Google may have hired Plaxo’s Chief Technology Officer Joseph Smarr late last year, but it’s Yahoo that’s finally adding the 8-year old idea of turning the address book model upside down and letting people subscribe to it rather than keep their own quickly outdated lists. They’ve launched a new feature called “Share my info” in Yahoo Contacts that is, like the old Plaxo product, a way to subscribe to contact information and have it automatically updated.

Instead of updating your friends’ contact information when it changes, your friends just do it for themselves and then everyone with permission to get that information automatically has their address book updated.

It saves a lot of hassle and it was brilliant when Plaxo launched it in 2002.

But it never really caught on with the masses and most people today are stuck with address books that are little better than they had a decade ago. Plaxo’s spamming problem probably didn’t help gain user trust, which was part of the problem. But Plaxo also lacked other features like email to make it a really useful place hold your address book.

Syncing products bring the promise of contacts Shangri La, but they never quite seem to work. I still maintain a desktop address book synced with Mobile Me as well as Google Contacts synced with my phone, and it’s a huge mess of duplicate contacts and outdated information.

There’s also a bunch of independent contact information for some of my friends over on Facebook. And in fact that’s often the most reliable data for older contacts because they keep it updated themselves. It’s very similar, in fact, to the Plaxo model. I’m “subscribed” to them via mutual friendship and it can be turned off at any time.

I hope Google starts doing this soon as well, simply because that’s the closest thing to a master contact list that I have in the cloud. And at some point someone has to solve the problem of syncing contact information and other data across company platforms. Yes, I know a ton of startups have tried this, but no one has quite gotten it dead simple and right.

CrunchBase InformationYahoo!PlaxoInformation provided by CrunchBase

Humiliation for Binyamin Netanyahu will see East Jerusalem settlements postponed and security eased, it is understood

The Israeli prime minister, Binyamin Netanyahu, has caved in to US demands over the Middle East peace process, opening the way for a resumption of talks with the Palestinians.

The humiliating climbdown, which came after a week of pressure from the Obama administration, has been announced as the Middle East quartet continues talks this morning in Moscow.

The group met for dinner last night. It consists of the US secretary of state, Hillary Clinton; Tony Blair, the quartet's Middle East envoy; the UN secretary-general, Ban Ki-moon; the EU's new foreign policy chief, Lady Ashton; and Russia's foreign minister, Sergei Lavrov.

Lavrov described last night's talks as "very useful" and said the quartet was part-way towards reaching "some common conclusions which may be helpful to provoke the beginning of negotiations [between the Israelis and Palestinians]".

In a telephone call to Clinton last night, Netanyahu agreed to various demands she had set out last Friday.

A statement from his office said he proposed, as Clinton had demanded, "confidence-building steps" that would make it easier for the Palestinians to join the talks. He did not specify what these would be, but they could include easing Israeli roadblocks in the West Bank, the withdrawal of Israeli troops from more parts of the West Bank and the release of Palestinian prisoners.

He did not announce, as the US had demanded, a freeze on the construction of Jewish homes in Ramat Shlomo in East Jerusalem, the key sticking point.

But diplomats in Washington, Moscow and Jerusalem said Netanyahu had privately promised a temporary freeze on new construction. The work, while not cancelled, is to be postponed for several years.

The Israeli ambassador to the US, Michael Oren, told the Washington Post: "The goal of both sides at this point is to put this behind us and go forward with the proximity talks as quickly as possible."

The concessions bring to an end a rare clash between the US and Israel that began early last week when the US vice-president, Joe Biden, made a visit to Israel to coincide with what he hoped would be a resumption of peace talks. During his visit Israel announced a plan to build 1,600 Jewish homes in East Jerusalem. The Palestinians promptly pulled out of the proposed talks and the US described the Israeli announcement as a snub and an insult.

Clinton had a tense 41-minute phone call with Netanyahu last Friday expressing US anger and setting out her demands: confidence-building measures, a moratorium on new construction in East Jerusalem and a promise that the resumption of negotiations would be on matters of substance, not just talks about talks.

There has been no indication whether Netanyahu agreed to the final point, but it is unlikely, given the events of last week, that the US will have settled for anything less.

Diplomats said some of the concessions by Netanyahu were being made public and others were being kept private to allow him to save face.

The climbdown is politically awkward for Netanyahu, coming a few days after he publicly said that no Israeli government in the past 42 years had given a promise not to build in East Jerusalem. He will face particular criticism from his rightwing coalition partners.

Netanyahu held a long meeting with cabinet colleagues on Wednesday night to discuss the concessions he would have to make.

Obama and Clinton stand to gain from the Israeli retreat, which will help their reputation among the Palestinians and in the Arab world. They were left looking weak after a similar stand-off with Israel last September when peace talks failed to get under way.

The US Middle East envoy, George Mitchell, cancelled a trip to Israel this week in protest, but is to resume his visit on Sunday. Clinton is to see Netanyahu in Washington next week.

A US state department spokesman, PJ Crowley, said Clinton and Netanyahu had discussed "specific steps" to improve the outlook for Middle East peace talks. Netanyahu's spokesman, Nir Chefetz, said the prime minister had proposed "mutual confidence-building steps" that both Israel and the Palestinians could take.

Last night Israeli retaliated for a Palestinian rocket attack that killed a Thai agricultural worker. Israeli planes struck at least two targets in Gaza, officials and witnesses said.

• Israel
• Palestinian territories
• Middle East
• US foreign policy
• United States

Ewen MacAskillLuke Hardingguardian.co.uk © Guardian News & Media Limited 2010 | Use of this content is subject to our Terms & Conditions | More Feeds

Welcome to the two-hundred and fifty-second in a series of examinations of comic book legends and whether they are true or false. Click here for an archive of the previous two hundred and fifty.

Comic Book Legends Revealed is part of the larger Legends Revealed series, where I look into legends about the worlds of entertainment and sports, which you can check out here, at legendsrevealed.com. I'd especially recommend you check out this installment of TV Legends Revealed to find out the story of how Michael J. Fox got "revenge" on Brandon Tartikoff!

Let's begin!

COMIC LEGEND: Frank Frazetta turned down the opportunity to play professional baseball to draw comic books.

STATUS: I'm Going With True.

Amazingly enough, the world might have missed out on the artistic talents of Frank Frazetta! Instead, it is the world of baseball that missed out on the athletic skills of Frank Frazetta!

A few months back, reader Ed wrote in to ask:

I read somewhere, don't remember where or when, that Frank Frazetta turned down a "bonus-baby" contract to play for the New York Giants baseball team. I think this was from an interview, so came from his own mouth. I can't find any information about this online. Could it be true, and would there be any way to verify that the Giants actually offered him a contract, or did he just have scouts looking at him. This would have been right after WWII.

This story appears to basically be true, although I'm sure there's a little puffery involved.

For instance, on the Frazetta Art Gallery site a few years back, it was said...

Frank did not start playing baseball until he was 15 years old, but within just a few short years of playing sandlot ball in Brooklyn, he was offered a contract to play center field for the New York Giants.

That's stretching the truth of the matter a bit, as in the biography section, there is a more realistic take on the situation...

In this spot on the Frazetta Art Gallery web site, his baseball almost-career is discussed:

Through his teens, he continued drawing and painting, however he began to slack off due to his discovery of girls and baseball. In school he set several high school records, and eventually caught the attention of a scout for the New York Giants professional baseball team. Frank was offered a position on their farm squad with a good prospect of moving up to the major league within a season, but he turned them down. " I was involved with a girl at the time," Frazetta says a little sorrowfully. "And going down to Texas and sweating it out in the minors for a year didn't seem very appealing. You have to remember that at that time athletes weren't making the money they do today. They bussed you back and forth and it was just a big disgusting hassle. I remember that traveling to another state seemed like going to the end of the world, so I told them, maybe next year. Time went by and before I knew it I was too old. It was just my way of letting time make the decision for me. If I have any regrets it's that I didn't turn pro. If I was in my twenties and had it to do over - today, at today's salaries - you better bet I'd do it. "

And yeah, that's basically the "rub" of the story - while yes, Frazetta most likely WAS offered a baseball contract (he was a very skilled baseball player in high school)...

what a "baseball contract" was in 1946 is very different than what you would think of a baseball contract today.

In 1946, the New York Giants had a whopping SEVENTEEN minor league baseball affiliates!

They were all over the country, in cities big and small!

Minneapolis
Danville
Trenton
Manchester
Hickory
Springfield
Anderson
Oshkosh
Jacksonville
Bristol
Jersey City
Erie
Peekskill
St. Cloud
San Francisco
Fort Smith
Richmond Colts

With that many affiliates, the amount of players who were offered "professional baseball contracts" was a lot higher than it it is now (not to mention the fact that pro ballplayers were chosen almost entirely from white people at the time) and with that many affiliates, your average player was not exactly making a lot of money.

And while Frazetta was a great physical specimen...

there was no guarantee that he would actually make the majors (he wasn't a prospect along the level of, say, a Whitey Ford - just to name a major prospect signed around the same time).

And even if he were to buck the odds and MAKE the majors, even THEN he would not be guaranteed a hefty salary!

So when you add in very little upfront money and a lot of travel, all with the promise of MAYBE making the Majors, it was not exactly a great job offer if you had steady work at the time.

And comic books in the late 1940s/early 1950s had a lot more definitive work for a guy like Frazetta, so it's not surprising at all to see him choose drawing comics over playing minor league baseball. So, coupled with the many accounts of his baseball acumen from the people who knew him as a youth, plus the fact that Frazetta has consistently told the story over the years (with just the specifics moving a bit as time goes by), I'm willing to say that yes, Frazetta did, indeed, turn down a professional baseball job to draw comics.

And from his perspective at the time, it surely seemed to pay off...

By the end of the decade and the beginning of the next, Frazetta was all over comics...

And when comics stopped paying, Frazetta moved on to comic strips, and then to book covers, which is where his real worldwide fame began, as his science fiction and fantasy paintings are famous the world over.

And it all could have gone very differently if he had said yes to baseball as a teen.

Thanks to Ed for the question!

COMIC LEGEND: A black and white EC Comics reprint uncovered a decades-old X-rated prank.

STATUS: True

Late last year I did a Comic Book Legends Revealed installment on how an issue of X-Men, when reprinted in black and white for Marvel's Essentials format, had some slight nudity where nudity was never meant to be shown (inker Terry Austin added some female anatomy for the sake of definition - it was intended to be covered up when the book was colored).

Well, a similar situation occurred in 1979 when Russ Cochran did the EC Archives Edition of Tales From the Crypt, with black and white reprints of the original series.

Here's a page from Tales From the Crypt #29....

Here's a panel from the issue...

Nothing weird, right?

Well, here's that same panel in black and white (you can click to enlarge it a bit more)...

And here is a detail of that panel....

Of course, in this instance, it was an intentional joke by original artist Joe Orlando that was intended to be colored over so that it would never be visible.

The best part about this story is that a few years after the collection came out , someone noticed the prank and informed Bill Gaines, who then wrote to Orlando to "complain" about the prank (Gaines was a noted prankster himself, so it's highly unlikely that he actually cared, almost certainly he was writing to acknowledge the decades-old prank).

And Orlando replied to him feigning outrage at the suggestion.

The great Bhob Stewart featured the prank on his great web site here. Stewart has a copy of Orlando's full letter to Gaines (written on DC Comics stationery) at that above link. It's a great read - well worth reading. Heck, Stewart's whole site, Potzrebie, is a great read as a whole and well worth reading.

COMIC LEGEND: Dreadknight was originally going to be the mysterious Masters of Evil member in Amazing Spider-Man #283.

STATUS: I'm Going With False

In the other week's Comic Book Legends Revealed, I discussed how Tom DeFalco was planning to introduce a brand-new Spider-Man villain during his run on Amazing Spider-Man in Amazing Spider-Man #283, but since he left the book soon after, he brought the character to his run on Thor.

Well, apparently there is some matter of debate over whether that was the ORIGINAL intent for that character in #283.

Readers Omar Karindu and trajan23 both wrote (respectively)...

The rumor I always heard was that the MoE-to-be was supposed to be Dreadknight.

Dreadknight was listed as a Master of Evil in the Marvel Handbook a few months before the Under Siege story began, and I think Roger Stern said somewhere that he wanted the evil Black Knight's successor in there somewhere.

and

The Marvel Appendix also goes with the Dreadknight as the intended MoE-to-be as well.

As to the first point, here is the page from the Handbook...

Note the circled part.

And here is the quote from the great Unofficial Marvel Appendix site on the Masters of Evil...

The mystery member of the Masters of Evil in Amazing Spider-Man I#283 was almost certainly supposed to be the Dreadknight, who was from Europe, was a good match-up for the Black Knight, and had been named as a member of the Masters of Evil in the Official Handbook of the Marvel Universe Deluxe Edition #4. However, Tom DeFalco decided to make it his newly-created villain the Mongoose instead. He was also intending to set up the Mongoose as a Spider-Man villain, but wound up establishing him in Thor after his abrupt departure from the Spider-Man titles.

Well, awhile back, someone asked Roger Stern about Amazing #283 on his web forum, and he replied:

No, Tom DeFalco wrote AMAZING SPIDER-MAN #283. The last issue of ASM that I scripted was #250.

However, Tom and I coordinated events between AVENGERS and ASM so that the Absorbing Man and Titania bounced back and forth between the comics and stayed consistent.

(Believe it or not, there was a time when this was common.)

I believe that Tom and Ron Frenz intended the mystery villain to be a new Spider-Man foe. But they ran into editorial problems and left the book shortly after that issue. I believe they later used the mystery villain during their run on THOR, but I don't remember who he was.

So it sure seems that the Mongoose was always intended to be the mystery character, as Stern does not even hint at anyone other than a new Spider-Man villain being the character in #283.

I think it's clear enough that I'm willing to go with a "false" here!

Thanks to Omar Karindu and trajan23 for the suggestion and thanks to Roger Stern for the info (and Dicky El for asking Roger the question)!

Be sure to check out the Unofficial Index to the Marvel Universe, while you're at it! It's a great site!

Okay, that's it for this week!

Thanks to the Grand Comics Database for this week's covers! And thanks to Brandon Hanvey for the Comic Book Legends Revealed logo!

Feel free (heck, I implore you!) to write in with your suggestions for future installments! My e-mail address is cronb01@aol.com.

As you likely know by now, last April my book finally came out!

Here is the cover by artist Mickey Duzyj. I think he did a very nice job (click to enlarge)...

If you'd like to order it, you can use the following code if you'd like to send me a bit of a referral fee...

Was Superman a Spy?: And Other Comic Book Legends Revealed

See you all next week!

On Monday I had the opportunity to present the MIX 2010 Day 1 Keynote in Las Vegas (you can watch a video of it here).  In the keynote I announced the release of the Silverlight 4 Release Candidate (we’ll ship the final release of it next month) and the VS 2010 RC tools for Silverlight 4.  I also had the chance to talk for the first time about how Silverlight and XNA can now be used to build Windows Phone 7 applications.

During my talk I did two quick Windows Phone 7 coding demos using Silverlight – a quick “Hello World” application and a “Twitter” data-snacking application.  Both applications were easy to build and only took a few minutes to create on stage.  Below are the steps you can follow yourself to build them on your own machines as well.

[Note: In addition to blogging, I am also now using Twitter for quick updates and to share links. Follow me at: twitter.com/scottgu]

Building a “Hello World” Windows Phone 7 Application

First make sure you’ve installed the Windows Phone Developer Tools CTP – this includes the Visual Studio 2010 Express for Windows Phone development tool (which will be free forever and is the only thing you need to develop and build Windows Phone 7 applications) as well as an add-on to the VS 2010 RC that enables phone development within the full VS 2010 as well.

After you’ve downloaded and installed the Windows Phone Developer Tools CTP, launch the Visual Studio 2010 Express for Windows Phone that it installs or launch the VS 2010 RC (if you have it already installed), and then choose “File”->”New Project.”  Here, you’ll find the usual list of project template types along with a new category: “Silverlight for Windows Phone”. The first CTP offers two application project templates. The first is the “Windows Phone Application” template - this is what we’ll use for this example. The second is the “Windows Phone List Application” template - which provides the basic layout for a master‑details phone application:

After creating a new project, you’ll get a view of the design surface and markup. Notice that the design surface shows the phone UI, letting you easily see how your application will look while you develop. For those familiar with Visual Studio, you’ll also find the familiar ToolBox, Solution Explorer and Properties pane.

For our HelloWorld application, we’ll start out by adding a TextBox and a Button from the Toolbox. Notice that you get the same design experience as you do for Silverlight on the web or desktop. You can easily resize, position and align your controls on the design surface. Changing properties is easy with the Properties pane. We’ll change the name of the TextBox that we added to username and change the page title text to “Hello world.”

We’ll then write some code by double‑clicking on the button and create an event handler in the code-behind file (MainPage.xaml.cs).

We’ll start out by changing the title text of the application. The project template included this title as a TextBlock with the name textBlockListTitle (note that the current name incorrectly includes the word “list”; that will be fixed for the final release.)  As we write code against it we get intellisense showing the members available.  Below we’ll set the Text property of the title TextBlock to “Hello “ + the Text property of the TextBox username:

We now have all the code necessary for a Hello World application.  We have two choices when it comes to deploying and running the application. We can either deploy to an actual device itself or use the built‑in phone emulator:

Because the phone emulator is actually the phone operating system running in a virtual machine, we’ll get the same experience developing in the emulator as on the device. For this sample, we’ll just press F5 to start the application with debugging using the emulator.  Once the phone operating system loads, the emulator will run the new “Hello world” application exactly as it would on the device:

Notice that we can change several settings of the emulator experience with the emulator toolbar – which is a floating toolbar on the top right.  This includes the ability to re-size/zoom the emulator and two rotate buttons.  Zoom lets us zoom into even the smallest detail of the application:

The orientation buttons allow us easily see what the application looks like in landscape mode (orientation change support is just built into the default template):

Note that the emulator can be reused across F5 debug sessions - that means that we don’t have to start the emulator for every deployment. We’ve added a dialog that will help you from accidentally shutting down the emulator if you want to reuse it.  Launching an application on an already running emulator should only take ~3 seconds to deploy and run.

Within our Hello World application we’ll click the “username” textbox to give it focus.  This will cause the software input panel (SIP) to open up automatically.  We can either type a message or – since we are using the emulator – just type in text.  Note that the emulator works with Windows 7 multi-touch so, if you have a touchscreen, you can see how interaction will feel on a device just by pressing the screen.

We’ll enter “MIX 10” in the textbox and then click the button – this will cause the title to update to be “Hello MIX 10”:

We provide the same Visual Studio experience when developing for the phone as other .NET applications. This means that we can set a breakpoint within the button event handler, press the button again and have it break within the debugger:

Building a “Twitter” Windows Phone 7 Application using Silverlight

Rather than just stop with “Hello World” let’s keep going and evolve it to be a basic Twitter client application.

We’ll return to the design surface and add a ListBox, using the snaplines within the designer to fit it to the device screen and make the best use of phone screen real estate.  We’ll also rename the Button “Lookup”:

We’ll then return to the Button event handler in Main.xaml.cs, and remove the original “Hello World” line of code and take advantage of the WebClient networking class to asynchronously download a Twitter feed. This takes three lines of code in total: (1) declaring and creating the WebClient, (2) attaching an event handler and then (3) calling the asynchronous DownloadStringAsync method.

In the DownloadStringAsync call, we’ll pass a Twitter Uri plus a query string which pulls the text from the “username” TextBox. This feed will pull down the respective user’s most frequent posts in an XML format. When the call completes, the DownloadStringCompleted event is fired and our generated event handler twitter_DownloadStringCompleted will be called:

The result returned from the Twitter call will come back in an XML based format.  To parse this we’ll use LINQ to XML. LINQ to XML lets us create simple queries for accessing data in an xml feed. To use this library, we’ll first need to add a reference to the assembly (right click on the References folder in the solution explorer and choose “Add Reference):

We’ll then add a “using System.Xml.Linq” namespace reference at the top of the code-behind file at the top of Main.xaml.cs file:

We’ll then add a simple helper class called TwitterItem to our project. TwitterItem has three string members – UserName, Message and ImageSource:

We’ll then implement the twitter_DownloadStringCompleted event handler and use LINQ to XML to parse the returned XML string from Twitter.  What the query is doing is pulling out the three key pieces of information for each Twitter post from the username we passed as the query string. These are the ImageSource for their profile image, the Message of their tweet and their UserName. For each Tweet in the XML, we are creating a new TwitterItem in the IEnumerable<XElement> returned by the Linq query. 

We then assign the generated TwitterItem sequence to the ListBox’s ItemsSource property:

We’ll then do one more step to complete the application. In the Main.xaml file, we’ll add an ItemTemplate to the ListBox. For the demo, I used a simple template that uses databinding to show the user’s profile image, their tweet and their username.

<ListBox Height="521" HorizonalAlignment="Left" Margin="0,131,0,0" Name="listBox1" VerticalAlignment="Top" Width="476"> <ListBox.ItemTemplate> <DataTemplate> <StackPanel Orientation="Horizontal" Height="132"> <Image Source="{Binding ImageSource}" Height="73" Width="73" VerticalAlignment="Top" Margin="0,10,8,0"/> <StackPanel Width="370"> <TextBlock Text="{Binding UserName}" Foreground="#FFC8AB14" FontSize="28" /> <TextBlock Text="{Binding Message}" TextWrapping="Wrap" FontSize="24" /> </StackPanel> </StackPanel> </DataTemplate> </ListBox.ItemTemplate> </ListBox>

Now, pressing F5 again, we are able to reuse the emulator and re-run the application. Once the application has launched, we can type in a Twitter username and press the  Button to see the results. Try my Twitter user name (scottgu) and you’ll get back a result of TwitterItems in the Listbox:

Try using the mouse (or if you have a touchscreen device your finger) to scroll the items in the Listbox – you should find that they move very fast within the emulator.  This is because the emulator is hardware accelerated – and so gives you the same fast performance that you get on the actual phone hardware.

Summary

Silverlight and the VS 2010 Tools for Windows Phone (and the corresponding Expression Blend Tools for Windows Phone) make building Windows Phone applications both really easy and fun. 

At MIX this week a number of great partners (including Netflix, FourSquare, Seesmic, Shazaam, Major League Soccer, Graphic.ly, Associated Press, Jackson Fish and more) showed off some killer application prototypes they’ve built over the last few weeks.  You can watch my full day 1 keynote to see them in action. I think they start to show some of the promise and potential of using Silverlight with Windows Phone 7.  I’ll be doing more blog posts in the weeks and months ahead that cover that more.

Hope this helps,

Scott

McKesson is a global health care leader that has 26 operating companies. The centrial IT group had the vision to automate "the last mile" of IT planning, the budget approval process. We think of it as the budget approval dance, and when containing costs, it's a ritual that can leave scars. This company has evolved to the point of improving the cost of budgeting, and making it faster and smarter by understanding the assets, services, and service delivery of IT.

Budgeting can be painful because it can be in slow-motion. Contrast this with the real-time controls of such as VMware V-Motion and Amazon's web service console and we see a great linkup for driving process change through budgeting. And driving budgeting by cloud and virtualization. We took a look at McKesson's journey and the service catalog functions of NewScale, an IT services catalog company.

Sponsor

McKesson: Let's Start with Less Meetings and Less 5mb Spreadsheets

NewScale has customers like McKesson and Charles Schwab and competitors like HP, IBM, Tivoli. The company has been growing its customer base and helping stable-state enterprises to leverage Service Management. And that leads directly into cloud procurement.

We tracked the use case at McKesson, where the company landed at the service desk in the cloud as a means to the end in their journey to build a low-impact budget process.

We see a lot of benefit in this approach, where if successful, it would mean that the advantages to go with commodity pre-approved services dramatically improves the timing and effort of procurement. This is a lever that gives Finance a significant hand in the IT spend. Since cloud and virtualization offerings can be spun-up with service call, the cloud is well positioned to be there as budgeting and approval processes are automated.

In phase one, the company reported significant progress in moving processes towards the service catalog.

One click vs. Fill Out the Form

In the end, the move towards enterprise standards may be won over simplicity. Is it less clicks to provision. This means connecting the dots between processes, systems, software, teams, and policy.

To EC2, or to EC2 through Official Channels: That is the Question

IT services management comes into the picture and could make a difference in how the business and technical contributors of organizations are rewarded for moving to a standard platform.

Information Technology Infrastructure Library is tool set that has been given to IT managers to try to wrap standard language around IT service management. It gives the enterprise a common way to manage processes for IT and track the changes involved in building and operating systems.

Services platforms like Amazon and Salesforce can be considered IT disinter-mediation. We all know a IT leader out there somewhere who is funding their project by credit card out in the cloud. IT, of course, knows this also (especially since they are likely watching your network traffic). One part of the service management offering is making it even easier than Amazon. Carrot, vs. stick.

Service catalog management has the promise when it wraps things like Amazon's EC2, or VMwares offerings, gives the enterprise a way to get the same service from the web. And, with budget approval and IT approval baked in, the carrot is there.

All of IT moves towards transparency and IT processes as being measured as processes. In the ITIL community, there is discussion of the next layer of the library moving towards service delivery in the move towards ITIL Version 3. It's easy to see that "provision server" becomes fully automated. Soon, all the IT functions below it become invisible. We see this as a future cloud inflection point, where instead of there "cloud services", we are all in one.

Zen Mashup

What has been your experience in mashing ITIL, ITIL Service Delivery in your environment? Do your IT services flow like water?

Discuss

When we were driving out of town I said, "I hate the corpses of empires, they stink as nothing else. They stink so badly that I cannot believe that even in life they were healthy." "I do not think you can convince mankind," said my husband, "that there is not a certain magnificence about a great empire in being." "Of course there is," I admitted, "but the hideousness outweighs the beauty. You are not, I hope, going to tell me that they impose law on lawless people. Empires live by the violation of law." (Rebecca West, from Black Lamb and Grey Falcon)

Strange week this week. All Marvel and Vertigo. And lots of sex. Weird. And yes, I'm aware the fourth issue of Daytripper came out last week. I didn't get it, for some reason. I should have it this weekend. Dang. Let's move on!

Avengers vs. Atlas #3 (of 4) ("Hulk Smash!"/"Hey, Venus!") by Jeff Parker (writer, "Hulk"), Paul Cornell (writer, "Venus"), Gabriel Hardman (artist, "Hulk"), Leonard Kirk (artist, "Venus"), Elizabeth Breitweiser (colorist, "Hulk"), Brad Anderson (colorist, "Venus"), Tom Orzechowski (letterer, "Hulk"), and Joe Sabino (letterer, "Venus"). $3.99, 30 pgs, FC, Marvel.

Everyone reading this should know what I'm going to rant about. When Thor transports the Avengers and the agents of Atlas to Norway, he says, "But I know of one place on Midgard I can bring us all to!" Sorry, Thor - it's TAKE!!!!! Seriously, poor "take." No one loves it. So sad.

I love how Parker casually makes Hank Pym a dick even when he's not really trying. When the old-school Avengers find out that Bruce Banner is the Hulk (because Venus sang to him and calmed him down, turning him back to Banner), Pym says, "That's Dr. Bruce Banner! He's maybe the top physicist in the world -- well, besides me ..." Ha! And Parker makes Tony Stark a bit of a wuss, too - Marvel Boy telepathically informs Pym about what's happening, and Stark says, "He could have put the knowledge in me ... I would have gotten it." If that's not enough, in the next panel, Stark looks down at himself and says to no one in particular, "I built this suit ..." Whenever a writer is clever enough to drop stuff like that into his fairly standard superhero team-up (which this is), I appreciate it, because it just humanizes them and makes it easier to deal with the wackiness of a team from the 1960s (or a decade ago, according to Pym) joining up with a team from the present thanks to some time anomaly. They all fight the Hulk, Bob figures out what's up, and everything is set up for the final showdown. It's good, clean fun!

In the back-up story, Cornell and Kirk bring us Venus, love advice columnist. It's pretty hilarious (see the panel of awesome below), as she answers questions from Hercules, Deadpool (which is particularly hilarious), I assume Jocasta, the Hulk, Norman Osborn (more hilarity!), Kitty Pryde, and Clint Barton. It's very dependent on knowing Marvel continuity (unsurprisingly), and the only one I didn't get was the letter from Miss Dean. Help me out, more knowledgeable readers! It's a fun little tale.

Sex in this comic? Hoo-boy, you bet. It stars Venus in both stories, for crying out loud! In the first, Venus has to sing to calm Bruce down, and two superheroes get caught in the sound wave. Macking commences! And in the second, well, Deadpool's letter is the highlight, and I won't spoil it.

One panel of awesome:

Oh, Hulk, no one understands you!

Fables #93 ("The Little Murder Part Two of Two") by Bill Willingham (writer), David Lapham (artist), Lee Loughridge (colorist), and Todd Klein (letterer). $2.99, 22 pgs, FC, DC/Vertigo.

It's been two months since the last issue of Fables. Strange. Anyway, I always dig the short stories of this series because they seem to contain standalone stories, but Willingham always makes sure that things get tied into the main story later. In other words, I doubt we've seen the last of the some of these characters. The story itself is not great but not bad, as Ambrose needs to figure out a way to deal with the serious transgression from last issue in a way that doesn't rip his kingdom apart. He does it, of course, but there's still some restlessness among the subjects, and that can't be good. I do like the only witness for the defense - at first, I thought it was absolutely idiotic, but once John started expanding on his story, it made better sense. And hey - those people who wish to read political intent into writers' books can kind of have a field day here, as Willingham tackles the death penalty and the idea of culture leading to what some would call crime. I honestly don't care when writers inject their political beliefs into comics (if, indeed, that's what Willingham is doing here), because this issue, while not superb, does show how much difficulty Ambrose is going to have moving forward. That's what makes this such a neat series.

Sex in this comic? Definitely. Off-panel and after the issue ends, but oh yeah, someone's getting lucky!

One panel of awesome:

Won't someone think of the ... squirrel children!

Hercules: Fall of an Avenger #1 (of 2) (Hercules main story/"Greek Tragedy") by Greg Pak (writer, "Hercules"), Fred van Lente (writer, "Hercules"), Paul Tobin (writer, "Tragedy"), Ariel Olivetti (artist, "Hercules"), Reilly Brown (penciler, "Tragedy"), Jason Paz (inker, "Tragedy"), Wil Quintana (colorist, "Tragedy"), Simon Bowland (letterer, "Hercules"), and Joe Sabino (letterer, "Tragedy"). $3.99, 30 pgs, FC, Marvel.

There are a few writers that I simply will not read. I've read their stuff, disliked it enough to know it's kind of a pattern with them and not an anomaly, and won't try it again. There are some writers who I dislike so much that even if they hook up with a fantastic artist, it's not enough to get me to buy it. However, if I like the writer, usually I can take lousy art, because I'm much more interested in the writing in comics than the art. If the art doesn't make my eyes bleed and tells the story serviceably, I can deal with it. Very rarely will the art on a book I want to read by a writer I like keep me from buying it. Let me tell you, I had one of those moments on Wednesday, when I looked at this book and Ariel Olivetti's art.

I can't really put my finger on why I don't like Olivetti's art. I didn't always dislike it. A decade ago, when he was still drawing using heavy lines rather than whatever the hell he's doing now, it wasn't great art but it had a kind of mad energy to it. Then he started doing more and more delicate line work, it appears he's given up on inking, and I don't know what's going on with the coloring (an Irene Y. Lee is credited with "production" on this book; does she do the coloring or does Olivetti?). It's that faux-"realistic" look that, to me, is ridiculously static and, at times, downright creepy. It's kind of the same thing that Salvador Larocca has done in the past five years or so, with color washes that drains everything heavy from the page but makes the art far too ephemeral. It's not a good look. Olivetti is fine telling a story, but the art just repels me. But I bought this anyway, because I knew that Pak and Van Lente wouldn't let me down. And, heck, they didn't. Well, except for one brief exchange. I'll 'splain.

The premise of the book is that Amadues Cho and a bunch of heroes congregate at the Parthenon to honor Hercules. Amadeus is peeved at Athena and wants her to show up, but instead the heroes do. So they all tell stories about how groovy Hercules was. Thor talks about the time he and Herc had to outdrink a bunch of giants, while Namor tells them of the time Herc beat on him to get him out of a funk. (I wonder why Namor is wearing his new, "I'm so cool" outfit in his flashback when he's wearing his old-school, "I'm so cool I can look UNcool" underpants in the original comic. I mean, will people reading this comic be that confused that he ... changed his clothes?!?!?!?) These are not bad stories, and Thor's is quite funny. Then the babes show up, talking about how hot Herc was (it's true - they all say it!). Snowbird says that they all "lay" with him, then continues: "I know there are others in the crowd who should join us ... don't be shy." At which Northstar says, "Is that the time? Gotta go!" while Namor looks on, a question mark above his head. Ha ha, Jean-Paul had sex with Herc and he's embarrassed about it! Now, this bugged me. First of all, Herc is a god. And he's, you know, Greek. I always assumed he was kind of pansexual, so the idea of him having sex with men isn't that strange. Second, Northstar is (wait for it) gay. And everyone knows he's gay! Who cares if he had sex with Herc? It felt, to me, that Van Lente and Pak were saying that a gay man would be embarrassed that he had sex with a man, while the women aren't. This would have, actually, been a perfect opportunity for another Marvel hero to come out of the closet - the joke would have been funnier if Snowbird had said that and someone like Warren or Logan had shrugged and said, "Hey, it weren't no big thing." But it's weird that Northstar is embarrassed about it. This weird feeling continues on the next page, when Alflyse starts talking about her time with Herc (see the panel of awesome below). Wolverine and Fandral looked shocked. After she's done talking, Namor too looks shocked (and Thor looks like he's fondly remembering his own experiences with the Elven Tickler, which isn't too surprising, given that he's, you know, Thor). Logan is older than a century, and he knows how to get with the ladies. Fandral is a freakin' god. Namor, I suppose, is the most stuck-up of them, so him I can forgive. But the idea in mainstream comics, it seems, is that men like the sex as long as it's not too weird, while the women kind of tolerate the sex but certainly don't do anything wacky. Pak and Van Lente are subverting the second assumption, but reinforcing the first. Are you telling me Logan never got really weird with any of the seriously crazy women he hooked up with? Are you saying Fandral never did anything bizarre to mix things up after a thousand years of the missionary position? I've seen this attitude before in Marvel and DC comics, and it's a bit strange. If someone who looks like Alflyse starts talking about how much she enjoyed Herc's mastery of the Elven Tickler, I wouldn't looked shocked, I'd be breaking out the instruction manual to figure it out!

And then Athena shows up and tells Amadeus that he's the new leader of the Olympus group, which leads into next issue. And the back-up story has Venus and Namora going around telling people that Herc is dead. It's a clever idea by Tobin - apparently Herc invested money in stuff and then forgot about it, so he has all sorts of weird holdings all over the world, some of which have done very well for him (he was an early investor in Stark Industries, for instance). It's a nice little story that features a hydra. Which is never a bad thing to see.

Sex in this comic? See above. Plus, Venus get naked in a totally non-sexual situation (one of Herc's holdings was a nudist colony), and all the people who lived in homes that Herc owned happened to be women. I wonder why?

One panel of awesome:

I love Wolverine's expression!

Joe the Barbarian #3 (of ВосемБ) ("The Dying Boy") by Grant "Yes, this is just propaganda to get you to keep rats as pets, why do you ask?" Morrison (writer), Sean Murphy (artist), Dave Stewart (colorist), and Todd Klein (letterer). $2.99, 22 pgs, FC, DC/Vertigo.

Morrison unveils a few more secrets in this issue, as Joe is shown something that makes his journey through the strange world of more import than it already was, and a new adventurer joins the team. And of course, because it's a Grant Morrison comic, the very odd bad guys (well, I'm just going to assume they're bad guys; they could be kindly monks for all I know) are revealed at the end. There are typical Morrisonisms sprinkled throughout the dialogue, and it all moves along at a nice clip. Murphy remains the absolutely stunning star of the comic, though. The chase at the beginning of the issue is terrifically exciting, and when Joe and Jack arrive in Draka's town, Murphy gives us a full-page drawing that is simply gorgeous. When Joe collapses near the end of the issue, Murphy looks downward through his house, almost giving us vertigo. The book itself continues to get better, writing-wise, but Murphy's art is so staggering you almost don't need to read the text. That's so rare with a Morrison comic that it's almost unbelievable. But there it is!

Sex in this comic? It's about a boy in a fantasy land. Let's hope not!

One panel of awesome:

So portentous!!!!!

Marvel Boy: The Uranian #3 (of 3) ("Man of Two Worlds") by Jeff Parker (writer), Felix Ruiz (artist/letterer), and Val Staples (colorist). $3.99, 22 pgs + 18 pgs of 3 back-up stories, FC, Marvel.

This isn't a bad comic, and it looks great, but it does feel more like Parker is filling in the gaps of the characters from Agents of Atlas (or, I guess, Atlas) than telling a standalone story. He fleshed out some crucial points about Bob's past, namely his connection to Uranus and what his overlords really want (and if I call them "overlords," they can't be too benign, can they?), but this feels a bit trifling, as if it could have been told in a flashback in the regular series over the course of an issue or possibly two. Three issues is a bit much. I mean, we get to see a giant 1950s Marvel monster (see below), some nice parts about Bob's life, and a groovy mad scientist, but it still feels a bit too slight. Oh well. The art is fantastic, Parker's writing is fine as ever (even if the book itself is slight), and we get to see a bunch of reprints drawn by Bill Everett. If you're a fan of Jimmy Woo's team or Parker's writing, it's a fun book. For four bucks a pop, though, it's a bit steep.

Sex in this comic? Bob gets busy in a rocket with Violet. There's nothing better than zero-gravity sex! (Or, you know, so I'm told. By my astronaut friends. Of which I have many.)

One panel of awesome:

Jeff Parker + Felix Ruiz = awesome!

Spider-Woman #7 by Brian Michael Bendis (writer), Alex Maleev (artist), and Cory Petit (letterer). $3.99, 35 pgs, FC, Marvel.

Bendis writes at the end of this book that it's over, because it's way too much work for Maleev to do it, motion-comic style. Why they specifically had to do it motion-comic style isn't addressed, but apparently putting together a motion comic takes a lot more time and effort by the artist, and it was killing Maleev. KILLING HIM!!!!!! So they pulled the plug. Oh well.

I'm not that put out by it, because I was probably going to drop the book anyway after the first arc. I will defend the Bendis/Maleev Daredevil to anyone who tries to put it down (which, to be honest, isn't many people), but this just never got good. It had a nifty hook but Bendis simply didn't do anything with it, and in the end, he had to bring in the Avengers to bail Jessica out. This issue is just a big ol' dumb superhero fight with a few clever Bendisisms, but mostly, it's dumb. And Jessica is a total bitch. She's not a bitch in a charming, fucked-up way that Jessica Jones was in Alias, she's a bitch in a "Gosh, I really hope that Skrull kills her" way. She keeps calling the Asian girl "dumb" because she claims that her Skrull boyfriend is Spider-Man. Now, the way Maleev draws her, it seems like she's blind. Second, the Skrull is, you know, a shape-shifter, so even if she's not blind, he could look like Spider-Man. Jessica points out that Spider-Man "famously" lives in New York, but she's only been dating him three weeks, meaning he could be on vacation or something. So, um, Jessica? Shut the fuck up. As Abigail points out, your track record so far in this comic isn't great in the intelligence department, so if the girl from Madripoor believes she was dating Spider-Man, you're the last person in the world to call her dumb. And then, later, the Skrull tells her that the queen chose her form because "of all the people in the world ... we discovered that no one on this entire planet cares enough about you to notice you at all." Really, Skrull? Okay, from the way Jessica behaves in this comic, I see Skrull dude's point, but that's a bit extreme, isn't it? I mean, she has plenty of friends, after all. It's one of those things that sounds cool the first time you read it but then, once you think about it for more than a second, makes absolutely no sense. And then Wolverine tries to stab a shape-shifter to death. You'd think he'd know better.

So I would have ditched the book anyway, but now I don't have to. If you've been thinking about getting the trade, I'd skip it. Spend it on something, you know, good.

Sex in this comic? Not a bit. Jessica finds the Skrull in a strip club, though.

One panel of "awesome":

Really?

Vengeance of the Moon Knight #6 ("Shock and Awe Chapter 6") by Gregg Hurwitz (writer), Jerome Opeña (penciler), Jay Leisten (inker), Paul Mounts (colorist), and Joe Caramagna (letterer). $2.99, 23 pgs, FC, Marvel.

And now, Moon Knight And Me: A Love Story.

I have never made my love of Moon Knight a secret. I dig him. I love the whole multiple personalities thing, I love the whole weird network of operatives, I love the Doug Moench/Bill Sienkiewicz run with a love that is probably a little unhealthy, I love the Doug Moench/Kevin Nowlan run that followed it, I love the "Fist of Khonshu" series that followed that only lasted six issues and wasn't very good, I liked the 1990s series that also wasn't very good but lasted longer than any Moon Knight series ever, I loved the James Fry issues in the latter part of that run that were really bizarre eye candy, I loved the Stephen Platt issues that ended the run ... okay, that's a lie. I hated those issues. They're AWFUL. I loved the late 1990s mini-series that brought the character back from limbo, with Mark Texeira and then Tommy Lee Edwards on art. I loved the new series that launched a few years ago, which made our hero truly insane for, really, the first time (as much as Moench explored the idea of multiple personalities, you never got the sense that Moonie was all that crazy). And I loved the first few issues of this series, which returned Moon Knight to New York and brought back Bushman (okay, that wasn't too great an idea) and featured out of this world art by Opeña. I bought the first Moon Knight Essential volume because I didn't have the early appearances of the character. I'm going to buy the new hardcover of the Moench/Sienkiewicz collaborations before the first series launched even though I own some of them, because I love the character so much. I think that the first series is wildly underrated, as it was one of the first (if not the first) series to be released through the Direct Market, bypassing newstands and therefore allowing Moench and Sienkiewicz to tell more mature stories than mainstream comics before it. I think the character has a ton of potential that has been tapped a bit, but not enough. But that's just me.

So why am I explaining this? Well, as much as I dug what Hurwitz did in these first few issues (even though I didn't agree with bringing Bushman back and turning him into Bane), I thought this was a terrible way to end this arc and it makes me wonder if I will even buy the next arc. It makes me sad, but that's the way it is. In the first issue, it seemed as if Hurwitz was poking fun at the silliness of superheroes, but doing it subtly. I can deal with Moon Knight as satire, because it's an interesting take, especially as he's a bit, you know, out there. But as we got further into the arc, Hurwitz stopped doing that and this became much more of a straight-forward superhero comic. And I'm just not that interested in that anymore. I mean, Hurwitz brought Bushman back. So what? What happens to him? He ends up in an insane asylum. So what? Bushman's death was interesting because it pushed Moon Knight even further over the brink and set the stage for the previous series, which was excellent. Now he's back, and he's just another boring villain. Even in the mediocre 1990s series, he ruled a country, which added a bit of tension to his dealings with our hero. Now, he's dull. And we get another joke about Crawley getting hit on the head and changing his personality, back to what it was. This wasn't funny when it happened to Guy Gardner twenty years ago, and it's still not funny. I realize that I'm too close to the situation and I should be able to laugh at head injuries just like those uptight [insert ethnic group here] should be able to laugh at jokes at their expense, but it's not the fact that Crawley sustained a head injury and it changed his personality. It's that this book isn't a comedy, so tonally it was all wrong, and it's also that nobody seems to care. That's what bugged me when it happened to Guy - wouldn't someone think, "Hey, maybe we should check him out?" even if they liked his new personality more? Shouldn't Moon Knight have suggested that Crawley ought to get an MRI? It's too fraught with potential pitfalls to make it really funny, and Hurwitz didn't do(...)

WASHINGTON (Reuters) - President Barack Obama, under pressure to keep a campaign promise to revamp U.S. immigration policy, embraced a "promising, bipartisan framework" on Thursday offered by two senior senators.

Open course vendor Novell is looking to broaden its SUSE Linux footprint with a new partnership with the database vendor Ingres that promises to make life easier for developers.

Zipper Interactive has announced that the first official MAG downloadable add-on will be out starting next week for free. Dubbed as the “Trooper Gear Pack,” the DLC promises to offer a number of cool goodies for hardcore

LinuxDevices: "Marvell announced its intent to deliver a $100, Android-ready tablet computer built around a 1GHz Armada 600 series processor. Aimed at students, the "Moby" will offer WiFi, Bluetooth, GPS, an FM receiver, and Adobe Flash compatibility, the company says."

Femmes de pouvoir, de savoir, ou libres, tout simplement, elles ont été appelées Sorcières. Adorées ou promises au bûcher, leurs histoires, souvent dramatiques, sont celles d'héroïnes exceptionnelles. Des auteures d'aujourd'hui s'emparent de ce mythe protéiforme et inépuisable. Deux héroïnes, Bianca et Hypathie ouvrent la danse... Sorcières, n°1 Bianca Dessins : You Scénario : Alexine Collection : Dupuis "Grand Public" Album Cartonné 56 Pages en couleurs (...) - Infos Bandes Dessinées - Comics

Filed under: sxsw

Say hello to Sunny Thaper, production director for Forty Agency, and Saul Colt, lead evangelist at Thoora. They are regular SXSW attendees (and all-around awesome dudes) and give their thoughts on this year's event. For added atmosphere, I added a real, live foursquare game being held outside of the convention center, and a taste of the crowds you see inside.

If you're interested in a taste of the music side, here's a field report from the Man or Astro-Man? show where they promise to perform live more often.

For ongoing coverage of the SXSW Interactive festival check out our SXSW hub page.

DLS @ SXSW - Impressions of SXSWi part deux originally appeared on Download Squad on Thu, 18 Mar 2010 16:30:00 EST. Please see our terms for use of feeds.

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SXSW Interactive - Festival - Saul Colt - Download Squad - Sunny Thaper

Papers reveal Tory campaign to keep peer's tax privileges

William Hague was said to be aware 10 years ago of a deal struck by senior Tories that eventually resulted in Lord Ashcroft secretly remaining a non-dom after obtaining his peerage, according to official documents released today.

Hague, the former leader of the Conservative party who had been lobbying for the billionaire to secure a seat in the House of Lords, has repeatedly insisted that he was only told earlier this year that Ashcroft was a non-dom, and therefore not paying full UK tax on all his earnings.

But previously confidential parliamentary correspondence published today showed that Hague's chief whip, James Arbuthnot, was instrumental in lobbying for Ashcroft not to have to give up tax privileges on his massive overseas earnings – despite assurances given by Hague that he would pay "tens of millions" to the Treasury.

The papers also include a letter from Arbuthnot which suggests that Hague was fully aware of the deal between the Cabinet Office and Ashcroft.

This raises fresh questions for Hague, the shadow foreign secretary, who was forced to speak about the issue today for the first time after some of the documents were leaked to the BBC. He has denied being aware of the full details of the deal.

After a decade of refusing to clarify his tax status, Ashcroft revealed three weeks ago that he was a non-dom, appearing to contradict assurances made on his behalf by Hague, who fought hard to secure his seat in the Lords 10 years ago.

The political honours scrutiny committee repeatedly made it clear that Ashcroft's elevation was dependent on him giving a promise that he would return to the UK and become a UK taxpayer. The peerage was agreed after Ashcroft gave a "solemn and binding undertaking" in writing that he would become permanently resident in the UK. Instead of becoming a permanent resident, however, he became a "long term resident" – a distinction that allowed him to avoid paying UK income tax on all his worldwide earnings.

The correspondence released today by the public administration committee revealed for the first time that Arbuthnot was deeply involved in the negotiations that led to the downgrading of Ashcroft's undertaking.

Arbuthnot, who was said to be acting as an intermediary for Ashcroft, insisted that the billionaire – under the terms of the assurances he had given – could take up his seat in the Lords despite not being domiciled in the UK for tax purposes.

Sir Hayden Phillips, a senior civil servant, eventually agreed with Arbuthnot in July 2000 that Ashcroft needed only to become a long-term resident in order to comply with the undertakings he had given. In turn, Arbuthnot replied within hours, saying: "I confirm that I agree with your understanding of the position." He added: "The leader of the opposition is satisfied that the action adequately meets the terms of Michael Ashcroft's undertaking to take up permanent residence in the UK."

The terms of that deal shocked members of the political honours scrutiny committee. Lady Dean, one of the two surviving members of the committee, said today: "We were continually of the view that Lord Ashcroft would maintain his undertaking to take up permanent residence ... It looks like the commitments and undertakings given were not carried through."

The papers released today also show the scrutiny committee was determined that Ashcroft should honour the assurances he had given. The secretary of the committee had even suggested the businessman might be asked to show copies of Inland Revenue forms as proof that he was a full UK taxpayer; the IR Form P86, denoting arrival in the UK, and IR DOM1, proving he had become domiciled and would pay full tax. It repeatedly asked for evidence that this had been done before the undertaking was revised. The documents also show that all parties emphasised Ashcroft should live in the UK to become a full working peer and attend parliament regularly. But his Lords records show he has not spoken in a debate in the last year and has attended only 15% of votes.

A spokesman for Hague insisted tonight that he had delegated the issue to his chief whip. "He didn't know any of the details [in 2000]. He asked James Arbuthnot to deal with the issue and make sure Downing Street was satisfied. He did. That was it," he said. However, Hague did concede today that he should not have promised that Ashcroft would pay tens of millions of tax.

The foreign secretary David Miliband said that the letters proved that Hague was "intimately" involved in the process. He said: "It is now clear there has been a decade of deception at the top of the Conservative party and I repeat my call ... that David Cameron sacks Lord Ashcroft."

• Michael Ashcroft
• Conservatives
• William Hague
• Party funding
• House of Lords

Polly CurtisIan Cobainguardian.co.uk © Guardian News & Media Limited 2010 | Use of this content is subject to our Terms & Conditions | More Feeds

It's not déjà vu, it's just all happening again. Just over a year after Canon had to bow its head in shame due to a black dot / banding issue that plagued the EOS 5D Mark II, along comes yet another heartache surrounding one of the company's finest DSLRs. The v2.0.3 firmware update that was issued earlier in the week is apparently causing audio problems for some users, with the actual quirk going a little something like this:
"Recently we have discovered a malfunction that occurs with Firmware Version 2.0.3, in which the manual recording levels for C1/C2/C3 are changed and the camera becomes unable to record audio if the power is turned off (or if Auto power off takes effect) after registering "Sound Recording: Manual" in the camera user settings. We apologize very sincerely for the inconvenience, but we are going to stop making this firmware available for download. For customers who have already updated to the new firmware, when using the camera with the mode dial set to C1/C2/C3, please either set the sound recording settings to Auto." In the meanwhile, Canon has pulled the update from its support site while it works on a new firmware version to patch things up, but aside from a promise of "soon," there's no way to tell when exactly the new file will hit the pipes.

[Thanks to everyone who sent this in]

Canon EOS 5D Mark II 2.0.3 firmware yanked due to audio issues, fix is on the way originally appeared on Engadget on Thu, 18 Mar 2010 15:54:00 EST. Please see our terms for use of feeds.

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Reuters reports:

President Dmitry Medvedev on Thursday announced that Russia would build a high-tech hub near Moscow to spur modernization of the economy and reduce its dependence on oil and gas.

The center, designed to develop five priority sectors -- energy, IT, telecommunications, bio-medical and atomic technologies -- will be built near Skolkovo, a new private-sector business school in the Moscow region.

(It would be tempting to call it "Silicon Steppes" if it were in Asiatic Russia...)

I had a very small part to play in this story. In late 2007 I met with a large Russian delegation that had come over to Silicon Valley to learn some of its lessons. Their goal was to use Russian oil money to establish several Silicon Valley-like regions.

They asked me lots of good questions. They made it clear that they did not want to replicate Silicon Valley, they wanted just the best bits.

I told them I would tell them the secret of Silicon Valley's success. They went silent, and leaned in closer to hear what I had to say. "Failure."

(This was before the EPIC Fail craze of recent times...)

Silicon Valley tolerates, and funds, massive amounts of failure. Only about one out of twenty startups succeed.

Probably no other culture allows people to fail as many times as Silicon Valley. Inside every successful Silicon Valley entrepreneur is a failed entrepreneur.

No other culture in the world, (except for maybe Las Vegas), tolerates and celebrates as much failure as Silicon Valley. This is the "best bit" of Silicon Valley, and its also the part that can't be exported.

They nodded. And they made some notes.

I asked them about how they would structure their VC funds, and about the Russian entrepreneurs that they hoped to attract.

One of them, the head of a quasi public/private VC fund, said that they had a problem finding and funding startups. It was an exasperating problem. The Russian entrepreneurs won't tell them about their business ideas.

They don't trust them. "I'm running a VC fund, I'm not going to run off with their business idea!"

- - -

By the way, did you know that Tim Draper, one of our most successful VCs, penned a song called "RiskMaster" to welcome the Russian delegation?

I have no idea what the tune is, obviously something stirring, I can imagine something between Red Army choir and Welsh choir:

Hey! You want to start a business?
Russia seems to show some promise
While weighing all your choices
"Go to Moscow!" you hear voices
Google founder came from Russia
Parametric? - Not from Prussia!
Genesis and PayPal too

SVOD and what is new?
With luck you'll become a
Master!

From Soviet biology
Comes really cool technology
Software immunology
From Nukes we get ecology
Ukraine's Orange Revolution
Good for all-freedom solution
And then political pollution
Now it's all in execution


Chorus:
With luck you'll become a
RiskMaster!

All you need is a faster chip
A million rubles
A couple of engineers
RiskMaster!

- - -

Please see: Turning Oil Into Innovation: Russian Delegation Seeks Silicon Valley's Lessons - SVW

I recently wrote about Twitter's business model as ultimately enveloping ever greater parts of its developer community. [Twitter Is The Black Hole Of The Twitterverse...]

After all, why leave money on the table? Why not produce the best desktop client, or mobile client? Why let others build lucrative businesses out of your community?

That seemed to be the way things were moving for Twitter after one of its engineers Tweeted:

"If you had some of the nifty site features that we Twitter employees have, you might not want to use a desktop client. (You will soon.)"

Khris Loux, co-founder of JS-Kit Echo, a commenting service, writes that Twitter has a choice of being a tyrant, or a benevolent king.

How Twitter Can Become A New Breed Of Technology Company | paidContent

Twitter has an opportunity to create either value or angst for the developer community. The Twitter platform has led to countless third-party innovations, resulting in a rich set of applications that enhances the core platform. And Twitter has publicly encouraged these developers to join in the “gold rush” of opportunity and build businesses on its platform.

Indeed, the staggering growth of the service and a healthy ecosystem of complimentary applications have made Twitter a sort of benevolent king.

Now the hard part: building a business without becoming a tyrant.

Twitter’s recent release of Twitter Lists, for example, undercuts the work of partners like TLists and shows the tightrope that Twitter (indeed all proprietary platforms) must walk to both grow their core platforms while also making sure that developers have an incentive to build on top of those platforms. Twitter’s failure to strike that balance could alienate a prime engine of its long-term value and growth.

Well put. But where is that balance?

How does it balance making money and letting others make money too?

How much money is it appropriate to let others make from your platform?

A young company such as Twitter, doesn't have the time to exploit all the business opportunities. That's why third-party developers have moved quickly to generate a plethora of Twitter apps: desktop clients such as Seesmic and Tweetdeck are two top examples.

But why let others profit from your community?

Twitter has investors, its management has a duty to maximize shareholder profits. And with each new round of investors, Twitter has to be able to promise new revenue growth.

Where's that going to come from?

It will come from looking at its developer community and seeing where the low hanging fruit is, where maximum bucks can be made from minimum development costs.

Twitter can decide to buy a business or develop a look-a-like. That's a simple decision: cost to buy the business versus development costs and time-to-market.

This is the way the way the world works, and it has nothing to do with being a tyrant or a benevolent king.

If you have a profitable business you will attract competitors. If you have a successful Twitter apps business, if it's not Twitter coming after you, it will be other developers.

If your business is small enough, it's probably not worth the development costs for Twitter to replicate it.

So the message to developers is: don't make too much money from your Twitter apps otherwise your star will be sucked in and extinguished by the black hole at the center of the Twitterverse.

Last year, HP claimed to "redefine the premium notebook PC" when the company unveiled the new HP Envy 13. This 13-inch notebook offers high-performance, power-efficient processors, ATI switchable graphics, lightweight aluminum and magnesium construction, and features a bright screen with amazing color depth for exceptional picture viewing and video playback. On paper, the Envy 13 promises to be everything you want in a laptop. Keep reading to find out if this premium notebook is worth its premium price tag.

December 1, 2008. That was the last day I got a Qwitter notification. I don’t recall qwitting Qwitter, it simply stopped working for me. Until today. When it just puked in my email inbox.

For those unaware, Qwitter is a service that emails you every time someone unfollows you on Twitter. It tells you their name, and the last tweet you sent that may have caused the unfollow. Naturally, when I saw the huge influx of emails today, I decided to visit the site again — and guess what, it does appear that they’re back. As they note, “We’re Back! How could we possibly quit catching QWITTERS?!? Fear not… notification emails have returned, giving us all something to look forward to during the day!“

Not only that, the service promises that “premium services” are coming soon. Agora Technology, the group behind the app, promises faster email notifications without ads, and the ability to become a featured Qwitter user if you sign up (more details are coming soon).

There’s just a few problems with the new Qwitter. First, they’re sending all of these emails with a completely broken link. The “Visit Qwitter Therapy” link takes you to the following URL: http://root_url/therapy. Clearly, that’s the result of some bad coding. And I have about 60 emails today all with the same broken link. More importantly, I’m not sure the all-important unsubscribe button is working. I clicked on it to unsubscribe earlier, and I’m still getting the notifications. Others are noting that they qwit Qwitter a long time ago, and have started getting the notifications today.

These Qwitter emails are also now promoting TweepML, a Twitter grouping service, which we’ve covered in the past. And interestingly, it appears that Qwitter may be under new management. Previously it was a group called Contrast that ran the service (here’s an interview we did with them), now it’s listed as being run by this Agora Technology group — which is the same group behind TweepML (which just sold).

I’ve never been thrilled by the idea of Qwitter because it adds social pressure to Twitter. Without it, if you unfollow someone, they’re unlikely to notice (as Twitter won’t notify them). But with it, they’ll get an email and things may get, well, awkward. Likewise, getting an email letting you know that you’ve been unfollowed probably makes you feel a bit uneasy inside. Well, okay, unless it’s one of the thousands of spammy accounts on Twitter. Still, at one point they cared, and now they don’t.

[photo: Paramount Pictures]

Marvell announced its intent to deliver a $100, Android-ready tablet computer built around a 1GHz Armada 600 series processor. Aimed at students, the & Moby& will offer WiFi, Bluetooth, GPS, an FM receiver, and Adobe Flash compatibility, the company says....

By Tim Conneally, Betanews

When Amazon debuted its first Kindle e-reader just over two years ago, we asked "...but will anyone buy it?"

We still can't say for certain.

Amazon CEO Jeff Bezos has made it very clear that Kindle users consume a lot of Amazon's e-books. But to date, Bezos has never gone public with hardware sales figures. So we can't be sure if it's Kindle hardware that's driving content sales, or perhaps the software Kindle for Windows 7, iPhone, iPod Touch, and BlackBerry.

A report from Credit Suisse Group AG in February determined that Amazon.com had a 90% share of the e-book sales market last year. So the question looms large: What is everyone reading these books on?

Today, Amazon announced Kindle for Mac, the latest addition to the family of free Kindle software. It's essentially the same software that was released for Windows back in November, which lets users synchronize content and bookmarks between their mobile Kindle device and their desktop. If a user is reading an e-book on his Kindle 2 or iPhone, he can pick up on his PC where he left off on his mobile.

The software gives users the ability to shop in the Kindle Store, access their library of previously purchased content, view notes and highlights, adjust font size and spacing, and unlike the Kindle device, read books in full color. Amazon says the software will eventually come to include full-text search and the ability to make new annotations.

Kindle continues its strong push in the software direction this year. Microsoft CEO Steve Ballmer showed off a mystery HP slate running Kindle Software at CES this year, and Amazon promises a version will grace Apple's hotly anticipated iPad. So Amazon looks ready for the tablet trend.

The Kindle hardware, however, doesn't appear to be blazing as many new trails right now. The educational pilot programs with the Kindle DX were largely unsuccessful, and Amazon job listings earlier this month showed the company was considering improvement of the Kindle's rudimentary Web browser "on a tight schedule." It's obvious that Kindle is a vehicle for selling Amazon's proprietary e-books. But with no sales figures to illustrate consumer adoption of Kindle hardware, a saturated market of competing e-reader hardware of equally negligible relevance, and continuing growth of the free Kindle software, we may have to rephrase and restate Ed Oswald's question from two years ago...

People are buying Kindle books, but are they buying Kindle?

Copyright Betanews, Inc. 2010

PKR, nouvelle terre promise des français? La réponse est positive si on s'en réfère aux résultats des joueurs de l'Hexagone qui dominent les tournois multi-tables de la salle de poker online en 3D depuis plusieurs semaines.

http://www.last.fm/music/The+Morning+Benders

 

Developing...refresh for updates below...(images via twitter)

According to Tweets from Robin McGehee at GetEqual (see stream below) reporting from the Kathy Griffin - Human Rights Campaign "Don't Ask, Don't Tell" rally, McGehee, who is traveling with Lt. Dan Choi, asked Human Rights Campaign President Joe Solmonese if Choi could speak at the rally and he rebuffed her, telling her it was Kathy Griffin's rally.

McGehee is the co-director of the National Equality March and the organizer of the Meet in the Middle 4 Equality rallies in California.

(above photo: Ty_DC twitter)

Choi took the stage anyway, told Griffin DADT is not a joke, and announced that he was marching to the White House. Choi then began leading hundreds on a march to the White House. Reports are now coming in that Choi has chained himself to the White House fence.

"Until we have full equality," Choi reportedly says.

Choi and Captain Jim Pietrangelo are reportedly both handcuffed to the White House fence.

 

1:10 pm: According to DC Agenda's Tweet, "Yellow police tape is being put up around Dan Choi, and Secret Service agents are standing with him. Choi remains chained."

 Approximately seven Secret Service Agents are inside the tape with Choi.

Reportedly one woman has been arrested, and is being identified by DC Agenda as the co-chair of GetEqual - which would be Robin McGehee.

1:21 pm: According to D.C. Agenda, police are not attempting to disperse the crowd and 20 Secret Service are on the scene. A crowd of 50 is chanting "Keep your promise, Obama" and "Repeal DADT".

1:27 pm: DC Agenda reports that there appears to be a stand-off between Choi and security. No effort is being made to arrest him.

GetEqual's Robin McGehee has been arrested, it is confirmed.

1:32 pm: DC Agenda says the crowd has shrunk to 30 people.

1:37 pm: DC Agenda reports that people have been directed to stand at Lafayette Square. Two Secret Service officers are speaking with Pietrangelo and Choi, and it's not clear what's happening.

Here's a photo of Robin McGehee being arrested:

 

1:44 pm: DC Agenda reports a female woman "is kneeling in the crowd with hands raised, praying for the souls of gay people."

Here's what Dan Choi said at the rally - HIS REMARKS - right before he took the crowd on the march to the White House.

 1:48 pm: Joe Sudbay at Americablog reports via Twitter that the crowd in front of the White House is growing.

1:55 pm: Police just informed the crowd that everyone must leave the sidewalk in front of the White House or be arrested, according to MetroWeekly. Choi and Pietrangelo are the only two remaining.

1:58 pm: Lt. Dan Choi and Captain Jim Pietrangelo have been removed from the fence and arrested.

2:02 pm: Choi and Pietrangelo get cheers from the crowd as they are put into police van. Crowd applauds them as heroes.

Tweets Michelangelo Signorile: "Dan Choi took HRC's and @kathygriffin 's celebrity photo op and turned it into a real protest at White House. And they stayed behind."

BELOW: Robin McGehee's Twitter stream prior to her arrest, as the Choi White House action was getting underway:

 

Accusé injustement du meurtre d'une famille d'humains, Drizzt devient l'objet d'une traque soutenue de la part d'un groupe d'aventuriers. Suite de l'adaptation du roman, de bonne qualité.
Note : 4/6

Elle avait été promise, elle est disponible, l'application Kindle for Mac d'Amazon. Cet utilitaire - une sorte d'iTunes - permet de gérer les livres électroniques achetés sur le site. On pourra ainsi les lire sur son Mac (nul besoin dans ce cas d'être propriétaire d'un Kindle) ou transférer ses ...

Earlier today, FTC commissioner Pamela Jones Harbour cited Google Buzz’s “irresponsible conduct” at launch as an example of how companies are being too careless with consumer privacy and online data.

The Wall Street Journal reports that the remarks were made at a public roundtable on privacy-related matters hosted by the FTC, where Harbour made it clear that the FTC can and will take an active interest in protecting consumer privacy.

“The Commission will unfailingly step in to protect consumers where we believe the law has been violated, and that includes violations relating to privacy promises,” she said.

The commissioner’s remarks echo the sentiments of researcher Danah Boyd during her SXSW keynote, and the infuriated Gmail users who felt exposed when they were involuntarily following or being followed by their frequent e-mail contacts per the algorithm of Google Buzz’s original auto-follow feature.

Google has since made major tweaks to Buzz, but Harbour believes the misfire is a symptom of a greater problem. She says: “This is turning into a dangerous game of ‘copycat’ behavior … Unlike a lot of tech products, consumer privacy cannot be run in beta.”

Obviously Harbour’s strong words were directed beyond Google and could apply to all Internet companies that store personally identifiable information on consumers and their online behaviors. As users we tend to forget about the implications of our online actions and naively place our trust in the cloud by storing information, files and communication online. Hopefully the FTC’s agenda around privacy will help to ensure that our trust is not abused in the future.

[img credit: iSerg, iStockphoto]

Reviews: Gmail, Google, Google Buzz, iStockphoto

Tags: FTC, google buzz, privacy

Image: S2-P2-P6, by sculptor Roxy Paine.

About a year ago I was wandering around Maker Faire Bay Area thinking about polymerization. Collin had recently posted his now-world-famous cymatics video, and I was standing around talking to the TAP plastics folks about whether it might be possible to "freeze" cymatic forms by applying the sound waves to some kind of polymer resin that could then be solidifed, almost instantaneously, by adding a drop or two of catalyst. I had, you will not be surprised to learn, been drinking heroic amounts of coffee.

But in the subsequent process of researching fast polymerization reactions, I came across an intriguing term: Explosive polymerization. Visions of exploding goo bombs pushed schemes for freezing cymatics to the back-burner, and I started Googling around excitedly, seeking the inevitable YouTube video that would show me exactly what an "explosive polymerization" looked like, and if it was as exciting as it sounded.

As far as I can tell, they're aren't any.

Moreover, textual information in the tubes is scanty. The phrase appears in the abstracts of a few articles in polymer science journals, and in safety warnings associated with certain chemicals that are prone to explosively polymerize and with those that are prone to initiate the process. (Including some safety nightmares that are in both categories.) Inevitably it's considered as, you know, a bad thing. An uncontrolled, useless, and probably dangerous process to be avoided if at all possible.

And I'm sure that's all true. But it sounds really neat. And I want to see it.

I mean, taking proper precautions, I can set off a firecracker or other small conventional explosive, film it, show it off to others, and generally have a good time learning something about the natural world. And even though I've got a graduate degree in organic chemistry, I know comparatively little about polymers, and I'm not about to start experimenting without advice from somebody who knows what from what-not.

So I'm crowd-sourcing the problem. Is there a specialist in the house who knows something about explosive polymerization? And if so, can you tell me: What is the polymerization analog of a small firecracker? Some kind of diminutive goo-bomb that will go off impressively but without injuring bystanders or spraying horrible toxins everywhere? I mean theoretically, of course. I can't promise to actually do anything unless I can satisfy myself it's really safe, but maybe somebody can point me in the right direction?

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Last weekend, I had the great fortune to visit All Hands Active, an up-and-coming hackerspace in Ann Arbor, Michigan. When I arrived, they were just wrapping up a planning meeting for the upcoming Ann Arbor Mini Maker Faire. They have some excellent plans in the works, but made me promise not to spill the beans. Afterwards, they showed me some of their current projects, including:

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Yesterday, Microsoft launched the Internet Explorer 9 Platform Preview at MIX10. Though the current release of the platform preview is very rough around the edges, it promises to bring Internet Explorer into full web standards compliance, partially erasing the web-standard scourge that IE 6 still scandalizes on the internet. ...