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VIENNA (Reuters) - The United States said on Friday the first independent monitoring report on an
alleged Syrian nuclear site had hardened suspicions that Syria was building a covert reactor and
would raise pressure on it to come clean.div class="feedflare" a
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The James M. DuPont Meteorite Collection - Lunar and Planetary Colloq. 2(4): 49. ScHiNDEWOLF, U.
& M. Wahlgren. 1960. Geochim. et Cosmochim. Acta. 18: 36. ScHMiTT, R. 1961. Proc. Symposium
Programming and L'tilization of Research Reactors. Int. Atomic Energy Agency. Vienna, Austria. In
press. Smith, J. V. 1962. L'npublislied work. Stauffer, H. 1961. Geochim. et Cosmochim. Acta. 24:
70. Suess, H. E. & H. C. Urey. 1956. Rev. Mod. Phys. 28: 53. SzTROKAY, K. I., V. Tolnay &
M. FoLDVARi-VoGL. 1961. .cta Geologica. 7: 57. Thode, H. G. & E. Anders. 1962. Unpublished
work. Thode, H. G., R. K. Wanless & R. Wallouch. 1954. Geochim. et Cosmochim. Acta. 5: 286.
Tudge, a. p. & H. G. Thode. 1950. Can. J. Research. 281B]: 567. Urey, H. C. 1952. The
Planets. Yale Univ. Press. New Haven. Urey, H. C. 1954. Astrophys.
VIENNA, November 21 /PRNewswire/ -- Dans une période difficile et agitée pour les
marchés financiers, le fonds Gilde Buy Out, investisseur de capital-investissement
paneuropéen de premier plan établi aux Pays-Bas, a pu acquérir la ...
Unfortunately we weren't able to make it out to Los Angeles for the opening of the Big Geezers
show at the Scion Gallery earlier this month. But judging from the photos on Flickr, it
looked like it was an amazing show and a hell of a lot of fun. Seeing the photos reminded us of
the types of art events that artists themselves would stage back to 2001-2002-2003 when the focus
was less on selling work to wealthy collectors, and more on bringing friends together for a good
time.
Over the last few years, Chaz (from the London
Police) along with Galo, Fortress and the other Geezers have become good friends, so it was
great to see the show come together. Chaz sent us a note last night from Japan, giving us a
rundown on how things went. We thought we'd share it with you here as it gives a terrific sense
of what the show was like:
"Roll up roll up! The circus is steaming into town. The Big Geezers are coming to LA for a
November 8th show at the Scion Installation LA gallery.
'So what’s all this here BIG GEEZERS all about?' I hear someone pipe up from the back.
Well, the BIG GEEZERS represents a would-be family of European and American artists who, over
several years, have met, worked together and traveled the globe in search of adventure, hope and
good times.
Armed with markers, paint and spray the BIG GEEZERS movement has seen group shows in Amsterdam,
Reykjavik, Torino, Berlin, Barcelona, New York, Oslo, Copenhagen, Warsaw, Bratislava, Vienna,
Budapest and drawing live with The Dandy Warhols in Portland.
'So what’s going to happen then?' bleats another interested party near the rear. Well let
me tell you sirs and madams. Expect fun, prizes, mirth and extravagance. All the fun of the fair.
Suited, booted and packaged to delight the humming crowd. Bring your mates, bring your pets,
bring your dinner and we'll 'ave it!
Moving on from the banal yawn-city, that IS modern day going-to-galleryness, the group have
decided that in LA 'entertainment 'is the name of the game and so entertainment there shall be.
This particular show the BG crew will attempt to blend visual ingredients with interactive
methods to cook up a good ol' splendid Saturday night pie. They hope to provide an odd and
wonderful night out for all those wide-eyed enough to be concerned.
7pm kickoff.
7.30pm With a microphone and a 15 man strong welcoming committee we asked people their names as
they came in and introduced them like they were guests
of honor e.g "LADIES and GENTLEMEN its Marc and Saraaaaaaaaaa" at which point the welcome
committee would bay their appreciation and cheer them a welcome to the show. it proved to be
really funny and not only had a personal touch but began to create an atmosphere...
8pm whilst the welcoming continued we opened up the shooting gallery. the big
geezers had put so much combined effort into the show and built a circus/fairground style shoot
out with wooden cutouts of our respective characters with holes in them. we bought a bunch of
pretty high tech kids guns from TOYS R US and it proved to be another strong inclusion to the
show.
at 8.30pm we began BALLOON DARTS whereby the public could take turns to burst balloons with
darts. 10 balloons had prizes in and when you won you got a big geezers tshirt which was designed
by Flying Fortress in a circus advertisement style. As the balloons went down a big collab piece
was revealed which nicely connected the art with the game. Luckily no-one got hit by a dart and
it was good times all the way to the next part of the show.
at 9pm my friend ABNER PREIS` made a clown performance/slideshow of his drawings which, again ,
gave the 700+ people who turned up another show within a show and another incling of
entertainment.
At 10pm the fairground closed and i have never felt such a buzz of MISSION ACCOMPLISHED among so
many geezers. the reaction of the people and the crew of SCION was amazing.
Austrian heavy 'zine Stormbringer.at conducted an interview with bassist Paolo Gregoletto of the
Florida metallers TRIVIUM prior to the band's November 16, 2008 concert in Vienna, Austria.
The Vienna
vegetable orchestra shares video of their shopping, creation, and performance processes. The
included concert footage is from a benefit for the Spanish Vegetable Workers Union.
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p style=text-align: justify;Il y a bien western et western, et là on est franchement dans du
pur plaisir intégral. Il y a un brin de nostalgie (Crawford et Hayden qui ne se sont pas vus
depuis 5 ans, une histoire damour avortée digne de emCasablanca/em), une forte dose de
tragédie (Carradine impérial, Borgnine en salop royal et un duel de gonzesses
infernal), un soupçon de chasse aux sorcières (écho ou non du maccarthisme,
cette foule dhommes en noir qui se fait mener par le bout du nez pour exclure
quot;létrangèrequot; vaut son pesant dacharnement), des couleurs aussi
tranchées que le regard bleu acier de la Joan et une action explosive comme ces rocs qui,
dès le générique, volent en éclats. Bref quand Jean-Luc Godard dit que
quot;Ray, cest le cinémaquot;, on veut bien le croire les yeux fermés./p p
style=text-align: center;a target=_blank
href=http://storage.canalblog.com/78/90/110219/32707486.jpgimg height=338 border=0 width=450
src=http://storage.canalblog.com/78/90/110219/32707486_p.jpg
alt=ag_Nicholas_Ray_Johnny_Guitar_DVD_Review_03_rc2_brd_043_01 //a/p p style=text-align: justify;On
assiste au départ à un véritable huis-clos tendu comme un ceinturon: un type
à la coule avec sa guitouse, une Joan Crawford qui ne desserre point les dents, une foule
dautochtones déchaînée et quatre petites frappes qui jouent les innocents. On
saccuse les uns les autres, il y a de la vengeance dans lair, des amours mis de côté
et des actes manqués (entre le quatuor Crawford (Vienna), Hayden (Johnny), McCambridge
(Emma) et Brady (Dancin kid). On se demande si dentrée de jeu cela ne va point tourner au
pugilat mais le Johnny Guitar détend plus ou moins tout son monde; on aura juste droit
à une bonne baston entre ce dernier et le Borgnine qui finit à moitié borne.
Vienna que tout le monde abhorre pour son opportunisme - elle est venue sinstaller dans le coin en
attendant larrivée du chemin de fer - a 24 heures pour fermer son saloon-casino et les
quatre branle-manette, sauf lErnest, sen sortent avec un avertissementnbsp; (ils sont malgré
tout lourdement soupçonnés davoir tué le frère de lEmma). Tant
quà faire, ils décident denfoncer le clou dès le lendemain en braquant la
banque du coin, alors même que la Joan venait retirer ses petites économies... Mise
dans le même sac que les fuyards, une chasse à lhomme sorganise./p p style=text-align:
center;a target=_blank href=http://storage.canalblog.com/67/06/110219/32707598.jpgimg height=338
border=0 width=450 src=http://storage.canalblog.com/67/06/110219/32707598_p.jpg
alt=a_nicholas_ray_johnny_guitar_dvd_review_05_rc2_gb_055_52 //a/p p style=text-align: justify;Si
la Joan paraît au départ sèche comme un coup de trique, il faut la voir peu
à peu lâcher du mou pour finir dans les bras du Hayden après une discussion
danthologie... Cinq ans ont passé, chacun tente de faire le malin, mais lattraction est
fatale; cette petite accalmie sera de courte durée, la Joan décidant de plaquer
là le Johnny pour revenir dans ses meubles... Heureusement le bougre veille. La
séquence où lon retrouve la Joan dans sa sublime robe blanche en tulle (hein?, oui
bon, je sais po, mais ça sonne bien) jouant du piano dans cette grande salle déserte
alors que la foule tout en noir débarque est un régal; Emma remonte chacun des hommes
comme des pendules pour lyncher la Joan alors que cette dernière plus têtue quune mule
corse décide de ne pas lâcher un pouce. Bon cette fois-ci cela va
dégénérer, lEmma foutant rageusement le feu au troquet. Celle-ci est
possédée, un vrai démon, exhortant les pauvres mâles tout pantois
à en finir avec elle... Mais le Johnny qui a dautres cordes à sa guitare
empêche le lynchage in extremis. Lassaut final est digne de emDuel au soleil/em même si
la toute fin est plus hollywoodienne quHollywood lui-même./p p style=text-align: center;a
target=_blank href=http://storage.canalblog.com/71/11/110219/32707547.jpgimg height=360 border=0
width=450 src=http://storage.canalblog.com/71/11/110219/32707547_p.jpg
alt=KMP_DVD__000562_16_11_50_ //a/p p style=text-align: justify;Si la direction dacteurs et le
scénar sont au taquet, dès le huis-clos douverture, cest un bonheur de voir les
trente mille changements dangles de prise de vue et la précision du montage. Rares sont les
westerns où chaque plan est autant calibré et les scènes daction plein de
bruits (des explosions un peu pour le fun, mais on sent que la colère, comme la montagne,
gronde) et de furie (Mercedes Mc Cambridge est à deux doigts de la camisole de force...).
Cen serait presque parfois presque too much mais on savoure lensemble avec un méchant petit
sourire de plaisir jusquau The End, qui tombe après une ultime chtite chanson envoutante. A
Ray in the sun.nbsp; nbsp;nbsp; /p p style=text-align: center;a target=_blank
href=http://storage.canalblog.com/21/24/110219/32707623.jpgimg height=237 border=0 width=320
src=http://storage.canalblog.com/21/24/110219/32707623_p.jpg alt=johnny //anbsp; /p
Bourse post-doctorale à l'Université de Chicago A new program promotes an
interdisciplinary study of contemporary Europe while creating networks linking scholars in Paris,
Vienna, and St. Petersburg with colleagues in Chicago. Through this program 12 young scholars from
Europe will spend 6 months in Chicago and participate in a variety of enriching and highly visible
activities. Learn more about this *Mellon Visiting Scholars Program* by exploring the links below.
Program Summary lt;http://centerinparis.uchicago.edu/mellon/gt;Call for Applications
lt;http://centerinparis.uchicago.edu/mellon/callForApps.shtmlgt;Application
lt;http://centerinparis.uchicago.edu/mellon/MellonApplication.pdfgt;Program
lt;http://centerinparis.uchicago.edu/mellon/programDescription.shtmlgt; Overview
lt;http://centerinparis.uchicago.edu/mellon/programDescription.shtmlgt; Responsable: Robert
Morrissey Benjamin Franklin ProfessorDepartment of Romance Languages LiteraturesUniversity of
Chicago tel: 773 702 8479email: rmorriss@uchicago.edu [...]
This list needs two health warnings. First, any orchestra is only as good (or bad) as the maestro
waggling the baton. I’ve heard the Vienna Philharmonic, for instance, play wonderfully and
atrociously – in the same week.
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