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width="1" height="1" //divpParents! Do you know what your teenage son has got himself into? The
answer, according to the people behind such films as new teen comedy a
href="http://www.guardian.co.uk/film/movie/127833/sex.drive"Sex Drive/a, is socks, apple pies, soft
fruit and his friends' mums. If it's inanimate or inappropriate, he's been there./ppApologies for
crassness, but that's exactly the kind of humour regularly employed by Hollywood scriptwriters to
describe the coming of age experience. Male teens are sweaty lumps of sexual frustration who will
hump anything; they're enthusiastic but useless lovers who think finesse is something you yell when
it's over. /ppWe have Paul Weitz's genre classic American Pie (in which unions with all the above
occur) to thank for this stereotype - which, shockingly, is an improvement on the previous state of
affairs. Following the progress of four high-school boys who make a pact to lose their virginity by
prom night, the film gifted the sexcom genre with a whole new set of moves. /ppBefore Pie, comedy
films for the teenage market followed Russ Meyers' mantra - "big laughs and big tits" - but weren't
much bothered if the latter squeezed the former out. The format was all about cramming in gross-out
gags regardless of the plot, hence the shallow humour of 80s hits such as a
href="http://uk.youtube.com/watch?v="W3A9rLoz_0o""Caddyshack/a and a
href="http://uk.youtube.com/watch?v="pKZV1MSldJk""Porky's/a. There were no consequences, there were
no lessons, just slobbering blokes chasing after vacuous women - Benny Hill goes Beverly Hills.
/ppThe relative realism of American Pie (pie-coupling notwithstanding) changed everything. It dealt
with the issues that shape teenage sexual behaviour - peer pressure, competitiveness, parental
attitudes - without ridicule, and it didn't patronise its audience. Put bluntly, it gave teenage
boys a voice as well as a hard-on. /ppPost-Pie, it appears teen comedies are taking a (slightly) a
href="http://yas.sagepub.com/cgi/content/abstract/35/1/37"more sophisticated view/a of adolescent
sex and sexuality. Sex Drive, the story of one boy's road trip across America to sleep with a girl
he's met on the internet, is an example of the developing maturity of the genre's film-makers.
Director Sean Anders takes inspiration from the sexual insecurity implicit in Gen-X classics such
as Swingers and Clerks; hence, Sex Drive's hero, Ian, isn't just a randy teenager. /ppHe's lonely,
desperate and hormonal, bullied by an older brother who boasts greater sexual prowess and outgunned
by a more experienced best friend. He's also painfully insecure around girls, who tend to ignore or
use him. Incidentally, it's significant that here, as in most blockbuster genres, the female
characters are still always either a href="http://uk.youtube.com/watch?v=axizXOjRjbI"sex objects/a
or "one of the boys". The genre's film-makers still have a lot more maturing to do when it comes to
their views on equality. /ppStill, it's reassuring that the film industry's love affair with the
movies at the extreme end of the scale - the true a
href="http://www.imdb.com/title/tt0362120/"trash/a inspired by the genre's moronic, sexist 80s -
appears to be fizzling out. It suggests that Hollywood is beginning to realise that most teenagers
are driven by more than their base instincts. Concerned parents should take comfort in that. After
all, hormones alone are unlikely to turn your teenager a
href="http://www.imdb.com/media/rm466065664/tt0163651"pie-fucking crazy/a. But hormones, plus the
influence of Porky's-like idiocy, just might./pdiv style="float: left; margin-right: 10px;
margin-bottom: 10px;"ullia href="http://www.guardian.co.uk/education/sexeducation"Sex
education/a/lilia href="http://www.guardian.co.uk/society/sexual-health"Sexual health/a/li/ul/diva
href="http://www.guardian.co.uk"guardian.co.uk/a copy; Guardian News Media Limited 2008 | Use of
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