To display the most relevant entries to you in priority,
vote for the stories you are interested in
(  )
and reject those that you are not interested in
(  )
Comics Should Be Good! -
9 hours and 6 minutes ago
I’m helping my pal Tom Bondurant out with annotations for the latest issue of Trinity.
I’ll also be hosting Tom’s annotations for Trinity for the rest of the month until he
and the Blog@ crew get set up in their new digs.
This issue seems a bit light on trivia (like last issue, as well, really), but we shall see what
we shall see!
SPOILERS FOLLOW!
LEAD STORY
“Time to Suit Up” was written by Kurt Busiek, pencilled by Mark Bagley, inked by Art
Thibert, colored by Pete Pantazis, and lettered by Pat Brosseau; Rachel Gluckstern, associate
editor; Mike Carlin, editor.
In Brief: Charity and Rita discuss their next step while Morgaine and Konvict
strike up a bargain.
Page 1
The book opens in the Arctic, where Konvict is on his way to meet up with Morgaine, who summoned
him last issue. Morgaine and Enigma are in the Harteigen Mountains in Norway, and Konvict was in
Mass-a-chu-setts, so he’s made up a lot of ground already.
We cut to Opal City, the home of Starman, where Rita and Charity O’Dare are dealing with
the magic energy from last issue.
Page 2
We get a reminder that Charity is a fortune teller. Charity was an older DC character that James
Robinson made into a supporting character in the pages of Starman, ultimately marrying her off to
one of the O’Dares - a family of Opal City residents who were major supporting cast members
in Starman.
Rita, our Tarot-reading heroine, is worried about the Worldsoul, the living embodiment of Earth,
which is in bad shape due to the disappearance of the Trinity.
Page 3
St. Roch was the home base of Hawkman during Geoff Johns and James Robinson’s Hawkman
series from a few years back. Carter Hall’s museum, Stonechat House, is in St. Roch.
The bad guys remind me of the Millenium Giants, but they are probably just nameless
extra-dimensional bad guys.
The heroes on this page, courtesy of Tom’s annotations for previous issues, are:
– Vibe, a/k/a Paco Ramone, was created by Gerry Conway and Chuck Patton and
first appeared in the aforementioned Justice League of America Annual #2. Vibe was killed in the
line of duty in JLofA vol. 1 #258 (January 1987). He was survived by a brother, Joey ... I mean,
Armando, who also became a superhero (Reverb, then Hardline) with similar vibratory powers.
– Space Ranger, a/k/a Rick Starr, was created by Edmond Hamilton, Gardner Fox,
and Bob Brown, and first appeared in Showcase #15 (July 1958). It’s a little surprising to
see him in this context, since (in regular continuity) he lives in the 22nd Century. Either this
is an ancestor or time travel was involved; and he’s visited our time previously, so
it’s not out of the question.
- Triumph’s pedigree is a little tough to figure out. Wikipedia credits Mark Waid, Brian
Augustyn, and Howard Porter with creating him. The Unofficial Triumph Chronology gives his first
appearance as Justice League Task Force #16 (August 1994), which was written by Waid and
pencilled by Sal Velluto. However, his 3-part “origin story” — the
first one I remember where he really played a major role — was written by
Christopher Priest and appeared in the September 1994 issues of the League’s books (Justice
League America #92, JL Task Force #17, and Justice League International vol. 2 #68). Triumph,
a/k/a Will McIntyre (sometimes MacIntyre), was a superhero with energy-based powers who, but for
a quirk in the timestream, would have been a founding member of the Justice League. That’s
right, he was the Sentry before the Sentry was cool. Also, he’s usually drawn with blond
hair.
– Skyrocket, a/k/a Celia Forrestal, was created by Kurt Busiek and Tom
Grummett for their original super-team The Power Company. She first appeared in the Power Company
preview story in JLA #61 (February 2002).
- The Flash (Wally West) you all know.
Page 4
The Heywood Corps are a reference to Hank Heywood, Sr., a Golden Age hero known as Commander
Steel who had powers due to mechanized components. He used those same components to keep his
grandson alive (and also to make his grandson the hero known as Steel). Here, Heywood is using
mechanized components to create the Heywood Corps of cyborg heroes.
Page 5
Carter Hall watches as various heroes try to stop the invasion of multi-dimensional baddies.
The heroes on this page are pretty straightforward - Luthor, Atom-Smasher, Power Girl, Hawkgirl
and Black Orchid.
The only one I am unfamiliar with is Sky-Knight. Anyone know who Sky-Knight is?
Page 6
I don’t think we need annotations for Konvict meeting up with Enigma and Morgaine.
Page 7
Morgaine is most likely discussing her communication with Konvict in last issue’s second
story, where Konvict discovered that the human he killed is alive in this reality.
Page 8
So we finally have a name for Konvict! Xalitan Xor, Warhound of the First Array!
Xalatan is a brand name prescription eyedrop. Xalitan’s eyes are so red he could probably
go for some eyedrops.
Xalitan Xor is a pretty cool name - suitably pompous.
Page 9
Here we learn that the Trinity being taken from reality is not the ONLY thing messing with the
Worldsoul. The Worldsoul could probably heal from simply the Trinity being yanked from it, but
Morgaine and her terrible trio are still messing with reality, so it is like a wound that keeps
getting poked at, never allowing it to fully heal.
Page 10
Here Rita confirms that the bad guys need her, so she and Charity have to figure out what to do
next.
Page 11
I don’t think I need to annotate Carter’s nice speech debating whether it is a smart
idea to risk this reality for a possible better reality.
Page 12
The Thanagar outfit that Gangbuster gives Carter here - where is it from? It looks different than
Hawkman’s standard outfit.
In any event, there is a Troika once again - Morgaine, Enigma and Xalitan Xor!
SECOND STORY
“Here and There and Everywhere” was plotted by Kurt Busiek and Fabian Nicieza,
scripted by Nicieza, pencilled by Scott McDaniel, inked by Andy Owens, colored by Allen
Passalaqua, lettered by Pat Brosseau; Rachel Gluckstern, associate editor; Mike Carlin, editor.
In Brief - The Trans-Volitional Man, Swashbuckler, Primat and the Tattooed Man
escape captivity just in time to be recruited by Morgaine for her army.
Pages 1-2
This is the return of the Dreambound, first with Michael Cannefick, the The Trans-Volitional Man,
who we first met in Trinity #8. We get some background info on Michael here.
Page 3
Here we see Michael slowly connect with the previous reality and his fellow Dreambound (nice
little touch - unbound dreams, dreams…bound).
Page 4
We see Primat, also of Trinity #8, who was previously shown to be quite the reader, so it makes
sense that she’d be reading in jail.
Page 5
Here is Swashbuckler, who first popped up in Trinity #9, working for Morgaine.
Page 6
Mark Richards, the current Tattooed Man, first showed up in Green Lantern Vol. 4 #9, by Geoff
Johns and Ethan Van Sciver and Prentis Rollins. Richards was a former U.S. Marine who became a
hit man, who claimed he was “redeeming” the sins of the men and women he killed. He
showed up in Infinite Crisis as a member of the Secret Society of Super Villains, and he recently
popped up in Final Crisis in a nice story with Black Lightning in Final Crisis: Submit.
Page 7-8
Here we see the others use Richards to bring back Hemi Kiwara, also introduced in #8, who was
transformed in #10 to Sun-Chained-In-Ink, thus completing the four Dreambound members.
Page 9
Morgaine brings them back into the fold.
Page 10
Now we see the Dreambound leading the new army, including a number of major villains like Doctor
Polaris, Eclipso, the Brain, Poison Ivy, Parasite, Gorilla Grodd, Ace from the Royal Flush Gang -
who are the other three guys?
Okay, that’s it!
Tom, come back, Tom! This is hard!!

|
Cinematical -
10 hours and 33 minutes ago
The Book of Eli had me halfway when they cast
Gary Oldman -- but they got a guaranteed ticket sale from me when they cast Ray
Stevenson. I'm disappointed that he's playing another badass assassin type, but hey, at least
I'll believe he could kick Denzel Washington's ass.
The plot description has been incredibly dry thus far -- a man named Eli protects a book that may
be humanity's salvation, Oldman is the despotic mayor of a struggling town, Mila Kunis is an
assassin sent to kill Eli, but who ends up joining him. But we have a little more,
courtesy of its newest cast member. Stevenson sat
down with
Reelz Channel, and shed a little more light on the bleak future this film will inhabit. "The
world in which it is set is completely uncompromising. The most precious commodity is actually
water, because virtually all of the water is poison, toxic -- whether it's due to eruptions from
the earth or the poisons in the sky. These very basic things are what drives human nature down to
almost animalistic qualities. But what still separates us from the animals?"
Hmmm. Shades of Waterworld, a threat that looms over every post-apocalyptic film not
titled The Road. There's never an in between when it comes to this genre ... you either
end up with something cool and Max Maxish, or you end up with The Postman. Let's keep
hoping for the best, though. The film begins shooting in February, and has a release date of
January 15, 2010.
Filed under: Action, Sci-Fi & Fantasy, Thrillers, Casting, Warner Brothers, Scripts, Newsstand, War
Permalink | Email
this | Comments

|
Global Voices Online -
11 hours and 2 minutes ago
Young enlightened Egyptian bloggers write about their society's sex code, racism, bigotry, and
lust after scandals - all in an attempt to make Egypt a better place to live in.
An Egyptian Citizen
wonders where this country is heading:
بجد مش
تهريج
البلد
دي
Ø±Ø§ÙŠØØ©
على Ùين
انا مش
هتكلم
عن
سوزان
تميم
ولا عن
مقتل
ابنة
ليلى
ØºÙØ±Ø§Ù†
انا
هتكلم
عن العنÙ
الي بقى
موجود ÙÙŠ
المجتمع
اية دة و
كمان
اخلاقيات
الناس
اتغيرت
و معدتش
Ùية
Ø§ØØªØ±Ø§Ù…
لا
لقناون
ولا
الانسان
… الناس
الي
بتعلق ÙÙŠ
المواقع
الاخبارية
بقى
عندهم
ØÙ‚د
طبقى ÙÙŠ
المجتمع
Ùˆ
الÙقراء
ÙÙŠ مصر
بيجمعو
كل
الاغنياء
على
انهم
ØØ±Ø§Ù…ية
Ùˆ
انتهازين
و خونة و
بيØÙ„لو
ان ÙˆØ§ØØ¯
يسرق. دة
غير اية
العنÙ
الي
موجود ÙÙŠ
المدارس
اكتر من
جريمة
ÙÙŠ مدارس
ÙÙŠ خلال
شهر بين
ضرب و
قتل هو
اØÙ†Ø§
بقينا ÙÙŠ
غابة ولا
اية
Ø§Ù„ÙˆØ§ØØ¯
كمان
مبقاش
يمشي ÙÙŠ
الشارع
امن
Ø§ØØ³Ù†
ÙŠØ®Ø§Ù ØØ¯
يطلع
علية و
يسبتة
بمطوة و
لما
يروØ
يشتكي
ÙÙŠ القسم
مش بعيد
الشرطة
تلÙقلة
تهمة
ولا
تعذبة دة
غير ان
الناس
خلاص مش
مستØÙ…لين
بعض و
ماسكين
على
التاني
كلمة او
غلطة و
دة باين
ÙÙŠ اشارة
المرور
اوي و
ØØªÙ‰
الناس
المتطرÙين
ماسكين
على اي
ÙˆØ§ØØ¯
كلمة و
يقلبوها
لطائÙية
و اعمال
عن٠و
ÙŠØÙ„لو
اراقة
الدم و
بيستغلو
المظاهر
Ùˆ
بيØÙƒÙ…Ùˆ
على
الناس
بالمظهر
الديني
بجد
Ø§Ù„ÙˆØ§ØØ¯
مبقاش
عارÙ
البلد
دي
Ø±Ø§ÙŠØØ©
على Ùين
و مين
المسئول
عن
الكلام
دة كلة
اكيد مش
الØÙƒÙˆÙ…Ø©
ÙˆØØ¯Ù‡Ø§ Ùˆ
الشعب
بردو
مسئوول I am not
joking; I am seriously asking where is this country heading? I will not talk about the murders of
singer Suzan Tamim or daughter
of singer Laila Ghofran. I will talk about the mushrooming aggression in our society. People's
ethics have changed for now people respect neither law nor human beings … those who leave
comments of news sites have revealed lifelong grudges against the more affluent segments of the
society. The poor have unanimously agreed that the rich are thieves and they are worth mugging. Add
to that, violence in schools in the previous month range from severe beatings to murder. Do we live
in a jungle? One fears being held up in a street. One fears reporting an incident to the police for
a bigger fear of being implicated in a crime one did not commit. Look at your neighbor in a traffic
light and see how he is picking a fight .. we lost our tolerance. We no longer know where we are
heading and who is responsible for this - definitely it is not the government single-handed
… the people are equally responsible.
Lobna
Khairy attempted to define the Egyptian Sex Code saying:
In almost every country there happens to be 2 taboos; politics and religion. But in Egypt and
some Arabian countries, we couldn’t settle for less than 3; politics, religion and sex!
#1: The porn denial - Parents do not believe that their kids get their sexual education from porn
#2: Men - decent men who have no prior experience will not satisfy a woman
#3: Women - decent women who understand how babies are made are indecent
#4: Only a manly need - women do not need sex
#5: Milk him - to keep him
Denoting that sex is all that occupies their mind and hence if you want to keep your man, you
better fulfill his physical appetite excessively or else he’ll be running down the streets
searching for other women who can! How degrading is this for both males and females?
Mona Eltahawy reveals the Arab world's dirty
secret when she tells a tale of racism:
I was on my way home on the Cairo Metro, lost in thought as I listened to music when I noticed a
young Egyptian taunting a Sudanese girl. She reached out and tried to grab the girl’s nose
and mouth and laughed when the girl tried to brush her hand away.
The Sudanese girl looked to be Dinka, from southern Sudan and not the northern Sudanese who
“look like us”. She looked black African and was obviously in distress.
I removed my headphones and asked the Egyptian woman “Why are you treating her like
that?”
She exploded into a tornado of yelling, demanding to know why it was my business. I told her it
was my business because as an Egyptian and as a Muslim who was riding the Metro, her behaviour
was wrong and I would not stay silent about it. I knew she was Muslim because she wore a scarf.
I told her that the way she was treating the Sudanese girl made the scarf on her head
meaningless. Her mother asked me why I didn’t cover my hair and I replied that I
didn’t want to be a hypocrite like her and her daughter.
As distressing as I found that young woman’s behaviour, I was even more distressed that the
other women in the Metro car with us watched passively and said nothing. They made no attempt to
defend the Sudanese girl nor to defend me when I confronted the Egyptian woman.
The racism I saw on the Cairo Metro has an echo in the Arab world at large where the suffering in
Darfur goes ignored for two main reasons – firstly because its victims are
black people and we don’t about those with dark skins and secondly because those who are
creating the misery in Darfur are not Americans or Israelis and we only pay attention when
America and Israel are behaving badly.
My argument on the Cairo Metro was a also a reminder of our double standards. We love to cry
“Islamophobia” when we talk about the way Muslim minorities are treated in the West
and yet we never stop to consider how we treat minorities and the most vulnerable among us.
For those of us who move between different worlds – where one day we are a
majority as I am as a Sunni Muslim in Egypt and another we are a minority as I am as a Muslim in
America – it is clear that to defend the rights of a Sudanese girl on the
Cairo Metro means to defend my right on the New York Subway.
Insomniac
wrote about bigotry hidden under thick layers of religious and liberal pretenses saying:
Coming from a religiously conservative family, I was brought up to take extra pride in my faith,
even though I did not necessarily understand it enough to practice it properly. Almost everyone
in my family (from both sides) has a meaningful name influenced by religion.
Until college, I used to go by my first name and my father’s middle name. That combination
made my name sound perfectly neutral; people couldn’t guess my religion and accordingly
treated me cautiously in fear of offending me.
Until I got veiled!
I was confronted by how cruel society can be, judging people by their looks. I realized that my
neutral name and non-significant appearance shielded me from awkward moments. I realized it was a
blessing having been treated with extra caution!
And no, it’s not the expected group of people who judged me, whatever that is. Against the
general assumption, I travelled to the US the next summer, and I barely had any troubles because
of my veil. Average Americans, aside from the “notorious” political agenda (which is
not up to me to support or condemn), do not judge people based on their looks the way people do
in Egypt (and perhaps the Middle East). We are such racists and bigots and the sad part is that
we hide it under thick layers of fake religiousness and liberalism which we barely practice when
unwatched.
Please meet those who judge me...
- Strictly religious Muslims who consider what I wear not hijab, and expect me to dress more
modestly, and
- Pseudo-Liberals, either Christians or Muslims who seem to be very appalled by my veil!
Now I won’t go defending my choice or my religion because I don’t think those who
judge me or my likes would either understand or appreciate what I have to say. All I can say is
“SHAME ON YOU”, both parties.
I find both parties hypocrites, who miserably fail practicing what they preach and give their
causes a horrible horrible names.
It used to hurt and offend me when I felt mistreated because of my veil, but then I realized
something; it’s a unique way of blocking all the fakers and pretenders who can’t
handle but judge me based on my appearance rather than my personality. To those people, I say
it’s really your loss, touché!
Ahmed El Sabbagh wrote
about the dishonest keyboard:
مطلوب
لأعلى
سعر
كيبورد
غير
Ø´Ø±ÙŠÙØ©
تصلØ
لسب
الأصدقاء
والإبداع
ÙÙ‰ تأليÙ
إتهامات
باطلة
والقيام
Ø¨ØªÙ„Ù…ÙŠØØ§Øª
قذرة
وكتابة
تعليقات
مجهولة
،
ويشترط
ان تكون
متواÙقة
للعمل
مع
مدوّن
Ù…ØªÙØ±Øº
لإصطياد
أخطاء
الغير ،
وتأليÙ
قصص
خيالية
قذرة
ووإشعال
Ø§Ù„ÙØªÙ† ØŒ
ودس
السموم
بين
البشر
ØÙŠØ«
Ù„ÙˆØØ¸ إن
الكيبورد
التى
أمتلكها
“بتستعبط”
ولا
تواÙÙ‚
على
كتابة
كلمات
قذرة ،
وبها
ØØ±ÙˆÙ
معطوبة
مثل ØØ±Ù
القاÙ
والـذين
والألÙ
والراء
والتاء
المربوطة
، وكلما
ØØ§ÙˆÙ„ت
كتابة
كلمة
قذرة
Ø¨ØªÙØµÙ„
باور
والزراير
بتعلق
وبتعمل
ØØ±ÙƒØ§Øª
قرعة
وقد قمت
Ø¨Ù…ØØ§ÙˆÙ„Ø©
شراء
عدة
كيبوردات
وكلها
بها Ù†ÙØ³
العيب
وقمت
بإستبدالها
أكثر من
مرة ،
وظننت
أن جميع
الكبيوردات
Ø§Ù„Ù…ØªÙˆÙØ±Ø©
ØØ§Ù„ياً
من
النوع
الشريÙ
ØØ§ÙˆÙ„ت
إصلاØ
الكيبورد
ÙÙ‰ Ø£ØØ¯
Ù…ØÙ„ات
الصيانة
Ùنظر لى
Ùنى
الصيانة
شزراً
وقال
دى موش
معيوبة ..
روØ
إتعلم
القذارة
وهى
تشتغل
زى الÙÙ„ ..
عشان ده
عيب
يوزر
Â
Wanted for the highest bidder: A dishonest keyboard that would come in handy when offending
friends, getting creative in making up scandalous stories, posting dirty innuendos, and leaving
anonymous comments. It has to be compatible with a full-time blogger whose sole business is finding
fault with what other people write. It has to support him in his fire-starting filth-throwing
poison-spreading mission.
The keyboard that I currently own plays games with my mind and refuses to type dirty words and
every time I attempt to write one of those words it shuts down or hangs up leaving me at a loss for
words. I tried buying several keyboards but they all seem to be similarly flawed -
guess they only sell honorable keyboards nowadays.
I tried to get it fixed in one of the maintenance shops … the technician glared at me with
anger and said “work on your dirty skills and it will work like a clock; this is a user
error!”
Last but not least, Fantasia's
World wrote about the qualifications of a scandal in the Egyptian media:(...)

|
Said the Gramophone -
1 days and 8 hours ago
a href="http://gramotunes.com/Falling_Stars.mp3"target="new"Sarah Siskind - "Falling Stars"/a It
was through Bon Iver's self-damning a
href="http://uk.youtube.com/watch?v=8hnAY05A9PE"target="new"love/a for "Lovin's For Fools," the
heartbreaking, "You Are My Sunshine"-jacking ballad by Sarah Siskind, that I learned of this
talented songwriter. Sad music and production this present usually go together like tea and poison,
though succesful meetings of the two are not without precedent. When, as a child, I first heard
James Taylor's "Fire and Rain", I fell into an insufferable weeks-long funk that persisted until my
father's repeated pleas of "It's just a song" finally made an impact. The impassioned, highly
melodious babble of Al Green's "Simply Beautiful" has always floored me, despite its proper
production, as have countless other soul tear-jerkers. Sarah Siskind avoids perfection's pitfalls
by sullying her antiseptic sonic space with distortion and density and counterintuitive musical
lines, and thus creates an ideal showcase for her pure, falling country cadences. [a
href="http://www.amazon.com/Falling-Stars/dp/B001LEQF7G/ref=sr_1_1?ie=UTF8s=dmusicqid=1228357601sr=8-1"target="new"Buy/a]
pa href="http://feeds.feedburner.com/~a/saidthegramophone/stg?a=ktoXvl"img
src="http://feeds.feedburner.com/~a/saidthegramophone/stg?i=ktoXvl" border="0"/img/a/pimg
src="http://feeds.feedburner.com/~r/saidthegramophone/stg/~4/474222740" height="1" width="1"/

|
Guardian Unlimited -
1 days and 10 hours ago
divimg alt=""
src="http://hits.guardian.co.uk/b/ss/guardiangu-feeds/1/H.15.1/69710?ns=guardianpageName=Stage%3A+%27My+whole+life+has+been+a+black+comedy%27ch=Stagec3=The+Guardianc4=Theatre%2CCulture+section%2CJoe+Orton+%28Playwright%29%2CStage%2CTelevision+%28Culture%29c5=Not+commercially+useful%2CTelevision+Media%2CTheatrec6=Catherine+Shoardc7=2008_12_04c8=1128305c9=articlec10=GUc11=Stagec12=Theatrec13=c14=h2=GU%2FStage%2FTheatre"
width="1" height="1" //divpIt has been a while since Doon Mackichan was last hung, drawn and
quartered for laughing at the suffering of children. There was a week in August 2001 when you
couldn't pass a newsstand without seeing her handsome, sparrowhawk face, forehead partially
obscured by the word "evil" or "depraved"./ppThe Brass Eye paedophile special is now mostly
remembered as virtuoso satire, so it's easy to forget what a stink it caused at the time. And it
was Mackichan, who played TV presenter Swanchita Haze, who bore the brunt of it. People expected
that sort of thing from Chris Morris, but Doon was a woman with - gulp - children of her own.
"[Mackichan] had seen herself as a major comedy force in the making," wrote the Mail. "She even
dreamt of becoming a film star. But with the Brass Eye disaster as her epitaph, all those plans lie
in tatters."/ppLooking back, it's hard to say her career didn't suffer. There were two more seasons
of Smack the Pony, the girly Channel 4 sketch show with Sally Phillips and Fiona Allen, but to
diminishing returns. There were wifely roles in ropey sitcoms. There was theatre. Then came a
two-year break for unhappier reasons (of which more later). And now she's back, in a play that,
well, laughs at the suffering of children. Adults, too. Especially those six feet under. /ppJoe
Orton's Loot, like Brass Eye, is comedy that sets out to shock. Don't be fooled by its age;
although the play was first performed in 1965, Loot has weathered better than, say, a TV parody of
late-90s news shows. Death doesn't date as a cultural taboo; likewise religion. Rereading Loot is
like having a shower when you hadn't realised the boiler's broken: unexpectedly shocking./pp"Yep,
it's full on," says Mackichan, eating a tuna sandwich between rehearsals in London. "There's this
one line about a really great brothel run by Pakistanis who pimp out their kids for Mars bars." She
smiles: an attractive smile, heavy on the lippy. "I'm like, 'Oh we'll cut that, won't we?' Well,
no, we can't, because what about all the other things people might find offensive? Cut them all and
you won't have much of a play left."/ppOther lines trouble her. Orton's gleeful description of a
sexual assault, complete with tooth-breaking detail. "That specific image is just really horrible.
Do you lose a portion of your audience when you leave that in? Do people stop thinking it's a great
play? Or as my mum would say, 'Ooh, Orton's so kinky; yes, I love all that.' " /ppDoon plays Fay,
an Irish Catholic home nurse and a prolific serial killer (87 in one week alone). She has lately
buried her seventh husband and has her eighth in her crosshairs, having just dispatched his wife
with a syringe of poison. Loot takes place on the day of the wife's funeral, and charts the power
struggle between Fay, Hal (whose mother is being buried), Dennis, Hal's boyfriend, with whom he has
robbed a bank and put the money in mum's coffin, and Detective Truscott, the sinister inspector who
comes calling. /ppOrton's stage instructions put Kay in her late 20s; other than that Mackichan,
46, is a good fit. She is Celtic, by nurture at least. She grew up in Surrey but moved to Fife with
her family when she was nine. She survived the transition, she says, by acting, specialising in
"posh bitches". This is something she still does: she is a natural authoritarian, physically
pneumatic, temperamentally tough - a few years back she swam the English channel with a team of
paratroopers. /pp"Yes, I could kill someone," she says, without thinking too hard about it. "It
must be so easy to just nip a needle in, or hold a pillow over an old person's face. The power and
the buzz you'd get." She has been boning up on True Crime magazine to further understand her
character's homicidal motivation. "But I just can't read the books. There's such an orgasm about
they way they're written. 'Women who kill! Viciously!' When it comes to sex and violence, we're an
island of obsessives. I mean, how does it help people to know the details of how someone was
physically tortured?"/ppTen years ago, Mackichan got her fingers burned over an Anglican sketch on
her Radio 4 show, Doon Your Way, but it hasn't left her any more on-message when it comes to
religion. "It's been extraordinary finding out what Catholics actually believe!" she says of the
research process. "All the rituals and superstition. The whole voyeurism of talking to someone
behind a little screen. The idea that you can think, OK, I'll be a bitch, then on Sunday I'll say,
'Oh, I was a bit of a bitch' and then feel great!"/ppShe is not religious herself, "but I don't
think I'm in an atheistic universe. I do think there's a higher power". Has she ever prayed? "Oh,
I've been down on my knees many times." She pauses and then roars with laughter - it's a genuine,
accidental Orton-ism. /ppIt turns out that Mackichan has had an extremely tough few years. Her
father recently died. She is in the process of getting divorced from her husband, Common As Muck
actor Anthony Barclay, with whom she has three children, India, 11, Louis, 10, and Ella-Rose, four.
And, three years ago, Louis contracted leukaemia. Much of the past three years has been spent with
him in hospital. He is now in remission, but shadows still hollow out her face. She wells up
frequently, and there is something frayed behind the raucous laugh and actorly tics. "I do find
authority hard to deal with now," she growls, after an assistant gives us a 10-minute warning that
she needs to get back to work. "I feel a bit of an anarchist. I don't think I could work for
someone who was an arsehole any more." She gulps down some fruit juice. "I can't actually have
confrontations with people. It's too much. I'm a single muvva with three kids and a show to do."
She laughs but she's dead serious./ppWhen things were at their worst, she says, her monopoly on
heartache was hard to handle. "People would tut behind me in a supermarket queue and I'd have to
go, 'Please, go ahead of me, you've obviously got somewhere to go. I'm just going back to the
children's cancer ward.' I once had an actress telling me her hair was falling out because of her
new kitchen and I thought, I'm not going to say anything, because this is quite interesting,
because I remember how I was before it all." And how was she before it all? "Quite selfish,
neurotic. Up my own arse. It's made me very tough. I do think I have endurance beyond the pale."
/ppWhen Louis was well enough, Mackichan took her children with her to Africa to shoot a BBC2
series, Taking the Flak, loosely based on John Simpson's reporting from poverty-stricken,
war-ravaged places. After such harrowing experiences, how she can cope with her relatively
comfortable existence? "You walk into your house and you go: I'm a millionaire. I'm a princess; I
live in a palace. And you think: I don't have a lot of shoes, but I do have too many shoes. You
look at yourself and think: Party's over, mate. Time to be useful."/ppAnd yet she is not an aid
worker in Africa. She is in north London, rehearsing a play. "I did think, I can't go back to
acting. It's too vain, too ridiculous. I was going to retrain as a play specialist in Louis' cancer
ward. But this is what I've done for 20 years. It's what I do." /ppShe's right. Mackichan is a
natural born thesp, right down to her floaty black blouse and stripy woollen leg-warmers. Slice her
in half and you would see "actor" written right through the middle of her. "I have a real mission
now to be in work that will be cathartic for people. [Work] that's really honest about just how
fucking hard it is to stay afloat."/ppLoot isn't exactly what she had in mind, she admits, but its
no-nonsense attitude to tragedy has been cathartic. "My whole life lately has been a bit of a black
comedy." She snorts. Might she consider turning it into one? "There's a lot of mileage in a
children's cancer-ward comedy. All the opening curtains and waving at people being sick into bowls.
You could set it in the tiny coffin-like kitchen where only the adults are allowed. You see these
little bald children running past the window. It was like suddenly being in a war."/ppCould she
really bear to return there, even imaginatively? "I don't know. They haunt me, those nighttime
corridors. The characters, too: the carers and nurses and staff and the petty quarrels. And getting
high on Quality Street till 3am. But I would like to." /ppstrongmiddot; /strongLoot is at the
Tricycle, London NW6, from December 11. Box office: 020-7328 1000./pdiv style="float: left;
margin-right: 10px; margin-bottom: 10px;"ullia
href="http://www.guardian.co.uk/stage/theatre"Theatre/a/lilia
href="http://www.guardian.co.uk/stage/orton"Joe Orton/a/lilia
href="http://www.guardian.co.uk/culture/television"Television/a/li/ul/diva
href="http://www.guardian.co.uk"guardian.co.uk/a copy; Guardian News Media Limited 2008 | Use of
this content is subject to our a
href="http://users.guardian.co.uk/help/article/0,,933909,00.html"Terms Conditions/a | a
href="http://www.guardian.co.uk/webfeeds/1,,1309488,00.html"More Feeds/a pa
href="http://feedads.googleadservices.com/~at/lAQCNb9eC0BbtenHfBz0jZUDjxo/a"img
src="http://feedads.googleadservices.com/~at/lAQCNb9eC0BbtenHfBz0jZUDjxo/i" border="0"
ismap="true"/img/a/p

|
BLABBERMOUTH.NET Latest News -
1 days and 13 hours ago
POISON singer Bret Michaels' bed frame — as seen on MTV's Cribs program
— is up for auction at his official web site.
|
Global Voices Online -
1 days and 14 hours ago
December 1st is observed around the world as AIDS Day and the occasion is largely publicized.
Unlike the attention World AIDS Day receives, World Disability Day barely registers on the world
media’s radar.

Circle of friends by Flickr
user Jimee, Jackie, Tom and Asha and used
under a creative commons
license
Celebrated every year on December 3rd, World Disability Day honors the contribution made to our
world by those with physical and mental handicap. In case of South Asia, there is severe stigma
attached any kind of physical and mental handicap. World Disability Day is an opportunity to
spread awareness about the rights of the handicapped and that being differently able is not a sin
or something to be ashamed of.
In India, activist Javed Abidi, the country’s leading
advocate for the rights of the handicapped, will lead an event called “Dilli Chalo”
or “Lets go to Delhi” to mark the occasion. It will be held at the historic India
Gate.
Mr. Abidi says that India has made some progress in securing rights of the disabled but
more needs to be done.
“Now, in India, as we are aware, we have had the Disability Act for the last 12 years. Last
year we thought was a momentous year for two reasons. One was that our country ratified the UN
Convention, and the second was that we also got the XI Plan. And in the XI Plan.....for the first
time, there is a distinct chapter or a section on disability. And we thought that things were
going to change. ......if we were look at the last one year, we find that things have not really
moved the way we had expected them to move....”
Along with addressing legal issues related to the rights of the disabled and the opportunities
they deserve, efforts are also needed to help those living in abject poverty because of their
physical condition.
A news report published by the The National shows
how urgently India’s poor disabled citizens need their government to take steps to insure
that they are able to live in dignity.
Shaikh Azizur Rahman reported this November that an elderly father taking care of two
severely disabled bed ridden daughters has asked the Indian President that they be allowed to be
euthanized. He said that he is too poor to take of his daughters who need round the clock care
and attention. Fatema, one of his daughters, says that she too wants her life to end.
“I told my father many times to bring poison for me. Nobody is helping me to kill
myself.”
Across the border in Pakistan, there is still the mountain of odds facing citizens with
disability. Writing for Dawn, Zahid
Abdullah, who works for the Center for Peace and Development in Islamabad, says that country
still has a long way to go before those with different ability can feel that society values them
too. He also expresses frustration at slow pace of legal reform regarding the rights of the
disabled.
Like in India and Pakistan, the society in Nepal too views physical and mental handicaps as a
result of past life’s sins. Handicapped are usually treated as sub human; they have very
limited access to education and meaningful employment. Often you can see a person with physical
disability begging on the streets to sustain life.
Meen Raj Panthi says that
families hide those with a disability to protect their honor and prestige:
“The notion that people with disabilities have equal rights and duty as any other
individual, is largely absent from the popular mindset.”
Children are most vulnerable to discrimination. National Disabled and Helpless
Upliftment Association in Nepal cites an example of a little girl named Manisha held captive
by her parents because she is blind:
“While her parents work at fields, she is often locked in her own room and tethered with
rope by her parents because she has no one to look after her at home. But her elder brother and
sister go to school.”
Thumbnail image by Flickr user
Shizhao and used under a creative commons license

|
glamzilla| Celebrity links and Cool stuf around web -
1 days and 18 hours ago
She mustacute;ve fallen in poison ivy or something, with the way she keeps scratching her arse.
Yeah, donacute;t mind the cameraman following you around. Just pretend heacute;s not there.

|
BBC News | World | UK Edition -
1 days and 18 hours ago
Nigeria is flying in an antidote to stem the deaths of babies poisoned by a teething syrup.
|
Wartmag - BD, bande dessinée, manga, comics et pas seulement ! -
1 days and 21 hours ago
L’Affaire des affaires sera un des albums
incontournables de janvier 2009. Et pour cause, tout ce qui parle de près ou loin
l’Affaire Clearstream est décortiqué par la presse, la classe politique sans
oublier les adeptes du “tous pourris”. Surtout que cette adaptation en bande
dessinée de la vie du journaliste d’investigation Denis Robert est
chapeautée directement par l’intéressé, aidé au scénario
par Yan Lindingre.
Les éditions Dargaud viennent de mettre en ligne les 6 premières pages du premier volet qui
en comptera 200, dessinées par Laurent Astier, auteur
d’Aven et Cellule Poison. On y
découvre un Jacques Chirac à 200 à l’heure –
ça nous change – et des personnalités clefs de l’affaire
Clearstream comme un Dominique de Villepin taillé au couteau ou un Nicolas Sarkozy
surexcité – là, ça change pas. À en croire ces
premières pages et la fameuse phrase du “croc de boucher” lancée par le
ministre de l’Intérieur d’alors, le scénario risque d’être
ponctué d’anecdotes, en plus d’un aspect pédagogique mis en avant par
l’éditeur. Les auteurs devraient ainsi s’étendre sur les arcanes des
banques offshores ou des paradis fiscaux.
Avec son côté thriller politique, L’Affaire des
affaires devrait autant séduire les amateurs de polar que les
passionnés de BD reportage. À moins que ce ne soit les fans de Jean-Jacques
Beineix, persuadés d’y voir là une suite à la
mémorable Affaire du siècle.



Les images sont © Dargaud-Robert-Lindingre-Astier.


|
|
What is Matoumba?
A website that sorts everyday the most relevant information to you.
Vote for the news and Matoumba will learn your tastes and the information that you like the most.
It is all FREE!
|