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DCEmu Forums:: The Homebrew & Gaming Network :: PSP Dreamcast Nintendo DS Wii GP2X Xbox 360 GBA Gamecube PS2 Forums - Dreamcast News Forum -
19 hours and 11 minutes ago
News via http://0xff.akop.org/2010/03/18/futu...ter-emulators/
ColEm will be the next emulator to be brought up to the latest version of the PSP library. It will
also include the ‘time rewind’ feature found in several other
emulators.
I have not completely given up on Castaway PSP (I’m still poking it from time to time), but I
am rather running out of options and patience.
For those of you wondering if/when the ‘rewind’ feature will make
it to other emulators, especially computer emulators such as fMSX and Fuse, the issue is as
follows.
Consoles have a fixed memory size, which means that state for every game takes up the same amount
of space, and generally speaking, this space is relatively small. Conversely, computer memory can
vary (for example, on MSX anywhere from 64 kB to 4 MB).
‘Time rewind’ works by saving state once every few frames to
memory. The feature usually dedicates 85% of the PSP’s remaining RAM for saving state, which
generally adds up to about 12 MB or less on a ”fat” PSP (PSP
1000). For console emulators this doesn’t tend to be a big deal, especially since save states
are small, around 32 kB. While 12 MB/32 kB may seem like a lot of space, keep in mind that an
emulator displays 60 frames per second, so if you only take a snapshot once every five frames, you
will still exceed a megabyte after less than three seconds. The most common memory configuration
for MSX is 128 kB, which is four times that – not including VRAM (which
is another 64 kB), CPU registers, etc… Basically, on a computer
emulator, this feature gives a much smaller bang for the proverbial buck.
The biggest issue, however, is not the size of the state footprint –
it’s the fact that one has to be very careful about changes to the emulated machine that
affect the size of the state’s footprint. Not adjusting the ‘time
rewind’ engine appropriately will likely result in hard crashes.
All said, however, this task is far from impossible, and you can look forward to computer emulators
getting this feature at some point, starting with Fuse (to appease my buddy ewgf, who originally
suggested the idea).

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digg -
20 hours and 24 minutes ago
Scientists from NASA and the SETI Institute are boldly going where no bureaucracies (real or
fictional) have gone before—drawing up the safety protocols we Earthlings will
use as we explore new worlds, and the social and ethical guidelines we'll turn to if we ever do
find life on other planets.

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Comics Should Be Good! -
20 hours and 25 minutes ago
This year's Emerald City Con was... an extraordinary experience.
Truthfully, I'm still trying to get my head wrapped around some of it. Doing our Artist's Alley
table as a fundraiser for the Cartooning Class was very much a last-minute, spur-of-the-moment
decision, we weren't organized about it at all... and I was very moved, and a little awed, at how
well the kids came through. Not just the current students but many of our grads, as well.
The experience could be summed up in this exchange between our friend Lorinda and myself. At one
point, I shook my head and muttered, "This is so amazing... I mean, teaching, it's like putting a
note in a bottle and throwing it in the ocean, you never really know how it's going to work out."
Rin replied, "Well, you sure had a lot of bottles come back this weekend."
We took a lot of pictures and I think I'll just run those for you and talk a little bit about
each one.
*
This is what it looked like before we opened.
And another.
This is the last time we would experience quiet until Sunday evening. LATE Sunday evening. My
ears are still ringing a little.
Outside, the crowd was milling around panting to get in.
Clearly, convention security was going to be overtaxed so the stormtroopers thought they'd assist
with crowd control.
And then we were off....
This may give you a little bit of an idea of the swarms that descended once the doors were open.
Saturday, in particular, was Hell Day.
Fortunately, we had a great crew. I honestly don't know how Julie and I ever used to do this by
ourselves. It takes a teenage metabolism to keep up with the Saturday hordes at a convention.
In the rear we have Rachel, Aja, and that's Katrina under the mop, with our friend Rin in the
front. Rachel decided to be Rogue again this year, as you can see. Katrina wanted to dress up too
but couldn't decide on an outfit (she'd brought a couple.) This is the one she started with, a
character of her own named Connor, but Connor only lasted till noon or so.
Once again this year, we won the lottery by having awesome neighbors. One one side we had Jeffrey
Ellis and the crew from Cloudscape
Comics, a small-press artists-collective outfit based in Vancouver, British Columbia.
I bought their anthology book EXPLODED VIEW partly to say thanks for putting up with us but it
turns out that I really like it.
It looks a lot like a grown-up version of what we do in class, actually -- every member of the
group contributes a few pages' worth of work and then there's bios in the back. Same basic
format, just with real production values. A lot of good stuff in here.
On the other side we had Two Percent Solution.
They do a raunchy humor self-published book and a podcast as well.
I'm so embarrassed I can't remember their names -- I know I introduced myself at some point, but
I couldn't really hear them very well. The echo chamber in the hall, once the crowds were in,
made it nearly impossible to converse on Saturday. But they were great, swore up and down they
loved being next to us and claimed we brought them a lot of extra traffic. They were especially
hilarious about pretending to almost-swear in front of the kids but they never actually did.
Since we were doing a for-real fundraiser, and thus actually accepting money, our setup changed a
little this year.
The idea was that we had students on the left, alumni on the right. As people would approach, the
kids would offer them a giveaway book, and if they stopped, then they'd volunteer to sign it.
Ben, Marie, and Eileen, working hard.
Then Katie or myself would explain about the budget shortfall and collecting for donations, and
add that anything over $10 got you a custom sketch from an alum. More often than not, they'd at
least stop and admire the sample sketches we had up, and put a couple of bucks in the box.
Here's a customer getting The Spiel. Marie, especially, was really good at explaining to people
what we were doing.
Many did in fact commission sketches.
Once we were set up it went fairly smoothly despite being a bit cramped, up against the wall as
we were.
That's me and my boss, Katie. For the last seven years I've exhorted my various supervisors at
school to come to the convention and really see how hard the kids work, but this was the
first time anyone took me up on it. It really was a lot of fun having Katie there as she knew
nothing about comics, conventions, or geek culture in general. But she adapted quickly. Watching
her take in the experience was a lot of fun, and by the end of her day there she was a complete
convert. At one point Katie was even speculating on the possibility of doing this kind of thing
more often and wondering what other shows there were that we could attend as a class. The
Stumptown Festival in Portland, especially, was a possibility we talked about quite a bit. (Katie
was also interested in hearing about WonderCon and APE, but I told her, "Baby steps. I'm only
just now getting to a place where I think I know how to get us to THIS show.")
The alumni were kept very busy sketching all day both days.
Fortunately they love to draw but my GOD they worked hard. I wish I'd gotten more shots of their
work, it was of an extraordinarily high level, especially the high school kids. I was so proud of
all of them and the way they've all kept learning and growing as artists, years after leaving my
charge.
I did get a few. Here's one of Aja's.
And this is one of Katrina's custom commissions. She asked the lady what she wanted and the woman
said, "Well, I like octopuses." (Yes, I know it's octopi but that's what she said.)
For a second I thought Katrina was going to be stuck but then she blew out this caricature of the
woman herself with an octopus on her head. Yeah, the kids are THAT good.
Some people were kind of crass about it. This mother, especially, was really annoying. First she
wanted to know what she'd be getting for her ten dollars.
It takes a special kind of chutzpah to haggle with a sixteen-year-old volunteer over your
CHARITABLE ACT.
Katrina rather helplessly pointed to the samples, but it developed that this woman wanted to see
the actual sketch before she would pay for it.
And this woman wanted something special, too-- a caricature of her two boys... an action pose of
the two of them in their martial arts class. Geez lady, demanding much?
Here's Katrina working on the commission -- I cropped her out, but cheapskate Mom is hovering
just out of frame, watching like a hawk to make sure she gets her money's worth.
Katrina was amazingly diplomatic about it. I thought Rin was going to go ballistic on the woman
and I had to squelch a few sharp remarks myself. She deserved some kind of smack.
The two boys with the final product. I think they were a little embarrassed over how their mother
treated Katrina.
Fortunately, the finished product satisfied everyone and we got the ten bucks.
But most of our visitors were much nicer. You remember Rachel's shot of the X-Men at the beach?
Guess who got that one.
Yeah, that's Matt Fraction, proud new owner of Rachel's X-Men Beach Party. This may be my
favorite photo from the show. Only in comics do moments like this happen: my former student
Rachel, the world's most ardent fan of the X-Men, posing with Matt Fraction, current writer of
the X-Men comic, who's just told her that her cartoon is brilliant, that he would love to do a
scene of the team at the beach and that she's caught all their personalities perfectly.
Matt was great with all the kids. He signed autographs, talked with them about comics, and
generally was awesome. Here he is signing an autograph for Emma.
It was only a couple of minutes out of his day but I know how hard it can be to
get away from your table when you're working a show, and it really meant a lot to the students to
have a pro take such an interest. Even my students, whose comics fandom usually begins and ends
with manga, know who Iron Man and the X-Men are. They were thrilled that he stopped by.
Michael Alan Nelson also visited our table briefly.
The kids loved him too, though they had only the vaguest idea of who he was -- I explained he
worked for Boom! Comics and I think many of them had the idea he worked on the Muppets or
something, since that was always where the line was over there. I enjoyed getting to meet him at
last -- I interviewed him here a while back, but it was via e-mail and we'd
never met in person. I am a big fan of his Fall Of Cthulhu series, and I got
Swordsmith Assassin at the show as well, since Chip Mosher sent us the first issue for
review and I liked it quite a lot, I'd been meaning to pick it up for a while now... though I
forgot to ask Mr. Nelson to sign it. Too busy chitchatting.
I was mostly at our table all weekend, but Julie got out some. There was no way she was missing
Leonard Nimoy.
She was actually in panels for most of Saturday, she also went to see Wil Wheaton and Stan Lee.
Of them all, I think Julie was the most impressed with Nimoy's, she said he was "inspiring."
As for me, well, I was enjoying my time at the table because it was turning into old home week.
We had many visitors from past classes -- Amethyst, Jessica, Shane, Andrew, and Jay, among
others. Some I hardly recognized because they're, you know, adults now. (The
last time I saw Jay he was a scrawny little soft-spoken kid. Today he's in his twenties, six feet
tall and ponytailed, very outgoing with an infectious laugh. And of course his voice is an octave
lower.)
Some even volunteered to put in some time sketching for us, which melted me. Lindon popped up out
of nowhere and immediately wanted to put in some table time. Of course I agreed.
A lot of the kids dressed up this year, too. Saturday Lindon was in street clothes, but Sunday
she was Pikachu.
I took this one just because it made me laugh.
That's right, Pikachu supports Cartooning in schools!
This is Lindon and Devon. I shot this because when Lindon has her head down -- even today, she
always draws with her nose to the paper like that, it can't be comfortable but she always has to
get way down there -- anyway, it tickles me because it looks like Pikachu is sitting at the
table.
Lots of parents volunteered time too.
That's Marie, Ben, and Eileen, under the watchful eye of Gus' mother Marilyn. She looks a little
annoyed, not because of the three kids but because her own son has abandoned his post again.
I get three kinds of students -- the ones who want to write, the ones who want to draw, and the
ones who just want to geek out and be surrounded by comics. Gus is one of the geeks. He will
produce drawings if you lean on him, but for him the point of being at a con is to get
cool stuff. All I ask of the kids is to put in a ninety-minute shift at our table on the
day they attend, but Gus could hardly bring himself to even do that much, he'd brought money and
it was burning a hole in his pocket. First it was Leonard Nimoy's autograph -- even if you
brought your own item for him to sign it was still a wince-worthy forty dollars -- and then he
negotiated an advance on his allowance to go buy some comics.
Marilyn has always been one of my favorite parents and her reaction to this was completely
charming. She ordered Gus to stay at the table and do his job. Then she went off to go
get her son's comics herself. Naturally, not being an expert, she consulted me.
"Randy's Readers," I told her. "He's your guy. He sells comics that aren't collectible, just in
average shape... his market is people that don't really Collect with a capital C, but only want
to read comics. If I ever get a chance to take a break I was thinking of stopping over there
myself, to be honest."
Marilyn agreed that was the place to go and the girls were exhorting me to take some kind of a
break, and Marie wanted to come too, so off we went.
Marilyn explained that Gus wanted war comics. "So violent," she said, ruefully.
Gus did the tank for the group poster. He's all about the war comics.
I laughed. "Well, I grew up on blood and thunder myself, it's not all that damaging really. The
key is that there has to be a story, I try to make sure they aren't just doing a videogame
shoot-'em-up. There's a fine old tradition of war comics that did great stories, Sgt. Rock,
G.I. Combat, Unknown Soldier.... we'll find him some of the good stuff."
Marilyn perked up. "Yes, I know Gus liked that Unknown Soldier book you loaned him. I
was going to try and find some of those."
I brought this to class to show the boys that even hardcore shoot-em-ups still had to have a
STORY. For Gus it was love at first sight.
Mission defined, we now moved with a clear purpose. Once we were at Randy's booth Randy himself
stepped in and was very helpful, explaining to Marilyn that there was the Unknown Soldier series
from Star-Spangled War Storiesand then there were the ones in his own book.
"What's the difference?" Marilyn wanted to know.
"Later ones are probably cheaper," I told her, smiling. "But I don't think Gus will care that
much, he'd enjoy any of them."
As for me, in showing the various war series to Marilyn I stumbled across this one and decided I
couldn't pass it up for six bucks.
Sorry, Gus, I got this one.
Our Army At War #269, a reprint of stories featuring work by Joe Kubert, George Evans,
John Severin, Russ Heath, and even Mort Drucker (!) I could spend hours just looking at the
pictures in this one.
I also fell for a couple of Superboy Giant reprint collections from my childhood that
I'd been trying to replace for a while. Mostly these days I'm a trade paperback guy, but
nostalgia can still get me.
Marie said curiously, "I know who Superman is, but I never heard of Superboy."
"It's like Smallville, only he actually wears the costume," I heard myself say, and
suddenly felt a hundred years old as i realized there's probably two generations of schoolkids
now who know Smallville as 'their' Superman the way I think of Bates-Maggin-Swan
Bronze-Age Superman as 'mine.'
When we got back I told Gus he had the coolest mother ever. "At your age I'd have killed
for a mom who said, 'you finish your work, I'll go make sure you get your comics.' That's unheard
of."
Gus blushed, grinned sheepishly, and gave his mother a hug. Marilyn beamed and said, "I have my
moments."
There wasn't time for me to do a whole lot of shopping -- there never is -- but Rin found a
dealer who had a big box full of graphic novels and trades for $5 and I fell for a couple of
those, too.

Empire is one of those late 1970s Byron Preiss productions where he was deliberately
trying to move comics into a bookstore market -- about twenty-five years too soon, it turned out,
but he produced some handsome books when he was trying. This one was an original piece by Samuel
Delany and Howard Chaykin, hoping to scoop up some of that newly-minted SF audience that Star
Wars created back then. I'd never actually read it and I've always been curious about it.
Holliday I've never heard of, but I'm always up for a Western comic, and for a $5 trade
paperback it's hard to go wrong.
Most of our shopping, though, we tried to do in Artist's Alley itself as much as possible. We
like to support the creators. Julie picked up the new Muppet book from Boom! where Amy Mebberson
was -- you should pardon the expression -- doing a BOOMing business.
Possibly the most popular artist at the show this year.
She was kept busy all weekend. A lovely lady, she was great with all the kids that came up to her
and sketched Kermits and Animals and Miss Piggys till her hands were raw, most likely. I don't
think a single kid went away empty-handed.
And I made it a point to pick up a bunch of stuff from Camilla d'Errico on Sunday morning. I was
able to catch her a few minutes before the show opened, when it was actually possible to have a
conversation.
Camilla's a favorite with my kids.
Camilla has been a great friend to my students for many years now... they don't remember her name
but they all know the Awesome Manga Lady From Vancouver. I bought about $25 worth of stuff from
her because A) I can use it in class and B) she deserves to be rich and I do what I can. She had
a line all weekend but I did get to chat with her for a few minutes on Sunday morning. Largely on
what became the typical Sunday conversation topic in Artist's Alley, "Great to see you, sorry I
didn't come by earlier, we were stuck at the table.... My God! Wasn't yesterday hell? How many
people did YOU get?" Everyone loved the increase in business but hated fighting through the
crowds on Saturday.
Sunday afternoon I did get around a little bit. I got a couple of books signed from Kurt Busiek
and Len Wein, and I had a flattering couple of minutes with Les McClaine, original artist on
The Middleman. He saw my badge and said, "Hey, Greg Hatcher! I love your column!"
Seriously. I was shocked speechless. I spluttered and fumfuh'd and blushed like a schoolgirl,
finally managing to choke out that I was a huge fan of his, that my students and I all adored
The Middleman. This pleased him, and we agreed that it was a shame it didn't last but it
was great to have something that cool exist at all.
And I got to say hi to Pete and Rebecca Woods, from Periscope Studios. We hadn't seen Rebecca in
about six years, she hadn't come to ECCC in a while, so it was great to catch up. Rebecca
immediately wanted to know how Brianna was doing, since when Bri was my student years ago she
practically camped out at the Periscope Studios table, and Rebecca happily adopted her. I told
her that Bri wanted desperately to come this year but she had finals up at Bellingham, she was in
college up at Western. Then we had a mutual groan about how old we are getting.
Because Bri couldn't make it to the convention this year, we wanted to at least let her know she
was missed.
When I got the idea to recruit additional Cartooning alumni to do charity sketches for our
fundraiser, my first two thoughts were Brianna and Nadine. They're both in college now, and
they've kept up with their comics work as well. They were pretty amazing in the seventh grade,
and they've only gotten better.
Here's what Bri was doing when she was in my class...
...and here's a more current piece.
Sadly, Brianna had finals or she'd have been there with bells on, she assured us.
Nadine had finals too but she did make it down, which delighted me. She was probably the single
most gifted student I've ever had. Her serial "Mermaid's Touch" still gets gasps of awe when the
kids go through the old books.
In fact, when Katrina joined my class when she was in middle school, she was so inspired by
Nadine's work that she took the same pen name, "KittyBell."
|
Guardian Unlimited -
22 hours and 7 minutes ago
How Einstein told his ailing mother of his breakthrough on relativity
As an introduction to one of science's most revolutionary theories, one postcard from Albert
Einstein – now on display at the Israel Academy of Sciences and Humanities in Jerusalem as part of its 50th anniversary
celebrations – is gloriously incongruent. "Dear Mother!" he writes. "Today
some happy news. Lorentz telegraphed me that the British expeditions have verified the deflection
of light by the sun." So sorry, by the way, to hear that you are not feeling well, he adds.
Thus Einstein reveals to his ailing Jewish mother that he has become famous as a genius, a man
who has been vindicated over his claim that gravity can distort the space-time continuum. All
that is missing is her reply. "He never writes, he never calls, and suddenly he's cleverer than
Isaac Newton," she might have written. Sadly, we will never know.
The rest of the exhibition is made up of cabinets that display all 46 pages of his great work,
The Foundation of the General Theory of Relativity, which forced scientists to redefine
gravity, predicted the existence of black holes and revealed how galaxies are formed. Einstein
wrote his theory between November 1915 and May 1916 in his Berlin apartment. Later it was
presented to the Hebrew University and is now displayed so that visitors can attempt to follow
the thinking of the great scientist. Each page has its own case, each lighted dimly in a room
that has been darkened to protect the paper. "We have set [the pages] up like the Dead Sea
Scrolls, to protect them but also to give the feeling of entering a kind of holy of holies, which
is how we view it," says curator Hanoch Guttfreund. "You can see Einstein work as you look at the
pages."
And this is probably the most fascinating part of the show. The pages have many cross-outs and insertions in meticulous penmanship
– with an open acknowledgment that some of the maths was beyond even him. His
great idea, although startling at the time, has endured. His mother would have been proud.
Robin McKieguardian.co.uk © Guardian News & Media Limited 2010 | Use
of this content is subject to our Terms & Conditions | More Feeds

|
Guardian Unlimited -
22 hours and 8 minutes ago
Lunch-hour cosmetic surgery – 45-minute boob jabs, nonsurgical rhinoplasty
– is booming in the UK. But nightmare stories are also on the rise. So are the
treatments safe? We speak to doctors to find out, and take a front-row seat at a no-frills nose
job
Cosmetic surgery is changing. One advancement is the use of twilight surgery, where they send you
only half to sleep. Clinics are alive with dazed facelift patients, who keep their eyes open,
frowning and smiling on demand, who come to after the sedation's worn off, their skin tight but
bruised, able to remember nothing of the knife at all. There are other patients who trip in off
the street for a half-hour boob job under local anaesthetic, and still more who book a session of
Botox in their lunch-breaks. The current excitement, in plastics, is not in the perfection of a
newly sculpted nose but in the speed at which patients can recover, and the market for these
fast, temporary procedures is growing wildly.
The Knightsbridge Laser Clinic is one of many that has recently started promising lunch-hour
transformations, offering laser lipolysis to eliminate fat, the G-spot injection to enhance
sexual stimulation, Macrolane breast injections, nonsurgical rhinoplasty and Botox fillers to
remove wrinkles. A block away from Harrods, I climb their carpeted stairs to the waiting room as
the lunch-time rush subsides. Outside a light rain is falling, and the smell of a wet fur coat,
woody and dead, hangs in the air of the clinic's small landing. Its owner brushes past me,
straight into one of three white and well-lit offices. In a corner room, beside a sheeted bed, I
soon take my seat, an audience of one at a 15-minute nose job.
The patient, a young, elegant woman with jewelled shoes, had rhinoplasty in Harley Street as a
teenager but now wants it still straighter. Her first operation, which cost £8,000 and
required a week in hospital, had left her with a smaller nose, she says, but slightly wonky
nostrils. "You might not notice it," she says apologetically, "but I do."
The doctor, Salinda Johnson, a slight and surgically tweaked woman who studied cosmetic
dermatology in Thailand, warns of the possible side-effects of today's procedure as she applies a
numbing cream to the patient's face. "Soreness, redness, bruising," she chants, "which will
settle down within two weeks and break down completely within a year." Johnson rereads the
patient's notes and holds up a pink-nailed hand. "There is a problem – we
can't do the procedure on a pregnant woman." Her nose glossy with anaesthetising cream, the
patient exchanges hurried words with the doctor, and I look pointedly out of the window. An
unwanted pregnancy. A sense that the risk is welcome. Minutes later, she is gone.
"Don't worry!" the doctor chirps. "We'll show you the procedure on our receptionist!" Diane has
worked at the clinic for four months and, at 23, has already had Botox to fill in a frown line
between her brows. Her nose is small and straight, but she has self-diagnosed
– she feels there's a dent. She asks the doctor if she thinks rhinoplasty's
necessary. "Nothing is necessary," Johnson says, applying the numbing cream. "So can you do my
lips, too?" Diane asks, pouting. Johnson shows me the syringe, prefilled with a mixture of
anaesthetic and Restylane filler, a hyaluronic acid. The needle is long, and she pushes it firmly
into Diane's nose before using both hands to massage the filler into place. The air-conditioning
system screams on, and dies just as quickly – the only sounds are Johnson's
gloves, baggy on her tiny hands, squeaking.
I gather myself. Does it hurt, I ask Diane, who's breathing calmly, her fingers gently worrying
the sleeve of her sweater. "No, I can't feel anything. I can just smell the rubber gloves." Were
you interested in getting cosmetic surgery before coming to work here? "No!" she says, through
the doctor's fingers, her nose changing shape, delicately, before my squinting eyes. "But I see
so many people coming in at lunch time and leaving looking... fresher, and you can't even tell
what they've had done. So I had laser hair removal, which feels like being slapped, and Botox,
which was really nothing, and then I saw that you could make your lips look more defined with
filler, so I've been pestering Salinda to do me."
Dr Johnson wipes around Diane's mouth with a small antiseptic cloth, and warns her that, on a
pain scale, this will hurt a seven. She injects Restylane into the lips, and Diane's eyes flicker
backwards. With her fingers, Johnson pushes the filler into a cupid's bow –
the effect is that of a mother wiping chocolate smears off a child's mouth.
The Harley Medical Group, the UK's largest cosmetic surgery provider, published figures in
January revealing the nonsurgical cosmetic surgery market (which includes the Macrolane boob jab,
an injection that increases your bust size, and Restylane rhinoplasty, the injection that
straightens your nose) saw continued growth in 2009, with dermal fillers and chemical peels
driving the increase by 26% and 306% respectively. Last year also saw a continued rise in the
number of male patients (up 5%), with "Boytox" (male Botox) and "Sweatox" (anti-sweat Botox) both
contributing to the leap.
"Minimally invasive procedures rule today – and this is what consumers, and
especially men, want most," says Wendy Lewis, independent cosmetic surgery consultant and author
of Plastic Makes Perfect. "The benefits for consumers are: subtle improvements over
time; nothing radical; less risky; definitely cheaper than big surgeries; no need for anaesthetic
or going to hospital and catching MRSA; and no scars."
"There are many reasons why day surgery is becoming more and more popular," Dr Johnson tells me
after Diane has floated back to her desk, swollen but smiling. "People who thought they didn't
want to get surgery because they were not brave enough, or not rich enough, are interested in
these temporary and non-expensive procedures – our nonsurgical rhinoplasty
starts at £350. And it's so quick! The talking takes longer than the treatment. We have a
lot of clients who work at Harrods and really do just pop in on their lunch breaks."
The market continues to swell, imperceptibly smoothing the faces of colleagues, relatives, local
hairdressers. A study carried out for the Girl Guides last November found almost half of
secondary school girls said they planned to have plastic surgery. "Girls and young women are
telling us that they are finding it quite hard to accept their appearance, and it is starting at
a much earlier age than we had previously thought," says Nicola Grinstead, a trustee of
Girlguiding UK. "The survey shows girls as young as 11 are dissatisfied with how they look and
are prepared to use surgery to make a change."
All the women I talk to in the clinic's waiting room flicking through OK! magazines
agree that today Botox, and increasingly cosmetic surgery, really is "no big deal". They nod,
eyes wide, and reel off names like a BBC3 news bulletin. Last year Kylie Minogue, Geri Halliwell,
Jennifer Aniston and Courtney Cox all gave interviews about their Botox use, while a film critic
compared Nicole Kidman's facial skin to melamine. This month Cheryl Cole was photographed walking
through a London airport with lips like salted slugs, and reality star Heidi Montag, 23,
underwent 10 procedures in one day and ended up looking just like lingerie model Caprice, who is
38.
In a culture that celebrates youth, the appeal of an injection that appears to shave a little
time off your age is clear, especially for the famous and often-photographed. As the demand for
surgery has grown, academics have increasingly discussed the democratisation of beauty. If
everybody could, in the space of a lunch hour, become symmetrical and clear-skinned, would the
power of prettiness be weakened? If we accept that we will be judged on our appearance, is the
fact that we can control it almost liberating?
Two years ago, Observer beauty journalist Alice Hart-Davis was one of the first women in
the country to try the Macrolane breast enhancement jab. "I had never seriously considered having
a proper breast enhancement. I don't feel surgery is something to be undertaken lightly," she
tells me. "But I've always wished there was something I could do to boost my bust just a bit that
didn't involve surgery."
Macrolane, which arrived in the UK in 2008, is a gel filler which is injected into the breast
with a long blunt needle. It increases the bust by one cup size, lasts a year and costs around
£2,000. "The procedure was amazing," says Hart-Davis, "an instant result. I was beyond
thrilled with it." Though clinics advertise boob jabs in their list of lunch-time treatments, and
the injections are over in 10 minutes, she warns: "It's by no means a 'lunch-hour lift' type
procedure; it doesn't take long, but I reacted strongly to the local anaesthetic: it didn't hurt,
but I could hardly speak straight for the rest of the day. And your body and brain go into a kind
of post-traumatic shock after any procedure like this. You need to take it quietly afterwards."
Three months after her injections, one breast deflated – she settled for
stuffing her bra with a sock – and the other went rock hard. Her surgeon broke
up the gel under anaesthetic, then injected more to balance her bra. A few weeks later, she felt
a lump in her right breast. She panicked and returned to the doctor, who reassured her that it
was nothing to worry about – just a lump of hardened gel. "That experience,"
she concludes, "alongside discovering that the research conducted on the product was not half as
extensive as I'd been led to believe, and talking to several surgeons who strongly disapprove of
the procedure, has put me off trying it again."
One such surgeon is Mr Charles Nduka, who runs the not-for-profit patient information website
safercosmeticsurgery.co.uk. "There's so much misleading information being published about
'lunch-time' procedures," he says, "leading, at best, to unrealistic expectations and
disappointment and, at worst, complications. Facial procedures such as Botox may leave localised
swelling, redness and in some cases bruising, even in the best hands. This means that if you
wanted to keep your treatment secret, lunch time may not be the best time.
"A major issue in the UK," he continues, "is that because fillers are classified as medical
devices – the same as implants – rather than drugs, the
regulations about who can administer them are among the most lax in the developed world. The
recently introduced guidance from the Ihas [Independent Healthcare Advisory Services] is a
mockery. It's a system of self-regulation which means that the very practitioners who should be
regulated will not sign up. There have been more than 100 fillers introduced in the UK and in
many cases they were withdrawn due to side-effects. Essentially the UK becomes a testing ground
for new products."
So would he recommend traditional plastic surgery over the lunch-hour treatments? "Few people
have social lives so hectic that they cannot give themselves the luxury of having a treatment in
an unrushed fashion," Mr Nduka says, "without the anxiety that swelling might show."
Dr Mike Cummins, a GP and cosmetic surgeon who, after requests from patients, agreed to carry out
group treatments at Botox parties, agrees that the "lunch-time" label can be misleading, but says
that as doctors' experience of anaesthetics increases, "there continue to be more and more
advantages to daycare procedures, both for the patient and the client. Laser-assisted liposuction
is getting to the point where it's more than reasonable to do it under twilight sedation and
cosmetic surgeons are all working to get the least trauma to tissue under local anaesthetic as
possible."
In Jeanette Winterson's novel The Stone Gods, published in 2008 but set in a futuristic
dystopia, people alter their genes to preserve their youth and get plastic surgery to amplify
what's left. Only the protagonist, Billie, chooses to age naturally, wrinkling slowly among the
smooth foreheads and perky breasts. Winterson worries about the normalisation of cosmetic
surgery. "What really bothers me," she says, "is that women used to be made to believe that their
minds were inadequate, but we were allowed our bodies. Now that we can't be told our minds aren't
up to it, our bodies are paraded as defective. It is the same old control. It is not just an
assault on women – it is a war on feminism."
She emails me later that day. "I find 'lunch-hour surgery' savage and cynical. An insecure woman
is a woman who will pay to feel better about herself. Disguising insecurity and feelings of
inadequacy as empowerment is part of the usual twisted message of consumer advertising, but where
women are concerned the strategy asks us to fund our own oppression. We pay to feel better
instead of asking why we are made to feel defective in the first place... We need to understand
that what is happening to women now is part of a disturbing bigger picture and not just a
question of: 'Does madam fancy a nose job?'"
How does Winterson see society progressing in this era of perfectibility? Does she predict new
lows, new depths? "We'll all get fixed eventually. Parents will do it to their kids. It will
become routine. The Stepford Wives world of the 1950s was made impossible by feminism. We are
heading back that way by another route. Women made in the image of men."
After Diane's 15-minute nose job, I take a walk through Harrods' beauty hall. I feel a little
drunk. I had gone into the clinic expecting gore, or at least tears, but I left shocked only at
the dry eyes, lack of fuss, the ease, the speed and gentle effectiveness. The women in Harrods
testing the perfumes are largely blondes, largely wrinkleless, and largely slim. I see three
people who look like Caprice, but as reflected in varying fairground mirrors. I watch a mother
pick out scented candles for her granddaughter's wedding reception, and admire her shiny still
forehead as she quietly exclaims over jasmine perfumes. I'm suddenly aware, looking discreetly
from face to face, of all the "work" done and all the work yet to be done. It is an awakening of
sorts. A half-awakening, maybe, to an odd new twilight world.
QUICK FIXES The most popular nonsurgical procedures
MACROLANE: BOOB JAB Created by Q-Med, the Swedish company behind the wrinkle-filler Restylane,
Macrolane was launched in Europe as a correctional filler for body indentations. It wasn't until
it was used in Japan in 2004 that it took off as an alternative for breast implants
– by January 2008, when it launched in the UK, about 30,000 Japanese women had
had the boob jab. The procedure, which takes 45 minutes, involves a gel filler made of hyaluronic
acid being pumped into the breast through a flexible knitting needle-sized canula. PRICES from
£1,800
RESTYLANE: NOSE JOB Restylane, a water-based filler, is a synthetic reproduction of hyaluronic
acid, a substance found in living organisms. Until recently its main use has been to plump lips
and fill crow's feet, but the new procedure involves injecting the bridge of the nose to fill in
dents, and the tip, so it appears perkier. Effects wear off within 18 months. PRICES from
£350
BOTOX An injection of Botulinum toxin A (a diluted and purified form of the bacteria which causes
botulism) softens and prevents frown lines. The jab, 22 years old this spring, changed the face
of cosmetic surgery, with celebrities including Simon Cowell admitting to relying on it to look
younger. Each year it is estimated to make its manufacturers around £800m from more than
60,000 injections. PRICES £230 to £390
JUVEDERM: LIP ENHANCEMENT A series of injections of Juvederm filler around the mouth can make the
lips fuller and reshape ageing pouts. Juvederm contains hyaluronic acid which, by attracting
water, plumps up the skin. Results last for up to a year. PRICES from £250
guardian.co.uk © Guardian News & Media
Limited 2010 | Use of this content is subject to our Terms & Conditions | More Feeds

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Slashdot -
22 hours and 9 minutes ago
MichaelSmith writes "I code on the tram, going to and from work and I noticed that there are a lot
of wifi access points along the way. So one week I made it my job to write an automatic scanner
which runs from a cron job every minute during commuting times. My backup script pushes the new AP
names to my web server and you can read it on line. It is a mixture of the straightforward, naive
and funny, with a few pop culture references along the way. The first column in the file is the
number of access points with that name. The second column is the AP name, in brackets to pick up
white space." Why can't "Dress Me Slowly" and "Domestic Bliss" just share an AP?
Read more of this story at Slashdot.

|
Slashdot -
22 hours and 9 minutes ago
MichaelSmith writes "I code on the tram, going to and from work and I noticed that there are a lot
of wifi access points along the way. So one week I made it my job to write an automatic scanner
which runs from a cron job every minute during commuting times. My backup script pushes the new AP
names to my web server and you can read it on line. It is a mixture of the straightforward, naive
and funny, with a few pop culture references along the way. The first column in the file is the
number of access points with that name. The second column is the AP name, in brackets to pick up
white space." Why can't "Dress Me Slowly" and "Domestic Bliss" just share an AP?
Read more of this story at Slashdot.
|
Guardian Unlimited -
22 hours and 11 minutes ago
Charles Arthur investigates how the ways in which we watch sport, read magazines and do business
with each other could change for ever
Don't act too surprised if, some time in the next year, you meet someone who explains that their
business card isn't just a card; it's an augmented reality business card. You can see a collection
and, at visualcard.me, you can even design your
own, by adding a special marker to your card, which, once put in front of a webcam linked to the
internet, will show not only your contact details but also a video or sound clip. Or pretty much
anything you want.
It's not just business cards. London Fashion Week has tried them out too: little symbols that
look like barcodes printed onto shirts, which, when viewed through a webcam, come to life.
Benetton is using augmented reality for a campaign that kicked off last month, in which it is trying to find models from among the
general population.
Augmented reality – AR, as it has quickly become known –
has only recently become a phrase that trips easily off technologists' lips; yet we've been
seeing versions of it for quite some time. The idea is straightforward enough: take a real-life
scene, or (better) a video of a scene, and add some sort of explanatory data to it so that you
can better understand what's going on, or who the people in the scene are, or how to get to where
you want to go.
Sports coverage on TV has been doing it for years: slow-motion could be described as a form of
augmented reality, since it gives you the chance to examine what happened in a situation more
carefully. More recently cricket, tennis, rugby, football and golf have all started to overlay
analytic information on top of standard-speed replays – would that ball have
hit the stumps, the progress of a rally, the movement of the backs or wingers, the relative
flights of shots – to tell you more about what's going on. Probably the most
common use is in American football where the "first down" line – the distance
the team has to cover to continue its offence – is superimposed on the picture
for viewers.
But those required huge systems. AR took its first lumbering steps into the public arena eight
years ago: all that you needed to do was strap on 10kg of computing power –
laptop, camera, vision processor – and you could get an idea of what was
feasible. The American Popular Science magazine wrote about the idea in 2002 – but the idea of being permanently
connected to the internet hadn't quite jelled at that point.
"AR has been around for ages," says Andy Cameron, executive director of Fabrica, an interactive
design studio which works with Benetton, "maybe going back as far as the 1970s and art
installations that overlaid real spaces with something virtual." He mentions in particular the
work of pioneering computer artist Myron Krueger.
What's changed in the past year is that AR has come within reach of all sorts of developers
– and the technology powerful enough to make use of it is owned by millions of
people, often in the palms of their hands.
The arrival of powerful smartphones and computers with built-in video capabilities means that you
don't have to wait for the AR effects as you do with TV. They can simply be overlaid onto real
life. Step forward Apple's iPhone, and phones using Google's Android operating system, both of
which are capable of overlaying information on top of a picture or video.
Within the small world of AR, one of the best-known apps is that built by Layar, which – given a location, and
using the iPhone 3GS's inbuilt compass to work out the direction you're pointing the phone
– can give you a "radar map" of details such as Wikipedia information, Flickr
photos, Google searches and YouTube videos superimposed onto a picture you've taken of the scene.
For Americans, it will also pull in details from the government's economic Recovery Act
– so that if you're on Wall Street and want to see how many billions went into
which building, it will show you.
Or, more usefully, Yelp offers an augmented reality
application that will show you ratings and reviews for a restaurant before you walk in
– the sort of thing that could make restaurants quiver with delight, or
shudder in horror.
Or maybe it wouldn't need to know where it is; only who it's looking at. A prototype application
demonstrated at the Mobile World Congress in Barcelona in February took things a little further
again. Point the phone at a person and if it can find their details, it will pull them off the
web and attach details – their Twitter username, Facebook page and other facts
– and stick them, rather weirdly, into the air around their head (viewed
through your phone, of course). "It's taking social networking to the next level," says Dan
Gärdenfors, head of user experience research at The Astonishing Tribe, a Swedish mobile software company.
And there are fabulously useful applications: at Columbia University, computer science professor
Steve Feiner and PhD candidate Steve Henderson have created their Augmented Reality for
Maintenance and Repair (Armar) project. It combines sensors, head-up displays, and
instructions to tackle the military's maintenance needs: start working on a piece of kit, and the
details about it pop up in front of
you. Imagine if you could put on a pair of special goggles when you needed to investigate
your car's engine, or a computer's innards, and the detail would pop up. That's the sort of idea
that Armar is trying to implement, though for the military at first..
Yet it's fashion which seems to have leapt quickest into this technology. The T-shirt with AR in
London Fashion Week was developed by Cassette Playa, a label that has been worn by Lily Allen,
Rihanna and Kanye West. Carri Munden, who designed it with the Fashion Digital Studio at the
London College of Fashion, described it as "mixing reality and fantasy". Adidas, too, has
launched trainers with AR symbols in the tongues: hold them to a webcam and you are taken to
interactive games on the Adidas site.
The process by which the strange symbols get translated into images is simple enough: the website
takes the feed from your webcam (you have to explicitly allow it to do so, so there are no
security worries) and analyses it for the particular set of symbols that the program is looking
for. (Some easy calculations mean the symbols can be detected whichever way up you hold the
item.) Videos and pictures are then sent back to you.
Andy Cameron says that the arrival of an open-source, hence free, AR tool kit has let companies
build their own AR applications, using Flash – the pervasive animation and
video technology used for many online ads and YouTube's videos – "which
immediately meant you had huge penetration, because Flash is everywhere". (Something like 98% of
all computers are reckoned to have Adobe's Flash Player installed.)
"If you build your AR application with Flash, then you can get it out to everybody in the world
with a computer with a webcam," says Cameron.
Benetton is using AR in its latest campaign, called "It's My Time" which aims to get members of the public to put themselves forward as
potential models, and uses AR to show more details about existing models. But its first most
visible use of AR was last year in issue 76 of Benetton's Colors magazine, a quarterly
fashion product. Dozens of pages have AR symbols: hold the page up to a webcam, and you see film
and more photos of the person on the page. "The Colors editor and the creative director
of Fabrica got very excited about it," says Cameron.
Cameron can see huge potential which could even revive the fortunes of print advertising. "Think
of a commercial page, an advert, in a fashion magazine. It's pretty expensive. With this
– and this is the way that the more hard-nosed people in Benetton saw the
advantage – it means that you can get more products on the page." Print an AR
code, get people to come to the site, and you can show them so much more, while measuring the
return from your effort.
The technical cost is a tiny part of the overall effort. "The printing and photography cost [of
the advert] is the same. And the development cost is pretty small."
And of course where advertisers go, the publications that house them are sure to go as well.
Esquire magazine in the US and Wallpaper* in Europe have done "augmented
reality" editions, with Robert Downey Jr coming to life on the cover of the former, and AR text
providing videos and animation in the latter. But there are more possibilities for journalism
using AR: for example if you "geotag" newspaper articles (so that you say that an item relates to
a particular place) then someone visiting a site could learn about events relevant to the area
via their smartphone.
Book publishers too are leaping in: Carlton Publishing will release an AR book in May, featuring
dinosaurs that pop out of the pages when viewed, yes, through a webcam. Future releases include
war, sport and arts titles which will also have extra AR elements.
Yet in media it's the advertisers who are most excited. The possibilities of geotagged, targeted
adverts – which in effect hang in the air until someone comes along to find
them with a smartphone – or of AR adverts which open up a whole new world of
opportunities (and perhaps discounts or loyalty bonuses) when you follow them through
– are yet another glimpse of the holy grail ofads that know exactly who and
where you are.
Is there a risk that we'll all become AR'd out – that it will become boring as
advert after advert invites us to hold it up to a webcam? "What's hot today is ancient history
tomorrow," says Cameron. "There have been a lot of bad uses of this technology with a rush to use
it. We have had the chance to reflect on what it means and how to use it. The key is that it
should be an enhancement of the stuff on the printed page."
Even so we're still in the early stages, he argues. "It's very primitive –
having to use a webcam, holding a magazine up to it. Obviously we're really interested in the
opportunities with handheld devices. It's very frustrating that the iPhone doesn't allow access
to the live video stream." (Nor does it run Flash, another problem for would-be AR designers.)
"People in design are very annoyed with Steve Jobs," he observes. "We don't really understand why
Apple won't allow that."
Given that access, he says, "you could hold your iPhone up to a billboard and get something
amazing right there". What about the alternative, such as Google's Android-based Nexus phone? "It
looks like you could do it on that," he says. But of course the iPhone is a target market. "Maybe
Apple wants to keep that for itself," Cameron says. "Maybe they're lodging patents. Or maybe the
processor on the iPhone isn't fast enough."
Yet there are some who think that AR has already had its brief time in the sun. At the Like Minds
conference in Exeter at the beginning of March, Joanne Jacobs, a social media consultant,
described an AR application that demanded you buy a T-shirt and then go and sit in front of your
webcam – so you could play Rock, Paper, Scissors. By yourself.
"It's hopeless," Jacobs said.
Cameron admits to some uncertainty about AR's measurable impact. "I don't know if it sells more
things, but it seems clearly a good thing if we can get people who may be customers to
participate in the adverts." But, he adds: "If people start to play with the adverts in a way
that exposes them to more products, that's got to help bring a commercial return."
Charles Arthurguardian.co.uk © Guardian News & Media Limited 2010 | Use
of this content is subject to our Terms & Conditions | More Feeds

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digg -
22 hours and 56 minutes ago
There is no such thing as safe harbor from Zombies. Over the years they’ve infiltrated
peaceful towns, ominous mansions, space, and even Nazi Germany.

|
Guardian Unlimited -
1 days ago
France 12-10 England
France duly won the grand slam, but not in the manner to which their supporters had become
accustomed. It was England, gallant in defeat, who showed the ambition and enterprise with Ben
Foden and Chris Ashton damning the national management for not being bolder sooner, but once
again they were outsmarted. A rainy night in Paris was not the time to discover that handling was
not taboo in rugby.
England scored the only try and came close to adding three more while France barely threatened
their line, but the conditions demanded a territory game, something England belatedly came to
realise and they brought on Jonny Wilkinson for the shoot-out. He kicked one penalty but was
never in range for a drop goal as France claimed their fourth consecutive title in seasons after
a Lions tour.
France had already won the championship courtesy of Scotland's victory in Ireland a few hours
before, but they had made it clear all week that the title would be a mere consolation and that
it was the grand slam and England's scalp they craved.
They were presented with two early opportunities to attack after Dylan Hartley's crooked throw
into a line-out in his own 22 led to France being awarded a free-kick at the subsequent scrum.
They took it quickly but settled for the very English option of a drop goal from the fly-half
François Trinh-Duc.
England then decided to play like France. Toby Flood launched his back line from deep and Mike
Tindall freed Mark Cueto with a long pass. The ball was quickly recycled, Flood threw a cut-out
pass to Flutey who gave the ball in one movement to the debutant, Chris Ashton. He in turn
shipped it quickly to Ben Foden on the left wing who had an unopposed 30-metre run to the line
for Flood to convert, an example of how to create space without making a break.
The last time England had shown any swagger was when Flood played in the centre against Wales,
and then only off turnover ball. Not even the rain put them off last night, Ashton twice breaking
tackles only for his kick to be charged down by Clément Poitrenaud before England
surrendered possession at the breakdown.
England's catharsis left France stunned to the point of catatonia. Flood went on a mazy run just
outside his own 22 and it was Les Bleus who were applying the brakes, Trinh-Duc's long
touchfinder winning applause from the crowd before Morgan Parra missed a long-range penalty.
England were missing Steve Borthwick in the line-out, even if their general demeanour more
resembled that of his successor as captain, Lewis Moody. Simon Shaw's right shoulder gave out
again after 15 minutes and he was replaced by the Stade Français lock Tom Palmer, one of
five France-based players in the squad.
England's scrum started to go backwards, missing Shaw's ballast, and the role reversal continued
as France, growing ever more cautious, crept back into the lead with two Parra penalties, the
second after England's's front row collapsed a scrum after being shoved ignominiously backwards.
The referee taking such a disdainful view of England's scrummaging was Bryce Lawrence, the New
Zealand official who contentiously blew Phil Vickery off King's Park during the first Test
between the Lions and South Africa last year.
The rain fell ever harder but still England looked to keep the ball in hand. It was, perhaps,
another example of the one-dimensional approach that has been their ruin since the 2003 World
Cup, over-reliance on a gameplan. Too much of the match was being played in their half and two
more penalties for scrum collapses gave France the position from which Parra kicked his third
penalty.
Both England's props were feeling the squeeze and the hooker Hartley had been warned after his
knee connected with the prop Thomas Domingo's ribs. It was one way of trying to sort out the
problems in the scrum, but England conceded 10 penalties and free-kicks to two in the opening
period, indiscipline undermining their new-found ambition and they went into the interval 12-7
down.
England made two changes in the front row at the start of the second-half, Steve Thompson and
David Wilson adding bulk up front and getting the scrum out of reverse gear. England continued to
seek space but they were most threatening when turning the defence by kicking: Care's chip to the
line would have been taken by Foden had it not bounced into touch, while Ashton, a right-footer
playing on the left wing while Cueto was a left-footer playing on the right, lost the race for
his chip ahead with Poitrenaud.
England had clearly been told to play more in their own half, but kicking is not Flood's forte.
He was hopelessly short with a long-range drop goal attempt and sliced a weighted kick towards
the France 22 directly into touch. The visitors had at least stopped haemorrhaging penalties and
their defence, apart from one move that saw the wing Marc Andreu threaten down the right, did not
suffer from doubt.
Foden and Ashton, in contrast, were causing the defenders grief with their angles of running and
footwork, but England were not turning pressure into points. Cueto's run into the midfield was
not picked up and he had a clear run into the home 22: Flutey was outside him, but Cueto tried to
step Poitrenaud and was nailed.
As the game entered the final quarter, France's nemesis over the years, Wilkinson, was brought
on. He went to outside-half with Flood shifted into the centre in place of Flutey. It was now
about points and when Julien Bonnaire boneheadedly took out Care at a ruck near halfway,
Wilkinson brought England back to within two points with a 50-metre penalty.
England were now within a drop goal of winning. France had been 9-8 ahead in the last five
minutes of the 2007 semi-final against England at the Stade de France when a Wilkinson penalty
and drop goal turned the game. The crowd tried desperately to rally their side as Les Bleus
looked to set up camp in England's half, but nerves and hands betrayed the new champions.
Wilkinson kicked deep, hurting his shoulder after leading the chase, and France four times ran
from deep. Bonnaire blatantly entered one ruck from the side but was not penalised, though after
Julien Malzieu had been hauled down on his own 10-metre line, James Haskell, not long on, flopped
over the top.
France gave away a penalty of their own through Jean-Baptiste Poux. Wilkinson's kick only made
the halfway line as the countdown clock reached zero. England were forced to move the ball, but
Cueto's knock-on ended the game to the relief of France and the anger of the England manager,
Martin Johnson, who came on to the field to remonstrate with the officials over a quick line-out
four minutes from the end, which saw Wilkinson gain 60 metres, but that was not the reason
England lost.
Paul Reesguardian.co.uk © Guardian News & Media Limited 2010 | Use
of this content is subject to our Terms & Conditions | More Feeds

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Read/WriteWeb -
1 days and 2 hours ago
In the
next few weeks, the ReadWriteWeb events guide will take you from New York City, to San Francisco,
to Portland, Oregon. Along the way you'll find a conference on search engine strategies, a
showcase for startups, an in-depth look at the freemium business model, and a day filled with of
social media case studies.
How do you like your events calendar? As a
world map? As an
iCal (and Google Calendar-importable) file? You can also import individual events using the
link beside each entry. Know of something cool taking place that should appear here? Let us know
in the comments below or contact us.
Sponsor
22 – 26 March 2010: New York City
Search Engine
Strategies New York Conference & Expo
Go beyond search at Search Engine
Strategies New York. Learn the newest trends, strategic action plans, and technology that
industry leaders are employing today. Our experts will trace the natural evolution of search
exploring topics such as: digital asset optimization, mobile application development, transition
from search to discovery and more.Book your pass today. Enter RWW15 to save 15% off the
registration. Sessions include:
- Digital Asset Optimization
- Deep Dive Into Analytics
- Augmented Reality: It's a Brave New World
- Bringing SEO In-House: The Pros and Cons
- Advanced B2B Search Marketing
- Duplicate Content & Multiple Site Issues
23 March 2010: San Francisco, California
S.F. Beta 4.0
After a long winter's hiatus, S.F. Beta is back, for its forth year straight! Join
hundreds of founders, investors, developers, and technologists for a lively evening of demos,
drinks, conversation, and new connections. Early bird
tickets are available, and they're going fast. Register now for discounted admission. As
always, we feature startup demos all night. This time around, the theme is Search &
Discovery. If you're building the next Google (or the next Google acquisition), we want you here!
Email cperry@sfbeta.com for more info.
26 March 2010: San Francisco, California
Freemium Summit
The first Freemium Summit is a one day
event focused on exploring what it takes to succeed under the freemium business model. Across all
segments of the media landscape, entrepreneurs and executives are pioneering models that combine
a free offering with a premium, paid offering. This hybrid business model is one of the most
exciting areas of business model innovation impacting the world of media and the Freemium Summit
will explore the most important topics on the minds of leading practitioners.
Confirmed Speakers: Toni Schneider, Automattic (WordPress); Matt Brezina, Xobni; Aaron Levie,
Box.net; Phil Libin, Evernote; Tom Conrad, Pandora; Drew Houston, Dropbox; Ranjith Kumaran,
YouSendIt; Ben Chestnut, Mailchimp; Lance Walley, Chargify; Isaac Hall, Recurly; and Lincoln
Murphy, Sixteen Ventures.
March 29, 2010: Portland, Oregon
Social Fresh Portland
The social media conference for marketers, Social Fresh is not about concept, but focused purely on
case studies from the front lines. Learn what social media can really do for business bottom
lines. Over the course of the day, you'll hear from 35 speakers from companies like Intel, Ford,
Comcast, Nike and many more, as well as keynote Peter Shankman. Register now and use coupon code RWW15 for 15% off.
4 April 2010: Carnegie Mellon University, Pittsburg, Pennsylvania
ConnectNow
TEDx CMU is an independently
organized TEDx event that will be held on April 4th, 2010 at Carnegie Mellon University and will
feature a full day of talks by prominent speakers as well as recorded videos from past TEDTalks.
Confirmed speakers include Jonathan Fields (author, blogger and entrepreneur), Stacey Monk
(founder of Epic Change, a startup nonprofit), Chase Jarvis (photographer, director and social
artist) and Nathan Martin (CEO of Deeplocal, an innovation studio in Pittsburgh).
The theme of the event is "Fearless", and we are inviting speakers from cross-disciplinary
backgrounds to talk about their experiences, and tell us a little about what inspires them to be
fearless in the pursuit of goals. We hope to spark discussions and foster connections between
participants, encouraging aspiring individuals to follow their dreams and make a difference. The
event is free to attend, and the application deadline is March 21, 2010.
For more information about the event, visit tedxcmu.com or email
info@tedxcmu.com. You can also find TEDx CMU on Facebook
or follow us on Twitter.
7 – 9 April 2010: Sydney, Australia
ConnectNow
ConnectNow brings together international
specialists and thought leaders in social media, emerging technologies and their intersection
with business. Learn how the realtime web, location based services, augmented reality, ubiquitous
computing and personalised services are changing marketing and communications. Understand the
importance of trust in relationship marketing and what is "social currency". For more info email
info@connectnow.net.au.
13 – 15 April 2010: Dallas, Texas
PubCon South
PubCon, the premier search
and social media conference, features the industry's biggest names and key players shaping the
future of the Web. PubCon South will include
cutting-edge panel sessions exploring tracks dedicated to search, social media and affiliate
marketing, an intensive professional search and social media training program, and some of the
world's top keynote speakers. PubCon South at Dallas will also hold a one-day, two-track slate of
intensive educational training programs led by some of the industry's most respected search
professionals. The event takes place at the Richardson Conference and Civic Center. Register
here.
16 April 2010: Mountain View, California
Under the Radar: Cloud
Under the Radar: Cloud is must-attend
event for dealmakers and heads of IT from large enterprises, SMBs, service providers, carriers
and media companies who are responsible for helping their companies leverage new technology and
innovation in the fast-evolving IT ecosystem. Join us for the 15th Under the Radar conference,
featuring a hand-picked selection of the world's most innovative cloud startups among 350 top
tech, media, telcom and finance executives. For ticket and more information, visit http://undertheradarblog.com.
16 – 17 April 2010: Royal Oak, Michigan
FutureMidwest
FutureMidwest is the region's largest technology and knowledge
conference. Founded by Adrian Pittman, Jordan Wolfe and Zach Lipson, FutureMidwest is the fusion
of two successful conferences held in Michigan in 2009 - the Module Midwest Digital Conference
and TechNow.
Both conferences highlighted how technology and digital tools have dramatically changed the way
we do business and the effect this transition has had on companies. FutureMidwest kicks things up
a notch with presentations, group breakout sessions, relationship-building opportunities and
influencers who are taking action to redefine business in the digital age. Register here.
April 19, 2010: St. Louis Missouri
Social Fresh St. Louis
The social media conference for marketers, Social Fresh is not about concept, but focused purely on
case studies from the front lines. Learn what social media can really do for business bottom
lines. Over the course of the day you'll hear from 35 speakers from companies like Ford, Best Buy,
Scottrade, Hardees, CMT and many more. Register now
and use coupon code RWW15 for 15% off.
19 – 21 April 2010: San Francisco, California
DrupalCon
DrupalCon is
the premier conference focused on Drupal, the award-winning open source content management
framework that is galvanizing social publishing and web development today. For a registration fee
of $195, attendees get three full days of sessions led by the best and brightest Drupal
experts.
Drupal has been downloaded over 2 million times since its inception, and project growth has
doubled annually for several years. Drupal is used to deliver a wide variety of application types
including blogs, wikis, community networks, digital media portals, and web content publishing and
management.
26 April 2010: San Francisco, California
Future of Money and Technology Summit
The Future of Money & Technology
Summit will bring together the best and brightest thinkers around money, including
visionaries, entrepreneurial business people, developers, press, investors, authors,
solution/service providers, and organizations who work where cash and commerce collide. We meet
to discuss the evolving ecosystem around money in a proactive, conducive to dealmaking
environment. Featured speakers include Jolie O'Dell from ReadWriteWeb, as well as representatives
from Wells Fargo Bank, Kiva, SharesPost, Jambool, Founders Fund, Outright.com, SoftTech VC, and
many more.
Use discount code "rww" to get 10% off registration.
7 May 2010: Mountain View, California
ReadWriteWeb Mobile Summit
2010
The ReadWriteWeb Mobile Summit 2010
will be an exploration of the latest Mobile development trends - both the technology and the
emerging business applications. Get ready to explore, think and create the future of Mobile with
the brightest in the industry, your peers! As in our last Summit, The Real-Time Web, the
ReadWriteWeb Mobile Summit is an unconference.
An unconference is a participant driven conference where the agenda is created
on the day, in real-time and discussions are lead by conference participants. Read about the history of unconferences.
We will have two main tracks at this Summit - Development and Business - so the Summit will be of
interest to managers, marketers, developers, innovators, entrepreneurs and thought leaders alike.
Here's a sample of some of the topics we'll explore in both of these tracks.
Click here to register now, or to become a sponsor, or to help shape the
conference.
11 May 2010: San Francisco, California
FinovateSpring
FinovateSpring 2010 will again showcase the most cutting-edge
financial and banking technology innovations to Silicon Valley and the world. With Finovate's
signature mix of short, fast-paced onstage demos (no slides are allowed) from handpicked
companies and intimate networking time with their executives, this conference packs a ton of
unique value into a single day.
Come see the cutting edge of banking and financial technology and network with hundreds of the
leading financial executives, venture capitalists, press, industry analysts, bloggers and fintech
entrepreneurs. Early bird registration
rates are available.
May 17 2010: San Francisco, California
SF MusicTech Summit
The SF MusicTech Summit
will bring together 700-plus visionaries in the music/technology space - the best and brightest
entrepreneurs, developers, investors, service providers, journalists, musicians and organizations
who work with them at the convergence of culture and commerce. We meet to discuss the evolving
music, business and technology ecosystem in a proactive, conducive-to-dealmaking environment.
Enter the discount code "rww" to get 10% off.
25 – 27 May 2010: Denver, Colorado
Glue
Glue is the only conference devoted
solely to exploring the problem-sets facing architects, developers and IT professionals in a
"post-cloud" world. Glue focuses on the APIs and protocols (Twitter, Facebook, Websockets,
PubSubHubBub, XMPP), formats and standards (RDF/Linked Data, JSON, Microformats, HTML5),
platforms and providers (Amazon, Rackspace, Google App Engine, Salesforce.com, Eucalyptus),
Identity Protocols (OAuth/WRAP, SAML, OpenID, SPML) emerging NoSQL data models (Cassandra,
CouchDB, MongoDB, Riak, HBase), and other mechanisms that are building the post-cloud world.
ReadWriteCloud will be blogging live from Gluecon and CloudCamp, and ReadWriteWeb's Alex Williams
will be moderating the "Managing Complexity in the Cloud" session. Please join us May 25-27 in
Denver, Colorado. ReadWriteWeb readers can receive 10% off of
registration by using the code "RWW12".
15 – 16 June 2010: New York City
Corporate Social Media Summit
The Corporate Social Media Summit is a
two day conference focused exclusively on how big businesses can take advantage of social media
to enhance their marketing/comms strategy. Featuring:
- Practical and relevant insights from peers who have already used social media successfully
- 20-plus corporate speakers (including
PepsiCo, Whole Foods, Dell, McDonald's, General Motors, Citi, Johnson & Johnson),
- Best practice, benchmarks and practical next steps you can use to take advantage of social
media in your business
- A tightly-focused agenda with 14 in-depth,
practical workshops giving you knowledge on only the most critical business issues surrounding
corporate use of social media
Save $400 if you quote RWW400 when booking. Book here.
29 – 30 June 2010: London
Cloud Computing World Forum
The 2nd annual Cloud Computing World Forum is
the perfect event to learn and discuss the development, integration, adoption and future of cloud
computing and SaaS. Building on the success of the 2009 show, this two day conference and
free-to-attend exhibition will provide a focused platform for the global cloud and SaaS industry.
Show highlights include:
- Co-located with CloudCamp London
- Co-located with Green IT conference
- Free-to-attend exhibition with seminar and scenario theatre
- Free-to-attend evening awards presentation
- Hear from leading case studies on how they have integrated cloud computing and SaaS into
their working practices
- Learn from the key players offering cloud and SaaS services
- Evening networking party for all attendees
5 October 2010: New York City
FinovateFall
FinovateFall will return to Manhattan on Tuesday, October 5 to
showcase dozens of the biggest and most innovative new ideas in financial and banking technology
from established leaders(...)

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linkfilter.net - fresh links -
1 days and 3 hours ago
When we were writing our book, it occurred to us that there was a kind of misinterpretation of
which a very incautious reader might be guilty, and which we ought to do our very best to block. We
did do our very best; but to no avail. Ned Block and Philip Kitcher make precisely the mistake that
we’d dreaded. Worse, they then proceed to commit several other misreadings, the possibility
of which, we admit, had not occurred to us. We’ll now do our very best to correct their
mistakes, but time and space are pressing, and the opportunities for misinterpretation are, it
appears, boundless. First misreading: Block and Kitcher think we argue, erroneously,
that ”with respect to correlated traits in organisms—traits that
come packaged together—there is no fact of the matter about which of
the correlated traits causes increased reproductive success.” They then
speculate that we are making ”the very ambitious claim that whenever there are correlated
traits there is no fact of the matter about which of the traits causes any
effect.” But, of course, we don’t believe, still
less endorse, either of these theses. In fact, we think both are preposterous. ...cc: the Science
is not an orthodoxy files Chapter 2 --- Eppur, like the Earth, si muove Link to the Kitcher and Block critique of What
Darwin Got Wrong that prompted the exchange

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Montreal Classifieds at eClassifieds4U: Free Classified Ads in Montreal -
1 days and 3 hours ago
Beautiful and comfortable apartment, which feels like a house.
Totally renovated, maintaining the typicat Style of 1900s Montreal, it is situated in the
residential region of the Plateau- Mile End: one of the nicest and most visited neighbourhoods of
Montreal.
With charming rooms, very well furnished with a combination of modern and antique furniture, high
quality mattresses, it can comfortably accomodate 4 people, or a couple with children. A sofa bed
can be used for a 5th person if so desired.
- Capacity: 2/4(5) people
- Area: 1550sf (plus 300sf deck and yard)
- Living room and study: 1 sofa, 2 armchairs, coffee table, full sized desk, HIFI, DVD and Flat
Screen TV.
- Master bedroom: 1 queen bed (1,53 x 2,03 m) with independent springs, 2 night-tables, 1 chest of
drawer, closet, others.
- Double Bedroom: 2 high quality twin beds, others.
- Dining room: Ample space for 6.
- Kitchen with eating area: All appliances(fridge, stove, dishwasher, microwave, toaster, electric
kettle, etc.), utensils, cutlery, dishes, and other necessary items included.
- Bathroom: 6' bathtub, and washer/dryer.
- Private yard: large deck, Gas BBQ.
- Sheets, towels.
- Wireless Internet.
- Optional house cleaning service. For longterm stays, a cleaning twice a month is included in the
cost.
No smoking permitted inside the apartment.
Special low season cost for 2 people: CAN$120/day, CAN$750/week, CAN$2500/month.
Special low season cost for 4 people: CAN$160/day, CAN$1000/week, CAN$2800/month.
Minimum stay is 3 days.
For more information, photos, description of the neighbourhood, please visit our web site at:
http://www.petit-sejour.com

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MacUpdate - Mac OS X -
1 days and 4 hours ago
Sky Checkers 1.0.2 Sky Checkers is a free
cross-platform multiplayer game that is inspired by an old Kirby mini game.
The objective is to knock your enemies out of the checkerboard using your weapon. The last one
standing wins.
The basic default controls are that you move with the arrow keys and fire with the space bar.
Online play requires port 4893 to be open on UDP.
REQUIREMENTSMac OS X 10.4 or later.
PRICEFree
DEVELOPERZorg
DOWNLOADS10
DOWNLOAD NOW
(8.1 MB)
More information
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Boing Boing -
1 days and 4 hours ago
Don't muck around in the affairs of planets that are less technologically advanced than yours.
Despite how often it gets ignored, Star Trek's Prime Directive is a pretty nice attempt to take a
universe brimming with life and figure out how to interact with it in an ethical way.
Unfortunately, the Prime Directive isn't terribly nuanced. How do we relate to alien life that's
as, or more, advanced than us? What if alien life is bacteria—do we still have to leave its
home planet alone? How do we explore the galaxy without spreading—or picking up—any
deadly diseases? The Prime Directive can't really help you here. That's why scientists from NASA
and the SETI Institute are boldly going where no bureaucracies (real or fictional) have gone
before—drawing up the safety protocols we Earthlings will use as we explore new worlds, and
the social and ethical guidelines we'll turn to if we ever do find life on other
planets....

|
Boing Boing -
1 days and 5 hours ago
Don't muck around in the affairs of planets that are less technologically advanced than yours.
Despite how often it gets ignored, Star Trek's Prime Directive is a pretty nice attempt to take a
universe brimming with life and figure out how to interact with it in an ethical way.
Unfortunately, the Prime Directive isn't terribly nuanced. How do we relate to alien life that's
as, or more, advanced than us? What if alien life is bacteria—do we still have to leave its
home planet alone? How do we explore the galaxy without spreading—or picking up—any
deadly diseases? The Prime Directive can't really help you here. That's why scientists from NASA
and the SETI Institute are boldly going where no bureaucracies (real or fictional) have gone
before—drawing up the safety protocols we Earthlings will use as we explore new worlds, and
the social and ethical guidelines we'll turn to if we ever do find life on other
planets....

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Montreal Classifieds at eClassifieds4U: Free Classified Ads in Montreal -
1 days and 7 hours ago
Ideal shared housing. Nice room available immediately! For personal occupancy.
Reasonable $600 a month, truly all inclusive! NOT ONLY electricity, hot water, heat, BUT ALSO
laundry, telephone, furniture, AND EVEN high class appliances, high speed Internet, high quality
satellite TV!
Yes! FREE utilities (real savings for you). FREE laundry (washer & dryer at home). FREE
Internet (unlimited Wi-Fi). FREE television (over 120 channels). FREE phone line (no-limit local
calls). FREE parking. One of the best neighbourhood -- friendly and safe -- priceless!
No matter where your are from (student or professional, welcome!). No matter long or short term
stay (monthly). No matter when you like to move in (flexible starting date). No hidden fees. No
bills to pay. No surprise rate-hikes. No deposit needed. No smoking. No pets. No problem!
Your private bedroom is fully FURNISHED: single size bed, comfortable mattress, study desk, deluxe
chair, closet space, floor lamp, reading lamp, chest of drawers, duvet, pillow, bed sheet,
drapes/curtains. Second floor of a charming triplex in great condition. Stylish stone wall.
Hardwood floors, high ceilings, spacious house, huge windows. Sunny, bright, and most importantly,
very clean!
TWO bathrooms with shower/bathtub and twin sinks. Modern kitchen/dining room completely equipped
with top-of-the-line appliances: stainless-steel refrigerator, smooth-top stove, range hood,
microwave oven, toaster, coffee maker. What's more? Rice cooker, dishware, utensils, lots of
cabinets. Extra: dining table set. Plus: premium smoke alarm. Bonus: a terrific terrace!
CONVENIENT location! Corner of major street in the heart of Montreal island. 5 minutes bus to
Rosemont metro station; 15 minutes to get to downtown or universities. Easy access to public
transportation: main bus routes 197, 45, 10, 18...
Close to all: convenience store downstairs, cafe bar across the street, bank on next block, 24-hour
restaurants around the corner, supermarket within walking distance. Relax at the beautiful Parc
Père-Marquette, or enjoy the nearby recreation center (FREE indoor swimming pool, FREE
ice-skating arena).
Call (or text) now: 514-831-7788 Gordy. Reference preferred.
____________________
Disponible dès maintenant! Une belle chambre meublée. Pour une seule personne. Grande
maison à partager. Date et durée flexible selon vos besoins. Location long ou court
terme. $600/mois tout compris, même internet et télé-satellite! 2 salles de
bain communes. Cuisine complètement équipée. L'endroit est propre et calme. Un
des plus beaux quartiers de la ville. Situé en plein coeur de l'île de
Montréal. 5 minutes en autobus à station métro Rosemont, ligne orange. Non
fumeur. Pas d'animaux.
Très confortable. Très abordable! Inclus dans le prix: électricité, eau
chaude, chauffage, internet sans-fil haute-vitesse illimité, télévision
satellite (120 canaux), téléphone. En plus: laveuse, sécheuse,
réfrigérateur, cuisinière, four micro-ondes, grille-pain, cafetière,
vaisselle, verrerie, ustensiles, serviettes et table. Aussi, entretien ménager des parties
communes.
Au 2e étage d'une maison triplex charmante. L'espace privée, soit votre chambre, est
entièrement meublée et comprend d'un lit simple, literie, bureau de travail, chaise,
commode, garde-robe. Grandes fenêtres de qualité supérieure. Beaucoup de
soleil. Puits de lumière. Propre et éclairé. Bien décoré.
Planchers de bois francs. Hauts plafonds. Accès à une grande terrasse
extérieure.
Découvrir et profiter pleinement le Montréal. Vers l'université, centre ville,
etc: 15 minutes. Proche de les transports publics, choix lignes d'autobus: #197, 45, 10, 18...
Secteur paisible et agréable. Quartier résidentiel plaisant, tranquille et
sécuritaire. Stationnement facile.

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Wired Top Stories -
1 days and 8 hours ago
Immerse yourself in vivid interstellar visuals as Imax brings extraterrestrial wonders down to
Earth.

|
GigaOM -
1 days and 8 hours ago
Google this week took
another step toward getting its own Android-based handset, the Nexus One, on as many U.S.
carriers as possible. Originally released on the T-Mobile network, the device was added to
AT&T next, and then Verizon. Sprint said this week that it will become
the fourth major carrier to support the Nexus One — which should help boost the
lower-than-expected sales
numbers of what many feel is the best Android phone on the market.
Google Buzz is one of those services that folks either love or hate. Those in the pro-Buzz camp
will love the new Google Buzz
widget, which can be placed on the home screen of any Android phone, where users can post
text and photos to it with a single tap. The widget also supports geolocation. Posts submitted
through it are uploaded in the background, and as such do not impact performance nor usage of the
phone.
More on Mobile Apps
And the Android OS may be coming to a TV near you! Google, Intel and Sony have entered into a
partnership
to create Google TV, a venture aimed at bringing social networking into the set-top TV box
space. Google TV will be based on the Chrome web browser, which doesn’t currently work with
Android. Launch is slated for this summer.


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Rage3D Discussion Area - 75,85,87,93,99 -
1 days and 8 hours ago
I've never bought DLC for a game before, but probably will get the new gta content
whats better space wise for install, the DLC direct from MS or the dvd which is currently selling
preorder on play for £14.99
Does anyone know if the dvd would just 'add' to the existing install or does it install a whole new
15gb of data, I guess its not a major issue but i'm still curious how it works, i've been trying to
find out online how the dvd works since I know it will work standalone and I can't seem to find any
info on it.
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CiteULike: Borelli's watchlist -
1 days and 9 hours ago
Sensors and Actuators B: Chemical (03 December 2009)
A new drift compensation method based on common principal component analysis (CPCA) is proposed.
The drift variance in data is found as the principal components computed by CPCA. This method finds
components that are common for all gasses in feature space. The method is compared in
classification task with respect to the other approaches published where the drift direction is
estimated through a principal component analysis (PCA) of a reference gas. The proposed new method
– employing no specific reference gas, but information from all gases
– has shown the same performance as the traditional approach with the
best-fitted reference gas. Results are shown with data lasting 7 months including three gases at
different concentrations for an array of 17 polymeric sensors.
A Ziyatdinov, S Marco, A Chaudry, K Persaud, P Caminal, A Perera
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CiteULike: Borelli's watchlist -
1 days and 9 hours ago
Sensors and Actuators B: Chemical, Vol. 123, No. 1. (10 April 2007), pp. 437-443.
We perform feature selection (FS) on an electronic nose (EN) dataset composed of 30 features,
obtained by extracting 5 diverse features from the response curves of six metal oxide sensors. The
5 features are: the classical relative change in resistance R / R 0 ; the curve integral both over
the gas adsorption and desorbtion process and the phase space integral, again over adsorption and
desorbtion. The phase space integral is a novel feature introduced in [1] . We show that
performance (in terms of the cross validated test error of a three nearest neighbour classifier) is
always significantly better for the best selected features than for all 30 features. Moreover
– for some of the 5 features types – performance with all
30 features is worse than performance with just the 6 features of a single type. Results are not
univocal regarding the best feature type. Yet, on average over the four datasets in which the
complete dataset can be decomposed, the phase integral calculated over the desorption wins. Also,
the features (phase and integral) calculated on the desorbtion seem to consistently give higher
performance than the corresponding features calculated during adsorption. The standard R / R 0
stands in the lower part of the ranking.
M Pardo, G Sberveglieri

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MaxConsole.net News -
1 days and 9 hours ago
So some details have been released on how much space is needed for Project Natal. Apparently you
will need an area extending at least 13 feet away from the TV. The field of vision for the device
is about 4 meters wide and 2.7 meters high which isn't too bad at all (nearly 9 feet). Check out
even more details at
|
Planet Ubuntu -
1 days and 9 hours ago
No really. I prefer GNOME, so clearly pretty isn’t the biggest factor here. When I first
started using Ubuntu, I would drag the top GNOME panel to the bottom and have it sit
under what is normally the bottom panel. It looked ugly as sin, but this is how, as (back in
2005) a recent Windows refugee, I was used to working and so this is how I chose to organise my
space.
Most importantly, it wasn’t hard for me to do this. My most recent installs, almost 4 years
later, primarily on laptops rather than desktops tended to be left as is — a panel at the
top and a panel at the bottom. I find this seems to suit laptops better, and
I’ve become accustomed to it. However, had I not been able to move the panel from the
start, I might even have ended up on Kubuntu. Well, if it were not for the silly single-click
thing that fires stuff off even when you don’t want it to, like when you bump the mouse
accidentally. Ok, truth be told, I probably would have stuck with Ubuntu, because, well, all the
functionality was still there. Just in a different place to where I was expecting
As with most computer users, I’ve never owned a Mac. When I was little, my school had a
some (iirc) Mac II’s but I am pretty certain that the number of times that I, at 28, have
used a Mac since would barely exceed the number of digits on my hands, and OS X is nothing like
the first Macs I used. I think the last time I used a Mac was in 2005; for about 20 minutes.
But now with the sneaky Lucid UI changes, I might as well be using OS X as far as my learned
behaviours are concerned. And lets just hope that my laptop trackpad doesn’t jump at an
inopportune time — like it does sometimes when I go to open the system menu and instead hit
the firefox icon right next to it instead — as trackpads are prone to.
I work 100% from a laptop and use the trackpad 90% of the time. The chance this ridiculous UI
change will not bite me hard is pretty slim. The only plus I’ve come across so far
is that it made it easier to close out of the awkwardly oversized evolution setup wizard that
launched on my eeepc701.
However, putting even that glaring risk aside, the one thing that I am absolutely hating
the most about these sneaky UI changes is the abolishment of informative
tooltips. This is a loss of functionality.
My battery icon, my wifi connection icon, my xchat icon — they now tell me nothing
when I merely nudge them, I now have to smack them over the head with the cursor. I cannot tell
at quick glance if I have enough charge for something, on the wrong wifi network, or whether I
can ignore that xchat message I missed the notification for. I have to exert time, energy, and
most importantly brain focus to get what used to be a simple matter of an effortless
enlightenment. I now have to go through what is sometimes several clicks. Extra clicks are bad.
Clicks add obscurity. Extra clicks are effort.
This bleeps me right off. I can learn to move a mouse in a different direction (though I’m
not at all believing that new windows migrants will cope), but I really do not have the
capacity to circumvent the application to read the bytes from the disk myself to find out what my
battery level is without clicking through some dialogs. The software is supposed to do that
for me.
Alas, my software no longer does this for me, and ergo, my software no longer works for me.
To get this information, I now have to do stuff for my software. I
should not be working for my software.

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linkfilter.net - fresh links -
1 days and 10 hours ago
Universal Music Group (UMG) is embarking on one of the most ambitious efforts yet to boost U.S. CD
sales, with the test of a new pricing structure designed to sell most new releases by current
artists at $10 or less at retail. The major's "Velocity" pricing program responds to
the continuing plunge in CD sales, taking aim at brick-and-mortar retail stores that have scaled
back on floor space dedicated to music. The pricing adjustments will also bring CD prices more in
line with what consumers pay for digital albums at online retailers like iTunes and Amazon.
"We think it will really bring new life into the physical format," Universal Music Group
Distribution chairman/CEO Jim Urie says.
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Mashups via Programmable Web -
1 days and 13 hours ago
 Sociotoco
Search helps you find online profiles in most commonly used social networks like Twitter, LinkedIn,
and Facebook - all on one place. Date Updated: 2010-03-20
Developer: sociotoco
Tags: search, social
APIs: Bing, Blogger, Digg, Facebook, FeedBurner, Flickr, FriendFeed, Friendster, Google Ajax Search, Google Analytics, Hi5, Hyves, Last.fm, LinkedIn, MySpace, Posterous, Twinfluence, Twitter, Twitter Grader, TypePad , Vimeo, Windows Live Spaces, Yahoo Search, YouTube, ZoomIn

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What is Matoumba?
A website that sorts everyday the most relevant information to you.
Vote for the news and Matoumba will learn your tastes and the information that you like the most.
It is all FREE!
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