally sent to the ubuntu-announce mailing list by Steve Langasek on Fri Mar 19 16:32:05 GMT 2010

Add a comment

6,4,1,3,7

Too Little Too Late: Universal Music Finally Realizes That Maybe CDs Were Too Expensive

The Five Stages of Data Loss Grief [Tgif]

5 Things You Need to Know About Location-Based Social Media

Mashable!

- 21 hours and 8 minutes ago

Location Apps Image Kevin Nakao is VP of Mobile & Business Search for WhitePages, a Top 40 Web and Mobile Publisher. You can find him on Twitter, and on the Whitepages Blog where he writes about mobile, local, and social media.

While last year’s SXSW seemed to serve as the “coming out” party for location-based services (LBS), maybe this year’s conference signifies the migration of these platforms into mainstream culture. And perhaps the only real “new” concept to emerge this year is the idea that there is finally a real opportunity to make money via “location.”

Here are five things that companies should consider as they look to utilize location-based services (LBS) as part their mobile strategy.

1. Location Shouldn’t be the Only Goal

From finding the nearest ski slope on REI’s Ski and Snow Report to a nearby movie on Flixter, there are plenty of Top iPhone applications that have incorporated a “lead with the offer, not the capability” philosophy into their mobile product offering to provide a better service. Build the best service first, then add the bells and whistles.

With all the hoopla surrounding location, it is easy to lose sight of the fact that location’s real appeal to advertisers is the fact that with this functionality, you can reach the on-the-go user, who is ready to buy and consume. Just because Twitter and Facebook offer location doesn’t make that valuable or new to advertisers. Location-targeting via IP address has been around a while. For the same reason radio is a great advertising channel for retailers, LBS advertising is also valuable: because it can reach the consumer near the point of sale.

2. The “Long Tail” for User Adoption

Long Tail Chart

Foursquare has clearly emerged as the location darling. Consider the fact that after only one year, they’ve reached 500,000 active users (Foursquare recently tweeted they added 100,000 users in 10 days).

However, if you apply any city’s share of the total U.S. population, the results show some pretty low estimates of Foursquare users in individual localities. What emerges is a very “long tail” — a steep, narrow graph — of local user adoption. This shows why it is important to achieve scale if you hope to see return on investment in the location marketing space.

For example, using these rough estimates of a city’s proportional share of the U.S. population, if a local pet supply store wanted to target people in San Francisco, the estimated reach would be 1,310 Foursquare users. Even if you double this audience estimate, the number is fairly small for even a local marketer. We had to hit around 4 million downloads of the Whitepages iPhone app to achieve the minimum scale needed for advertiser geo-targeting. Today, 80% of our campaigns from major brands are geo-targeted.

Editor’s Note: It’s important to remember that these are just rough estimates. Because Foursquare was initially only available in a handful of major metro areas, the geographic distribution of users may not precisely follow the geographic distribution of the population.

3. Mobile Battery Life is Key

Battery life is the single biggest threat to location. With GPS on, the phone is asking the network where it is, and this chatter can drain battery life — anyone with an iPhone knows what I am referring to. Thus, phone manufacturers will play a critical role in the future of LBS. RIM, the manufacturer of BlackBerry devices, faced this problem early on with the energy-tax of e-mail polling, and as a result, their devices now have some of the best battery life.

Foursquare has helped us move forward here as well. “Check-ins” help to address the issue as they offer efficient geo-triggers without having to keep battery-draining GPS features on at all times.

4. Location Will Be the Battleground of the Mobile OS

Looking forward, I predict the mobile platform wars will be fought with location and maps. This is an important feature that a platform can use as a point of differentiation for consumers and developers.

In anticipation of that battle, Apple purchased mapping company Placebase, and Google is starting to provide unique mapping features like turn-by-turn navigation on its Android devices. The only hope I see for Windows Mobile is if they do something completely revolutionary on the mobile location front. A development like this was alluded to at the recent TED conference with its augmented reality layering of geo-tagged Flickr photos and real-time video integration.

5. Location Pays

At WhitePages, we monetize our mobile services through a mix of premium, national display, and sponsored links for local business. Our effective CPM (revenue per thousand ad impressions) for sponsored local links is $30-$50 — double the effective CPM (eCPM) rate we see for premium display ad campaigns from national brands. The eCPM multiple of local targeted ads over ad network rates is a staggering 10x.

Location-based inventory will also become scarce as Apple recently announced that iPhone apps will not be permitted to access GPS capabilities for advertising alone. There now needs to be some consumer benefit and functionality in order to access a user’s location. Geo-targeted inventory on mobile will continue to be at a high premium with no excess supply or ad networks to drive it down.

Conclusion

It is my hope that by this time next year, SXSW â€“- the festival of “emerging” music and technology â€“- will have finally moved on from location. It’s clearly happening now, and if integrated wisely, location will be making companies too much money to be called the “cool kid on the block” any longer

More location-based resources from Mashable:

- 9 Killer Tips for Location-Based Marketing
- 10 Foursquare Apps You Can Use Right Now
- 6 Foursquare Apps We’d Love to See
- 6 Tips for Getting the Most out of Foursquare
- Foursquare vs. Gowalla: Location-Based Throwdown
- Location, Location, Location: 5 Big Predictions for 2010

Tags: android, business, foursquare, geo-tagging, gowalla, iphone, List, Lists, location based advertising, location-based, Longtail, MARKETING, Mobile 2.0, small business

Add a comment

6,4,1,3,2

Digital bill will 'sidestep democracy'

Guardian Unlimited

- 21 hours and 20 minutes ago

• Read the letter in full

A group of senior public figures have called on the government to abandon its plan to push through controversial digital economy bill before the election, amid claims that the move could "sidestep" the democratic process.

Earlier this week the government revealed that it wants to force the digital economy bill - which includes the controversial "three strikes" rule to cut off the internet connections of those accused of illegal file sharing - into the statute books in the next few weeks.

While it usually takes far longer to create an act of parliament, thanks to the public debates held by MPs, the secretary of state for business, Lord Mandelson, plans speed up the process by making use of a controversial parliamentary technique known as the "wash-up".

Under those rules, party whips bypass the usual debating process and make a series of horse trades in order to get proposals into law before parliament dissolves ahead of a general election.

That proposal has already caused concern, but today a coalition including a cross-party group of MPs and peers - as well as figures from the business world and entertainment industry - said that short circuiting the democratic process could have disastrous side effects.

In an open letter the group suggests that the controversial nature of the legislation - which it says "threatens to severely infringe fundamental human rights" and could introduce "website blocking" measure that impede free speech - must face the full scrutiny of parliament before it becomes law.

Among the signatories are musician Billy Bragg, human rights activist Peter Tatchell and writer Graham Linehan, who helped create comedy series including Father Ted and The IT Crowd. They are joined by a number of activists and campaigners, as well as politicians drawn from Labour, the Liberal Democrats and the Green Party.

"Our worry today is that none of this will be properly debated by parliament," says the letter. "Last week Harriet Harman failed to give the Commons any reassurances that this important, complex and controversial bill will be properly scrutinised by our elected MPs."

"Democracy and accountability will be sidestepped if this bill is rushed through and amended without debate during the so-called 'wash-up' process. The thousands of people we know to be contacting their MPs with concerns will find their faith in politicians even further undermined."

The plans, which first became public last autumn, have caused controversy at almost every turn.

As well as the three strikes rule and measures to take down websites accused of infringing copyright - which could potentially result in the closure of major web destinations such as YouTube - Lord Mandelson has also sought the power to alter copyright law without the assent of parliament.

In addition, it has also been suggested that the bill's measures to prosecute the owners of internet connections used for illegal file sharing could hit anybody who provides web access - such as universities, libraries and cafes, as well as those individuals who leave their home Wi-Fi connections open.

While the made it through three readings in the House of Lords, it was not without serious objections. Lord Puttnam, the film producer, said he had faced "an extraordinary degree of lobbying" over the proposals, while others questioned the revelation that an amendment used language British music industry body the BPI.

Earlier this week BPI chief Geoff Taylor said that it was imperative that the legislation is passed before the election.

"It is vital for the future of the UK's creative sector that the digital economy bill becomes law before the dissolution of parliament," he said.

However, the open letter suggests that the bill's most controversial elements must receive proper debate or be removed from the bill entirely and left until after the forthcoming election.

Bobbie Johnson guardian.co.uk © Guardian News & Media Limited 2010 | Use of this content is subject to our Terms & Conditions | More Feeds

Add a comment

speed,futures,majors,medias,languages