Kizzie of the blog I have no tribe, I'm Sudanese writes about what she calls the “Arabic linguistic colonization of Sudan”, a country where 142 other languages are spoken.

In a November 27 report discussing efforts to "turn around what some military analysts are calling an eight-year stalemate" in Afghanistan, NBC's Nightly News included a clip of NBC News military analyst and retired Gen. Barry R. McCaffrey saying, "The answer is the Afghan security forces, with 40 NATO and allied present supporting elements, but not the U.S. fighting the significant counterinsurgency battle." Neither McCaffrey nor NBC News disclosed during the report that McCaffrey is a member of the board of directors of DynCorp International, according to that company's website. An August 5 DynCorp press release reported that the company had been awarded an 18-month, $317.4 million contract with the State Department to "provide at least 580 civilian police advisors to advise, train, and mentor the Afghanistan National Police and the Ministry of Interior." According to a 2006 State Department "Fact Sheet," the "Afghan National Police" are one of two components of the "Afghanistan National Security Forces."

At the time Nightly News aired McCaffrey's remarks stressing the importance of "Afghan security forces," NBC was aware of McCaffrey's ties to DynCorp. McCaffrey's bio on MSNBC's website reports that he "has been elected to: the Board of Directors of DynCorp International." Additionally, in an April 20 New York Times article, investigative reporter David Barstow detailed the connections between media military analysts and the Pentagon and defense industries, and named McCaffrey as one of numerous military analysts who "have ties to military contractors vested in the very war policies they are asked to assess on air." Barstow reported that McCaffrey had his "own consulting firm[]" and "sat on the boards of major military contractors." (Following the Times' article, Media Matters for America conducted a review of appearances between January 2002 and May 2008 by military analysts named in the article, including McCaffrey, and identified more than 600 appearances by McCaffrey on NBC, MSNBC, and CNBC.)

Before Nightly News' November 27 broadcast aired, NBC was also reportedly aware of a then-forthcoming follow-up article by Barstow focusing on McCaffrey's extensive ties to military contractors. In a December 1 post on his Salon.com blog, Glenn Greenwald reported that he had "obtained, from a very trustworthy source" emails dated November 20 and 21 "between NBC News executives and McCaffrey (which cc:d [Nightly News host] Brian Williams), reflecting the extensive collaboration between NBC and McCaffrey to formulate a coordinated response" to Barstow's article, which was published on November 29 and detailed McCaffrey's ties to DynCorp, among other companies.

In his November 29 follow-up article, Barstow wrote that McCaffrey "has immersed himself in businesses that have grown with the fight against terrorism" and highlighted a June 28, 2005, NBC News special report anchored by Williams in which McCaffrey said that "the Iraqi security forces are real," but did not disclose his ties to DynCorp -- the company that trained those forces -- or to Veritas Capital, DynCorp's parent company. According to Barstow, McCaffrey served on DynCorp's board of directors at the time and "owned special stock that allowed him to share in DynCorp's profits, up 87 percent that year largely because of the Iraq war." Forbes.com has previously reported that McCaffrey joined DynCorp's board in 2005. Barstow further reported that McCaffrey has "earned at least $500,000" for his work on the "advisory council" of Veritas Capital.

According to a June 23 company press release, DynCorp has been a "major part of the CIVPOL [International Civilian Police] mission in Iraq since 2003" and has held the contract for the "overall Civilian Advisor Support work" in Iraq since 2004.

Barstow extensively detailed McCaffrey's role with DynCorp in his November 29 Times article, specifically how "when DynCorp executives learned that General McCaffrey was planning to travel to Iraq that June [1995], they asked him to sound out American commanders and reassure them of DynCorp's determination to make things right":

At the same time, General McCaffrey used his access to further business interests, as he did during the summer of 2005, when Americans were turning against the Iraq war in droves.

Veritas had been on a shopping spree, buying military contractors deeply enmeshed in the war. Its biggest acquisition was of DynCorp International, best known for training foreign security forces for the United States government. By 2005 operations in Iraq and Afghanistan accounted for 37 percent of DynCorp's revenues.

The crumbling public support, though, posed a threat to Veritas's prize acquisition. The changing political climate and unrelenting violence, DynCorp warned investors, could force a withdrawal from Iraq.

What is more, some of DynCorp's Iraq contracts were in trouble, plagued by cost overruns, inept work by subcontractors and ineffective training programs. So when DynCorp executives learned that General McCaffrey was planning to travel to Iraq that June, they asked him to sound out American commanders and reassure them of DynCorp's determination to make things right.

"It is useful both ways," Gregory Lagana, a DynCorp spokesman, said in an interview. "If there were problems, and there were, then we could get an independent judgment and fix them."

Mr. Lagana said General McCaffrey had been a troubleshooter for DynCorp on other trips. "He'll say: 'I'm going over. Is there anyone you want me to see?' " Mr. Lagana said. "And then he'd go in and say, 'I'm on the board. What can you tell me?' "

The Pentagon had its own agenda. For eight days, General McCaffrey was given red-carpet treatment. Iraqi commandos even staged a live-fire demonstration for him. But General McCaffrey also was given access to officials whose decisions were important to his business interests, including DynCorp, which was planning an I.P.O. He met with General [David] Petraeus, who was then in charge of training Iraqi security forces and responsible for supervising DynCorp's 500 police trainers. He also met with officials responsible for billions of dollars' worth of contracts in Iraq.

Barstow went on to report that following the June 2005 trip, McCaffrey "undertook a one-man news media blitz in which he contradicted the dire assessments of many journalists in Iraq" and "vouched for Iraq's security forces," including during the June 28, 2005, NBC News special report:

Back home, General McCaffrey undertook a one-man news media blitz in which he contradicted the dire assessments of many journalists in Iraq. He bore witness to progress on all fronts, but most of all he vouched for Iraq's security forces. A year earlier, before joining DynCorp's board, he had described these forces as "badly equipped, badly trained, politically unreliable." Just months before, Gary E. Luck, a retired four-star Army general sent to assess progress in Iraq, had reported to Mr. Bush that security training was going poorly. Yet General McCaffrey now emphasized his "surprising" conclusion that the training was succeeding.

After Mr. Bush gave a speech praising Iraq's new security forces, Brian Williams asked General McCaffrey for an independent assessment. "The Iraqi security forces are real," General McCaffrey replied, without noting the concerns about DynCorp.

His financial stake in the policy debates over Iraq was not mentioned. He did not disclose that he owned special stock that allowed him to share in DynCorp's profits, up 87 percent that year largely because of the Iraq war.

Despite McCaffrey's repeated failure to disclose his ties to military contractors, as exemplified by his appearance on that June 2005 NBC News special report, in which he said that Iraqi security forces (trained by a company whose board McCaffrey serves on) were making progress, NBC defended its actions and those of McCaffrey to Barstow. Barstow reported:

The president of NBC News, Steve Capus, said in an interview that General McCaffrey was a man of honor and achievement who would never let business obligations color his analysis for NBC. He described General McCaffrey as an "independent voice" who had courageously challenged Mr. [Donald] Rumsfeld, adding, "There's no open microphone that begins with the Pentagon and ends with him going out over our airwaves."

General McCaffrey is not required to abide by NBC's formal conflict-of-interest rules, Mr. Capus said, because he is a consultant, not a news employee. Nor is he required to disclose his business interests periodically. But Mr. Capus said that the network had conversations with its military analysts about the need to avoid even the appearance of a conflict, and that General McCaffrey had been "incredibly forthcoming" about his ties to military contractors.

In an April 29 post on his MSNBC.com blog, Williams responded to Barstow's April 20 article, describing McCaffrey and fellow NBC News analyst Wayne Downing, who passed away in July 2007, as "honest brokers" and writing that McCaffrey and Downing were "warriors-turned-analysts, not lobbyists or politicians":

All I can say is this: these two guys never gave what I considered to be the party line. They were tough, honest critics of the U.S. military effort in Iraq. If you've had any exposure to retired officers of that rank (and we've not had any five-star Generals in the modern era) then you know: these men are passionate patriots. In my dealings with them, they were also honest brokers. I knew full well whenever either man went on a fact-finding mission or went for high-level briefings. They never came back spun, and never attempted a conversion. They are warriors-turned-analysts, not lobbyists or politicians.

In asserting that McCaffrey "never gave what I considered to be the party line," Williams' post did not address Barstow's April 20 reporting on McCaffrey's ties to military contractors. According to a Media Matters search, Williams has yet to comment on Barstow's November 29 story.

From the November 27 edition of NBC's Nightly News with Brian Williams:

DAVID GREGORY (guest anchor): When the Afghanistan veterans return to the war zone, they may in fact be using a new strategy to defeat the Taliban. Here's NBC's Jim Maceda.

[begin video clip]

MACEDA: Even on Thanksgiving Day, there was no letup in Islamist attacks on U.S. and Afghan forces. In Kabul, yet another suicide bomber set off explosives, this time outside the U.S. Embassy, just as an American military convoy passed by. None in the convoy was hurt, but the car bomb killed four more Afghan civilians.

With violence escalating, U.S. military commanders are now looking at bolder strategies, like winning over Afghan tribal leaders with money and the promise of political power if they fight against the Taliban -- similar to the game-changing deal struck with Sunni tribes in Iraq -- and investing billions of dollars to beef up the Afghan army and police to some 200,000 forces. In Kandahar, the birthplace of the Taliban, Major John Payne, an embedded police mentor from Brooklyn, New York, shows Afghans how to search cars, interrogate people, and be good cops.

PAYNE: You got 200 liters a month, would that be good?

MACEDA: But he spends a lot of his time on other more basic issues, like helping out when the Afghan police cars run out of gas and keeping their poor living standards high enough to fight off corruption.

PAYNE: Well, we're not talking fancy things. We're talking power, water, and sewer.

MACEDA: But here in Afghanistan, what is often called "the other war" is heating up. Some 10 to 15,000 more U.S. combat forces are expected to deploy here over the coming months to try to turn around what some military analysts are calling an eight-year stalemate. Still, even those who support a surge in Afghanistan say it's not America's war.

McCAFFREY: The answer is the Afghan security forces, with 40 NATO and allied present supporting elements, but not the U.S. fighting the significant counterinsurgency battle.

MACEDA: But with Afghan forces still years from being able to hold their own against the Taliban, U.S. soldiers are likely to mark many more Thanksgivings here. Jim Maceda, NBC News, Kandahar Airfield, Afghanistan.

[end video clip]

This article has been published at RLSLOG.net - visit our site for full content.

Good morning, (if it’s morning in your place ) here is today’s music video post. In American Music Awards, Kanye said that he always tried to push the boundary of music. I do think his latest album “808s & Heartbreak” is different in style from his previous albums. Give it a try. And “Love Lockdown” is the first single released from this album. Although this release seems to have some source problem, it is the highest quality version so far. Enjoy!

The video was filmed in West’s home and features Kanye in an all white room, also dressed in white singing the verses of the song. During the choruses, African tribe members appear, beating on djembe drums. More tribe members are shown with each chorus, and near the end, two very tall female figures with drawings like the Nazca Lines appear. When coupled with the images of what appears to be a spacecraft of some kind, it can be assumed that the figures are in fact extraterrestrials. The video ends with Kanye laying in a fetal position on the couch in the white room.

more at RLSLOG.net

See more at http://www.minimovies.org It's every director's nightmare: to return home without your material. This is exactly what happened to director Rob Smits. At the beginning of Room 2017 we find him in a hotel room in Taipei. He has just returned from a trip to the Yanomami Indians in the deep green of Venezuela. Few men with a camera had spent time with this fierce tribe before him. But money talks, even in the wildest jungle, and on the day of his departure all but one of Smits' tapes were confiscated. Drifting through Taipei, capturing cityscapes that express his disorientation in a way that reminds us of Wenders' documentary Tokyo-Ga, Smits has to ask himself the desperate question: 'How to make a film with no footageω' Room 2017 is not only a highly inventive MiniMovie about creating a visual story from scrap, but also a contemplation on identity in a world where escaping the rat race has become all but impossible. We see the truly nerve-wrecking story of a man trying to regain what he was out to lose in the first place. With Room 2017, Smits turns a hopeless failure into a brilliant film.

Auteur : submarinechannel
Tags : room 2017 trailer submarine submarinechannel minimovies episode documentary indians native travel failure
Envoyé : 02 décembre 2008
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Auteur : poteaboris
Tags : robotek fmr free party 12-13-14/07/08 jura franche comté teuf rave tribe hardcore live electribe reason mental tribecore corbo 71 bresse sound system hardtek drum n bass doubs 25 pontarlier
Envoyé : 02 décembre 2008
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MySpace is not known for good design. Its garish profiles make designers nauseous. And yet, there are signs of hope: we’ve tracked down 50 MySpace music layouts that are quite remarkable. Stylish. Stunningly well-conceived. Beautiful, even.

Could it be that MySpace profiles aren’t all bad? You be the judge.

A Fine Frenzy - This artist has been high in the charts for quite some time, and her page, courtesy of BandSpaces.com, happened to make it as the first in our musical roundup. As you can see, it’s no wonder why.

Joss Stone - It’s all about placement and graphics. One glance down the artist’s page and it’s clear that the standard layout can be warped with some nice colorful touches. This page is a winner.

Shine - You can keep your page looking segmented if you like, but it doesn’t have to be boring. Sweep the page with images and buttons in the right places and you’ve got yourself a rockin’ MySpace destination.

MyNameIsAugust - Delivered by OutLoudMarketing, the page for August looks fairly ordinary in comparison with the items above, but it still manages to please.

Valerie Nicole - Tidy and neat, this isn’t as in-your-face as some of the others, but it’s still a sight for sore eyes - of which there are plenty across the wide world of MySpace.

Underhills - Though the silver-colored music player does feel a little clunky amid the wallpaper, the complete ensemble is nothing short of fantastic. It’s one of those pages bound to elicit an “I wish that had been mine” kind of critique from visitors.

Airlines - Let’s face it. Good promotional media from bands can mean great publicity. (Books are judged by their covers, in other words.) Which is why the MySpace page for The Airlines, another invention of BandSpaces, lands on this list. It gives the visitor a clear impression that they can make equally kick-ass without breaking the bank.

Lady Sovereign - I’ve been somewhat familiar with Lady Sovereign’s songbook for several seasons now, and the sharp color contrast of her MySpace page is befitting of the musical experience she delivers. Very billboard-esque, this one is.

Stereo Transmitted Disease - If you want to take things a little musica obscura in terms of your band name and bio and things, the page assembled for STD sets a good example. It’s a kind of hodgepodge, wrapped into an easily digestible square.

Man Like Machine - Lots of white space but still fun and playful, Man Like Machine is a music page, but gets marked in the Just Plain Pretty category just the same.

We Are Tokyo - This design is white and red in a way reminiscent of staple colors commanded by The White Stripes. Which is fine by us, because We Are Tokyo pull it off quite well.

Mia Sable - This is a winner in so many ways. Done up with just the right amount of glitz and glamour to make it stand out from the crowd, Mia Sable’s MySpace page is nothing short of fantastic. If this doesn’t make you envious, few others will.

The Academy Is - Having your band name plastered across nearly the full top fold of your MySpace page may not such a bad thing, so long as everything else looks proper. And it does!

Censura - Put your name and music front and center and leave the rest for window dressing. This one is not only beautiful. The geography of it makes it worthwhile to emulate.

The Midway State - Another boxy beaut, the page for The Midway State is impressive for its elegant design and its translucent features.

Race the Sun - This one’s simply a gem to look at. Loading the page takes some time, and some things make seem out of place, but heck if this isn’t one of the most image-enhanced pages on the network.

Cambria Detken - An extraordinary piece of work, the profile for Cambria Detken is one of the best. It makes good use of white space like and wraps it up in butterflies and flowers with plenty of green to go around.

Mr North - Oh what some motion graphics can do. The idea here is to splash the page. The paint job is entertaining. The features are all there. Altogether, it’s an engaging place to be. Which is the point.

Rented Mule - One of the more plainly drawn pages, Rented Mule Jazz is something that lots of folks could take cues from without a degree in design. Easy does it.

Helena Jesse - The lesson here: put heavy emphasis on your header and you’ll grab some attention. The rest of the page is fairly ordinary, but perhaps we’re in store for further enhancements.

Goodnight Caulfield - Akin to the Mia Sable page, albeit made for a four-piece group, Goodnight Caulfield’s profile is so polished that you start to question whether anything is wrong with it. Very little, it turns out!

Gonna Get Got - What a treat. Name emblazoned in white across the top, great graphical touches the entire length of the page, music placed front and center. What else can you ask for? Add another URL to the winner’s circle.

Zone Music - It would be quite basic without that collage to the right of the music player, but if that’s what makes this gem, then so be it. The page is superb with all facets included.

Paul Cullen - So well done, yet not excessively so. It befits the artist, for sure. Which is how it should be, wouldn’t you agree? Out Loud is responsible for making this page happen.

Scott Philipp - That’s Scott Philipp and the StoneBaby Band, to be precise. The contrast of colors make seem a little unusual to some. Black and soft gold are quite a juxtaposition to make. But stick around for a moment and you’ll why we picked it as one of the best.

Ricky Martin - Alright, you may like the guy’s music, or you may not. But one thing is certain. His MySpace page is a great one. It’s refined and easy to navigate without being imposing in any way.

The Stooges - The page rocks. Enough said.

Lenny Kravitz - If you haven’t seen the place before, you will be surprised. The choice of  photo slideshow and background and menu layout and profile componentry, there’s something for most any MySpace page designer to be fond of.

The Almost - Bold and soft all in one page, it’s an interesting thing to look at. It’s colorful but not too much so. It’s very clearly and basically designed, which makes it seem borderline amateurish. So it get a nod.

JMR Productions - We’ll toss this in simply for spice. It’s brash and at the same time fairly plainspoken. It’s great.

Brianna Sage - One of the better sites to make smart use of white space, the profile constructed by Out Loud for Brianna Sage is really well done. The design firm has certainly shown a consistency across many of its creations that it’s hard to imagine anything dreadful coming from its assembly line. A complementary applause is deserved.

Teddy Geiger - It’s not immediately apparent that this is a great design, but give it a moment, we say. It’s the right mix of photography and fringe edits that give it a place on this map.

Ken Hyland - One of the more clean and collected profiles of this broad bunch, the profile for Ken Hyland has professionalism written all over it.

Coldplay - Are broad brush strokes enough to make a MySpace page attractive? We think so. Oh, and there are plenty of little quirks and uniquities to satisfy most folks. (Just as long as they’re noticed.)

Led Zeppelin - The page is top notch. There’s nothing else to say, really. Top notch, indeed. Befitting of the band, wouldn’t you say?

Blue Island Tribe - It’s all waterworks here. And we have to admit, it looks pretty darn good. It may not be everyone’s cup of tea, but if you’re looking for surfer inspiration, you’ll be hard-pressed to find something much better.

Anouk - From top to bottom (or at least the middle), Anouk’s MySpace page is nicely finished. Everything is clearly delineated, which definitely works in its favor.

Kate Nash - It’s amazing what a checkerboard background can do to a MySpace page, isn’t it?

Citizen Cope - A grand banner topping the page, Citizen Cope’s profile has its rough spots, but there’s nothing that will displease. Chalk that assessment up to the backdrop.

Death Cab for Cutie - Have we gotten loose with our praise with this one? Perhaps, perhaps not. It’s certainly a subjective thing. Some will love the page for its squarish sensibility. It’s got a few abstract bones in its body, for sure.

Dido - Mostly black with plenty of beveled edges, Dido’s profile is well made. There’s ample empty space, which can detract from the sense of fine design, but that may suit some folks. Does it suit you?

Eisley - At least one member of the Mashable crew is partial to Eisley (hint: check the byline), so take this plug as you wish. The extra-large borders around every piece of the puzzle are what really bring things home.

Elbow - This band’s profile is black and white done right. It’s as simple as that.

Eminem - Everything’s so packed together that we can’t help but like it. It’s pretty much the antithesis of sprawl. Kudos on the set design, Eminem.

Ingrid Michaelson - There’s hardly anything unusual about this page, but its colorway and layout are what we think every band should strive for at the very least. The better to please listeners.

M.I.A. - Beware of the flash. Alternatively, if you like the flash, you’ll love it. Seriously.

Nine Inch Nails - Another fairly docile setup, the Nine Inch Nails profile is totally square and totally worth a plug. It’s NIN, through and through.

Radiohead - Its theme coincides with the In Rainbows release, so of course it looks great. Love the darkness, people. Love the darkness!

Smashing Pumpkins - How to summarize…. It has an elaborate headdress with plenty of band stamps to go around. Thumbs up for intelligent design.

U2 - Compared with the first half of this series, the U2 page is, in terms of the band’s global impression, woefully inadequate. But that’s this Irish quartet, for you. MySpace just isn’t cool enough for Bono and his Chanel shades. The thing is, the profile still amounts to an appreciable contribution to the network. How’s that for a finale?

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ProfileMine is a Hub for Your MySpace Layouts
MySpace Profile Editor??
MySpace Slideshow Widget from Imagelooop
Fox Sports’ News Tracker for MySpace
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CuStickam - Stickam Profile Editor

Bloodlines: Inside Higher Ed published an article on the recently revived lawsuit by the Havasupai tribe against researchers at Arizona State University. The suit alleges that researchers (other than the original investigator who collected the blood) have used blood samples for purposes other than outlined in the IRB protocols. Said one commenter:
“This is a really interesting case because it opens up some questions of the reasonableness of practices that have been flying under the bioethical radar,” said Jonathan Marks, a professor of anthropology at the University of North Carolina at Charlotte and an expert on informed consent and bioethics. Marks said that while he did not know the specifics of what happened in Arizona, he sees a widespread problem of anthropologists collecting blood for one purpose (with informed consent) and then having other scholars use the blood (without consent). Ethics issues abound, he said, because some of the subsequent research is potentially lucrative and because of the realities that these interactions do not take place on a two-way street.
Building/Burning Bridges: Hanna Fearn wrote for the UK Times Higher Ed Supplement on the divisions between evolutionary and sociocultural anthropology. Sometimes, one is left wondering whether The Great Divide Fearn speaks of is between evolutionary vs. social anthro or between U.S. and British models, as a lot of the British scholars interviewed suggested that the rising tide of evolutionary anthropology is coming from the States. Hmm, if that’s the case, the Chagnon reference might not be the most convincing. (Thanks to Crystal at Travel Scrabble for linking to this).

Addenda: Click here for a response to Fearn’s article by Michael Stewart on Cognition and Culture.

Archeology of Homelessness: Phys.Org reported on the research of Indiana University-Purdue University Indianapolis (IUPUI for the midwesternly challenged) anthropology professor Larry J. Zimmerman and IUPUI student Jessica Welch. The archaeological survey was designed to look at homeless life outside of shelters, where most ethnographies of the homeless take place. Welch, herself formerly homeless, and Zimmerman will be publishing results in Historical Archeology early next year.

Saying Goodbye to ‘the Stranger’: NY Magazine published a fairly lengthy article challenging the isolated individual trope that seems to linger on in urban and online studies (even Louis’s Wirth’s 1938 classic essay “Urbanism as a Way of Life” makes an appearance.) If you can ignore the self-loving parts where the author reminds us how quintessentially urban and wonderful New York is, it’s a pretty good article. (Thanks to Arts and Letters Daily for posting this).

It’s Electrifying! Lorenz at antropologi.info has a great interview with Tanja Winther about her new book, The Impact of Electricity: Development, Desires and Dilemmas.

Ladies and Gents, the punchline: What would a news roundup be without some fun stuff? The first one comes from deathpower.
Cleverest Hegel joke this week: Most Hegel scholars agree there are 3 kinds of people: those who don’t really understand Hegel, and those who never liked arithmetic anyway.
The second is filed under ‘weird toys’ on Visual Anthropology of Japan. Enjoy!